mtic Lassi(l | rT Sd eu Se : Te ZEPPELIN I eS.itor! Vocal () LASSI ( Authentic Includes Complete Solos LED ZEPPELIN I US ae Transcribed by JESSE GRESS {© 1990 WARNER BROS. PUBLICATIONS INC. 'NI Rights FeeorvedKey To Notation Symbols 4S Ne Nt La A Soe sy Zz f. Half step bends Whole step bends Extended bends Bend and release Pre-bend a a Hammer-on—Pull-off Picked slide Legato slide Quarter siep bend s (microtone) Vibrato Vibrato with bar Rake or Sweep Vibrato bar Palm muting mS ° rete Percussive tone Accented notes Right hand tapping Artificial harmonic Harmonics ‘with no pitch (with pick) Ghost note Tremolo picking Pick slide Unison bend — Chord shape arpeggiation oy T EAA we wa ye 7 Plater with bar With bar dive Har, with bar en Dipsand Dives Melodic bending Bent harmonics Fluster with bar: Bar is When dips are used with bar “plucked” downward and melodically, they released suddenly to pro- are reflected in the duce flutering effect traditional notation(Jonten rg BABE, I'M GONNA LEAVE YOU. BLACK MOUNTAIN SIDE COMMUNICATION BREAKDOWN DAZED AND CONFUSED ..........-. GOOD TIMES BAD TIMES... HOW MANY MORE TIMES 1 CAN’T QUIT YOU BABY YOU SHOOK ME YOUR TIME IS GONNA COME cssissisessscseseresssinessesainsrcaransceesneasnese 5 ead TT. 107Your TIME Is GONNA COME Words and Music by JIMMY PAGE and JOHN PAUL JONES Slowly 4 = 76 Organ Intro: 20 Guitar racer Cedi) G G6 No Chord Verses 1 & 2: D a — 1. Ly- in, cheat - in’ ut = int that's all you seem to 2.Made up my mind tobreak you this time, — wont beso fine its my tm— to *“Downstemmed part on 2nd verse only notated to right of in TAB. (© 1969 1999 GUPERHYPE PUBLISHING legs asrstres by WE MUSIC CORP. "Al Rigs RoservedC(aaiD) G G6 Ne. D With Fit I (Verse 2 only) D Cada) G G6 NC. 7 Mes-sin’ a- round (withyev-ty guy in puitin’ me dows Do what you want T wont take the its fadeint a way, Pu © Pedal Steel Even lis arr. for Slide Guitar Even gliss Twning:D=D_—With Fil 2 D Caan) G G6 NG. D Cada) G 66 NC. er Ss Al- ways the same, play-in’ your game, drive mein. sane, trou ~ bles gon-nacometo you. Dontt care what you say cause I'm goin’ a- way to stay.Gorena make you pay forthatgreat big hole in my * Pedal Steel arr for Slide Guitar Tire =D)8 Wick Fs D C@aw) G Geo Ne. One of these days and it won't belong, youtlllook forme, but ba = by, Tbe Poo-ple talk-in' all s-round, watchout wo-man— no long - er isthe joke— gon-na be inmy bean D A(adiByD A/D cD GeadiayD GD —~s. az = —— This is all T got- t say to you wo~ man. You been bad to me wo-man, but i's comin! backhome to you. — Fills Pedal Steet |) arr for Slide Guitar ‘Tuning:= D. —_——Chorus: With Riff A (4 times) D G | a a eon RITA Pedal Steel arr for Slide Guitar tuning D=D10 js gonna come. * Chords are tapped by “panting” all 6 sorings wish flat right hand while the left hand holds the notes and mutes open strings. 7 a ihn Fin es cB NC. Fuld Pedal Steel arr for Slide Guitar Tuning D=D—Pedal Steel arr. for Slide Gir. Tuning: 2DFade out Your 12Ting BLACK MOuNTAIN SIDE Sr Bee Music by Gna rh JIMMY PAGE @=D O=D Moderately J = 120 Marm.