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Charles Eliot Norton Lectures #1
D AT E - 1 9 7 0
In 1970 Charles was appointed the Charles Eliot Norton Professor of Poetry at Harvard
University. The Norton chair is traditionally held by an individual who has made a
significant contribution to literature, music, or the fine arts. The individual is asked to
deliver a series of lectures at Harvard, which are open to the university community. The
announced topic of Charles’s lectures was “Problems Relation to Visual Communication
and the Visual Environment.” He delivered six lectures over a six-month period (October
1970 to April 1971), first at the Loeb Drama Center and then at the Harvard Theater,
where the lectures were moved to accommodate the large crowds who came to hear
Charles Speak.
Additional Information
On October 10, 1970, Charles delivered the first of his six Norton Lectures. He began by
talking about the problems of “making choices” and recognizing that the “business of life
in general is the primary source of pleasure and aesthetic rewards,” rewards that should
be arrived at internally through the “process” of working out problems in a disciplined
way. The “process” and “discipline” points were reinforced visually by the films Powers
of Ten, Tops, a rough, unfinished version of Banana Leaf, and by the Circus slide show,
which concluded the lecture.
Charles began using the slide show in 1945 in Lecture I as a way of structuring the
interplay of visual and verbal information. Although some technological refinements
were added over the years as equipment became more sophisticated, the form of the
shows remained the same. Charles usually began by prefacing his presentation of an
announced topic with some introductory remarks about the occasion at which he was
speaking and then alternated the slides with his spoken comments (unless a prerecorded
track had been produced). Charles did not always follow his prewritten notes or even the
announced title for a lecture. Often, something would come up during the course of an
event (a question or remark from the audience or a new approach to a subject would
occur to him) that changed the direction of the entire lecture.
The central message of the slideshow Circus is that the circus, which seems to be a
freewheeling exercise in self-expression, is instead a tightly knit and masterfully
disciplined organic accumulation of people, energies, and details.
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