H%&MILTON AN AMERICAN MUSICAL The purchase, rental or use of these materials does not constitute a license to perform this play. Performance without a license is a violation of United States copyright law and an actionable federal offense. ISBN 978-1-4950-6586-6 HALeLEONARD® m=™—§icCORPORATION 7777, Buemound RA, P.O. ox 13819 Milwaukee, WI 53213CONTENTS Alexander Hamilton My Shot The Schuyler Sisters You'll Be Back Helpless Satisfied Wait For It That Would Be Enough History Has Its Eyes On You Dear Theodosia What'd | Miss The Room Where It Happens Washington On Your Side One Last Time Hurricane Burn It's Quiet UptownJEFFREY SELLER SANDER JACOBS JILL FURMAN AND THE PUBLIC THEATER PRESENT HxMILTON AN AMERICAN MUSICAL BOOK, MUSIC AND LYRICS BY LIN-MANUEL MIRANDA INSPIRED BY THE BOOK ALEXANDER HAMILTON BY RON CHERNOW wi DAVEED DIGGS RENEE ELISE GOLDSBERRY JONATHAN GROFF CHRISTOPHER JACKSON JASMINE CEPHAS JONES LIN-MANUEL MIRANDA JAVIER MUNOZ LESLIE ODOM, JR. OKIERIETE ONAODOWAN ANTHONY RAMOS PHILLIPA SOO aN CARLEIGH BETTIOL ANDREW CHAPPELLE ARIANA DEBOSE ALYSHA DESLORIEUX SYDNEY JAMES HARCOURT NEIL HASKELL SASHA HUTCHINGS THAYNE JASPERSON. STEPHANIE KLEMONS MORGAN MARCELL EMMY RAVER-LAMPMAN JON RUA AUSTIN SMITH SETH STEWART BETSY STRUXNESS EPHRAIM SYKES VOLTAIRE WADE-GREENE Scenic DESIGN COSTUME DESIGN LIGHTING DESIGN SouNo Design DAVID KORINS PAUL TAZEWELL HOWELL BINKLEY NEVIN STEINBERG HAIR AND WG DESIGN MUSIC COORDINATOR PRESS REPRESENTATIVE CHARLES G, LAPOINTE MICHAEL KELLER SAM RUDY MEDIA RELATIONS MICHAEL AARONS TECHNICAL SUPERVISION PRODUCTION SAGE MANAGER COMPANY MANAGER HUDSON THEATRICAL ASSOCIATES J. PHILIP BASSETT BRIG BERNEY casts ARRANGEMENTS (GENERAL MANAGEMENT TELSEY + COMPANY ALEX LACAMOIRE BASELINE THEATRICAL BETHANY KNOX. CSA LIN-MANUEL MIRANDA ANDY JONES: MUSIC DIRECTION AND ORCHESTRATIONS BY ALEX LACAMOIRE ‘CHOREOGRAPHY BY ANDY BLANKENBUEHLER DIRECTED BY THOMAS KAIL "THE WORLD PREMIERE OF HAMILION WAS PRESENTED IN NEW YORK IN FEBRUARY 2015 BY THE PUBLIC THEATER. (OSKAR EUSTS, ARTISTIC DIRECTOR — PATRICK WILLINGHAM, EXECUTIVE DIRECTOR‘photo by Matthew Murphy Lin-Manuel Miranda is an Emmy, Grammy, and Tony Award-winning composer, lyricist, and performer, and a 2015 MacArthur Foundation Award recipient. Hamilton, for which he wrote the book, music and lyrics in addition to originating the title role, opened on Broadway in 2015 following a sold-out run at New York's Public Theater, Its Original Broadway Cast Recording won the 2016 Grammy Award for Best Musical Theater Album. Off-Broadway, Hamilton received a record-breaking 10 Lortel Awards, 3 Outer Critic Circle Awards, 8 Drama Desk Awards, the New York Drama Critics Circle Award for Best New Musical, and an OBIE for Best New ‘American Play. Material from the show was previewed at the White House during its first-ever Evening of Poetry & Spoken Word in 2009. Miranda's first Broadway musical, In the Heights, received four 2008 Tony Awards (Best Score, Best Orchestrations, Best Choreography and Best Musical), as well as Miranda's nomination for Best Leading Actor in a Musical. The show won a 2009 Grammy for its Original Broadway Cast Album and was recognized as a Finalist for the 2009 Pulitzer Prize in Drama. Miranda is the co-composer and co-lyricist of Broadway's Bring It On: The Musical (2013 Tony nomination for Best Musical; 2013 Drama Desk nomination for Best Lyrics in a Musical). He contributed new songs to the revival of Stephen Schwartz’ Working, as well as Spanish translations for the 2009 Broadway Revival of West Side Story. Miranda won an Emmy Award as the lyricist of the 2013 Tony Awards opening number, “Bigger.” He is the co-founder of the hip-hop improv group Freestyle Love Supreme. Miranda is the recipient of the ASCAP Foundation’s Richard Rodgers New Horizons Award and the National Arts Club Medal of Honor. A graduate of Wesleyan University, he lives in New York City with his wife, son, and dog.ALEXANDER HAMILTON Slow (a = 68) ir ba, rence bas - tard, or = phan, son of a whore inthe mid-dle of a for-got- ten nap both fingers LAURENS: W)-be-an by prov-i-dence, im-pov-er-ished, in