-~~ Freetine atenpo lero 22 t Te Acoustic Guitar (Fingerstyle) ap Harm T A B Guitar is tuned 1/2 step lower on the original recording. Enter Tablas Tepe 7 bows’ POF 1968 1950 SUPERHYPE PUBLISHING A ops semnatred WE MUSIC COPP Tal Flges Reserved.End solo"Poe gue directly to Communication Breakdown re FCOMMUNICATION BREAKDOWN Fast dim Words and Music by ole JIMMY PAGE, JOHN PAUL JONES 8 and JOHN BONHAM 5) No Chord D: % R Blectric Guitar 1 Electric Guitar 2 © 3068, 1990 SUPERMYPE PUBLISHING, [Argh administered by WB MUSIC CORP ‘AI Righs Recaros) es) NC, D A D NG “op Aabt dont know_what it es) D A D NC, D AD that [like a- bout you __ but [like24 Ne. D> Al Spe ne, D AD feel your lov in! charms. — Chorus: AS AB AS ASAT. AS AG AS AG AT AS AG AS AG AT. —~, 4 Fas Commu-ni = ca = break - down, it's al-ways the same. Guitars 1 & 2 Fcsérive me me sane, Guirart PM, = ‘Guttar 2 vacit Verse2: 3) NC Dk De ee 2 Ene b some-thing [think you ought "Harmonics notated inoTAB2324AS AG AG AS BS BG B6 B7___ BS B6 BS BT BS B6 BT —~ i - ey BG BS BG BT B6_BS E ! Guitar = Guitar 2 racet Even gliss.£a > rr > ~ L FF (With wah fixed in irebte position) BS D AS ops ES With fingers and pickChorus: AS AG AS 46 A7 AS AG AS AG AS BS BOBS B6 BT £ ite al = ways the same.— Tm hay-ing a nerBS BG BS B6 B7 BSBG BS Bo BT BS Bo BS Bo BS Feedback Prckslide » Microphone feedback “from guitar pickup30 Refrain:3 ces) me)Guitar Soto an Ce es) NC. D A5) NG. NG D (5) Db ba ddl break - down, Even release es Fade outI Cant Quit You BABY Words and Music by WILLIE DIXON Stow Bes) = 160 ‘A Mixolydian| ‘No Chord ——, owt. IO reece I cant quit you, babe, Guitar tacet so Tm gon- na pot you down fora while NASsA oo fr tS f —— uf ee With slap echo throughout 3 fae I ccan't quit you, babe, — /,/~ Bven release (© 1665, 1990 HOOCHIE COOCHIE MUSIC (eM) Aaminetorea by SUG ‘ATFs Reserves35 TguessT got to putyou down — Seid youmessed up my happy home, ico mis-treat my on-ly__child_ Chorus 2: A Bb AT pio 2. Said youknow I loveyouba = by, e toco hee bee36 Jove for you, I could Fr araara love for you I could nev- er hide.—37 I know you aremy one de = sire. AAAAa7 ONG. AT NC. Holdbend—Evenrelease = See ES panei40 Chorus 4: AT AB AT D»9 When you hear me moan'sin and groan - in’, babe, youknowithurs me deep down — in -side. Lay back babe, SONSa you know it hurtsme deep down in-side, are Even gliss Approximare pitche® don't you know that Im your one de- sire. — Segue directly co "How Many More Times NO. A Bb A Bb42. How Many More TIMES Words and Musie by JIMMY PAGE, JOHN PAUL JONES and JOHN BONHAM m a ED Dsus2 Inver Ebmabaea = SHih yak waived Bass and Drums Cee Pes Ses er NoChord a ie ‘accel. with pedal wah-wah*o+o+otetotote+e simile-— ae Bass arr. for Guitar ¥ A ‘B. = sinojuan ae zn ee BS EMD DSDsw2 ES ee ere eter ale ae — Bven gliss. °F Even gliss. SF accel. with pedal wat-wahs 0 eee 4 0 to 4 2 40 simile ----—- wah-wah sj P rremoto pking swah-wah # © 1060, 1000 SUPERHYPE