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Generative AI

Article in International Journal of Advanced Engineering and Nano Technology · August 2023
DOI: 10.35940/ijaent.G0474.0810823

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 International Journal of Advanced Engineering and Nano Technology (IJAENT)
ISSN: 2347-6389 (Online), Volume-10 Issue-8, July 2023
Generative AI
Guntamukkala Gopi Krishna
Abstract: Recent advancements in generative artificial
intelligence (AI) have made it possible for machines to
independently produce a variety of creative content. In the context
of producing creative content, this essay examines the
developments, difficulties, and ethical issues relating to generative
AI. It looks into how generative models, such Generative
Adversarial Networks (GANs) and Variational Auto encoders
(VAEs), can produce realistic artwork like music, literature, and
visuals. However, it is frequently discovered that GAN training is
extremely unstable and frequently experiences non-convergence,
mode collapse, and hyperparameter sensitivity [1]. The technical
details of developing and optimizing generative models to produce
desired results are covered in detail in this work. It also looks at
the difficulties in guaranteeing the variety, creativity, and
coherence of generated content. Additionally, the use of generative
AI in the creation of original material raises ethical questions.
Included in this are concerns about intellectual property,
plagiarism, and possible effects on the creative industries. In
specifically, the article explores the consequences of employing
generative AI for content production in terms of authorship,
human creativity, and the possible disruption of traditional
creative practices. It also covers issues with fairness, bias, and
appropriate application of generative models.
Keywords: AI, GANs, VAEs
Abbreviations
AI - Artificial Intelligence
GANs - Generative Adversarial Networks
VAEs - Variational Auto encoders
I. INTRODUCTION
An artificial intelligence (AI) system that uses machine
learning techniques to generate fresh, original data or
material is referred to as Generative AI. New text, photos,
audio, video, code, or synthetic data can all be included in
the created data. The objective of generative AI is to be able
to create results that are comparable to, or even identical to,
results produced by humans. Generative AI's strength rests
in its capacity to produce innovative, original content that
demonstrates a degree of creativity and individuality. It can
help designers and artists by giving them fresh inspiration
and facilitating the creative process. By automating content
creation, cutting time and costs, and opening up new avenues
for artistic expression, it has the potential to revolutionize a
number of industries, including entertainment, advertising,
fashion, and gaming.
Manuscript received on 21 June 2023 | Revised Manuscript
received on 07 July 2023 | Manuscript Accepted on 15 August
2023 | Manuscript published on 30 August 2023.
*Correspondence Author(s)
Guntamukkala Gopi Krishna*, B Tech, Department of Computer Science
and Engineering, Lovely Professional University CSE Block, Guntur
(Andhra Pradesh) India. E-mail: gopikrishnaguntamukkala3@gmail.com,
ORCID ID: 0009-0005-1938-3667
© The Authors. Published by Blue Eyes Intelligence Engineering and
Sciences Publication (BEIESP). This is an open access article under the CC-
BY-NC-ND license http://creativecommons.org/licenses/by-nc-nd/4.0/
Retrieval Number: 100.1/ijaent.G04740710723
DOI: 10.35940/ijaent.G0474.0810823
Journal Website: www.ijaent.org
This research aims at providing insights into the potential
and consequences of this burgeoning topic by thoroughly
examining generative AI in the context of creative content
development. It seeks to further the continuing conversation
around generative AI, promote informed judgement, and
sculpt ethical practices that strike a balance between
originality, creativity, and ethical considerations in the field
of AI-generated material. Generative AI's main objective is
to create models and algorithms that can imitate and
reproduce the creative process seen in people. These models
create fresh material with comparable traits and patterns
after learning from massive datasets. However, the
development of generative AI also presents difficulties and
moral dilemma.
II. LITERATURE REVIEW
Here are some of the literature work:
1. "Generative Adversarial Networks" by Ian Goodfellow et
al. (2014): Generative Adversarial Networks (GANs),
which have developed into a fundamental framework for
generative AI, were first introduced in this landmark
study. It demonstrates GANs' design and training process
while displaying its capacity to produce realistic and
excellent synthetic data.
2. "Variational Auto encoders" by Diederik P. Kingma and
Max Welling (2013): Variational Auto encoders (VAEs),
another well-liked method of generative AI, were
introduced in this study. It discusses the variational
inference training framework and the data generation
capabilities of VAEs.
3. By Yann LeCun et al. (2015), "The Unreasonable
Effectiveness of Deep Learning in Artificial
Intelligence": This study offers insights into the
developments and implications of deep learning, a key
element of many generative AI models, despite not being
primarily focused on generative AI. It illustrates the
accomplishments and possibilities of generative
modelling and other deep learning methods across a
range of AI domains.
III. CHALLENGES OF GENERATIVE AI
These are some of the challenges
a. Bias: Depending on the data they are trained on,
generative AI models may be biased. This can result in
the creation of damaging or deceptive content.
b. Safety: Generative AI models have the potential to
produce inaccurate or dangerous content. The public's
safety may be threatened by this.
c. Regulation: Because generative AI is a relatively new
technology, it lacks a clear legislative framework. This
might cause generative AI to be used inappropriately.
Published By:
Blue Eyes Intelligence Engineering
and Sciences Publication (BEIESP)
1 © Copyright: All rights reserved.
 Generative AI
The creation and application of generative artificial
