FULLTEXT02

The 189 Partimenti
of Nicola Sala
Complete Edition with Critical Commentary
Edited by Peter van Tour
Volume 3
Critical Commentary
ACTA UNIVERSITATIS UPSALIENSIS
Studia Musicologica Upsaliensia
NOVA SERIES
27:3
The 189 Partimenti
of NICOLA SALA
Complete Edition with Critical Commentary
Edited by
Peter van Tour
Volume 3
Critical Commentary
© Peter van Tour 2017
Peter van Tour, Department of Musicology, Uppsala University.
Box 633 SE-75126 Uppsala, Sweden
Cover design: Laurens van Tour.
ISSN 0081-6744
ISBN 978-91-554-9784-2
http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-310891
Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala, Sweden

CONTENTS
Legenda 357
Preliminary Remarks 358
Section A (The 107 partimenti in more than one autograph source) 359
Section B (The 35 partimenti appearing in one autograph source) 397
Section C (The 18 partimenti appearing in one autograph source and one
non-autograph source) 402
Section D (The 27 unica appearing in the three non-autograph sources) 408
Errata 415
LEGENDA
In The 189 Partimenti of Nicola Sala the figures 2, 3, 4, 5, 6, 7, 8, 9 and x (10) are generally used
over the stave, following common Neapolitan usage. In those instances where figures are
placed under the stave in the Principle Source, The 189 Partimenti of Nicola Sala retains the
original notation.
The following abbreviations are used in this Critical Commentary:
“189” The 189 Partimenti of Nicola Sala

PrS The Principle Source (PrS) for each individual partimento is given in the left upper
corner of each transcription.
Ch Alexandre Étienne Choron, Principes de Composition des Écoles d’Italie. Paris, 1808–
09.
Reg II1 Nicola Sala, Regole del contrappunto pratico, book II. Nicola Salas treatise on
counterpoint in three volumes of 400 plates, that was printed at the Royal Printing
Firm in Naples, in 1794.
Reg III Nicola Sala, Regole del contrappunto pratico (Naples, 1794), book III.
A discussion of all available sources is given in the Introduction of volume 1.
1
There has been some confusion about the order of the three volumes of Nicola Sala’s Regole del contrappunto
pratico. Since the volumes of Sala’s Regole are not numbered, libraries have ordered the volumes 2 and 3
differently. I here follow the order of the copy which is preserved at Statens Musiksamlingar in Stockholm.
PRELIMINARY REMARKS
The 189 Partimenti of Nicola Sala is primarily edited from autographs by Nicola Sala and from a
few other eighteenth-century manuscripts that can be linked to the conservatory where Sala
worked, La Pietà. The autographs considered here are F-Pn 4o c2 344 (dated 1776), I-Nc 46-1-
34 (without date), and I-Nc S-1-94 (without date). The three other sources that will be
considered here are the 1763 compilation manuscript I-LEcon Ms. BC4, the 1788 manuscript
copy that may be assumed to have been written by Sala’s french student Louis Julien Castels
de Labarre (1771–?), and the gathering fols. 101r–105r of the partimento collection I-MC 6-
F-15/2.2
The Critical Commentary is divided into four sections (A–D), according to the following
principles:
A) The 107 partimenti in more than one autograph source: the 13 partimenti in three
autograph sources (the partimenti Nos. 25–34 and 74–76 appearing in F-Pn 4o c2 344, I-
Nc 46-1-34, and I-Nc S-1-94) and the 94 partimenti appearing in two autographs (the
partimenti Nos. 35–73 and 77–131 appearing in F-Pn 4o c2 344 and I-Nc 46-1-34).
B) The 35 partimenti in one autograph source: the 3 unica in I-Nc S-1-94 (Nos. 140–
142) and the 32 unica in F-Pn 4o c2 344 (Nos. 1–24 and 132–139).
C) The 18 partimenti in one autograph source and in one non-autograph source: 18
partimenti in the autograph I-Nc S-1-94 and in F-Pn 4o c2 343 (18 partimenti: Nos.
143–160).
D) The 29 unica in one of the three non-autograph sources F-Pn 4o c2 343 (17 partimenti:
Nos. 161–176 and 178), B-Bc 8531 (1 partimento: No. 177), I-LEcon Ms. BC4 (9
partimenti: Nos. 179–187), 3 and I-MC 6-F-15/2 (2 partimenti: Nos. 188 and 189).
The 189 Partimenti of Nicola Sala presents the partimento output of a Neapolitan maestro in a
critical edition for the first time. No other Neapolitan maestro has been preserved in three
different autograph sources, and the authority of the figurings in this edition is, for that reason,
very high. The Critical Commentary starts with a large section of 107 partimenti that appear in
at least two autograph sources: F-Pn 4o c2 344 and I-Nc 46-1-34. "For this entire section the
autograph preserved in the Bibliothèque Nationale de France (F-Pn 4o c2 344, dated 1776) is
chosen as the primary source for the transcription, while the undated Neapolitan autograph (I-
Nc 46-1-34) is used as a secondary source.
2
For a more thorough introduction to the sources, see the ”Description of Manuscript Sources” in the
introduction of: Peter van Tour (ed.), The 189 Partimenti of Nicola Sala, Volume 1 (Uppsala: Acta
Universitatis Upsaliensis, 2017).
3
For more detailed information on I-LEcon Ms. BC4, see: Iacono, Sarah M. and Sullo, Paolo. “Manoscritti
musicali di Terra d’Otranto. Collezioni e casi di studio tra ‘scuola napoletana’ e prassi esecutiva”. In Studi in
memoria di Giuseppe A. Pastore, edited by Daniela Castaldo and Gabriella Pastore. I quaderni dell’Idomeneo.
33. Lecce: Salento University press, 2017.
Section A
The 107 partimenti in more than one autograph source
A) The partimenti appearing in three autographs (Nos. 25–34, 74–76 in F-Pn 4o c2 344, I-Nc 46-1-34, and I-Nc S-1-94):
Partimento Pr S “189” Reason for departing from the Principal Source (Pr S)
25 34– Variant reading in I-Nc S-1-94
(mm. 34–36).
u Qu
472 Section in F major.
u Qu
u Q 7e
26 21 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

i u i Eu
81 Section in G major.
191 n Modulatory shift to C major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
y Q 6e
511 6r 5e Q 6r 5e Section in F major. Confirmed by I-Nc 46-1-34.

y Q 6e

u t y Eu t y
u E 7e
221 Conformity with measure 54. Confirmed by I-Nc 46-1-34.
342 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

u t y Eu t y
u t Eu t
711 Consequence of measure 70.
w ! 4w
w ! 4w
y Qy
u Q 7e
u t y Q 7e t y
951 Section in F major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
u t y u Qt y
971 Section in F major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
u t y u t Qy
981 Section in F major. Confirmed by I-Nc S-1-94.
359
(27) u Qu
w ! 4w
w ! 4w
u Qu

u W 7e
401 Section in C major.
y W 6e
433 Slur added according to I-Nc S-1-94.
435 6t W 6t Section in C major.
29 u y u Ey
51 Modulatory segment to D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
u y u Ey
153 Cadence in D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
Ee
211 Section in A major.
221 E 7e 6r 5r Ee E 7e 6r # 5r Ee Cadence in B minor. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
444 6t W 6t Cadence to C major.

y Wy
u W 7e
y W 6e
u W 7e
59– I-Nc S-1-94 here gives an

interesting reading which
replaces measure 59 with
the following harmonic
sequence (column to the
left).
30 292 6t W 6t Modulatory segment to C major.
522 6t W 6t Modulatory segment to C major.

w Ww
631 More elaborate figuring according to I-Nc 46-1-34.
360
(30) 782 6t W 6t Modulatory segment to C major.
1222 6t Q 6t Modulatory segment to F major.

y W 6e
y W 6e

u W 7e
31 w Ew
171 Section in D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
272 E7 E 7e See Editorial Principles.

w Ew
401 Modulatory segment in D major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
443 6t # 6t Section in B minor. Confirmed by I-Nc 46-1-34.
461 5r Ee # 5r Ee Cadence in B minor.
482 Slur added according to I-Nc 46-1-34.

y Ey
612 Modulatory segment in A major.
u y Eu y
621 Consequence of m. 61.

u y W 7e y
1011 Section in C major. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.
y W 6e
32 582 Harmonic sequence leading to A minor.
E 9e @E 9e Part of harmonic sequence leading to A minor.