PUBLISHING [At righ adminatored by W3 VUSIC CORP ‘ATs Recones.With Dewan fll veh << Tremolo picking - - af wheat 2 1 Even sls. = S With semi-P.M. throughout many more times, more tines —__ eat = me the way —— ~~ eo = aes Continue semi-PM. _ eesive you all mo 11 give you pies a we (Not mused) Eetring Resume semi-PM, ewTH give you ve got to we46 Eu D wee Letring EIB a f be wan-na love some oth- er man,— End Rlithmic Figure 1 Rhythmic Figure 1 —_ — Ss =S—- Guitar Solo Rhytionic Figure I DIA© Bend 2nd and 3rd strings together. tee (pia) Bend and vibrate string behind the nut. Bend and vibrate string behind the nat48, Wide vibrato49 DIA Even gS.DED63 With Violin bowswak-wah, and echoplex o 5 5 4 Tremolo withbow —— —-——"_ _—"_ Just what Thad — eeme a gil and Ikissed her and did it -gaint got got an-oth-erchild onthe way, that SSS55 ccon-stant heav - en. 1 know it's all right in my > z SSN she's all mine. I can't get through to her ‘cause it does-ntt per - mit,56 But Im gon-nagiveher ev - ry - thing I SS i oF Fro wit bow87 iC x En9 NG EMD NC. ra ERD ibe away, now, — steal a-way,—588 Ne. E79 NE. En come and Ne. EMS En NC. Eng why dort youcome 10 me ba - by? Nc. EM NC. EW No, EnNC. EMO he. Eno NC. Eno Well, they call NC. EMD NG. EM NC. ery my_name.— NC. BM9 NG. EHS NC. ENS that's how TRush tempo.4 Atempo (d= 4) ES NG. aan sights — Guitar acer4 Mi nig tong —_ ‘earrel = bouse all ae _—— —.(Es) D A (gs)Why dont you please —— a D A E EMS64 Goop Times BAD TIMES Words and Music by JIMMY PAGE, JOHN PAUL JONES, JOHN BONHAM and ROBERT PLANT Moderately 4 =95 Electric Intro: Guitar’) ES T A B Electric Guitar 2 T. EB *Key signature indicates E Mixoldian mode. Verse I: ES NoChord 1) 1a) - In the days of myyouth, 1 was told_ —whatit' © means to be aman. *Letring “Let arpegsiated fieures ring throughout unless notated otherwise. Al egy aamestore by WB MUSIC CORP, "AU lee Reserva65 ne. ” “ ES NC. ‘And now I've reached that age- I've tried to do— @) “@ ES NE. @) “w all those things the best (—_)‘mat-ter how I ry a -— I find my he ¢ Re 9% £ Bi oS bad times... you know!'vehad.my share. Well, mya 67 = ‘woman lefthome for abrown-eyed man, but I stilldon’t. seem to care. __ FHS ES FAS ESS FES ES FSS ES Fas fell in love with a girl as sweetascould be. — z ea Fis ES FHS ESFIS FES ES FS Es Fis took a coup - le of days “till she was rid of68 FHS ES FS ESFIS FHS ES FAS ES FES swore that she would be— all FES * Parenthesised notes played by Guitar I only Chorus: Good _ times, Electric Guitar 1 Electric Guitar 2 * Let ring69 home for abrown-eyed man, but I still don't Guitar Solo With Fill 1 (8 times) ES Ds AS Bath be Fl Even glissRush slightly” Let ring Well,my —_ womanleft home for abrowneyed man, — but IES Nc. ) w1 know what it means to be a- lone, ES NC. ) w74, ES NC. o a T don't care what the neigh-bors eeBegin fade 7 ES NC. o) ™ You can feel the. beat_ with in smy. ‘Bend both strings with same fingor76 1) “ ES Nc. sweet babe we ain't nev - er gonna part,__ weer i Sa items Sar a,7 