squal-or, grow up 10 be a he-t0 and a schol-ar? The found-ing father with-out a fa-ther gota lot far-ther by work-ing a lot hard-er, by be-ing a CT ‘nigh Adroistered by We MUSIC CORP‘Oy ; —~ anes “ ™ — _—_ paar a TSE oe oye ee oy Jot smarter, by be-ing a self sat-er, by four - teen, Aheypced kim incharge of a tating. chart. And ete £ = +z » t = ¥ 5 o t f aS rs ° 2 te bs Fas et te eter fede ae ee = _ jt yp "es IS r f = SS as crese. — LHtonly snap _ 11 only snaap yy £4 = =! i . s rival MADISON: Se side, he was long-ing for some-thing to be a part of, the broth - er was read-y Weg, seal, bor-row of barter. Then a d % J 2 5 2 =: 2 x = $— Lions snap —~ Ot gE =3 # tg, 2 = #2 fe up BS ris Ot eee SSS SS === === SS = SS =; bur-tivane comm, and. det-an-ti-Goasiand, on man sew bi facture ip, dipping down the dain pa 8 re — > Lit enty snap pty Ey 9 ty fg tasD FH Te0e FHA puRR: aS (GSS — ee = — — os pen-cil to his tem-ple, con-neet-ed it to his beain, and he —— = ‘wrote his first re-frain, a tes - tament to his pain, Well, the 3 i _ eo +s = DHS : # : rt ‘-: Bm re oF = = aa ha tit ah all a ie . es —> Se == — “Get your ed-u-ca-tion, don't for-get from whence you came, and the ‘KH fig. 4 ibe Ds = - vad Rm rat zap , HAMILTON: aS > — a as St = Alex ander Ham-i - ton My tame Js Al~ex~ ander Ham-it- ton And there's a F = =: 3: = z — & SS Se pw att : + . — te = @Go D PevAg iE s =—— == = —a- Oat SS a e = S ee Ree me he ee, 4 , — Ge = = + a 4 j 7 i i = te x Poe ee ———* oe * * ee —“o 3 4 Bm re? == =——as ae KR eR SEL pew ea A eC CO : mag Gta Be rs r = oe f f j nf sub. : ' ee ° ALL (nas HAMILTON bt =a J=53 dead sit-tin’in their own sick, the scent thick, and _graudua dim, toa whisper aS eet Al-ex got better but his moth-er went quick cee r (maps ou) Moved in with a cous-in, the cous-in com-mit-ted su TAS. es a Pee ebb are es wi pedal eres poco a poco os oe ide. Left him with noth-in’ but ru-ined pride, some-thing new in-side, @© D 2 7 BURR: 2 = * = oa Ge SS a a ee : v vice mycin’, “You geteta fen foe yourself” He sart-odre-tet-in' and ead-in' "ny teaive on te self, ‘Thre | py, ENSEMBLE: _. . Gta =. gee i “Al-ex, you got-ta fend for your-self would have been noth-in’ lft to do for some-one less as-tue, re woukka been bik ag f z = ot 3 = . 7 ISMMYeRdCLAPLOOP! yoy 0+ we 0s) + vors os ws 00) sf That Pm CCP Ps|) COR Pen Oe of fee workin’, — clerk-in’ for his late mother’s land - lord, bit D FRTIA trad-in’ sugar cane and rum and all the things he can't af ford SSS pos. 34 3Fe mp, 3m ‘Ot o i (SS i ==) ? = = — = = Seam-min’ for ev-er-y book he can get hit hands on, plan-nin’ for the f-tue, tee him sow as he stands on the ENSEMBLE: a 7 = ——$— Ora gp oe Scam’! Plannin on ta I~ 4 £ ———- r=) Z SS] oe 3 = > rerak Haak = x —— x —> SSS tow of a ship head-ed for a new ands New York you canbe a mew manEmo ATs FEAR you wait! ——————— New York! Now York! Oty ee eee en be ee gi —— SS — = Alvex-an-det Hamilton, Al-ex ander Hamilton. Waiting. in the wings for you pa SSS = — eee ee : = = ————: : qe eas 9 253 Al-ex-an-der Hamil -to, We ar waiting. in the wings for Jour You could T — é_ $24. 4.. 4 > 92 G aes == SS q Z peers 3 woes te 7. ew. 75 2 °F 55 a8 s Em FE Tsus ie gt - Z = pte f ce —— r ; = Rn mov) =) (wiommed to) tke | geet i= ime Oh, ———— = = SS Gg a re re oe ‘ofS nev - er back down, you nev er Feamed to take your w (ime on, wi — ors 7 FL RS, - mr. . = L A Pays offi :LAURENS/MULLIGAN: Al-ex-an-der Ham-il- ton, Al-ex-an-der Ham-il- ton, A - mer-i- ca sings will they = an- der Ham-il - ton, sings will they know what you o = ver - ses know what you 0 - ver know you re: - wrote the Bart Emo DIA PRIA BURR: = SS 3a Bmict Bab aa ship is in the har-bor now, se if you can spot him. An-olh-er im-mi-grant ENSEMBLE: ws a Just you wat Just you 33 anf ub, eres poco poco 7. sap 4 #0 mice : — ———— a eee seme ae aaapel a to vim 2 7 : 5 all FA7eus FAT FST sus, Fe Bmore FE carer ae op g [ANSE Rn: tauRENMIF. —__pwyasincroN: SRY une CS =e oe — — —=— ——aet ———y aaa pry ae aa en rape eee Ste bpae 1 ed Gey as t Pm the damn fool that shot him,MY SHOT Moderately, Swing 16ths (@ = 91) cm os, Dart aMmron: 3 Gm PA rs om SSS —————————————————— —————— 7 SS 7 = sot thow-ing away my shot! Tam not throwing a-way my set! Hey yo, T'm iz = - i se eee Ee aa iShares ach tr cove mnie COMPA We Al gs reserved Used by uri ane "Youve cat Tobe Cael Taught am Sut Pace. Music y Rear Rodgers wes Bucs scion espa aang ah Rags rw akan apr aarha RaheRerved "Gres by reteinFIA Bb Baim : ee Sas SS SS Se Se Se sthl-ar- ship toKingsCal-tege. 1 roby soad-n't hag, Pat da, a-maze ndash, The pob-lem is got a > . N nig: = = $ = - ey : pooF : 3 . scorn scasscn : : . srconsonren 2 x * = r Se ? : oe Dm im eS re DE oS ee ee Bt of rains bt mo polish, 1 got-t halle just to behead. With every word T op knowl 2 : h N q 3 : = Or" z pip . mower - : - 5 r = = - i = =I S43 ; Sa Se oo == =—= SSS SS with” you, bat the sit-u-a-tion is fraught. You've got to be carefully taught If you talk, you're gonna aes x > pes t - 2 eo ¥ = 2 a s El PP ¥ —_ ¥ x s b Gm HAMILTON: FIA Bb Bdim SS 2 SSS SS SSS SSS set shot! Bum, check what we gol Mb-ter La fa-yete, hard vock Tike Lan ee lot, think your ex. o7) cm cmp cm Dv oe oe pants look hot,. Laur-ens, I like you a lot Let's hatch a plot black-er than the Kettle call-in’ the pot... What are the * ts i = sal a2 ¥ + odds the gods_would pat us all in one spot,-pop - SS pin’ @ squat on con-ven - tion-al wis-dom, like it or not, cn cmd) Nc we eee RP Re | eo OK OK KK OL = — = == SS SSS rey-o-Iu-tion-ar-y_man-ut-mis-sion ab-o- li-tion-iste? Give mea po-si-tion, show me where the am-mu-ni-tion is! : : wc »—__—— ae ;: a — Dae a= z ¥ 4 Ke pe et ‘Oh, am 1 talkin’ too loud? Some-times I 9p aa See fed, shoot off at the mouth6 ee * q z 1 ee = had a group of fiends before, [ prom-ise that I'L make y'all proud. Tam LAUR , LAURENS: CAPMULL: }& —— SS tet — test wee Lavsgetthisguy in frontof a erowd. 1 am ‘ ENSEMBLE: 6 £ _e oe 1 am w/ pedal Gm PIA Bb om 7 7 + not throw-ing a-way my shot Tam not throwing a-way my shot. Hey yo, I'm 3 br ; . pesss s* st self $888 8 _——-_—— ¥ not throw-ing a-way my shot [am not throw-ing a-way my shot ree Z ¢ 5 == Of davee bf ges t983° 5 not throw-ing a-way my shot. Tam not throw-ing a-way my shot.cm Cm pt SS = x = SSS SSS 7 = pat is oy auay Ta pomg capcty akl/bipg oad Ta ral ew ng acy faye a 4s a a ee ee ee ee el eel ———SS_ SaaS ESS ES —— — 7 = just ke my coun-try, I'm young,—scmp-py and hun-gry, and Tm not duow-ing away my sho. Tam ——————_——— Se SS = oD ¢ $$ $$$ sss -¢ esse ts 23 ss a Just like my coun-try, I'm you scrap-py and hun-gry, and T'm not throw-ing a-way my shot. Tam be — . € 5 $8.38 2$ : #2 4h bh. aa’ a3 a i > “ Ta tees tt fi Gn FA Bb om > 7 uow-ing a-way my hot dow-ing a-way 7 throw-ing ot throw-ing a-way38 cmt bat Se E a es ast HRS my cout, 'm young.scap-y and unary, and Tin aot towing 8ay my shot ig EAURENS: —_/ See just like my coun-try, I'm young.—serap-py and hun-gry, and I'm errr rot throw-ing a-way my foo SSS shot. Ev-"ry-bod-y_ sing: Fat = SS a PEEP Pictriri rie just Tike ms yy coun-try, I'm young,.serap-py and hun-gry, and I'm —— Pa 4583 ot throw-ing a-way my om Gm ab yg. LAURENS: aS _ >* . —s— = =— ts, yet . © — + ¥ 7 ¥ Whoa whoa whoa! Hey! Whoa! >; HAMILTON/LAFAYETTEY | MULLIGaN: == _—— be = ——— es 2 —_ or y ae 2 7 oe Z Whoa whoa, whoa! Whoat 64S g 9 ——# a — Da dig ntrbmai7 pris) Ay, et em hear yal Let's got I said, shout it to the roof - tps! z . A = Z ae PREMAR, seme ae ss x 23 = y os lo * Tt 7 ¥ ot, Ebmai7 Fein? by Said, 19 the roof - tops! Come ont Come on, let's go!Gm FA. B ®3 | LAURENS: — 9 Oe 2S = cs ae ee ee ee ee en ee B, a a : is ’ aad nf . 7 ==. satiny i. bee Helle {I tale “ti ls) wel) wile) val ; Ebmai? Ffttim? 