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 LITERATURE FOR VOLUME VII

In English

H. Abele: The Violin and Its History (1905).

E. Heron-Allen: De Fidiculis Bibliographia, 2 vols. (London,

1890-94).

Charles Burney: The Present State of Music in France and Italy

(London, 1771).

Charles Burney: The Present State of Music in Germany, the

Netherlands and United Provinces, 2 vols. (1773).

Charles Burney: General History of Music, 4 vols. (1776-89).

Henry Fothergill Chorley: Music and Manners in France and

North-Germany, 3 vols. (London, 1843).

Henry Davey: History of English Music (London, 1895).

J. W. Davidson: An Essay on the Works of Fr. Chopin (London,

1849).

Edward Dickinson: The Study of the History of Music (New York,

1905).

Henry T. Finck: Chopin and Other Essays (New York, 1889).

J. A. Fuller-Maitland: Schumann (1884).

J. A. Fuller-Maitland: Brahms (London, 1911).

Grove’s Dictionary of Music and Musicians, 4 vols. (1879-89); 2nd

ed., revised by Fuller-Maitland, 5 vols. (1904-9).
William Henry Hadow: A Croatian Composer (Joseph Haydn),
(London, 1897).

G. Hart: The Violin and Its Music (1881).

John Hawkins: A General History of the Science and Practice of

Music (London, 1776).

James Huneker: Chopin, the Man and His Music (New York,
1900).

H. E. Krehbiel: The Pianoforte and Its Music (New York, 1901).

Leighton: Tears or Lamentations, Musical Ayres, etc. (1614).

Edward MacDowell: Critical and Historical Essays (New York,

1913).

Oxford History of Music, 6 vols. (Oxford, 1901, 1905, 1902, 1902,

1904, 1905).

I. Playford: An Introduction to the Skill of Musick, etc. (1683).

I. Playford: Apollo’s Banquet, etc. (1669).

Waldo Selden Pratt: The History of Music (New York, 1907).

John South Shedlock: The Pianoforte Sonata, Its Origin and

Development (1875).

Christian Simpson: The Division Violinist (1659).

John Stainer: Early Bodleian Music; Dufay and His

Contemporaries (London, 1898).

Stoeving: The Violin (1904).

In German

H. Abele: Konrad Paumann (1912).

Hermann Abert: Robert Schumann (Berlin, 2nd ed., 1910).

Wilhelm Altmann: Kammermusiklitteratur-Verzeichnis [from
1841] (1910).

A. W. Ambros: Geschichte der Musik, 4 vols. (new ed. by H.

Leichentritt, Leipzig, 1909).

Selman Bagge: Die Geschichtliche Entwickelung der Sonate

(Leipzig, 1880).

Karl Ferdinand Becker: Die Hausmusik in Deutschland im 16.,

17. u. 18. Jahrhundert (Leipzig, 1840).

Franz J. J. Beier: Froberger (Leipzig, 1884).

Paul Bekker: Beethoven (Berlin, 1912).

N. D. Bernstein: Anton Rubinstein (Leipzig, 1911).

Karl Hermann Bitter: Johann Sebastian Bach, 4 vols. (2nd ed.,

1881).

Karl Hermann Bitter: K. Ph. Em. und W. Friedemann Bach und

deren Brüder, 2 vols. (Leipzig, 1868).

Gerhard von Breuning: Aus dem Schwarzpanierhause (1874;

new ed. by Kalischer, 1907).

Hugo Daffner: Die Entwickelung des Klavierkonzerts bis Mozart

(1908).

Hermann Deiters: Johannes Brahms (Leipzig, 1880; 2nd part,

1898. In Waldersees Sammlung musikalischer Vorträge).

Alfred Einstein: Zur deutschen Literatur für Viola da Gamba im

16. und 17. Jahrhundert (Beiheft of the I. M.-G., II. 1, 1905).