591 Key signature lacking at beginning of stave in F-Pn 4° c2 344 and I-Nc S-1-94.
y W 6e
673 Modulation to C major.
u W 7e
33 433 n Consequence of m. 42. Dropped signature at beginning of stave.
453 6r W 6r Section in C major. Dropped signature at beginning of stave.
461 6t W 6t Section in C major. Dropped signature at beginning of stave.

u W 7e

y W 6e
361
(33) 651 Slur added according to I-Nc S-1-94.
653 m Unclear reading. Restored according to I-Nc 46-1-34 and I-Nc S-1-94.
723 m Section in D major. Confirmed by I-Nc 46-1-34.
971 6t @ 6t Section in C major.
74 321 Slur added according to I-Nc 46-1-34.
401 o i 0t o 8y 0t Conformity with m. 39. Confirmed by I-Nc 46-1-34.
521 9u 8y 9u 8y 8t Unclear reading. Restored according to I-Nc 46-1-34.
601 5r E 8e u 5r E 8e 7t Conformity with m. 61.
611 5r 8e u 5r 8e 7t More elaborate figuring according to I-Nc 46-1-34.
731 4w # 4w Modulatory segment to E minor, more elaborate figuring according to I-Nc 46-1-34.
752 Slur added according to F-Pn 4° c2 344 and I-Nc S-1-94.

w ! 4w
Qe
w Qw
1061 6t Q 6t Section in F major.

u Q 7e
1091 Section in F major. Confirmed by I-Nc S-1-94.
u t y Q 7e t y
w @ 4w
1151 Modulatory segment to C major.
137 Measure missing.

Restored from
I-Nc S-1-94.
y y y t Conformity with m. 42.

75 401
551 6r e Figures lacking. Restored from I-Nc 46-1-34.
y F-Pn 4° c2 344 gives a 3 and 6 in the same entry. Reading from I-Nc 46-1-34 is used
1171
instead.
362
(75) 1233 b Section in F major. Confirmed by I-Nc 46-1-34.
1353 n Cautionary natural according to I-Nc 46-1-34.

t Wt
76 161 The c sharp (#3) in measure 15 is naturalized. Confirmed by I-Nc 46-1-34.
y Ey
212 Section in G major. Confirmed by I-Nc 46-1-34.
e Er e e Er
261 Conformity with m. 9. Confirmed by I-Nc 46-1-34.

e
443 Conformity with m. 126.
y y t y y Wt
e e Er 5e 5e E 6r
491 5e # 4e 5e 5e # 4e Conformity with m. 47.
522 # 6t 7t 8y 7t Section in G major. Confirmed by I-Nc 46-1-34.
671 n Upper voices.

u y u Wy
711 Modulatory segment in D major.
e We
801 Modulatory segment to C major.
811 n Modulatory segment to C major.

u y t Wu y t
863 6r W 6r Section in C major.

u Wu
1001 6t # 6t Section in B minor.

u y y
1081 Theme entry seems to take place in measure 107. Confirmed by I-Nc 46-1-34.
w # 4w
1211 Modulatory segment to D major.

u y Wu y
u W 7e
363
B) The 94 partimenti Nos. 35–73 and 77–131 in F-Pn 4° c2 344 and I-Nc 46-1-34.
e Ee
35 172 Cadence in D major.

u W 7e
u W 7e
w Ww

u E 7e
38 91 Section in A major.
141 :ss: Signum congruentia added according to I-Nc 46-1-34.

u E 7e
t
331 Unclear reading. Entry from I-Nc 46-1-34.
411 Slur inserted according to I-Nc 46-1-34.

u Wu

We
632 Figure inserted according to I-Nc 46-1-34.
701 :s: Signum congruentia added according to I-Nc 46-1-34.
731 m Sharp inserted according to I-Nc 46-1-34.

u y
39 521 Figures lacking. Inserted according to I-Nc 46-1-34.
605 6t # 6t Figures lacking. Inserted according to I-Nc 46-1-34.
40 354 m Sharp inserted according to I-Nc 46-1-34.

E Ee
471 6t # 6t Section in A major.
364
(40) 511 6t # 6t Section in F sharp minor.
574 m Modulatory segment to A major. Inserted according to I-Nc 46-1-34.
y W 6e Section in G major.
751
971 Signum congruentia added according to I-Nc 46-1-34.

:s:
u W e7 Modulatory segment to G major.
41 301
Wu @ 7e Conformity with m. 372.
351
9u D 9ud The major third of this chord was corrected with help of the orchestral score of this
42 61
piece, which is the Amen fughe at the end of Sala’s Dixit. (Source: I-Nc M. Rel. 3059, p.
262 101, inserted
Slur m. 6). according to I-Nc M. Rel. 3059.
272 Slur inserted according to I-Nc M. Rel. 3059.
341 5r e 5e The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 are corrected according to
I-Nc M. Rel. 3059.
w 4w Figures altered according to the score in I-Nc M. Rel. 3059.
371
392 t # 4w t @ 4w Both I-Nc 46-1-34 and F-Pn 4° c2 344 have unclear readings. The score in I-Nc M. Rel.
3059 leaves no doubt about the intended figuring.
Ee Section in B minor.
521
e Figures altered according to the score in I-Nc M. Rel. 3059.
583
63–65 The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 only give m. 63. The mm.
64 and 65 are inserted according to the score of I-Nc M. Rel. 3059. These measure
were probably inserted aurally in practical performances. The Figures in measure 652
are editorial, added according to the score of I-Nc M. Rel. 3059
72–73 The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 give the half notes of mm.
72 and 73, but without any rests. Thesemeasure are restored according to the score of
I-Nc M. Rel. 3059. The partimento versions may easily have been adapted aurally in
performances with choir and orchestra.
741 Partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 give a D, one octave lower.
Adapted according to the score in I-Nc M. Rel. 3059.
781 The partimento versions in I-Nc 46-1-34 and F-Pn 4° c2 344 give a whole note with
fermata. This last measure is also adapted to the basso seguente part in I-Nc M. Rel.
3059.
365
43 23 6r Passing chord. Confirmed by I-Nc 46-1-34. Similar entries in mm. 33, 104, and 114.
e Ee Section in E major.
164
215 n Section in D major. Confirmed by I-Nc 46-1-34.
u W e7 Section in D major.
223
u W e7 Section in D major.
233
t W 5e Section in D major.
252
254 6t W 6t Section in D major.
283 n Section in D major.
We Section in D major. Confirmed by I-Nc 46-1-34.

674
44 115 Slur inserted according to I-Nc 46-1-34.
u E 7e Modulation to E major.
142
w @ 4w Section in D major. In the Principal Source one of the three sharps in the key signature is
291
dropped in this actual stave.
53–54 In these measures both F-Pn 4° c2 344 and I-

Nc 46-1-34 appear to show an error. In I-Nc
46-1-34 the old entries were erased and
corrected. In mm. 53–54 the corrected
version from I-Nc 46-1-34 was used.
e Ee Cadence in E major.
163
w Conformity with m. 12. Confirmed by I-Nc 46-1-34.

721
y Conformity with m. 12. Confirmed by I-Nc 46-1-34.
723
73–74 Scribal error. Beams in mm. 73 and 74 are missing.

The notation is restored according to I-Nc 46-1-
34.
366
u E 7e
46 181 Section in B major. Confirmed by I-Nc 46-1-34.
6rd S 6rd The naturalised 3 in chord is put under the stave, according to I-Nc 46-1-34.
203
Conformity with m. 403.

y y t
363 Inserted passing note according to I-Nc 46-1-34.
y y t
E Ee
511 See Editorial Principles.
u y
613 Figures lacking. Restored according to I-Nc 46-1-34.
y y t
y y t
y Ey
47 61 Modulatory segment to dominant key.
u Eu
71 Theme in B major. Confirmed by I-Nc 46-1-34.
81 6r 7t 6r 6r # 7t 6r Theme in B major.
311 n Section in A major.

u W 7e
401 u t y W 7e t y Section in A major.
472 m I suspect this to be a scribal error. This sharp is deleted with support of I-Nc 46-1-34.
60 6t e 6t Figures lacking. Restored from I-Nc 46-1-34.

e
611 Figures lacking. Restored from I-Nc 46-1-34.
841 6t W 6t Modulatory segment in A major.
843 6t W 6t Modulatory segment in A major.
48 51 n Natural inserted according to I-Nc 46-1-34.
131 5r Ee # 5r Ee Conformity with measure 2.

w Ew
252 Modulatory segment to B minor.
w Ww
263 Natural inserted according to I-Nc 46-1-34.
367
(48) 471 Ee 6r 5r Ee 6r # 5r Cadence in B minor.
491 5r Ee # 5r Ee Section in B minor.

Ee Ee
57 All Figures in this measure inserted according to I-Nc 46-1-34.
u E 7e Cadence in E minor. Confirmed by Reg II (p. 82).

49 91
w Ew Section in B minor. Confirmed by Reg II (p. 82).

141
5rs W 5rs

w Ew
341 Section in B minor.
w @ 4w
452 Section in A minor. Confirmed by Reg II, p. 83.
454 6r @ 6r Section in A minor. Confirmed by Reg II, p. 83.