BABE I'M GONNA LEAVE You Words and Music by JIMMY PAGE Moderately slow with halftime fee! J = 138 Intro: Am Am76 Acoustic Guitar mp Let arpegeiated figures ring throughout Dirt DIF 2 E Am7 Am7/G DiFt Dirt F E (© 1968 190 SUPERHYBE PUBLISHING Al its admiisiored by WB MUSIC CORP ‘AT gis Resorven78 Verse 1: Am? AMG DIFF DIFE r 5 ant antic g + hy SSS SS 34 6a om rican dg Am7/G Dire pie F gEAmt Am7/G Dry DIE Jeayeyou_ when the leave you when the summer Am7/G DIFE F E80 Am Am7{(no3rd) Dn(addE)/A, Am Am7(no3ed) DmaddE/A SPU) long. nf Acoustic Guitar 2 Am Am7no3rd) Dm(add EVAat Am Am(no3rd) Dm(addEV/A ToCoda @ 1&2 Am Am7/G DIKE F E Am7 AmTIG by, mmm ba- by I don'twan-na leave you__DFE Day F E Am te ain't jok - in wo-man T've got to. oF Am7/G pare ¥ I won't be there, Wich Fill ft Pill z= or Acoustic Guitar 2 Lamput, a E Ds BalcodedAStadaB) Am7(n03rd) Dsusa/A D/A 7 imp Letring throughout AS(addB) Am(no3rd) Dsus/A DmiA AStaddB) Am7(n03rd) aa Fitz Slide Guitar (with backwards echo) Slow even gliss = Been gliss ‘Tuning: (=DDsusdlA Dmva AStaddB) Am?in03rd) Dauss/a Dm/a as ae Vocal ad lib. on DS. BK. ‘Am en Anis pret Ba Acoustic Guitar Wih RUF ACE times) and With Fall 4 (16 times Riga Pedal Steel Arr For slide ete Tuning: =D ‘quick gles86 Finaj? BE Am Amq/G Tm gon-na leave you gil, To Codas 3 and +487 Am7/G DIE Fmaj7 E T've real = ly G Am (G6) Am Am7/G DOI D7EE88 1 can hear it With Rig B DS.% al Codag > SSS ‘me the way 2 Pedal Steel (Arranged for Slide Guitar) ‘Tuning: @ =D89 coda? Am Am7G pir$ DIES Acoustic Guitar Solo r f F E Am Amq/GDFE Diet F E Am7 i FIA or G6 Fim Dies 1 knowI'mnev-er nev -Fmaj7 E Am Am7/G a erney-ernev-er nev ~ er gon-na leave you, babe, — oF DFE DIRE F E Am7 Tve_ got-ta go. a= way from this place oF got-ta quit you, yeah,92 With Fin With Fill With FitsAm7/G With Fit Diet With Fill ila 9394 Arr, for Slide Guitar Tuning: DD Ftm7 Dart Fimaj7 E Am FA it feels good © have you bak a = (Alternate fingering)PA 95 DSS. BBal Coda3@ DFA, 6 E ‘wallein! through the park everyday. De96 Coles Am7/G prt part % am go away, Acoustic Guitar Solo 297 Fhm7 prt Fmaj7 E Am FIA a7 6 Fim7 DIFF ‘Fmaj7 Ez98 you mide me oat cat cof cet cat ak op 7 ° > 7 - 7 Rake Rake Rake Rush tempo Rake Rake Rake Rake F6(-5) E Am - Amq/G — (Ook) (Ooh). hap-py ev - "ty sin gle Even gliss99 part F B DSS®alCoday Even gliss Coda4 Free time é On cue ps said that’s when it's cal =100 Slow Bm AC} Cm6 Bomaj7 fee, ritard. poco a poco ritard. poco a poco ‘Am(addB) Am Am(adaB) Am AmiaddB) Am Faster101 You SHooK ME Words and Music by WILLIE DIXON and J.B. LENOIR Blectric Slide Guitar WA aay F With ditorion Even git. (a7) (7) (a7) (e7) (a7) tae we ‘You know you ae aSemi-PM, throughout (e) (AS) (GS)(E7) (asXGs) ‘Slow, even gliss. © 1962, 1999 COCKE CODCHIE MUSIC ang ARC MUSIC CORP “xdminsiotee by BUGIARC MUSIC CORP "A Pighie ecered102 (en) @n ‘You know you shook me ba = by— you sbook me all night tong... ven gliss. Even gli. Begglls *D notes rings sympathetically Co) «an (en) (B7) on, PAb, ba = by be by, please come home.