Immanuel Faisst: Beiträge zur Geschichte der Klaviersonate

(Mayence, 1846. In Dehns Cäcilia).

I. N. Forkel: Allgemeine Litteratur der Musik (1792).

Dagmar Gade: Niels W. Gade. Aufzeichnungen und Briefe

(Basel, 1894).

August Göllerich: Franz Liszt (1908).

Otto Jahn: W. A. Mozart, 4 vols. (1856-1859); 4th ed. by H.
Deiters, 2 vols. (1905-1907).

Joseph Joachim: Briefe von und an Joseph Joachim (ed. by J. J.

and A. Moser) vol. I [1842-1857] (1911).

Max Kalbeck: Johannes Brahms, 3 vols. (1904-1911).

Otto Kauwell: Geschichte der Sonate (1899).

Ludwig Köchel: Chronologisch-thematisches Verzeichnis der

Tonwerke W. A. Mozarts (1862; 2nd ed. by P. Graf Waldersee,
1905).

Leopold Mozart: Violinschule (1750).

Richard Münnich: Johann Kuhnau (Leipzig, 1902).

Karl Nef: Zur Geschichte der deutschen Instrumentalmusik in

der zweiten Hälfte des 17. Jahrhunderts (Beiheft of the I. M.-G., I.
5, 1902).

Walter Niemann: Die Musik Skandinaviens (1906).

Walter Niemann (with Schjelderup): Grieg (1908).

Ludwig Nohl: Beethoven, 3 vols. (1864-1877).

Oskar Paul: Geschichte des Klaviers (1868).

K. Ferd. Pohl: Joseph Haydn, 2 vols. (1875-1882).

Hugo Riemann: Geschichte der Musik seit Beethoven (1901).

Hugo Riemann: Handbuch der Musikgeschichte, vol. II. (3 parts,

Leipzig, 1911-13).

Hugo Riemann: Zur Geschichte der deutschen Suite

(Sammelbände of the I. M.-G., IV. 4, 1905).

Heinrich Reimann: Johannes Brahms (1897; 4th ed. 1911).

Heinrich Reimann: Robert Schumann (1887).

Karl Reinecke: Die Beethovenschen Klaviersonaten (1899; 4th

ed. 1905).
Wilhelm Ritter: Smetana (1907).

Arnold Schering: Geschichte des Instrumentalkonzerts

(Leipzig, 1903; new ed., 1905).

Anton Schindler: Biographie Ludwig van Beethovens (1840;

rev. by A. Kalischer, 1909).

J. P. Seiffert: Geschichte der Klaviermusik (Leipzig, 1899).

Philipp Spitta: Johann Sebastian Bach, 2 vols. (Leipzig, 1873,

1880).

Alexander Wheelock Thayer: Ludwig van Beethovens Leben,

5 vols., 1866 (1901), 1872 (1910), 1879 (1911), 1907, 1908;
completed and revised by H. Deiters and H. Riemann.

Karl Thrane: Friedrich Kuhlau (1886).

Joseph von Wasielewski: Das Violoncell und seine Geschichte

(Leipzig, 1889; 2nd ed., 1911).

Joseph von Wasielewski: Die Violine im 17. Jahrhundert und die

Anfänge der Instrumentalkomposition (1874).

Joseph von Wasielewski: Die Violine und ihre Meister (Leipzig,

1869; 5th edition, 1911).

Joseph von Wasielewski: Geschichte der Instrumentalmusik im

sechzehnten Jahrhundert (1878).

Joseph von Wasielewski: Robert Schumann (1858, 4th ed.,

1906).

Karl Friedrich Weitzman: Geschichte des Klavierspiels und der

Klavierliteratur (1879).

Karl von Winterfeld: Johannes Gabieli und sein Zeitalter

(1843).

In French

H. Barbedette: Chopin, essai de critique musicale (1861).

H. Barbedette: F. Schubert (1865).

H. Barbedette: Stephen Heller (1876).

Michel Brenet: La jeunesse de Rameau (Paris, 1903).