Ee We
512 Flattened according to Reg II, p. 83.
u E 7e
722 Section in E minor.
81 This whole measure is missing in F-Pn 4° c2 344. It is restored according to I-Nc

46-1-34. This partimento accompagnato is related to a five-part massmovement
Christe. This measure is also confirmed through in Reg II, p. 84.
50 181 # 4w Figures lacking. Restored according to I-Nc 46-1-34.

y
191 6t # 6t Cadence in B minor.
211 5r # 5r Section in B minor.

u y t

y t Wy t
u W 7e
368
(50) 903 6r W 6r Modulatory segment in C major.
911 6t W 6t Modulatory segment in C major.
922 # 6t W# 6t Modulatory segment in A minor.
923 6r @ 6r Modulatory segment in A minor.

w Ww
1001 Modulatory segment in G major. Confirmed by I-Nc 46-1-34.
o i
51 251 Figures lacking. Restored according to I-Nc 46-1-34.
w # 4w
252 Section in B major. Confirmed by I-Nc 46-1-34.
423 5r e Figures lacking. Restored according to I-Nc 46-1-34.

w # 4w
583 Section in B major. Confirmed by I-Nc 46-1-34.

y
33 According to I-Nc 46-1-34.
E Ee
171 6t E 6t Section in G major.

i
225 Supports entrance of theme in G major. Confirmed by I-Nc 46-1-34.

e

w Ew
271 Section in G major. Confirmed by I-Nc 46-1-34.
e

e
531 6t Q 6t Section in F major. Confirmed by I-Nc 46-1-34.

y Qy
593 Section in F major. Confirmed by I-Nc 46-1-34.
u Q 7e
631 Section in F major. Confirmed by I-Nc 46-1-34.
731 6t # 6t Section in F major. Confirmed by I-Nc 46-1-34.
369
53 102 w # 4w Section in G major.
u Eu
171 5r # 5r Cadence in E minor.

u Eu
211 5r # 5r Cadence in E minor.

y
256 Passing note according to I-Nc 46-1-34.
e u
336 Comformity with measure 146. Confirmed by B-Bc 8531, p. 46–47.
y
337 Comformity with measure 147. Confirmed by B-Bc 8531, p. 46–47.
403 u Q 7e Section in F major.
443 w ! 4w Section in F major.

u
y
54 691 5r Q 5r Section in F major.
55 33 6r Conformity with measure 43. Confirmed by I-Nc 46-1-34.
153 n Section in C major.

e We
w Ww
201 Section in A minor.
211 6t @ 6t Section in A minor.
382 n Section in C major.
395 n Natural inserted according to I-Nc 46-1-34.

y
u Qu
464 Section in B flat major.
y w
370
(55) y
493 6r Q 6r Section in B flat major.
494 6t Q 6t Section in B flat major.
56 363 6t Q 6t Section in B flat major.
57 241 Slur inserted according to I-Nc 46-1-34. Similar inserts in mm. 25, 100 and 101, also
according to I-Nc 46-1-34.
382 u W 7e Section in C major.
741 w ! 4w Section in B flat major.
58 44 u W 7e Cadence in F major.
e
93 Unclear reading. Figuring chosen according to I-Nc 46-1-34.
e y
155 Conformity with measure 6. Unfortunately, I-Nc 46-1-34 has no figures in this measure.
191 6t Conformity with measure 163. Confirmed by I-Nc 46-1-34.
262 w ! 4w Section in A flat major.

w Ww
341 End of phrase in D minor.
431 w ! 4w Section in E flat major.
432 6t Q 6t Section in E flat major.
652 6r 5e 6r W 5e Editorial flat, due to modulatory segment in E flat in m. 64.
59 321 u Q 7e Section in E flat major.
5rs Q 5rs
331 Section in E flat major.
363 y Q 6e Section in E flat major.
373 y Q 6e Section in E flat major.
371
(59) y Q 6e
y Q 6e
72 Measure 721–4 is according to F-Pn 4° c2 344. Measure 725 and their

figures are missing in F-Pn 4° c2 344 probably due to a scribal error. This
measure is restored according to I-Nc 46-1-34.
y 0y More elaborate figuring according to I-Nc 46-1-34.

60 171
o Unclear reading. Confirmed in I-Nc 46-1-34.
731
w @ 4w Cadence in B flat major. Confirmed by I-Nc 46-1-34.

141
u W 7e Cadence in B flat major.
144
u Q 7e Modulatory segment to A flat major. Confirmed by I-Nc 46-1-34.
253
w ! 4w Section in A flat major.
272
y Qy Section in A flat major.
282
u Qu Section in A flat major.
291
305 6t Q 6t Section in A flat major.
u Q 7e Cadence in A flat major.

333
u Qu Cadence in A flat major.
334
u Q 7e Cadence in A flat major.
393
w @ 4w According to I-Nc 46-1-34.
402
491 W7 W 7e See Editorial Principles.
e We Cadence in B flat major.

491
y Wy Section in B flat major.
523
572–3 5r e Figures according to I-Nc 46-1-34.
671 W 7e Cadence in B flat major. Placement below stave in accordance with I-Nc 46-1-34.
w Ww Section in B flat major.

62 142
181 6t W 6t Section in B flat major.
185 6t @ 6t Section in B flat major.

321
372
(62) 343 b Flat inserted according to I-Nc 46-1-34.
w ! 4w
452 Section in A flat major. Confirmed by I-Nc 46-1-34.

u Q 7e
465 Section in A flat major.
467 b Section in A flat major.

e Qe

w ! 4w
y Qy

u Q 7e
w @ 4w
543 Modulatory segment to E flat major.
571 5r Figures according to I-Nc 46-1-34.

e
572 Figures according to I-Nc 46-1-34.
w Ww
w Ww
63 211 Section in B flat major.
u Wu
u Q 7e
w ! 4w

u Q 7e
y Qy
723 6r Q 6r Section in A flat major.
373
64 53 6t ! 6t Consequence of the E flat in measure 52.
u Qu
61 Consequence of the E flat in measure 52.
114 6r Q 6r Consequence of the ! 2 in measure 112.
123 @ 6t @Q 6t The E flat in the figuring of measure 11 should be sustained in this chord.
9tf E 8e ! 9tf E 8e
132 Consequence of the ! 3 in measure 131.
143 @ 6t @Q 6t Cadential segment in C minor.
144 6r ! 6r Cadential segment in C minor.

y Qy
161 Section in C minor.
172 7t ! 7t Conformity with measure 182. Also avoidance of a harsh cross-relation.

e Qe
194 6t Q 6t Cadential segment in B flat major.

y Qy
243 Consequence of the E flat in m. 242.
y Qy
245 Consequence of the E flat in m. 242.
u Qu
251 Conformity with theme (lower voice, m. 2).
261 e 6r 5e e Q 6r 5e Conformity with m. 5.

u Qu
311 Conformity with theme.
353 7t ! 7t Conformity with mm. 17 and 18.

u Qu
461 Conformity with theme (lower voice, m. 2).
491 # 3o #Q 3o Section in G minor.

u y t
552 # 4w Figures according to I-Nc 46-1-34.

y
561 Figure according to I-Nc 46-1-34.
571 E 9e !E 9e Conformity with mm. 1–2.

Wt
604 The figures in 59 and 60 refer to uppervoice. This figure is taken from I-Nc 46-1-34.

u y t Qu y t
624 Section in G minor.
671 8y ! 8y See Editorial Principles.
672 7t ! 7t Consequence of preceding chord.
374
(64) 683 6r ! 6r Modulatory segment to G minor.

w ! 4w
Wt y t !W 7t y t
Wt y t !W 7t y t
65 91 6t Q 6t Cadential segment in B flat major.
92 e 4w e ! 4w Modulatory segment to G minor.
93 # 6t #Q 6t Modulatory segment to G minor.
94 6r ! 6r Modulatory segment to G minor.

Qy Qy t
201 6t Q 6t Consequence of preceding C minor chord in m. 19.

e w e ! 4w
203 # 6t #Q 6t Modulatory segment to G minor.

t u Ey
221 Consequence of preceding chord.
222 6r More elaborate figuring.

w @ 4w
382 Modulatory segment to C minor.
u Qu
431 Modulatory segment to E flat major.
442 6r ! 6r Cadential segment in C minor.
451 5r e Figures according to I-Nc 46-1-34.

u y
461 E 7e 6r Figures according to I-Nc 46-1-34.
462 5r Figures according to I-Nc 46-1-34.

Ee
Qe
512 b Flat according to I-Nc 46-1-34.
375
(65) Qe We Unclear reading. Natural confirmed by Reg II, pp. 92–94.
642
66 241 6r ! 6r Section in G minor.
701 6t Q 6t Cadence in E flat major.
702 6r Q 6r Cadence in E flat major.
y Wy Leading tone to C minor.