7 8s ~ ~ LAURENS/LAPAYETTE/MULLIGANSENS: ae a ee a ea aaa saa —— xs . ——S=—*_———_ — — rie up. Tell your sis ter that she's. got-ta ise up. When are these col-0- nice gonna ——_ p+ —_——__ oe 4 ——— “ PRrry Lr EF (a az Eee Lye h t 4 = oa — = te : a a + 2 : te Z Ks FZ a mS om oF eS x ——* _—— = =] a _ o_o = a ee ee spans msenanzs eS 3 : = = ; = GS —s a Wise wide hal ——— Se ee wf wus wus us| ws aa acm cot pire pu. 2 f HAMILTON rise up? When are these col- 0 nies gon-na rise up? Rise___ up! 1 imagine = —— oan 4 ————— : = Sins? cdaa FP Mads ———— St —_— wp Pep Pr aea Meno mosso_ * Gmd Bb ———— Se SE a death so much it feels more like a mem-o- ty. When's it gon-ma get me? In my sleep? Sev-en feet a-head of me? CSS g aa as Bbmaj7(n03) D SS —— ee a —S SS SS I 1 see it com-in’, do 1 run or do I let it be? Is it like a beat with-out_ a mel-o-dy? See, I nev-eros, Gma Twenty. Where I come — 7 ‘from some get half as man-y. Ask an-y-bod-y a7, Pbmaj7(003) D * F ¥ why we liv-in’ fast ‘and we laugh, seach for a flask, we have to make th See thar's_ plenty 2, Gm oe = = oS SS meto, Gm9 FA Bb If we win ow in-de-pen - dence? Zat a guar-an-tce of free-dom for our de-scen ~ dants? 105, Ebmai? pare br eae Or will the blood we shel be-gin an end = fess ey-ole of yen ~ geuee amt death node fen = dats? —— = Pe re ee fie ee f f rt fe (Qe te ee ee ee pe lee ee ee ee a — See WII ~= - ar Z ee ce Like I said, you're free to go. = 7. = Sa ee a 8p 4 (ANGELICA): SF Go SS ee == SS = Look a - round, look a round, the rey. =~ 0 - tu ~ tion's hap - pen - ing in New. oh a oa A = Gmajo Ate Bm? ft 4 mf ENSEMBLE:Ws bad e-nough Dad-dy wants to got war ms Of = SSS oe cee e People shout - ing in the square. Bm? D * SS = ol is tad o-nowgh Gevilte vos bee once ow chow Bm? D 2p y ANGELICA: = a => Look a - round, look a - round, An - gel-i = re - mind me what_ we're lookmajo revboak = SS SSS Se eee ee ee eee Eli za, P'mlook - in’ for a mind at She's look-in’ for me! at hoe =: Ay * . dadeed . sasase ~ Yaick = wie whe at wel fed Ge al x ees : — 9 i pot cs work! Work, work!Woh! x : Work, work! \ wat ta — RS ; i r cr EE & ni A 4 Gara oe - I J a5 met ; : ba Bm? My y There's noth-in’ like sum-mer in the cit-y. ‘Some-one in @ rush next to some-one look-in’ pretty. Ex a £ ee he. ao 6 — oS Se = acre o : 33 =, Om oA SS SS SS Se know_ it's not fun-ny, but your per - fume smells like your dad - dy's got mon-ey. Why you2, —m pet slum-min’ in the cit-y in your fam ~cy heels? You search-in’ for an ur-ehin who can give you i - deals?_ ANGELICA: o, , Smaj7 rivtoas Ah, so you've dis-cussed me. can ust me! — you dis- gust me. =————_~ Bm? DIN 429 y ANGELICA: T've been reading Com-mon Sense by Thomas Paine say that I'm in-tense or I'm in-sane.wa, maj Fda You want a revo. lw = tion? 1 want a reve - la 80 Histon to SS (nate) = ? . SSS SS SS SS ee eee ee Canes ere eta Se SS 6 Se ee ee hold these truths to be self - ev-i-dent, that all men are creat - ed ¢ - qual.” FeTEAR = Bm? Gt a i = a —=SS m-"a com-pel him win = clude women in the se — quel! Work! ENSEMBLE WOMEN: = ¥ q 2 ‘Work! woe | « a yaus, ee ul= round, look a round at how En? = round, look around at how luck-y we are_ to be a-live right. now! Em9 Dmaj Te st, , ELIZAIPEGGY/ANGELICA: His = to-ry is hap - penn’ in Man - hat and We just hap - pen to be \ a) | U Gmajo A Bm7 a = re its ees ee es ¢ — = Tg ; A ore == Fn UR eg UE Ee Bde eae —: -5p y ANGELICA: ‘Cause I've been read-ing Com-mon Sense by Thom-as Paine Look ENSEMBLE (MEN only): = = + round, Hey! So men say that I'm in-tense or I'm in-sane © = Iw tion's hap ~ pen = ing in New. SSS Hey! Hey! Gmajo Fim? oe $ ror or nope —_ = — = —S_ ——— ES ou wat ¢ e707 a? Towel a ror-orin. ©. Gon; Bist winy/ deo 7 home = don — —= Gil. + . 3 tS sates es York In New. York! _JENSEMBLE WOMEN: = = = 6 t a ee er Lock a - round, ook a= round, the rev Gus ¢ = = =} = =: = a Hey! Hey! ———— = — SS x $ L 5 L r F! f sine ay s = : = = —— = = re — TP tim7 5 3 i gti ii i tit Hi eS fey hold these ths do, that dl men ece'ce-t = ade = gual Bt te = = ——_——— SE EES . eee ee er ae - | i Look around, ook a= round___ at how luck-y we are_ to be a-live Fight. now! = f * s3 # £ 8 7 i ¥ 7 i Hey! Hey! Hey! Hg! Hey! Hey! Mey! Mey! —! s N : == E 7 : = : = | a SSS aes 2 SSeS Pi aS — se FI 7 eS ’ = = FRm7 “yt ENSEMBLE: 7 — «= SF iii fii dia Ss 2s s sc i ss Se ee es sl SSS aaa‘Gmaj7 ABmaj7#S a . s 2 = oe oe z ; ig reat est city in the worl In the gears et city inthe word! 8 WOMEN: SS SSS SS reat - est cit-y in the work! In the peat - et cit-y in the world ' ENSEMBLE MEN: ge fy ——— pn SS SS — — In the grat - et city, in the @ | [Jone gt a Work, work! Wark, work! a ——. = = SS —! = SS = * Sassee TheSchuy = ler sis - ters! We'relook - ing for a mind atBm? Dea i So 74g ANGELICA: beled pi - - (hob Gmajo AI3sus Ne. Db In the great-est cit-y inthe ELIZA ANG! Pi ‘great -est cit-y, in the greatest cit-y im the world!YOU'LL BE BACK Moderato (2+ 2) (J = 120) c or cr An? op p KING GEORGE: c or cm Am? cp the price of my love's not a price _ that you're will-ing to pay o or cn Am? cp D in your tea___which you hurl_ in the sea___when you see me go ‘agi harred by We USE CORP “alti Reserves ea by Permission+ ment when you went a = way, Re - mem-ber, de - spite our es-trange ~ Cet) D9su5 G or cn Am? cm pbTime will tell You'll re-mem = ber that I served you 2, Em Env mj? cue (¢ f = SS = = +S et ose £ gh or ef ss © 7 7 + vv om = pres fall, we hive scen__each other through it all, fad when push + Hl aL +H ail, onl os x3, Em om ceal2) co D a fully armed tat-tal jon 10 te-mind you of my Da-da-da dat ~ da, da da-daDa-da-da dat - da, dat da-da-da— da - yada, dada dat Em Emp maj? cma cmc cm a ip O_O say our love. is drain-ing and you can't 0 fone_ com - plain-ing when_ Iam Am? D Am? D Bm? Dire 0, don't change the sub, “cause you're_my —fav-"rite uhsr, Flad2) Cmaj7 Feada2) cmaj7 sub-mis-sive sub my ley-al, rey rit, You'll be back, T will fight__ the fight and win the war for_your —_love,_ oo, 3 or om Am? compat and TH Tove. you tll my dy When you're gone73 Bm Gp cmaj7 cm Adimic so don't throw a-way this thing we had, “Cause_when —_push_ 2 7 Em an) Cadi» 2 Doss —— comes to shove 1 will Kill your friends and fam-"ly__ to re - mind you of _ my love. a Gr cm Am7bs D7sus D7 dat da-da-da— da - ya-da, dada dat a, o : Gr on | Am7s cmp Dir dat da-da-da— da - ya-da, — da-da datDa-da - da dat WOMEN cE Am7bs Da-da-da da - tempo rall. a, straight Shs ~~~HELPLESS Light, with a bounce; Swing 16ths (4 = 79) a Gey —— ® oF Sof Ob: ey ey eye at + # # # # 2+ mI] 4 Fl * 2a ad afl if we Pie mee PRT TE + Reg WE SS 2 FS Bbsus2 ‘Bb * tae ee Boj you get me SS ? hy $ i wf pedal npn pn pe yp fk = - = sgh ney ne me cme “alti Reserves ea by PermissionFmgj9/A Db haelp ~ fess! Look in Dheus2 Se 5 a ee eee fo your eyes, and the sky's, the lim ~ it I'm oo 1 sss SSS OL = oe oe ee cs Help - kess!. Look in - to your eyes, and the sky's the lim - it I'm > a : Lda —= ea BS = F (add2) a * —= Fs Se ¥ 2 f —— oe 7 7 see for the count, and Tm drown = in’ in ‘em help - less! Down help - less! nis . * - — = mi el Down MA ‘og Bs ELIZA: for the count, and Tm drown - in’ in ‘em. bsusa — == _—. ss — . SV Ss ee I have ney-er been the type to try and grab the spot - ight. no pedal We were at a rev-cl with some reb-cls on a hot night,Fs FSIA Bbsus2 laughin’ at my sister as she's dazzling the room, then you walked in and my heart went “boom! 2 a sp FS Bhsus2 ‘Tryin’ to catch your eye from the side of the ball - room, the band’s top vol - ume, drums continue yO FSA Bosus2 exc Grind to the shy-thm as we wine and dine. Grab my sis - ter, and whis - per, "Yo, this one’s mine. ENS. WOMEN: sss $ Grind to the thy-thm as we wine and dine.Dros) Fs FADIA 4 Ss a =S>S —_—— Ss > Gt Pee eee ew ee My sis-ter unde her way a-eroes the vom te 700 and T get aer-vows, think ing, “What's sho goa-ae Oh tas fap —s = vom 00m S55 5 § ¢ $ g5f 5 g ¢ § § SS SS Ds ce : = J 7 74 a3 3 Bbsus2 Bbsus/D sas ———— —_= >= <—*eae Se =e eee do? She graba you by the arm, I'm, think-in',“T'on though” Then you look back al me and audeden-ly mn = = Gama SS fos, - o ? ; Oooh ony i f+ tt 2 FF — oe = aa ¥ s cat == —— = we = - oo . . : ‘ea cg Fea) maa heats @ oS Fo. === ‘ == —— help = lest Oh, took at those eye, Yon. tm = =. Gia iicr SS Help - less! Look in - to your eyes, and the sky's the lim-it I'm _ : 4 : s sos ; be a : a fia 74 <—F cao Z ss ee. oeFeadl2) Fmajpia B>(add2) bes soap SSS = SS = . o. S Tam so in w you, — Help - less! Feadt2) FiajsiA Look in - to your eyes, and the sky's oe aoe help lest Down for the count. and Tm drown = in! in “em. ele y = = ga 2: 2s : = = * — -$ se z 7 z = 7 =— == a SSS SS a ae 27 FF F(adi2) 2 Fmaj9%A —Bb(add2) . the limit T'm badd) down for the count, and 'm drown — in’ in “em. Down for the count, and Im down - in’ in. ‘em,an, FS Bbsus2 in’ a letter night - ly. Now my life gets bet- ler, ev- "ry letter that you write me. no pedal mf. drums cominue Fs FSA. NC. my sis-ter, “cause she wants to form a har-em. ANGELICA: 1'm just say-in’, if you real-ly loved me, you would share him. Fs Bbsus2 ‘Two weeks later, in the Tiv-ing room, stress-in’, my fa-ther’s stone faced while you're ask-ing for his bless in’. I'm WOMEN: ‘Two weeks Iat-er, FEFs SIN Bosus2 osc dy-ing in side, as you wine and dine. And I'm tryin’ not to cry, ‘cause there’s noth that your mind can’t © sop PEEs8) Fs asia 5 Se = a a ee ae + te. My fa-ther makes his way a-cross the room to you 1 pan-ic for a sec-ond, WOMEN: \ =r : Ss = Oooh. - Ovoh____ : . & £ 5 £ 5 #3 — es Z as 3 . 4 . absus? Bbsus2D Cem oT a 4 eis = Tee ee tee eee through” But then he shakes your hand and says, “Be uve.” And you win back to me,smil = ing, and T..— eae aa Oooh OoohF fadd2) Fmaj9iA bb the lim - Look in - to your eyes. and the sky's Fadl2) Fai! Bbmaj9 = F ms SS en = oo => Gis Sr = | SS hel ls nova sled ell ae ame) hw co i a A oa ¢ —= eee 9 ——— 3 = ea SSS SSF Fmaj/A Rb (ada) Fett “7 $ z ici os oe fee Pt faye mine, at ie mipe! = A QoS eS ty te! ae See esaan ic ati rs ‘7 HY cit H BS & vFmaj9IA Bb edd2) == SSS F : Down for the count, and I'm drown = in! in fem HAMILTON: x = 2 - =—2 = —S . oe zee Down for the count, and Tm drown = in’ in ‘em. Ne ot oo sig s eS ae = oe ee we ee ee < - < i= za, 1 dow'thive a dol-lar t my name, 2 a - ere of land, @ toop Ww command, % dollop of fame. Se * * 2 * a * 2 2 F ¥ 7 ¥ 7 7 ¥ | mf drums continue DS x - * az ¥ 3 : ; eS OO ES Ss fal ee eee ee pee ee AIL T have’s my hon-or, a twl-er-ance for pain, © cow = ple of col-lege ered-its and my top-notch — brain, In - 5 — + = 7 ¥ Z | s DS = = = I 5 : - leiseS pee a sane, your fam-i-ly brings out a dif-frent side of me, Peg - gy con-fides in me, An-gel-i-ca tried to take a bite of me, no ge oe PLR PR REE ot ye = SS = — a —— ata! nabs stress, my Jove for you is nev-er in doubt. We'll get alittle place in Har-Jem and we'll ig-ure it out. T've been hiv- Dm7005) Fs FOIA, in’ with-out a fam-i-ly since 1 was a child My fa-ther left, my moth-er died, I grew up buck - wild But ll fees ee eee ee 2 ee ¢ ¢ Bbsus2 B>sus2iD_ CTsus Bs SS SSS SS neve forgot my ena’ fc, ht was ead ng a8 Tm ae, Ez, swe 0 God o'er fel 0 ———_— ee 3 ———_— * z a 3 33Fmai9/A BOW © 2 SS SS os a eee 7 => oe SS T do, 1 do, 1 do, 1 dooot T do, 1 do, 1 do, 1 dooot Hey!__ HAMILTON: go t yop eae © == Be lieza I nev-er fe 80 Dm7(add4) FIA Bbmaj9(n03) — SSS ee Sa = SSS aici Yeah, ‘yeah! Tm down for the coum, I'm ee + + pS = ‘my — =— —_ = 2S S.C” ire SSS SSS nce mes alee a ea ct =— ; apt = @rlfliet Mor ate on ——— a acre aS =FF aa2) Faia Bb co} « z = == SS oe oy 1 look in-t your eyes, and the sky's the lim-it, I'm SSS —— = _ = ts oe ee ¥ ee ee eee = = |. — = ' = t 2S G 1 3 Dep = et tap es Diniaddsy BIA ‘Bbma}9(n03) SS = sae a down for the count, and T'm— drown - in’ in “om bh — = >= — orn SSS Se te ost Dow for te com, and Fm down = at “om ey. = “Sed FE ee a elmW toe S 9 York, you in rit. poco a poco Bb ead2) B89 Faus = S New York, you can_ be a new Straight 16ths Bbsus2 * New — Yo.. you Colla voce r ELIZA: FabAllegretto (¢= 124) SATISFIED a 100m! ENSEMBLE: Bi Ad = Fy ee = a SS z oa To the Totte groom! To te g To the tide! To thAbmaj7 orton al-ways by your side To. your 8 Bacay Bb and the hope that you pro-vide. jon! To the rev - 0 = In-tion! Fatt bmi? orton.ee — SS 2 To ve-mem-ber that night, T just might re - gret that night for the rest of my days. NS when playing with druns‘loops, the LE can be less busy droughout bb SS =—: —=2 = z ee oe ee oe ee oe ew 1 re-mem-ber those sol - dier boys_ tip - ping o-ver them - selves to win our SSS SSS SS SS 2 1 se-mem-ber that dream - like can - dle - light, like dream that you can’t quite place, SS FS SS SSS never for - get the firstcmt yacd2yBb 2 Fmt 2 hun ger- pang frame. and when you said 30, , Abmajp orton a7 a= flame, this ENSEMBLE:cmt Ehaad2yB> a“ ANGELICA: = Tm sure T- don’t know what you HAMILTON: as a wom-an who has nev-er been sat = is = fied, a emit bmi? mean, You for-get your-sel. Is