(Medieval European Studies, 18) Stephen J. Harris - Bede and Aethelthryth - An Introduction To Christian Latin Poetics-West Virginia University Press (2016)
CONTINENT AFTER ASIA. IT SEPARATED FROM ASIA BY SUEZ CANAL, THE GULF OF SAEZ, AND THE RED SEA . LITERATURE AFRICAN LITERATURE is a diverse and rich literary tradition that encompasses a wide range of characteristics and features. Here are some key characteristics of African literature: •ORAL TRADITION: Much of African literature has its roots in oral tradition, where stories, myths, and histories were passed down through generations via spoken word. This has influenced the narrative style and storytelling techniques in African literature. • MULTILINGUALISM: Africa is linguistically diverse, with thousands of languages spoken across the continent. African literature reflects this diversity, often incorporating multiple languages, dialects, and linguistic elements into its works.
• CULTURAL DIVERSITY: African literature celebrates
the diverse cultures, traditions, and experiences of the continent's many ethnic groups. It explores themes related to identity, heritage, and the clash of modernity with tradition. • POSTCOLONIAL THEMES: Much of African literature emerged in the postcolonial era, addressing themes of colonialism, imperialism, and the struggle for independence. It explores the impact of colonialism on African societies and the quest for cultural and political autonomy. • SOCIAL AND POLITICAL COMMENTARY: AFRICAN LITERATURE FREQUENTLY ENGAGES WITH CONTEMPORARY SOCIAL AND POLITICAL ISSUES, SUCH AS GOVERNANCE, CORRUPTION, HUMAN RIGHTS, AND SOCIOECONOMIC DISPARITIES. IT SERVES AS A PLATFORM FOR ACTIVISM AND CRITIQUE. • MAGICAL REALISM AND FOLKLORE: African literature often incorporates elements of magical realism, folklore, and mythology, blurring the lines between reality and the supernatural. These elements add depth and symbolism to the storytelling. • . STRONG SENSE OF PLACE: African literature is deeply rooted in its geographical settings. Authors often vividly describe the landscapes, environments, and urban spaces of Africa, creating a strong sense of place in their narratives. • MAGICAL REALISM AND FOLKLORE: African literature often incorporates elements of magical realism, folklore, and mythology, blurring the lines between reality and the supernatural. These elements add depth and symbolism to the storytelling. • STRONG SENSE OF PLACE: African literature is deeply rooted in its geographical settings. Authors often vividly describe the landscapes, environments, and urban spaces of Africa, creating a strong sense of place in their narratives. • DYNAMIC STORYTELLING: African literature employs diverse narrative styles and storytelling techniques, including allegory, allegorical storytelling, and nonlinear narratives. It encourages creative experimentation with form and structure. • GENDER AND FEMINISM: Many African writers explore issues related to gender, feminism, and the role of women in society, shedding light on the complexities of gender dynamics in Africa. • GLOBAL INFLUENCE: African literature has gained international recognition and influence, with works by authors like chinua achebe, wole soyinka, chimamanda ngozi adichie, and ngũgĩ wa thiong'o being celebrated worldwide. FORM OF AFRICAN LITERATURE INCLUDES HYMNS, ROMANCE, EPIC, POETRY, FICTIONAL NARRATIVE, EPISTLES, DIARIES, PHILOSOPHY, BIOGRAPHY, AND AUTOBIOGRAPHY TYPES OF AFRICAN LITERATURE • ORAL LITERATURE:* This is the oldest form of African literature, consisting of spoken stories, myths, legends, and oral histories passed down through generations. Griots, storytellers, and oral poets play a crucial role in preserving and transmitting these narratives • *FICTION: African fiction includes novels and short stories that explore a wide range of themes, from postcolonial identity to contemporary social issues. Authors like Chinua Achebe, Ngũgĩ Wa Thiong'o, And Chimamanda Ngozi Adichie are known for their influential African novels. • POETRY: African poets use verse