intelligence (AI) involves a number of regulatory and
governance issues, such as the issue of who is accountable
for the results produced by these systems and how to assure
their security and moral application.
IV. APPLICATIONS OF GENERATIVE AI
Here are some of the applications:
a. Generating Creative Content: Generative AI is used to
produce creative content such as music, writing, and art.
The possibilities for artistic expression are increased by
its ability to create paintings, music, stories, and even
virtual worlds.
b. Data augmentation: To enhance datasets for training
machine learning models, generative AI approaches are
used. By expanding the number and diversity of training
datasets and generating synthetic data that closely
mimics real data, it can enhance model performance.
c. Synthesis of photos and videos: Generative AI is used to
create original images and videos. Realistic faces canbe
created, scenes may be created from textual descriptions,
and even videos can be created by anticipating future
frames based on current ones.
d. Gaming and virtual reality (VR): Generative AI helps to
create realistic virtual reality (VR) environments. Itmay
produce believable environments, people, and interactive
components that raise the level of realism and immersion
in VR and gaming applications.
e. Chatbot and Virtual Assistants: Conversational agents
such as Chatbot and virtual assistants are developed using
generative AI. It makes it possible to produce responses
that are human-like, improving the user experience in
natural language interactions.
f. Drug Discovery: The pharmaceutical sector uses
generative AI to find new drugs. In order to help withthe
development of possible medication candidates, it can
create new molecular structures with the needed features.
V. SETBACKS
Transparency and interpretability are frequently lacking in
generative AI models. Understanding why a model generates
particular outputs can be difficult, making it challenging to
manage or explain the generated information. The existing
datasets used by generative AI models can be biased or
contain undesired material. This may result in the creation of
offensive or biased products, the maintenance of societal
prejudices, or the creation of potentially offensive or
dangerous content. It's possible for generative AI models to
specialize too much in the training set, which can result in
overfitting and a lack of generalization power. This may lead
to the creation of content that is monotonous and unoriginal.
The use of generative AI poses moral questions about
authorship attribution, intellectual property disputes, and
copyright infringement. It is still unclear who should own the
content produced by AI systems and how it should be utilized
and distributed. Generic AI models frequently need a lot of
computing power and resources to run and train. This can
make the deployment of generative AI less feasible and
accessible in some situations, especially for people or
organizations with low funding. Generative AI models are
susceptible to adversarial attacks, in which deceptively
changed inputs produce the incorrect or harmful results.
Retrieval Number: 100.1/ijaent.G04740710723
DOI: 10.35940/ijaent.G0474.0810823
Journal Website: www.ijaent.org
VI. RESULT
The creative sectors have been significantly impacted by
generative AI. Through the provision of automated tools and
inspiration sources, it improves the creative process. Artistic,
musical, and literary content that is fresh and compelling can
be produced thanks to generative AI. Additionally, it
promotes captivating and immersive viewing experiences.
However, issues with copyright, intellectual property, and
ethical issues need to be resolved. In the future, it is
anticipated that generative AI will continue to reshape the
creative scene, possibly altering the roles of artists, audience
expectations, and introducing new creative practices.
VII. DISCUSSION
The ramifications of generative AI for the creative sectors
are the main topic of the discussion section. It draws
attention to the potential and difficulties shown by the
findings. While generative AI opens up new creative
possibilities, it also raises issues of intellectual property and
morality. It is examined how generative AI may affect the
way that artists interact with their audiences in the future, as
well as the need for ethical behavior. The findings help us
understand how generative AI is changing the creative
ecosystem and give stakeholders information to help them
deal with its consequences.
VIII. CONCLUSION
In the creative sectors, generative AI has become a disruptive
force. It improves the creative process, produces fresh,
interesting material, and provides engaging audience
experiences. Nevertheless, issues with intellectual property
and moral issues must be resolved. The results highlight the
significance of ethical behavior and just attribution in the
context of generative AI. In the future, generative AI is
expected to continue reshaping the creative scene, possibly
changing the roles of artists and the expectations of
audiences. Collaboration between AI systems and human
creativity is crucial if we are to realize the full promise of
generative AI while minimizing its drawbacks. Stakeholders
can successfully navigate this changing environment by
beingaware of the potential and constraints of generative AI,
assuring a future in which innovation and technology coexist
in harmony. For the creative industries as a whole, generative
AI has enormous potential, but it needs to be carefully
implemented to support moral principles and protect the
integrity of artistic expression.
DECLARATION
Funding/ Grants/
No, I did not receive.
Financial Support
Conflicts of Interest/ No conflicts of interest to the
Competing Interests best of our knowledge.
No, the article does not require
Ethical Approval and
ethical approval and consent to
Consent to Participate
participate with evidence.
Published By:
Blue Eyes Intelligence Engineering
and Sciences Publication (BEIESP)
2 © Copyright: All rights reserved.
 International Journal of Advanced Engineering and Nano Technology (IJAENT)
ISSN: 2347-6389 (Online), Volume-10 Issue-8, July 2023