that sight? Tim nev-er sat-is - fed, TT orm cm? 48) HAMILTON: oe iS My name is An-gel-i-ca Sey ~ ler T have nev-er been sat - is sANGELICA: Alex = ander Hamil - ton, ‘Where's your fam "ly from’? Un im = por = tant. There's a 7 ortow Abmai7? hi ANGELICA: million things I haven't done, 37 cmt So this is what it feels like to mateh. wits with some-one at your lev-el! What the hell is the catch?It's theEmad2yB> feel - ing of free -dom, of seein’ the light. its Ben er Fmil £ —- Abmayy om Fronk-Lin with a key and a kite! You see it, right? ‘The con-ver-sa-tion Inst-ed two min-utes, may-be three — min-utes, ev-"ry-thing we said in to - tal a-gres-ment, it's Gr Sees eee —= SSS a dream and it's a bit of a dance, — bit of a pos = ture, iS a bit of a stance. He's a ose a a +r o ier bit of a fir, but Pm-'a give it a chance iw» 44 Herne pt ————— T asked about his fam - ‘ly, did you seo his an wer? HisPbaa2ynb ° =e 7 = 5 5 = SS — hinds sna-04 fg -ct-ing, he locked oakeace? He's poa-n-less, he's flying by the seat of his pant », & — _ = os — 5 5 ' —= r es SSS ———— a —— Peach fuzz, and he cant e-ven grow il rp, Sima ane or Se a ee —— d T wan-na take him far away from this place, then 1 tum and see my sis-er's face and she oy 2 Tp 4 M7 ANGELICA: — badd) = = SS SS pi Gr. . Help ~ less Help ~ less.n, eo Fovab FG Gm Fatbs re-al-ize three fun-da-ment-al truths atthe ex ENSEMBLE: Beets i Three —fan-da-meot-al uuths at the ex act same time... Num-ber Fe oe ee ee = which my on = ly job is to mar = ry rich, 2 fo so - cial climb_ for one,% ——— — re © we we 7 - * os et nnd the with ect amt tn gee yin New (York Citey ie im + aid si -oon ————— | eS é ay « 2 ir > = De xs s 3 ’ Fmvab om a swear : ENSEMBLE: Fat eee te Sa er SS Al-ex-an - der is pen-ni-less. Hat That doos-n't mean I want him an = yes. Num-ber zee nn | Z ae i a + - = i =: 2 z av ¢ 5 did MLANGELICA: wollle’s after me_ ‘cause I'm a Schuy: ler sis ter, That el-e-vates his status, I'd have to be na-ive to set that aside, may-be that is why T in-Wo-duve him w E - li ~ 2a, mow that's his bride. 2 2 aT | rs 2 5 =e = = PsAbmaj? oro cD Nice going, An - gel-i-ca, he was right, m7, Be ENSEMBLE: cm tb ANGELICA: * three! 1 know my sis - ter like 1 mind, you will never find an - y- one as, 102, Fm trust-ing or as kind. hhim she'd be silently re - signed,-he'd beos Abmayp ‘She would say, Slower; colla voce NC. ANGELICA: 107 ta-size at Al ex ight its ° 110 ——— might have been if I hadn't sized: him up = & na Atempo at Teast T keep his eyes in my life... = an der’s eyes, a I so quick-ly. At om ro = man - ti ~ cize what his least my dear E orton or ANGELICA:7 cm? Ebadd2y/B> To the bride! ——r ca > To the groom! To the groom! Soya To the groom! To the bride!__ ‘To the Abmaip orto Git 47 cn? al - ways by_— your 4 . By your side.add2)/B> ee t i ss * so = — SS = sf =. = = = ee — ¥ a a to MEN: an oY oe You pro - vide! You pro - vide!________ Fmt abmsjo orem al ways be sat - is- fied, And 1 know. 3 - oom +> —>— = - = se PSE SAE x > - . AL - ways be sat-is- fied. Bee sat-is fied.133 em Phadd2vn she'll_be hap P sib. i pedal 18 Fmt rall. poco a poco 19 abmai7 ori Ne. cm - oeWAIT FOR IT Allegro; with restrained intensity (¢ = 188) D> BhavD> Fic fsubiae cue 2nd X) mol THT [tere Py tp Tyas Bet pap le op ee opt er le pe Bbm Fm ep). hore (cco) Gs ee ee ht, 1+ “ ‘The-o - do - sia writes me a let-ter ev-'ry - day. (day, day, day) a Db bm Fm (echo) GF SSS SS — SS Tm keep-ing her bed warm while her hus-band isa ~ way. wx, ws, ~» He's on the Brit-ish side in Geor - gia, He's tryin’ to Keep the col-o-nies in line. simile S SS ‘nvmigie Adrtred by WS MUSE CORP° b> hm xe He can keep_ all of Geor ~ gia = sia, she’s mine. a Bhan Dhous D> ‘Abus Abts _— does-n't dis-crim-i-nate be-tween the sin-ners and the saints, it takes and it takes and it takes and we_ ropP rp roy per t a “I al 3" al A bm hus Db bast 66 Ghmai7 _— keep lov-ing an -y-way, We laugh and We cry and We break and We make our mis-takes. And if 3s “ 4 = = ay ( . . alll) ~ bm Fm Ga =—— = = SS SS a Ss © =— ad oe i-ton doez-e' bes-i-tae. Heexhibeits no re stnint. He thes and he takes and he takes and. be. ¢ 