M. D. Calvocoressi: Liszt (1911).

Arthur Coquard: César Franck (Paris, 1891).

François Joseph Fétis: Biographie universelle des musiciens, 8

vols. (1837-1844, 2 ed. 1860-1865); Suppl. by A. Pougin, 2 vols.
(1878-1880).

Hugues Imbert: Profils de musiciens (1888).

Vincent d’Indy: César Franck (1906).

Vincent d’Indy: Beethoven (1911).

H. M. Lavoix: Histoire de l’instrumentation depuis le seizième

siècle jusqu’a nos jours (Paris, 1878).

Antoine François Marmontel: Les pianists célèbres (1878).

Antoine François Marmontel: Histoire du piano (1885).

L. Picquot: La vie et les œuvres de Luigi Boccherini (1851).

André Pirro: Louis Marchand (Sammelbände of the I. M.-G., VI.

1, 1904).

André Pirro: J. S. Bach (Paris, 1906).

Arthur Pougin: Notice sur Rode (1874).

Romain Rolland: Beethoven (1907).

Albert Schweitzer: J. S. Bach, le musicien poète (Paris, 1905).

T. de Wyzewa and G. de Saint-Foix: W. A. Mozart, 2 vols.

(1912).

In Italian
H. Gardano: Musica di XIII autori illustri (1576).

Luigi Torchi: La musica istromentale in Italia nei secoli 16º 17º e

18º (Rivista musicale, IV-VIII, 1898-1901).

In Spanish

F. Gascue: Historia de la sonata (S. Sebastián, 1910).

 INDEX FOR VOLUME VII

Abel, 591.

Absolute music, 312.

Accentuation (in syncopated rhythm), 220f.

Accompaniment figures (in pianoforte music), 181, 198;

(Mendelssohn), 213f;
(Schumann), 222, 231;
(Brahms), 240;
(Chopin), 268f, 270, 272;
(Liszt), 306f;
(Heller), 321;
(Scriabin), 338;
(in string quartet), 564.
See also Alberti bass; Basso ostinato; Tum-Tum bass.

Acrostics in music, 218.

After-sounds (in pianoforte music), 356, 357, 363.

Agrémens, 35, 59, 128.

Agricola, 374.

Air and Variations, 26.

Alard, 447, 452.

Albéniz, Isaac, 339.

Albergati, 391.

[d’]Albert, Eugen, 324, 330.

Alberti, Domenico, 48, 97, 107f, 139.

Alberti bass, 110ff, 120, 178, 242, 268.

Albinoni, Tommaso, 399, 422.

Alkan, Charles-Valentin, 342ff.

Allegri, G., 475.

Allemande, 23, 25.

Amateurs, 209.

Amati, Andrea, 375.

America, Herz’ travels in, 285.

André, 425.

Anet, Batiste, 406.

Angelico (Fra), 373.

Anglaise, 76.

[d’]Anglebert, 36, 396f.

Antoniotti, Giorgio, 591.

Aquinas, Thomas, 371.

Arabs, 369.

Arcadelt, 10.

Arensky, Anton, 333.

Aria, 26, 69.

Aria form, 77, 102, 103.

Arpeggios, 20, 448;

(in violin playing), 415.

Arrangements. See Transcriptions.

Attaignant, 469.

Auer, Leopold, 464, 465.

Augengläser, 512.

[L’]Augier, 43, 100.

Austrian National Hymn, 496.

Bach, Carl Philipp Emanuel, 35, 59, 86, 96, 98, 99, 100, 113, 116ff,
132, 417, 490;
(quoted on the pianist’s art), 133.

Sonata in D major, 118.