67 63
e We Cadence in B flat major.

182
354 6r Passing chord according to I-Nc 46-1-34.
452 6r ! 6r Cadence in B flat minor.
473 6t @ 6t Section in G minor.
584 6r Passing chord. Confirmed by I-Nc 46-1-34.

593
w Qw Section in F minor.
621
w ! 4w Section in F minor.
631
t Qt Section in F minor.
632
w @ 4w Modulatory segment to F minor.
653
8e W 8y Scribal error. Figuring according to I-Nc 46-1-34. Naturalised 6: modulatory segment to
661
F minor.
663 n Modulatory segment to F minor.
742 5r @ 5r Section in G minor.
w Ww Section in G minor.
753
762 5w W 5w Section in G minor.
772 n Section in G minor.
824 6t Q 6t Repetition of chord in measure 821.
376
e Qe Flat inserted according to I-Nc 46-1-34.

481
611 m Section in G minor.
861 6t Q 6t Cadential segment in A flat major.
863 6t Q 6t Cadential segment in A flat major.
882 @ 6t @Q 6t Modulatory segment to F minor.
883 6r ! 6r Modulatory segment to F minor.
1373 n Section in G minor. Flat inserted according to I-Nc 46-1-34.
69 132 n Section in G minor.
142 5w W w5 Section in G minor.
192 n Lower voice. Section in G minor. All three flats in the key signature are dropped.
w Ww Section in G minor.
212
222 n Section in G minor. All three flats in the key signature are dropped.
264 6t @ 6t Section in D minor.
36 The first half of this measure lacks in Principle Source.

Restored according to I-Nc 46-1-34.
382 b Flat inserted according to I-Nc 46-1-34.
Q Qe See Editorial Principles.

471

661
e w e Ww Cadence in C minor.
70 92
u Q 7e Modulative section in D flat major.
111
141 e 6r t e 6r 5e Conformity with measure 151. Confirmed by I-Nc 46-1-34.
151 e 6r 5e e Q 6r 5e Section in B flat minor.
161 5e 6r 5e ! 5e 6r ! 5e Section in B flat minor.
162 4w Q 4w Section in B flat minor.
377
(70) u y t u Wy t Modulative section in F minor.
171
w @ 4w Modulative section in F minor.
172
y w y Qw Section in B flat minor.
202
t Qt Consequence of flattened 6 earlier this measure (measure 222).
224
u Q 7e Modulative section in G flat major.
231
71 43 n Natural inserted according to I-Nc 46-1-34.
w Ww Cadential segment in C minor.

452
e We Section in F minor.
677
72 292 n Section in C minor.
303 n Section in C minor.
73 273 n Section in C major. Natural inserted according to I-Nc 46-1-34.

u Q 7e
472 4w @ 4w More elaborate figuring according to by I-Nc 46-1-34. Modulatory segment to C major.
t Et
841 w V Last note was made a brevis according to I-Nc 46-1-34.

w Ew
77 312 Modulatory segment to B minor.
u
y t
w
w
541 6t Figures lacking. Restored according to I-Nc 46-1-34.

e w
y
y
378
w
y W 6t
y W 6t
w # 4w
713 Modulation to G major.
791 U Fermata according to I-Nc 46-1-34.
152 9u 8y 9u E 8y Section in D major.

u Eu
172 Section in D major.
w @ 4w

u E 7e
455 Cadence in E minor.
u W 7e
601 7e @ 7e Section in C major.
602 w @ 4w Section in C major.
723 6t Section in C major.

e 0u
e 0u
u E 7e
992 Modulatory segment to B minor.
9u 8y D 9ud ih
1092 Section in D major. Confirmed in I-Nc 46-1-34.
1111 9u 8y 9u E 8y Section in D major.
79 654 6t W 6t Modulatory segment to G major.

y Wy
664 Modulatory segment to G major.
665 6t W 6t Modulatory segment to G major.
379
u y W 7e y
80 242 Section in G major.
252 4w @ 4w Section in G major.
253 6t W 6t Section in G major.
36 This entire measure is missing in I-Nc 46-1-34.

u y E 7e y
u y
81 191 Figures lacking. Restored according to I-Nc 46-1-34.
202 5r 5r e Figures lacking. Restored according to I-Nc 46-1-34.

t

y w y Ew
482 Section in F sharp minor. Sharp added according to I-Nc 46-1-34.
501 5r Ee # 5r Ee Section in F sharp minor.

w Ew
521 Section in F sharp minor.

e We
681 Natural inserted according to I-Nc 46-1-34.
y E 6e Theme in E major. Confirmed by I-Nc 46-1-34.
841
1041 6t W 6t Modulatory segment to D major.
83 General comment on mm. 28–34 and mm. 53–58, see below.
y 8y More elaborate figuring according to I-Nc 46-1-34.

173
174 6t More elaborate figuring according to I-Nc 46-1-34.
u E 7e Section in E major.
402
u Eu Section in E major.
403
w # 4w Section in E major.
412
u Wu Section in D major.
646
u Wu Section in D major.
662
677 6r W 6r Section in D major.
380
(83) In partimento No. 83 two presupposed imitative sections (mm. 28–34 and mm. 53–58) are figured in the two main
autographs in different ways. Analysis of the figuring reveals a characteristical imitation, sequentially rising. The upper
stave in G-clef represents the present editor’s suggested realisation, from which the figures have received their spacing.
28–34
53–58
84 221 6t W 6t Confirmed by Reg II, pp. 33–35.
85 313 6t W 6t Modulatory segment to A major.
y E# 6e Section in B major. Confirmed by I-Nc 46-1-34.

791
902 Upper voice. Slur added according to I-Nc 46-1-34.
u 7e This 3 seems important as it represents the first note of the countersubject.

86 132
381
(86) 184 n Section i A major.
193 n Section i A major.

y y t
203 Passing note inserted according to I-Nc 46-1-34.
i i i
274 6t W 6t Consequence of the figuring in the foregoing chord (measure 273)

u y u y t
862 Passing note inserted according to I-Nc 46-1-34.
r e r 5r e r
87 631 More elaborate figuring, according to I-Nc 46-1-34.
w
692 Missing figure, reconstructed according to I-Nc 46-1-34.
843 n Section in A major, confirmed by I-Nc 46-1-34.

u y t u y Wt
891 Modulatory segment to A major. Natural confirmed by I-Nc 46-1-34.
88 9 All slurs in this measure added according to I-Nc 46-1-34.

y t y Wt
221 4w # 4w Section in G major. Confirmed by I-Nc 46-1-34.

y t y Qt
372 More accurate figuring in I-Nc 46-1-34. Confirmed in B-Bc 8531, pp. 68–69.

t # 6t
454 Usual modulatory segment. Confirmed by I-Nc 46-1-34.
455 6r Usual modulatory segment. Confirmed by I-Nc 46-1-34.

t Et
517 Modulatory segment to G major (at the beginning of m. 52).
y t y Qt
w 4w
591 Section in C major. Confirmed by I-Nc 46-1-34.
e e e Er
89 161 More elaborate figuring, indicating theme entrance, according to I-Nc 46-1-34.
Ee
191 Section in G major, confirmed by I-Nc 46-1-34.
241 Signum congruentia indicating entrance the theme’s scale-figure. According to I-Nc 46-1-
:s:
34.
u y E 7e y
511 Section in G major, confirmed by I-Nc 46-1-34.
631 6t # 6t Section in E minor.

y Wy
91 123 Section in C major, confirmed by I-Nc 46-1-34.
382
(91) u W 7e
151 Section in C major, confirmed by I-Nc 46-1-34.
483 n Modulatory segment to A minor, confirmed by I-Nc 46-1-34.

t Qt
582 Consequence of the foregoing chord.
u Qu
721 Upper voice. Slur added according to I-Nc 46-1-34.

t Wt
763 Consequence of the foregoing chord.
u Wu
781 The b natural indicated by the @ 2 of m. 772 should be maintained.
w Qw
832 Section in F major. Entry according to I-Nc 46-1-34.
92 133 6t Q 6t Modulatory segment to B flat major.
145 6t Q 6t Modulatory segment to B flat major.
211 :s: Signum congruentia indicating theme-entrance. According to I-Nc 46-1-34.
331 Q6 Q 6e See Editorial Principles.
# 6rd W# 6rd
382 The b natural from the first chord in this measure is supposed to be maintained.
7o 6i D 7od
93 392 Section in A minor. Confirmed by I-Nc 46-1-34.
67 Measure 67 is lacking from the Principle Source. It appears not only

in I-Nc 46-1-34, but also in the complete five-part texted version of
this vocal fugue in Reg II (pp. 105–7). It seems reasonable to believe
that the lacking of this measure is due to a scribal error and that it
should be restored according to I-Nc 46-1-34 and to Reg II.
94 93 # 6t Figures lacking. Restored according to I-Nc 46-1-34.
94 6r Figures lacking. Restored according to I-Nc 46-1-34.

w Ww
y w Wy # 4w
152 Section in A minor. The first of these alterations is confirmed by I-Nc 46-1-34.
w Ww
211 # 4w Unclear reading. Restored according to I-Nc 46-1-34.
382 W7 W 7e See Editorial Principles.

w Ww
275 6t "@ 6t Section in A minor.
383
(95) 401 Slur added according to I-Nc 46-1-34.

w Ww

i
722 Figure lacking. Restored according to I-Nc 46-1-34.
e Ee
96 101 Unclear reading. Confirmed by I-Nc 46-1-34.
381 7t Q 7t A flattened 5 seems to be intended here. Confirmed by I-Nc 46-1-34.
411 I-Nc 46-1-34 gives here f sharp. Both F-Pn 4° c2 344 and the complete four part
massmovent in score in the Regole (book 2, pp. 33–35) give f.
Ee Unclear reading. Confirmed by I-Nc 46-1-34.
561
u y u Ey Section in D minor.
97 172
212 # 6t #Q 6t Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.
213 6r ! 6r Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.
u y u y i Conformity with measure 15.