8 a £ oe P a ap E accel. poco a poco D> Bbm Fmc =e * = SS —— —= _— keeps win-ning_an - y-way He chang - es the game. He plays and he rais - es the stakes. And ifsurvive, then God son he scoms © thrive when so. Taco wing 0 Tm will-ing t wait for it Sou. wait for it, wait. for it, wait for, AbTous Dsus b> Absus be-tween the sin-ners and the saints, be-tweem the sin-ners and the saints, fand it takes and it takesbe —— af We rise and we fall fon Bom pbb Favab Set ropptt te te ep pe pts ey =e SS Gay asmie TES el Ena Ea areo vibe 2: : r oH 1 i = Sse 3 Sastre eon ral rom Ser at nx aay na a tia) Tal wmg10, vb Bbm/D> Fm BURR: ENSEMBLE: * Wait for it Wait for it, Wait dd rad ii i ; vp er |e 114 Db Bom Fm a 2 z it. Wait t.Woit for it. Wait 1 dad bop mai 7p tofTHAT WOULD BE ENOUGH Ballad (« = 60) DA Dee Gausam 6 Dia bet bre Dre DG iaai2) ' & 19 — oF : = = & & @ oye aera Look St whore you sat-ed.Thefact that you're alive i amit-a-cl. Jost staya-tive,— at would be e-noogh. A D/A Bm7 Dre DE D * # ey * x oS FF hee + ——! 3 oo woe ae <—e = ——— And if this child shares a faction of _ your smile or a fg-ment of your “mind, -vnghs hdrontre by We Se CORP “alte Reser ied by PermissionG GadaryB DIA. Dimaj7/A, DA, Bm7 — Zt Sty look out, world! That would be e-nough, T don't pre-tend_ to know_ the chal-leng-es you're fac- = ing and_ere-at ing in your mind But I'm not afraid. ee Eee a a p 4 A + a lal aig] iT Geaaa2y o v 1 now who 1 married, — We don't_need a leg-a- cy. We don’t_-need mon-ey Oe pnt erate If I could grant you peace of mind, t= 3s “oe Ulpoco pi mosso Sada) Bn? b peer Sara ates ie ores SS = == ale tee deen & .. = it you could tet me in- side_your heart... Oh, let me be a part of the nar-ra-tive inthe sto-ry they will write some ze — f + f + f alg fis bp 45 # me s Daly s ws z# £——s * Bm? Emit Bm? RmacH Bm day. Let this mo - ment be the first chap-ter:_ where you de-cide 9 m7 Bm Tre Gmajo DIA Gmjon, 28 — and 1 could be e-nough, and we could be e-nough. “That would be e-nough. rit, Atempo all. 319 , DFE De Gmaj7(003)D DeaHISTORY HAS ITS EYES ON YOU Moderato; poco rubato (=72) Cinad) rhmai7 WASHINGTON: = = Sf tee. 3 o == Twas young-er than you ate now when Twas giv-en my fist com-mand.. 1! pedal Fm9 Finvab om 1 Jed my men straight into a mas - sa-cre, 1 wit-nessed their deaths sp emad ehmaj7 felt the shame ‘gis Adarnre by We MUS CORP “ales Reseed by Permissionm9 ‘accel. Abmaj7 om — and e-yennow Tlie a= wake, — now-ing his - to-ry has its A little faster; steady (¢ = 78) cm Ema? Fm7 Fm9/Ab pe GT (addeyB GTON:cm Ebmaj7 COMPANY: Fm? Fimg/ab omen a ©madiz) Ebmaj7 Let me tell you what E wish I'd when I was youngand dreamed_ of glo - oxrro cuss 7 , °Fm9 dies, who tells your cmaain) rbmaj7 T know that we can I know that great ~ ness as beforeFao Fuoiab awn tem G7 Hes, z a by. ae === SSS : : < — in you. But re-mem-ber from here on in,___ bes . - ® cm Eb : be t * 1 Gre as cs > 7 a 2 = wou: Ve Whoa, eyes. on.Fmit ‘Abmaj7 2 His = to-1y has its lay ifneeded cmo (es) (wha)DEAR THEODOSIA Allegretto (¢ = 107) x chmct Fem Dmaj%(n03) rE © dolce, w/ pedal chmiag Fm Dear The - o-do - sia, what to say to you?_ You have_my eyes. You Dmaj7(n03) E A chmct a Se hhave your moth-er’s name. When you came into theworld,_you cried ___ and it broke my1, bm A CBmvg ing ev - +, 357410) tsgBimaj2in03) E A nev-er quite-my style. When you___ smile, 2 ‘And 1 thought 1 Dmaj7(n03) Dmaj7(n03) Fim Do-mes - tie life ‘you knock me out, I fall ocome of age with our young Dmaj7in03) E ight for you. Fem chmricd tm m= tion, We'll bleed and fight for you A Chm7Ge lay a song e-nough_ foun Dmaj7(n03) we'll give the world 10 you, and you'll blow cem7iat we'll make it we'll pass itDmaj7(n03) E A chmGt 2 o—» SSS SS SSS © — £ 3 Yosh, youll bow ae all as way— es = = _ rim Dmajrne3) EB CEm/Gt Fem Esus, E on ete ee cee te FS oa = 2 Phil - ip, when you smile_ I am un - done. My. son, Look at my— a ier $s e <> = — — i) 7 ’ ‘ % ° + fh a pay i} a ; tos EC) Chime Fam Esas B e — son Pride is not theword_T'mlook-ing for. ‘Thore is 10 much more inside me now. sinile _ ~, att = ——= reared doe . “= up tata dg defy dite poy pe Ba ° Pr