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Git276rev Shadow
Git276rev Shadow
G
Humbucking £189 ermany’s Shadow was one of the into the soundhole, but looks fairly slim The SH NFX-AC
LR Baggs M1 Active pioneers of acoustic instrument from the front. It’s encased in a tough is an under-
£229 saddle pickup
pickup technology back in the early moulded plastic housing, and is lighter with integrated
Though considerably
cheaper in the UK, 1970s, and remains a major brand to than its US counterparts. The mounting preamp and
Takamine’s Tri-Ax is this day. However, it seems that clamps are a bit fiddly, and need longer volume control
just a re-branded LR Fishman, LR Baggs and B-Band have tightening screws to cater for thick-
Baggs M1 Active, in been hogging the limelight in recent lipped soundholes (Lowden/Avalon).
black, with a unique
triaxial secondary coil years, especially at the professional end Despite this poor design, both clamping
suspension system that of the steel-string acoustic pickup surfaces are padded.
senses top vibration, market. Still, Shadow continues to Internally, this active pickup
active/passive switch, produce innovative products; and while uses a stacked-coil hum-
Allen-head pole pieces
with threadless tops, a pro-standard magnetic soundhole cancelling set-up, with two
gold-plated output pickup is nothing that hasn’t been seen samarium cobalt bar
socket and better, before, its new Nanoflex under-saddle magnets, and is totally
tidier-looking clamps. pickups are an intriguing development. shielded from extraneous
The slimmer, black
Rare Earth is less electrical interference. The
conspicuous, and SH 145 Prestige Phillips head pole-pieces
differs in its lack of Like Fishman’s Rare Earth and LR are adjustable for fine-
adjustable pole pieces Baggs’ M1 (issue 253), this unit extends tuning string-to-string balance.
and superior, cork-lined
clamps. As mentioned,
the Baggs M1 Active is
the same as the Tri-Ax,
The SH NFX-AC delivers a solid, full-bodied and
only with an ivory-
coloured top and no
generally balanced tone, with negligible background
active/passive switch noise and plenty of output, and you do get a sense of
the acoustic character coming through
114 MAY 2006