The Gently Flowing La Glore

from Tokimeki Memorial Piano Collection 2


Transcribed by Pseudo

q = 70

          
  
           
         
 
p
      

         



                   
5
          
 




  

  
   
       
    


 
              
9

   
      


 


   
     
 
 
      
     


13
   
          
          
 
  
pp p
    
       


2

         
17
    
         
   


  

     
p

   
  


    
21
   
      
 
      
     



   
    
            
       


 


25

 
               
         
 
pp rall.
      
    
    



30 a tempo
         
      
     
  p 3
   

                
  
   


pp

 
 
35

        
            
 
                    
 
   

3

    
39
 
p

                
 3
pp
           
                
 
   


      
 
43

      

 
3

        

            
   


   


  
47
           
    
  3
3
3
cresc.
         
            
  
  



50
                    
   3
    
3
mf   
    dim.
  
3

             
  
  



rall.

    
 
53

       
             



p
   
      
           
     
   

    
4 a tempo
57
               
     
     
p
 
  
 
      
  
  


               
61
    




 


 
  
 
  
  
  
 


   
              
65

          
 
 pp
   
      
       
  


 
poco rall. a tempo
  
69
     
 
    
  
   





 

p
      
     


73
 
                  
  
    
   
p
 
     


5
77
  
               
          
   



 p

      
       
   


   
81
  
poco rit.
     
      
           

 
dim. pp
       
 


       
  

85 a tempo
       
 
     
   
pp cresc. mp p cresc.
  
            


   

88

           
        
      

  
mf
               
   



 
 
91
    
 


 



     







 pp
p poco rall. dim. pp p

       

       