D.H. Lawrence (1885-1908) was born on 11 September 1885 in Eastwood
(Nottinghamshire), a growing collier village of about 5000 inhabitants and a vast majority of the male population were colliers ( Lawrence’s father and all three paternal uncles worked down the pit). It was a tightly-knit community of men whose life depended on each other. They also had to support wives, few of whom had jobs, and children who mostly could not wait until they were 14 to be able to start as colliers. It was not a promising background for a man who would make his life’s work writing about the fulfilled relationships of men and women, and the crucial relationships b/w human beings and the natural world. Lawrence was the fourth child of Arthur Lawrence and Lydia Beardsall. Lydia had originally had ambitions to be a teacher and was always bookish and interested in intellectual matters. Her marriage to a collier in 1875 created a great deal of tension in the family. No matter their poverty, Lydia had married for love, a man who worked with his hand ( and came home black). But it also seems possible that when he married Lydia he had not told her that he himself worked underground. The loss of her own family, her disillusionment with her husband, and her anger at the ease with which, after early promises, he slipped back into the male world of evenings spent drinking with his mates, her dissatisfaction with her own roles as wife and mother had created in Lydia Lawrence both depression and a great deal of anger Home life for the Lawrence children became polarized between loyalty to their mother as she struggled to do her best for them, in saving and encouraging them in taking their education seriously, and a rather troubled love for their father, who was increasingly treated by his wife as a drunken never- do-well and who drank to escape the tensions he experienced at home. Lydia Lawrence consciously alienated the children from their father, and told them stories of her early married life ( like, for example, the episode when Arthur locked her out of the house at night ) which they never forget or forgave their father for. All the children apart from the eldest son George grew up with an abiding love for their mother and various kinds of dislike for their father. Arthur Lawrence, for his part, unhappy at the lack of respect and love shown him and the way in which his male privilege as head of the household was constantly breached, reacted by drinking and deliberately irritating and alienating his family. It seems quite likely that, for long periods of their childhood, his drinking and staying out in the evenings until his tipsy return would lead to a row, effectively dominated the children experience. His behavior, and his spending of a portion of the family income on drink, caused all the major quarrels between the parents, divided the children’s love and loyalty and left D.H Lawrence with a profound hatred of his father and an anxious sympathetic love for his mother. The young Paul Morel lying in bed at night praying “ Let him be killed at pit” ( Sons and Lovers) is probably a true memory of the young Bert Lawrence, lying in bed waiting for his father’s return home at night. During childhood, like the other children in family, young Herbert Lawrence was on his mother’s side. He resented his father’s coarse behavior and allied himself with his mother’s delicacy and refinement. After the death of an elder brother, he became the center of his mother’s emotional life. In a letter written in 1910, he wrote: “ Their marriage has been one carnal, bloody fight. I was born hating my father as early as I can remember. I shivered with horror when he touched me. He was very bad when I was born.” So, his working class background, his locality, Eastwood-“ the country of my heart”, and the tension between his parents were the raw materials for quite a number of his works.. When his mother developed cancer in 1910, and as she wasted away, Lawrence was devastated and described the next few months as his “sick years”. It is clear that Lawrence had an extremely close relationship with his mother and his grief following her death became a major turning point in his life. He began writing Paul Morel (later Sons and Lovers) as an investigation into his relationship with her. Her bitter disapproval of her son’s relationship and near romance with Jessie Chambers also featured in the novel. It was said that Sons and Lovers was a brilliant illustration of Sigmund Freud’s theory of the Oedipus Complex and represented his deep concern with the male-female relationship. . He believed that industrialization and machinery degraded people and bitterly blames” D.H Lawrence got a reputation as a writer on sexual themes but actually his themes were much wider than that. He examined all aspects of human relationships, the relationship between Man and Nature, between the spirit of Man and the spirit of industrialism which could deny the true nature of humanity. His radical ideas about human relationship were deeply influenced by the psychoanalyst Sigmund Freud. He explored the ideas that people’s motives for their actions were unconscious and deeply linked to sexuality. Sex, for Lawrence, was a moral issue and represented the mysterious generative aspect of the universe. It was also a way to respond to the inhumanity of the industrial culture. He was at odds with the materialistic outlook of his day and could not bear pretence of any kindthe moneyed classes and promoters of industry” He was a modernist in so far as he relied heavily on the use of symbols in his stories. But the realistic nature of his writing was evident in his unflinching depiction of the grim struggles of everyday life.