Availability of Data
and Material/ Data Not relevant.
Access Statement
I am only the sole author of the
Authors Contributions
article.

REFERENCES
1. Tim Salimans, Ian Goodfellow, Wojciech Zaremba, Vicki Cheung,
Alec Radford, and Xi Chen. Improved techniques for training gans.
In Advances in Neural Information Processing Systems, pages 2234–
2242, 2016.

AUTHORS PROFILE
Gopi Krishna here, a native of Guntur, Andhra
Pradesh. I'm now pursuing a bachelors at Lovely
Professional University in Punjab, India, in the
Computer Science and Engineering track. I'm proficient
in C, C++, Java, Python, and I have a rudimentary
understanding of Kotlin. Front-end languages like
HTML, CSS, and JavaScript(basic) areother things I'm
familiar with. Inquire with me about my certifications in Python, Java, Data
Science, AI, and Machine Learning at
https://www.credly.com/users/guntamukkala-gopi-krishna/badges. As for
my leadership experience, I took part in GDSC-LPU as a member of the
A.I./ML team, where I helped machine learning in easier ways while
mentoring the mentee and exploring various ML topics. My study focuses on
artificial intelligence and its practical implications for this particular
technology.

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instructions or products referred to in the content.

Published By:
Retrieval Number: 100.1/ijaent.G04740710723
Blue Eyes Intelligence Engineering
DOI: 10.35940/ijaent.G0474.0810823
and Sciences Publication (BEIESP)
Journal Website: www.ijaent.org 3 © Copyright: All rights reserved.
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