Bach, Johann Christian, 86, 97, 112, 113, 114, 116, 117ff, 491, 498.
Bach, Johann Sebastian, 8, 28, 30, 41, 42, 63ff, 95, 99, 128f, 131,
134, 207, 267f, 305, 367, 421ff, 428, 484;
(in rel. to fugue and suite), 70ff;
(in rel. to concerto, etc.), 81;
(influence on Chopin), 254f;
(popularization of), 300.
Well-tempered Clavichord, 64, 71, 81.
Italian concerto, 67, 82, 95.
English suite in G minor, 67.
Partitas, 75, 79.
English suites, 75f.
French suites, 75f.
Preludes, 80.
Toccatas, 81.
Fantasias, 81.
Goldberg Variations, 83, 85.
Musikalisches Opfer, 84.
Kunst der Fuge, 84.
Violin solo sonatas, 422.
Chaconne for violin alone, 423.
Sonatas for Harpsichord and Violin, 423.
Concertos for one or two violins, 423f.
Violoncello suites, 591.

Bach, Wilhelm Friedemann, 128.

Baillot, Pierre Marie François de, 412, 431, 433, 434.

Balakireff, Mily, 330, 331, 338.

Islamey Fantasy, 330.

Balance, 49.

Balakireff, 555.

Ballades, 17;
 (Chopin), 256.

Balletti, 377, 470, 473.

Baltasarini. See Beaujoyeaulx.

Balzac (cited), 282.

Banchieri, Adriano, 471.

Barbella, Emanuele, 404.

Barcarolle (Chopin), 256.

Barthélémon, H., 410.

Baryton, 590f.

Basle, 372.

Bassani, Giovanni Battista, 389f, 480.

Bassedance, 470.

Bassoon (in chamber music), 598, 604.

Basso ostinato, 387.

Batiste. See Anet, Batiste.

Bäuerl, Paul, 473.

Beach, Mrs. H. H. A., 340.

Beaujoyeaulx, 376f.

Beaulieu, 376.
Bebung, 3.

Becker, Diedrich, 473.

Beethoven, 89, 98, 100f, 112, 116, 123, 131f,

136, 154ff, 158ff, 175, 193, 206, 207, 253f, 267, 367, 432, 433,
451ff, 509ff, 534, 575f, 592f, 599f, 602;
(compared to Haydn and Mozart), 133;
(pianoforte playing), 160f;
(popularization of), 300;
(transcriptions), 306.
Pianoforte sonatas, 154ff, 159ff, 168ff.
Piano sonata in C-sharp minor (op. 27, No. 2), 169f.
Piano sonata in A-flat (op. 110), 171f.
Bagatelles (piano), 173.
Piano Concerto in G major, 173.
Piano concerto in E-flat major (Emperor), 173.
Diabelli Variations, 173.
Early Violin Sonatas, 454f.
Violin sonata in G (op. 96), 456.
Violin concerto, 456f.
Six string quartets (op. 18), 510ff.
String quintet in C major (op. 29), 512.
‘Russian’ string quartets (op. 59), 513ff.
String quartets (op. 74 and 95), 517.
String quartet (op. 127), 520ff.
String quartet in A minor (op. 132), 523ff.
String quartet in B-flat major (op. 130), 527ff.
String quartets in C-sharp minor, 528ff.
String quartet in F major (op. 135), 531ff.
Trio, op. 70, 575f.
Trio, op. 97, 576.
Violoncello sonata in F (op. 5), 592f.
Violoncello sonata in A (op. 69), 593f.
Violoncello sonata in G (op. 5), 593.
Violoncello sonata (op. 102), 594f.
 Variations on air from ‘Magic Flute,’ 595.
Trio for piano, flute and bassoon, 599f.
Septet, op. 20, 602.

Bekker, Paul, 512.

Belgian school of violin playing, 447.

Bellini, 286.

Benda, Carl, 416.

Benda, Franz, 413, 414f, 417, 420, 428.

Benda, Georg, 414.

Benda, Hans Georg, 414.

Benda, Johann, 414.

Benda, Joseph, 414.