to express their thoughts, emotions, and social commentary. The poetry may be traditional, contemporary, or influenced by oral traditions. Leopold Senghor and Kofi Awoonor are notable African poets. • DRAMA AND PLAYWRITING: AFRICAN PLAYWRIGHTS LIKE WOLE SOYINKA HAVE CONTRIBUTED SIGNIFICANTLY TO THE WORLD OF THEATER. AFRICAN DRAMA OFTEN EXPLORES POLITICAL AND SOCIETAL ISSUES, BLENDING TRADITIONAL AND MODERN ELEMENTS. • AUTOBIOGRAPHY AND MEMOIR: AFRICAN WRITERS OFTEN SHARE THEIR PERSONAL EXPERIENCES AND PERSPECTIVES THROUGH AUTOBIOGRAPHIES AND MEMOIRS. THESE WORKS SHED LIGHT ON INDIVIDUAL JOURNEYS, HISTORICAL EVENTS, AND SOCIETAL CHANGES. • HISTORICAL AND POLITICAL WRITING: AFRICAN LITERATURE INCLUDES HISTORICAL ACCOUNTS, ESSAYS, AND POLITICAL WRITINGS THAT ANALYZE AND DOCUMENT THE CONTINENT'S HISTORY, INDEPENDENCE STRUGGLES, AND CONTEMPORARY POLITICAL LANDSCAPES. • AFRICAN FOLKLORE AND FOLKTALES: AFRICAN FOLKLORE CONSISTS OF A VAST COLLECTION OF MYTHS, LEGENDS, AND FOLKTALES THAT REFLECT CULTURAL BELIEFS AND VALUES. THESE STORIES OFTEN CONVEY MORAL LESSONS AND ENTERTAIN READERS WITH IMAGINATIVE NARRATIVES. • CHILDREN'S LITERATURE: AFRICAN AUTHORS HAVE PRODUCED A GROWING BODY OF CHILDREN'S LITERATURE THAT INTRODUCES YOUNG READERS TO AFRICAN CULTURE, HISTORY, AND FOLKLORE WHILE ADDRESSING IMPORTANT LIFE LESSONS. • SCIENCE FICTION AND FANTASY: SOME AFRICAN AUTHORS HAVE VENTURED INTO SCIENCE FICTION AND FANTASY GENRES, USING SPECULATIVE FICTION TO EXPLORE FUTURISTIC SCENARIOS AND ALTERNATIVE REALITIES WHILE DRAWING ON AFRICAN TRADITIONS AND SETTINGS.. • ESSAYS AND NONFICTION: AFRICAN INTELLECTUALS AND SCHOLARS WRITE ESSAYS AND NONFICTION WORKS ON TOPICS RANGING FROM PHILOSOPHY AND SOCIOLOGY TO EDUCATION AND DEVELOPMENT, CONTRIBUTING TO INTELLECTUAL DISCOURSE. • POSTCOLONIAL LITERATURE: THIS GENRE ADDRESSES THE COMPLEX LEGACIES OF COLONIALISM AND IMPERIALISM, EXAMINING THE IMPACT OF COLONIZATION ON AFRICAN SOCIETIES AND THE STRUGGLE FOR INDEPENDENCE.
• DIASPORA LITERATURE: AFRICAN DIASPORA LITERATURE EXPLORES
THE EXPERIENCES OF AFRICANS AND THEIR DESCENDANTS LIVING OUTSIDE THE AFRICAN CONTINENT, PARTICULARLY IN THE AMERICAS AND EUROPE. AFRICAN WRITERS AND POETS • NGŨGĨ WA THIONG’O (KENYA) NGŨGĨ WA THIONG’O Is one of the giants of contemporary literature. He has written dozens of books, primarily in Gikuyu, that span genre and form—from novels to criticism, memoir to plays. He was arrested and imprisoned in 1977 for the political message of the play Ngaahika Ndeenda: Ithaako Ria Ngerekano (I Will Marry When I Want), co-authored with Ngũgĩ Wa Mirii. The memoir wrestling with the devil recounts his time in Kenya’s Kamĩtĩ Maximum Security Prison and the writing of the novel Devil On The Cross, which was done in secret and written on toilet paper. Ngũgĩ's most recent work, The Perfect Nine, retells and transforms the founding myth of the gĩkũyũ people of kenya into an epic novel-in-verse. Alain Mabanckou (Republic of Congo)
• Alain Mabanckou is an award winning
writer born in Congo-Brazzaville in the coastal city of Pointe-Noire. Works: Black Moses, The Death of Comrade President Chinua Achebe
Chinua Achebe born Albert Chinụalụmọgụ
Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. Things Fall Apart (1958). • In the West, Achebe is often referred to as the "father of African literature", although he vigorously rejected the characterization. Chimamanda Ngozi Adichie
Chimamanda is one of the leading world-
renowned African authors. Her works are mainly character-driven and vividly outline the Nigerian political and social landscape. Works: Purple Hibiscus (2003) Americanah (2013) Nuruddin Farah The Somalian born writer has numerous plays, novels, and short stories all of which revolve around his experiences in his native country. His other works revolve around other social criticism themes and others dealing with war and post-colonial identity
(Medieval European Studies, 18) Stephen J. Harris - Bede and Aethelthryth - An Introduction To Christian Latin Poetics-West Virginia University Press (2016)