802
Ew # 4w Scribal error?
991
o Q 9e Section in G minor. Confirmed by I-Nc 46-1-34.
1081
98 65 Lower voice: Slur added according to I-Nc 46-1-34.
212 # 4e Q# 4e Section in G minor. Confirmed by I-Nc 46-1-34.
273 5r Q 5r Section in G minor.
293 6r ! 6r Section in G minor.
y Wy An extra natural is added in I-Nc 46-1-34 to avoid a cadence in the beginning of m. 41.
401
y Figure lacking. Restored according to I-Nc 46-1-34.

533

665
772 # 6t #Q 6t Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.
384
(98) 773 6r ! 6r Modulatory segment to G minor. Confirmed by I-Nc 46-1-34.
y t Qy t Conformity with measure 2 (theme entrance starting in m. 82).

99 94
y t Figures lacking. Restored according to I-Nc 46-1-34.
182
414 7t ! 7t Section in G minor.
e We Modulatory segment in F major.

100 132
e We Modulatory segment in F major.
141
172
242
y Wy Modulatory segment in B flat major.
263
303
312
333
p Wp Section in F major.
383
u y t Wu y t Section in F major. Conformity with m. 3.
401
u Wu y t Modulatory segment in C major.
413
433 6r @ 6r Modulatory segment in C major.
571 9u 8y @ 9u 8y Modulatory segment in F major.
e We Section in F major.
803
812
e y t We y t Section in F major.
821
w @ 4w Modulatory segment in B flat major.
841
w Conformity with mm. 83 and 84.
851
y Wy Section in F major.
912
We Modulatory segment in F major.
981
u t y W 7e t y Modulatory segment in B flat major.
1001
1143
385
(100) u y t Wu y t
We
1241 Modulatory segment in F major.
101 84 6t Q 6t Modulatory segment to A flat major.

u W 7e
174 Modulatory segment in F major.
e We
211 Modulatory segment in B flat major.
e We
241 Modulatory segment in B flat major, in accordance with m. 242.
y Wy
293 Modulatory segment to B flat major. Confirmed by I-Nc 46-1-34.
e We
301 More elaborate figuring, according to I-Nc 46-1-34.
t t y t Q 5e t y t

y
314 Figure added according to I-Nc 46-1-34.
e
u W 7e
u
474 Defectuous figuring. Restored according to I-Nc 46-1-34.
u
481 Defectuous figuring. Restored according to I-Nc 46-1-34.
u
482 Restored according to I-Nc 46-1-34.
e
511 Cautionary figure according to I-Nc 46-1-34.

u Qu
594 Part of cadence to A flat major.
702 6t More elaborate figuring, according to I-Nc 46-1-34.

w Ww
102 71 Section in B flat major.
w @ 4w
e We
84 Modulatory segment to B flat major.
154 6t W 6t Section in B flat major.

w Ww
t
t
7t !A 7td
103 124 Section in B flat minor. For comparison, see mm. 47–48.
131 6r ! 6r Section in B flat minor. For comparison, see mm. 47–48.
386
(103) We Conformity with measure 491.
133
u Q! 7e Consequence of foregoing chord.
474
481 6r ! 6r Consequence of the two foregoing chords.
u W 7e Section in F major.
564
702 Conformity with m. 71. Confirmed by I-Nc 46-1-34.
w Conformity with m. 20. Confirmed by I-Nc 46-1-34.

104 362
y Conformity with m. 20. Confirmed by I-Nc 46-1-34.
363
w @ 4w Section in F major.
105 581
W We See Editorial Principles.
582
106 221 Slurs added in mm. 221, 231, 241, 251, and 261. All according to I-Nc 46-1-34.
371 Slurs added in measure 371, 381, 391, 401, 411. Measure 371, 381 according to I-Nc 46-1-
34. The other measures are slurred for reasons of conformity.
u Qu Section in A flat major.

461
u Q 7e Section in A flat major.
531
821 Slurs added in mm. 821, 831, and 841, according to I-Nc 46-1-34. Slur in m. 851 for
reasons of conformity.

107 35
195 6t "@ 6t Section in G minor.
w "W w Section in G minor.

203
215
y Wy Section in G minor.
223
387
(107) w @ 4w Modulatory segment to B flat major.
232
y Wy Modulatory segment to B flat major.
241
e Ww Figures lacking. Restored according to I-Nc 46-1-34.

293
294

377
451
w ! 4w Section in F minor.
452
w Figure lacking. Restored according to I-Nc 46-1-34.
474
t Figure lacking. Restored according to I-Nc 46-1-34.

604
u W 7e Modulative segment to C minor.
108 94
yg A 6td
223 Section in F minor.
w Figure lacking. Restored according to I-Nc 46-1-34.

322
342
u W 7e Section in F minor.
564
yg A 6td

733
463 6r ! 6r Section in F minor.
y Wy Section in C minor. Confirmed by I-Nc 46-1-34.

562
692 Upper voice. Slur added according to I-Nc 46-1-34. Conformity with theme (lower
voice, mm. 2–3).
711 Lower voice. Slur added according to I-Nc 46-1-34. Conformity with theme (lower
voice, mm. 2–3).
761 Slur added according to I-Nc 46-1-34. Conformity with theme (lower voice, mm. 2–3).
388
(109) t
e
110 201 6r ! 6r Part of cadence in B flat minor. Confirmed by I-Nc 46-1-34.

e We
275 Part of cadence in B flat minor. Confirmed by I-Nc 46-1-34.
324 Last note in the upper voice of this measure is added according to I-Nc 46-1-34.
42 The alto line in this measure is taken from I-Nc 46-1-34. The Source F-Pn 4° c2 344
seems to show a scribal error.
w Ww
111 92 6t Er "@ 6t Er Section in G minor.
e w e Ww
123 Section in G minor. Dropped signature (2 flats) in F-Pn 4° c2 344 and I-Nc 46-1-34.
142 5r @W" 6e @ 5r @W 6e Cadence in G minor (evaded towards C minor).

Q Qe
251 o 8y 7t o W 8y 7t Conformity with m. 113.
261 n Section in G minor. Confirmed by I-Nc 46-1-34.

t Wt
283 Consequence of foregoing chord.
311 n Section in G minor. Confirmed by I-Nc 46-1-34.
322 n Natural added on the second note in the alto voice for reasons of conformity with
measure 58.
u Ey
335 Figures lacking. Restored from I-Nc 46-1-34.
351 ! 6t Figures lacking. Restored from I-Nc 46-1-34.

e
353 Figure lacking. Restored from I-Nc 46-1-34.
e w e Ww
542 6t Er "@ 6t Er Section in G minor.
553 6t ! 6t Section in G minor. Confirmed by I-Nc 46-1-34.
555 n Conformity with measure 113.

e w e Ww
563 Conformity with measure 123.
583 n Lower voice: Dropped key signature.
389
112 212 @ 6t @Q 6t Section in C minor. Confirmed by I-Nc 46-1-34.
213 6r ! 6r Section in C minor. Confirmed by I-Nc 46-1-34.

u E 7e
271 Modulatory segment in G minor.
722 @ 6t @Q 6t Section in C minor. Confirmed by I-Nc 46-1-34.

We We i u
821 More elaborate figuring in I-Nc 46-1-34.
933 @ 6t @Q 6t Section in C minor. Confirmed by I-Nc 46-1-34.
1012 4w ! 4w Section in F minor. Conformity with m. 21.
1013 @ 6t @Q 6t Section in F minor. Conformity with m. 21.
1014 6r ! 6r Section in F minor. Conformity with m. 21.

u Q 7e
1073 b Section in F minor.
113 71 :s: Signum congruentia added according to I-Nc 46-1-34.
401 Ornament added according to I-Nc 46-1-34.

