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Knowledge of Meaning
Knowledge of Meaning
by Bernhard Weiss
ABSTRACT The paper is sympathetic to the idea that speakers have implicit
knowledge of the semantics of sub-sentential elements of language, loosely, of
words. Implicit knowledge is knowledge which the subject need not be capable
of articulating yet which is a genuine propositional attitude and it is to be con-
trasted with tacit knowledge which refers to an information-bearing state which,
however, is not a genuine propositional attitude. I begin by defending the
implicit knowledge conception of speakers’ knowledge of the meanings of words
from a challenge articulated by Evans and then go on the offensive against
positions which attempt to replace the notion of implicit knowledge in semantic
theory by that of tacit knowledge.
II
A Rejection of Tacit Knowledge. It is one thing to show that
nothing has been proved against the idea of implicit knowledge
of the meanings of words, quite another to illustrate its explana-
tory value. In this section I want to move towards a sense of
this value by drawing out weaknesses in other accounts. In my
conclusion I’ll turn fleetingly to the task of characterising this
sense more positively.
The notion of implicit knowledge of the meanings of words
has two interrelated roles. On the one hand, as we noted towards
the beginning of the last section such knowledge would seem to
have a role in accounting for linguistic creativity. On the other,
vindication of such knowledge would be to vindicate ascription
of implicit knowledge of the semantic axioms of a compositional
theory of meaning thereby paving the way for an account of the
sense in which such a theory would explain speakers’ linguistic
capacities and justifying a conception of the semantic structure
KNOWLEDGE OF MEANING 83
III
Conclusion. I’ve argued that we need have no suspicion about the
idea that speakers have implicit knowledge of the meanings of
words and then have attempted to show that if we aim to con-
struct a compositional meaning theory which explains linguistic
creativity then we may well have use of such a notion. We might
do so because the rival accounts framed in terms of underlying
90 BERNHARD WEISS
REFERENCES
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