The chart below shows the percentage of films produced by 5 different

countries in 3 years.

ORIGINAL:

The provided bar chart depicts the variations in the proportion of film
production in five distinctive nations over a three-year period, from 2007 to 2009.

Overall, it is apparent that the percentage of films produced in country A was

dominant over the other three countries. However, while the data of country A and
country C witnessed a downward trend, the reverse pattern was seen in country B,
country D and country E throughout the time frame given.

Commencing in 2007, the figure for country A was 80%, which is as four
times as country C in the same year; whereas, 1 year later, the former experienced
a marginal dip of around 2% while the latter saw an upward trend, took up 22% to
be exact. In 2009, both of the data of these countries waned moderately, to 75%
and 19% respectively.

By comparison, there were striking similarities between three nations, B, D

and E. To be more specific, all of the rate of movies produced in these three
countries underwent a steady rise from 2007 to 2008, 35%, 14% and 5%
correspondingly. Surprisingly, in the final year, the figure for country D and
country E continued to increase at the same speed with the first two years by 1%
while the data of country B soared to 50%.

EDITED:

The provided bar chart depicts the variations in the proportion of film
production MOVIES PRODUCED BY in five distinctive DISTINCT nations over
a three-year period, from 2007 to 2009.

Overall, it is apparent that the percentage of films produced in country A was

dominant AMONG ALL SURVEYED COUNTRIES over the other three FOUR
countries. However, while the data of FIGURE FOR COUNTRIES A AND C
country A and country C witnessed a downward trend, the reverse pattern was
TRUE FOR THE OTHERS seen in country B, country D and country E throughout
the GIVEN time frame given.

Commencing In 2007, the figure for MOVIES PRODUCED BY country A

was COMPRISED 80% OF ALL MOVIES SURVEYED, which WAS
QUADRUPLE THAT OF COUNTRY C is as four times as country C in the same
year; NEVERTHELESS, THIS NUMBER EXPERIENCED A MARGINAL DIP
OF AROUND 2% FOR EACH YEAR THAT FOLLOWED. MEANWHILE,
COUNTRY C WITNESSED A DOWNWARD FLUCTUATION, HOVERING
AROUND THE 20% MARK FOR THE ENTIRE PERIOD. whereas, 1 year later,
the former experienced a marginal dip of around 2% while the latter saw an
upward trend, took up 22% to be exact. In 2009, both of the data of these countries
waned moderately, to 75% and 19% respectively.

By comparison ON THE OTHER HAND, there were striking similarities IN

THIS REGARD between three nations B, D and E. To be more specific, all of the
rate of movies produced THE NUMBER OF MOVIE PRODUCED in these three
countries underwent a steady rise OF APPROXIMATELY 2% WITHIN THE
FIRST YEAR, REGISTERING AT from 2007 to 2008, 35%, 14% and 5%,
correspondingly. WHILE THE LATTER TWO SAW A CONTINUATION IN
THIS GROWTH, COUNTRY B’S FIGURE SKYROCKETED TO ACCOUNT
FOR 50% OF ALL STUDIED MOVIES BY 2009. Surprisingly, in the final year,
the figure for country D and country E continued to increase at the same speed
with the first two years by 1% while the data of country B soared to 50%.

FINAL

The provided bar chart depicts variations in the proportion of MOVIES

PRODUCED BY five DISTINCT nations over a three-year period, from 2007 to
2009.

Overall, it is apparent that the percentage of films produced in country A was

dominant AMONG ALL SURVEYED COUNTRIES. However, while the
FIGURE FOR COUNTRIES A AND C witnessed a downward trend, the reverse
pattern was TRUE FOR THE OTHERS throughout the GIVEN time frame.
 In 2007, MOVIES PRODUCED BY country A COMPRISED 80% OF
ALL MOVIES SURVEYED, which WAS QUADRUPLE THAT OF
COUNTRY C; NEVERTHELESS, THIS NUMBER EXPERIENCED A
MARGINAL DIP OF AROUND 2% FOR EACH YEAR THAT FOLLOWED.
MEANWHILE, COUNTRY C WITNESSED A DOWNWARD
FLUCTUATION, HOVERING AROUND THE 20% MARK FOR THE
ENTIRE PERIOD.

ON THE OTHER HAND, there were striking similarities IN THIS

REGARD between nations B, D and E. To be more specific, THE NUMBER OF
MOVIE PRODUCED in these three countries underwent a steady rise OF
APPROXIMATELY 2% WITHIN THE FIRST YEAR, REGISTERING AT,
35%, 14% and 5%, correspondingly. WHILE THE LATTER TWO SAW A
CONTINUATION IN THIS GROWTH, COUNTRY B’S FIGURE
SKYROCKETED TO ACCOUNT FOR 50% OF ALL STUDIED MOVIES
BY 2009.