Qy Wy
492 Scribal error. Corrected according to I-Nc 46-1-34.
390
u Q 7e
114 251 Section in F minor.
y e r y e Wr
322 Naturalised 4 according to I-Nc 46-1-34.
y Qy
633 Section in F minor. Confirmed by I-Nc 46-1-34.
641 Q 7e !Q 7e Section in F minor.

u y Qu y
671 Section in B flat minor.
732 @ 6t @Q 6t Modulatory segment to F minor.
733 6r ! 6r Modulatory segment to F minor.

o Q 9e
756 b Section in F minor.

y
822 Figure lacking. Restored from I-Nc 46-1-34.
6t A 6td

u y
115 155 Figures lacking. Restored from I-Nc 46-1-34. Conformity with measure 34.
w Qw
192 Modulatory segment in E flat major. Confirmed by I-Nc 46-1-34.
t Qt
263 Modulatory segment in A flat major. Confirmed by I-Nc 46-1-34.
284 6r Q 6r Modulatory segment in F minor.
442 6r ! 6r Modulatory segment in F minor.

6t A 6td
6t A 6td
W We
116 63 See Editorial Principles.
Q Qe

w 5w
532 5r e Figures lacking. Restored according to I-Nc 46-1-34.
623 n Conformity with measure 43. Confirmed by I-Nc 46-1-34.
821 5r Qe Figures lacking. Restored according to I-Nc 46-1-34.
991 Q 7e y t @Q 7e y t Consequence of foregoing chord. Conformity with measure 96.
391
203
223
421 b Section in E flat major.
w Ww Section in D minor.
572
y Conformity with measure 94. Confirmed by I-Nc 46-1-34.
574
y Conformity with measure 94. Confirmed by I-Nc 46-1-34.
674
118 94 6t Q 6t Modulatory segment to E flat major.
We Figure lacking. Restored from I-Nc 46-1-34.

551
594 6t Q 6t Modulatory segment to E flat major.
u y Figures lacking. Restored from I-Nc 46-1-34.

611
e Figure lacking. Restored from I-Nc 46-1-34.
621
e Figure lacking. Restored according to I-Nc 46-1-34.

119 241
242
Wy Figure lacking. Restored according to I-Nc 46-1-34.
243
251
e Figure lacking. Restored according to I-Nc 46-1-34.
252
o i o i p Conformity with measure 29. Confirmed by I-Nc 46-1-34.

301
Wy u Wy Conformity with measure 5. Confirmed by I-Nc 46-1-34.
381
542 6t W 6t Section in D minor.
561 6t W 6t Section in D minor.
392
e We Section in D minor.
333
u y t Qu y t Modulatory segment to G minor.

581
u y t Qu y t Section in G minor.
1001
1171 E 9e i E! 9e i Section in G minor.
y Qy Section in G major.
121 323
331 7t ! 7t Section in G major.
581 E7 6r E 7e 6r See Editorial Principles.
661 Signum congruentia added according to I-Nc 46-1-34.

:s:
883 6r ! 6r Section in G minor.
6t A 6td
w ! 4w Section in G minor.
1031
6tA A 6td
1181 Cadenza in G minor. Conformity with measure 126.
122 93 Conformity with measure 23. Confirmed by I-Nc 46-1-34.
181 6t Q 6t Consequence of the e flat in measure 172, resulting in a modulatory segment to G minor.
e Qe Start of modulatory segment to C minor. Figures confirmed by I-Nc 46-1-34.

302
311 6t Q 6t Modulatory segment to C minor.
431 6t Q 6t Conformity with measure 17.
393
(122) 441 6t !Q 6t Conformity with measure 18.
451 6t ! 6t Conformity with measure 19.
651 6t ! 6t Section in B flat major.
1182 b Consequence of the flat in measure 117.
522 t Wt
Section in G major. Confirmed by I-Nc 46-1-34.
661 u W 7e Section in G major. Confirmed by I-Nc 46-1-34.
662 u Wu
Section in G major.
711 u W 7e Section in G major. Confirmed by I-Nc 46-1-34.
743 y t y Wt
Section in G major.
1081 y e
Scribal error. Restored according to I-Nc 46-1-34.
124 264 6t W 6t Section in G major.
251 5r W 5r Section in G major.

u W 7e
394
(124) 322 5r W 5r Section in G major.
w Figure lacking. Restored from I-Nc 46-1-34.

481
482 6t w Figures lacking. Restored from I-Nc 46-1-34.
t Figure lacking. Restored from I-Nc 46-1-34.

483
491 6t Figures lacking. Restored from I-Nc 46-1-34.
e 5rs Figures lacking. Restored from I-Nc 46-1-34.

492
493 6t Figures lacking. Restored from I-Nc 46-1-34.
642 6r # 6r Section in A major.
661 6r # 6r Section in A major.
661 m Section in A major.
u E 7e Risposta from measure 20, countersubject from measure 22 resulting in a g sharp in the
125 251
countersubject. (measure 25 is related to measure 43).
681 6t # 6t Section in F sharp minor.
126 152 6t W 6t Modulatory segment to C major.
453 6r E 6r Modulatory segment to D major.
127 691 6t # 6t Section in B minor.
1252 m Cautionary sharp inserted, remote distance to the flat in measure 1242. Confirmed by I-
Nc 46-1-34.
128 429 n Cadence in C major. Confirmed by I-Nc 46-1-34.
395
129 111 6i y t 6i 6i 5u More elaborate figuring according to I-Nc 46-1-34.
121 4y e 4y 4y 3t More elaborate figuring according to I-Nc 46-1-34.
251 6i y t 6i 6i 5u More elaborate figuring according to I-Nc 46-1-34.
261 4y e 4y 4y 3t More elaborate figuring according to I-Nc 46-1-34.
r e Qr e Section in F major. Confirmed by I-Nc 46-1-34.

621
633 6r ! 6r Section in F major.
u Qu Section in F major.
641
130 703 6r Q 6r Section in F major.
791
u Q 7e Modulatory segment in F major.

821
109 Beams lacking. Restored from I-Nc 46-1-34.
131 441 5r # 5r Section in E minor.
502 5r # 5r Section in E minor.
1295 n Cadence in G major. Confirmed by I-Nc 46-1-34.
396
Section B
The 35 partimenti appearing in one autograph source
A) The 35 unica appearing in I-Nc S-1-94 (Nos. 140–142) and in F-Pn 4o c2 344 (Nos. 1–24 and 132–139).
e Ee Repetition of D major chord in m. 66.
3 73
95 y Q 6e Modulatory segment to F major.
u Q 7e Section in F major.
115
4 181 4w @ 4w Section in C major shortly after a section in F major.
u y u Wy Section in C major shortly after a section in F major.

185
6 143 n Section in C major. Conformity with m. 5.
182 n Section in A minor.
u y Q e7 y Modulatory segment to E flat major

7 93
u Qu Section in E flat major.
104
u W e7 Section in F major.
154
u W e7 Section in B flat major.
9 94
e We Section in B flat major.
144
193
u W 7e Section i B flat major.
10 311
391 Ch: 5r 6t Choron here proposes an erroneous figuring above a wrongly transcribed note (b
flat instead of c). F-Pn 4o c2 344 leaves no doubt about the intended figuring.
t Qt Section in A flat major.
461
491 6t Q t6 Section in A flat major.
502 6t Q t6 Section in A flat major.
u Q e7 Section in A flat major.

521
u u y Conformity with measure 15.
11 61
u y W e7 y Modulation to C major.
12 133
u y Wu y Section in C major.
152
397
(12) u y W e7 y Section in C major.
171
t W 5e Section in C major.
191
221 4w # 4w Modulation to G major.
13 73 # 6t #W 6t Modulatory segment to A minor.
74 6r @ 6r Modulatory segment to A minor.
161 5r # 5r The c sharp in the foregoing chord is supposed to be suspended.
w @ 4w Section in C major.
304
t Wt Section in C major.
306
t y t Wy Section in C major.
313
u y W e7 y Section in C major.
365
14 342 6t Q 6t Segment in F major.
e Ee Part of cadence in G major.

15 107
151 6t # 6t Section in G major.
y t i y t Unclear reading. Parallel situation to measure 26.