— 1 havea bird (en) (as) (Gs) (7) (as) (Gs) that whistles, and I have birds that sing, Even gliss STarmonic results from slide hating lov E string103 (e7) (an) T have a bird that whist - les, — and I have birds that sing Even gliss. Co) (as) (GS) (BS) (B7) Thave a bird won'tdo noth.in.__ Buy a dig-mondring,_ hey, Organsolo (E7) (a5) (GS) BS AS GS. ES Gs z ¥ (Without slide) Semi-PM. throughout ——104 ES (as) GS as Gsas Gs § Lay back slightly ES (A) GS BS BI end PM... 4 Letring = ar E7 wn en) @n Blues Harp Soio ES E6 ET (AS) (G5) _ES AS GSE 6 ET AG105 ES ESE? A. G EfaddF#) FS B(addF#) NC. BY af Let notes ring Guitar Solo ES EG Ey E6 ES E7 DT Gs E AE g (increase echo level) With Echoplex we Letring+4 Hold bend aiHold bend. oa ope107 an, 7) accel. == pre-bend additional i NA step eer ee es Br ET (a3) (Gs) E7 you shookme all nightTong.. Even gis. : Wish slide108 AS GS ey _, lis. 1 T know you real- ly, reably did babe. said you shook — Even gliss you shook me all night Jong. With slide Even gliss. With slide Even gliss.(Wocal with pre-ecto) 109 Rubato ¢ 7) nc. teen ~ 20 hod ba - by Babe! _ An, aht Withow slide Wish pre-echo through fine Even gliss. aol, =m1 Dazep AND CONFUSED Words and Music by JIMMY PAGE Moderately slow 4 = 158 Intro! No Chord letrc Guitar (use neck positon pickup) ae w@ 2 loco ™p “Harm. with wah-wak throughout swatch zo eble pickup. = ‘man, never bargained for you. of people talk - in’, few of them know * Rock wak-wah pedal simile tothe following rhythm figure. (+ = treble position, 0 = bass position) 1059, 1990 SUPERHYPE PUBLISHING Al rote somiistoea 5y WS MUSIC CORP Thriges Resarvee12 sy abe soul of @ woman was cre-at - ed be- low, a *Upstemmed part played shrough fuszione with octave effect (Sva higher) This can also be recreated with a pitch transposer. You hun.113 — and a-bused__ tellin’ allof your lies — Run ‘round sweet ba- by, Lord, howthey hypno-tize.. et Even release Sweet lit-tle ba~ by, don’t know where you been.—Guitars 1 and 2 BS NC. *+Upsiemmed part with 8va fuzzJ-~AL a = oy day I work so hard. bring-in’home my hard-earned pay. ‘Try to love you barby, but you push me a-way.— i~ gh116 Don'tknow where you're go-in’, I don'tknow just where you've been; sweet little ba-by, I want_you a -117 BS NO. BS ASN. Gs NC. tt Guitar 2 with violin bow echo and wah-wah.118 Even gliss. é Contimue sremelo with bow. a aGuitar tacetWik wah-wae Guitar Soto‘Bend string and vib. ‘behind nut ~~ continue bending behind nut =con = fused, —124125 ~ ee, Upsteramed part with 8va fuze126 dazed —andcon-fused for so long, is not tue, wanted wo-man never bargained for you Syren sy ba-by, let them say will. (Willyour) tongue wag so much when T send you the127 Al-right! NC. ES (as) 3 BS Ds as (Gs) Guitar Vacee ws) (as) 5) (Bs) 5) 5)128 Ds With Fill 1 =BABE, I’M GONNA LEAVE YOU BLACK MOUNTAIN SIDE COMMUNICATION BREAKDOWN DAZED AND CONFUSED GOOD TIMES BAD TIMES HOW MANY MORE TIMES | CAN'T QUIT YOU BABY YOU SHOOK ME YOUR TIME IS GONNA COME ieee