154
194 6t # 6t Part of cadence to E minor.
u Q e7 Section in F major.
241
y t y Qt Section in F major.
272
16 172 5r # 5r Section in E minor.
274
291
17 231 6t Q 6t Section in F major.
w ! 4w Section in F major.
271
u y Q 7e y Modulatory segment to B flat major.
311
398
18 213 6t W 6t Section in G major.
y Ey
19 221 Cadence in B minor (conformity with m. 213).
u y W e7 y
21 261 Cadence in G major.
u Wu
262 Cadence in G major.
u W e7
321 Cadence in C major.
5r Ee # 5r Ee
22 162 Cadence in B minor.
u Wu
275 Cadence in C major.
y Wy
u W e7
u y W e7 y
23 104 Cadence in C major.
24 453 6r W 6r Section in C major.

u t y Wu t y

Ww w
671 Superfluous natural.
e
132 103 Conformity with mm. 3, 36, and 55.
e Ee

u Wu
133 146 E7 E 7e See Editorial Principles.

u W 7e
265 Section i C major.
u Wu
266 Section i C major.
291 6t W 6t Section i C major.

u E 7e
134 83 Natural progression in harmonic sequence. Conformity with m. 7.
u E 7e
e w e @ 4w
u W 7e
e Ee
241–8 Scribal error. Beams lacking. Conformity with m. 53.
399
(135) w Ew
271 Section in E minor.
Q7 Q 7e
u Q 7e
573 Section in F major. Conformity with measure 563.
u Qu
u Qu
6t Q 6t
136 355 Section in F major.
397 b Section in F major.
6t Q 6t
6t Q 6t
6t ! 6t
137 121 Slur added. Conformity with measure 10.
141 Slur added. Conformity with measure 10 and 12.
672 6t Q 6t Modulatory segment from C major to F major.
911 ? 6r Unclear reading. Restored according to Ch.

u W 7e
138 152 Section in C major.

u Q 7e
u Qu
139 321 6t @ 6t Section in A minor.

u t y Qu t y
u t Q 7e t
u Qu
e y t
511 ? 6 5 Unclear reading. Conformity with m. 9 and relation to the theme (measure 1-7).
400
(139) t Wt
682 Section in D minor.
yg A 6td
691 Section in D minor.
y y y t Unclear reading. Similarity with mm. 58, 68, 78, and 104.
702
401
Section C
The 18 partimenti appearing in one autograph source
and in one source written by a student of Sala
The 18 partimenti (Nos. 143–160) appearing in the autograph I-Nc S-1-94 and in F-Pn 4o c2 343.
u Qu Section in B flat major.
143 154
u Q 7e Section in F major. Confirmed by F-Pn 4° c2 343.
144 141
i i u i i Eu Theme in G major.
145 151
r r e Qr Qr e Theme in F major.
341
146 12 5r 5r e Conformity with measure 30. Confirmed by F-Pn 4° c2 343.
122
172 5r Q 5r Section in F major.
292 5r Ee # 5r Ee Cadence in E minor.
u y u y t Fluency of line. Confirmed by F-Pn 4° c2 343.

331
t Et Section in G major.
147 71
u Conformity with measure 3.
81
82 # 4w y # 4w Conformity with measure 3.
y Ey Section in G major. Confirmed by F-Pn 4° c2 343.

113
t y t Et y Et Section in G major.
123
u Qu Section in F major. Confirmed in F-Pn 4° c2 343.
214
u Eu Section in G major.
148 201
y Ey Section in G major. Confirmed in F-Pn 4° c2 343.
282
y Figure lacking. Restored from F-Pn 4° c2 343.
313
149 194 6t Q 6t Modulatory segment to F-major.
u Qu Section in F-major.
236
61– Incomplete from measure 61. Restored from measure 61 to end from F-Pn 4° c2 343.
y Ey Modulatory segment to A minor. Confirmed in F-Pn 4° c2 343.

150 183
w Qw Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.
193
19t 6r Q 6r Modulatory segment to F major.
402
(150) 204 6t Q 6t Same chord as measure 201.
y Q 6e Section in F major. Confirmed in F-Pn 4° c2 343.

223
u Qu Section in F major. Confirmed in F-Pn 4° c2 343.
231
234 6t ! 6t Section in F major. Confirmed in F-Pn 4° c2 343.
y Q 6e Section in F major. Confirmed in F-Pn 4° c2 343.

263
w Qw Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.
282
292 4w ! 4w Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.
u ! 7e Modulatory segment to F major. Confirmed in F-Pn 4° c2 343.

301
y Ey Section in G major. Confirmed in F-Pn 4° c2 343.
403
w @ 4w Modulation to C major. Consultation in F-Pn 4° c2 343 was not possible here.
582
The section between measure 50–59 is lacking in F-Pn 4° c2 343.
u y Q 7e y Section in F major.
151 173
193
w Ew Modulatory segment towards E minor.

542
Ew w Both I-Nc S-1-94 and F-Pn 4° c2 343 give a sharp to this 2. Scribal error.
551
y Ey Section in G major.
152 232
291
y Q 6e Section in F major.
311
36 This quoted measure 36 from F-Pn 4° c2 343 gives a more complete reading.
In I-Nc S-1-94 the last note of this measure and the figures above it are
missing.
403
y Wy Section in C major.
153 152
w ! 4w Section in B flat major.

341
u Qu Section in B flat major.
343
w ! 4w Section in B flat major.
371
u W 7e Part of cadence to C major.
492
y Wy Modulatory segment in C major.

572
811 5r e u 5r We u Section in C major.
154 61 b Implied by the natural in m. 62.
u W 7e Modulation to F major.
84
104
u Q 7e Section in E flat major.
133
134
254
272 n Section in F major. Confirmed by F-Pn 4° c2 343.
313 6r Figures lacking. Restored from F-Pn 4° c2 343.

365
462 @ 6r Conformity with measure 8.
505 6r According to F-Pn 4° c2 343.
574
594
701 Scribal error. The scribe wrongly notates a f on this last note! Restored from F-Pn 4° c2
343.
404
155 222
y Qy Section in E flat major.
332
691 6t @ 6t Section in D minor.

156 122
162
381
w Conformity with m. 3.
401
y Conformity with m. 3.
402
157 221
w @ 4w Section in B flat major.
241
282
301 6t @ 6t Section in B flat major.
332 n Modulatory segment to G minor.
w Qw Modulatory segment to E flat major.

361
401
y Qy Section in A flat major.
412
451
y Q 6e Section in A flat major.
452

481
y Figure lacking. Consequence of the figure 6 in m. 482.
493
w ! 4w Modulatory segment to F minor.
531
532 W y5 !W 5y Modulatory segment to F minor.
533 6r Q 6r Modulatory segment to F minor.

612
u Wu Modulatory segment to B flat major.
621
67 This measure is lacking in Principal Source. Reconstructed according to F-Pn 4° c2 343.

791
405
(157) rs ! 6rs Section in A flat major.
811
841
y Q 6e Section in A flat major.
842
w Ww Section in E flat major.

911
u Q 7e Section in A flat major. Confirmed by F-Pn 4° c2 343.
158 271
274 6t Q 6t Section in A flat major. Confirmed by F-Pn 4° c2 343.
433 6t Q 6e Section in A flat major.
u W 7e Modulatory segment to C minor.

494
522 n Modulatory segment to G minor.
u E 7e Modulatory segment to G minor.

525
159 162 n Section in G minor. Confirmed by F-Pn 4° c2 343.
411 9e 8y 7t Q e9 8y 7t Section in F minor.
451 u y t Qu y t Section in F minor. Consequence of flattened 6 in measure 44.
9e t Conformity with measure 21. Confirmed by F-Pn 4° c2 343.

771
831 Signum congruentia added according to F-Pn 4° c2 344.

:s:
160 121 6t Q 6t Modulatory segment to B flat major.
123 E y5 E! 5y Modulatory segment to G minor.
154 6r ! 6r Modulatory segment to C minor.
241 e 6r 5r e e Q 6r Q 5r e Cadence in E flat major. Confirmed by F-Pn 4° c2 343.
w Qw Modulatory segment to B flat major.

261
263 6r Q 6r Modulatory segment to B flat major.
w ! 4w Modulatory segment to G minor. Confirmed by F-Pn 4° c2 343.

282
283 # 6t Q# 6t Modulatory segment to G minor.
406
(160) 284 6r ! 6r Modulatory segment to G minor.
382 6r @ 6r Modulatory segment to D minor.
592 4w y 4w Figure missing. Restored according to F-Pn 4° c2 343.
407
Section D
The 29 unica appearing in the four non-autograph sources
F-Pn 4o c2 343, I-LEcon Ms. BC4, I-MC 6-F-15/2, and B-Bc 8531
A) The 17 unica appearing in F-Pn 4o c2 343 (Nos. 161–176 and No. 178).
161 231 6t # 6t Section in F sharp minor.

w Ew

y W 6e
w @ 4w
w Ww
u Wu
u W 7e
u Wu

u W 7e
w # 4w
t Et
w Ew
163 262 6t W 6t Section in C major.
164 64 E 7e Part of cadence in B minor.
74 6t # 6t Part of cadence in B minor.
408
(164) w @ 4w

t 6t
182 6r W 6r Section i C major.

w @ 4w
202 Modulation from C major to A minor.
t #W 6t
203 Modulation from C major to A minor.
204 6r Modulation from C major to A minor.

u W 7e
225 6r W 6r Section in A minor.
231 # 6t #W 6t Section in A minor.
232 6r @ 6r Section in A minor.

t # 6t
262 Modulation to E minor.
263 6r Modulation to E minor.

t # 6t
292 Modulation to E minor.
293 6r Modulation to E minor.

E Ee
245 m Dominant to C-sharp minor.
265 m Dominant to C-sharp minor.
342 m Theme in dominant key. Conformity with theme in measure 1.

E Ee
y W 6e

u y W 7e y

y W 6e
y W 6e
409
(167) 444 6t # 6t Section in B minor.
w Ww
462 Modulatory segment to G major.

y W 6e
168 393 Section in G major.

u W 7e
169 173 Section in D major.
u Wu
y Wy

y
271 Figure removed, for reasons of conformity with mm. 22 and 32.
w Ww
170 101 Modulatory segment to D major.
t W 5e

w @ 4w
191 n Natural inserted due to cadence in D major.

u E 7e
244 Conformity with measure 82.
343 7r y u y Unclear reading. Suggested solution.

y
344 Unclear reading. Suggested solution.
171 251 u y W 7e y Section in D major.

y W 6e
u W 7e

u W 7e
622 n Natural inserted – section in D major.

u W 7e
410
175 84 m Part of E major chord.
104 m Part of E major chord.
304 m Part of E major chord.

e w e Ew
176 132 Section in F sharp minor.
w Ew

w @ 4w

u W 7e
B) The 9 unica appearing in I-LEcon Ms. BC4 (9 partimenti: Nos. 179–187).

e w
179 25 Scribal error.
27 Original pitch F is changed into G, for reasons of conformity with mm. 20, 23, and 26.
81 4w Conformity with m. 3.
w e
111 Unclear reading, probably scribal error.
w

E Ee
271 td 6rs td Q 6rs

Conformity with m. 295.
t Qt
y
285 Unclear reading. Conformity with m. 12.
Q Qe
271 6rs Q 6rs

Section in F major.
411
(179) 324 Q 6t y t Q 6t Qt y Qt Section in F major. Conformity with m. 10.
180 92 n Conformity with m. 52 (upper voice).

w Ww
221 Modulatory segment to A minor.
335 5r e 5r We Conformity with the risposta in mm. 5–9.

e We
343 Yet to be written.
181 84 8y 7t 8y ! 7t Section in F major.
134 8y 7t 8y ! 7t Section in B flat major.

Wy Ey
285 Section in A minor. I assume the natural attached to the figure 6 to be a misspelling.
301 2r @ 2r Section in A minor.
422 5r 5r e Incomplete figuring.
182 44 W7 W 7e See Editorial Principles.

y t y Wt
351 4w ! 4w Section in B flat major.

u y u Qy
u y Qu y
e
466 Incomplete figuring.

u y u Ey
403 5r E 5r Ee See Editorial Principles.

w
441 ? Unclear reading.
412
184 33 Upper voice, original pitch C, corrected to D (a major second higher), in conformity
with m. 13.
231 Qy y
Scribal error?
y
Qy y
362 Scribal error?
e Qe
463 ! 5u !Q 5u Modulative segment to B flat major.

e w Qe w

e Qe
185 153 m Section in D major. Thematic conformity with m. 21.
431 E 7e 6r 5r E E 7e 6r 5r Ee See Editorial Principles.

E Ee
E Ee
553 m Section in D major. Thematic conformity with m. 21.
633 5r E 5r Ee See Editorial Principles.
721 E 7e 6r 5r E E 7e 6r 5r Ee See Editorial Principles.
186 111 5r W 5r Consequence of m. 10.

E Ee
E e
301 5r W 5r We See Editorial Principles.
315 6r E 6r Consequence of m. 30.
591 5r W 5r Consequence of m. 58.
413
C) Two unica appearing in I-MC 6-F-15/2 (Nos. 188 and 189).
u W 7e
188 241 Modulative segment to G Major.
u Wu
242 Modulative segment to G Major.
u
281 W 7e Section in G Major.
D) The unicum appearing in B-Bc 8531 (No. 177).

E Ee
E Ee
u Qu
351 Consequence of m. 34.
414
ERRATA
Volume 27:1:
Unpaginated introduction, Description of the Manuscript Sources

Shortly after the submission deadline of this publication an important article appeared that should have been
added as a footnote to the section “Description of the Manuscript Sources.” This article, written by Sarah M.
Iacono and Paulo Sullo gives new information about the manuscript I-LEcon Ms. BC 4, among other things.
See: Iacono, Sarah M. and Sullo, Paolo. “Manoscritti musicali di Terra d’Otranto. Collezioni e casi di studio tra ‘scuola
napoletana’ e prassi esecutiva”. In Studi in memoria di Giuseppe A. Pastore, edited by Daniela Castaldo and Gabriella Pastore. I
quaderni dell’Idomeneo. 33. Lecce: Salento University press (2017), xx–xx.
Unpaginated introduction, Bibliography

Iacono, Sarah M. and Sullo, Paolo. “Manoscritti musicali di Terra d’Otranto. Collezioni e casi di studio tra
‘scuola napoletana’ e prassi esecutiva”. In Studi in memoria di Giuseppe A. Pastore, edited by Daniela Castaldo
and Gabriella Pastore. I quaderni dell’Idomeneo. 33. Lecce: Salento University press, 2017.
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The 189 Partimenti

Cover design: Laurens van Tour.

Distributor: Uppsala University Library, Box 510, SE-751 20 Uppsala, Sweden

The following abbreviations are used in this Critical Commentary:

“189” The 189 Partimenti of Nicola Sala

A discussion of all available sources is given in the Introduction of volume 1.

26 21 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

511 6r 5e Q 6r 5e Section in F major. Confirmed by I-Nc 46-1-34.

27 111 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

342 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

28 172 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

433 Slur added according to I-Nc S-1-94.

435 6t W 6t Section in C major.

442 6t W 6t Section in C major.

623 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

221 E 7e 6r 5r Ee E 7e 6r # 5r Ee Cadence in B minor. Confirmed by I-Nc 46-1-34 and I-Nc S-1-94.

444 6t W 6t Cadence to C major.

59– I-Nc S-1-94 here gives an

30 292 6t W 6t Modulatory segment to C major.

392 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

522 6t W 6t Modulatory segment to C major.

631 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

852 6t W 6t Modulatory segment to C major.

1172 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

1222 6t Q 6t Modulatory segment to F major.

1372 6t W 6t Section in C major.

1412 6t W 6t Section in C major.

272 E7 E 7e See Editorial Principles.

443 6t # 6t Section in B minor. Confirmed by I-Nc 46-1-34.

461 5r Ee # 5r Ee Cadence in B minor.

482 Slur added according to I-Nc 46-1-34.

991 Slur added according to I-Nc 46-1-34.

E 9e @E 9e Part of harmonic sequence leading to A minor.

33 433 n Consequence of m. 42. Dropped signature at beginning of stave.

453 6r W 6r Section in C major. Dropped signature at beginning of stave.

461 6t W 6t Section in C major. Dropped signature at beginning of stave.

551 6t W 6t Section in C major.

34 32 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

42 Slur added according to I-Nc 46-1-34 and I-Nc S-1-94.

723 m Section in D major. Confirmed by I-Nc 46-1-34.

971 6t @ 6t Section in C major.

74 321 Slur added according to I-Nc 46-1-34.

401 o i 0t o 8y 0t Conformity with m. 39. Confirmed by I-Nc 46-1-34.

521 9u 8y 9u 8y 8t Unclear reading. Restored according to I-Nc 46-1-34.

601 5r E 8e u 5r E 8e 7t Conformity with m. 61.

611 5r 8e u 5r 8e 7t More elaborate figuring according to I-Nc 46-1-34.

631 E7 E 7e See Editorial Principles.

752 Slur added according to F-Pn 4° c2 344 and I-Nc S-1-94.

921 Slur added according to I-Nc S-1-94.

1061 6t Q 6t Section in F major.

1071 Slur added according to I-Nc S-1-94.

137 Measure missing.

y y y t Conformity with m. 42.

551 6r e Figures lacking. Restored from I-Nc 46-1-34.

1353 n Cautionary natural according to I-Nc 46-1-34.

352 Slur added according to I-Nc 46-1-34.

491 5e # 4e 5e 5e # 4e Conformity with m. 47.

522 # 6t 7t 8y 7t Section in G major. Confirmed by I-Nc 46-1-34.

671 n Upper voices.