Bennett, William Sterndale, 217.

Bériot, Charles Auguste de, 446, 448.

Berlioz, 207, 342;

(transcriptions), 306.

Bernadotte, General, 432, 455.

Bernardi, 390.

Berthaume, Isidore, 410.

Biber, Heinrich Ignaz Franz [von], 391f, 412, 422.

‘Biblical Sonatas,’ 27.

Biblical subjects, 27, 311.

Bie, [Dr.] Oskar (cited), 199, 322, 344.

Biffi, 108.

Binary form, 45, 49, 102, 103, 105.

Bini, Pasqualini, 403.

Bizet, 462.

Boccaccio, 373.

Boccherini, Luigi, 404, 487ff, 491, 591.

Boehm, Joseph, 445.

Bohemia, 556, 586.

Bohm (organist), 16.

Bononcini, 390, 478.

Borodine, 330, 553, 554f.

String quartet in A, 554.

Borri, 390.

Bourrées, 26.

Bowen, York, 598.

Bowing (violin), 403, 416, 431;

('cello), 591.
Brahms, 53, 168, 193, 238ff, 271, 273, 321, 367, 442, 451, 459f,
543ff, 578f, 579, 583ff, 587, 596f;
(influence), 335.
Pianoforte sonatas, 240.
Piano sonata in C major, 240f.
Piano sonata in F-sharp minor, 241.
Piano sonata in F minor, 241.
Paganini Variations (piano), 242f.
Ballades (piano), 242.
Variations on a Theme of Handel (piano), 243.
Capriccios, 244ff.
Rhapsodies (piano), 245f.
Intermezzos (piano), 246.
Piano concertos, 247f.
Violin sonatas, 459f.
Violin concerto, 460.
String sextet, 543ff.
String quartet in B-flat major (op. 67), 546.
String quartet in A minor (op. 51, No. 2), 546.
Trios in C major and C minor, 578f.
Clarinet Trio, 579.
Horn trio, 579.
Pianoforte quartets (op. 25 and 26), 583.
Pianoforte quartet (op. 70), 584.
Pianoforte quintet in F minor (op. 34), 584f.
Cello sonata, 596f.

Branle, 470.

Brentano, Maximilian, 575.

Briegel, K., 473.

Britton, Thomas, 481.

Broadwood, Thomas, 158.

Brodsky, Adolf, 464.

Bruch, Max, 452, 465.

Scottish Fantasia, 465.
Violin concertos, 465.

Bruhns, Nikolaus, 422.

Brussels, 448.

Bull, John, 19, 32.

Bull, Ole, 452.

Bülow, Hans von, 44, 332, 342.

Buonaparte, Lucien, 487.

Buoni, 390.

Buononcini. See Bononcini.

Burlesca, 79.

Burney, Charles, 43;

(cited), 48, 108, 394, 408, 415.

Buxtehude, 16.

Byrd, William, 19.

Byron, 318.

C
Caccia, 10.

Caccini, 474.

Cadences, 14.

Cadenza (in pianoforte concerto), 152f;

(in chamber music), 581.

Caluta à la Spagnola, 470.

Cambridge, 18.

Campion, Jacques (Chambonnières), 27.

Canavasso, A., 591.

Cannabich, Christian, 413, 418, 420.

Canon, 473.

Cantata (origin of name), 10.

Cantata da camera, 474.

Canzon a suonare (canzon da sonare), 93, 470.

Canzona, 11f, 472.

Caprice, 79.

Capriccio, 11.

Carissimi, 6.

Carlist Wars, 465.

Carnaro, Cardinal, 402.

Carneval de Venise (Le), 434, 440, 445.

Cartier, J. B., 407, 412, 428.

Casino Paganini, 437.

Cassation (quartet), 489.

Castiglione, 377.

Castor and Pollux (Abbé Vogler), 184, 185.

Catches, 473.

Cavalli, 6.

'Cello. See Violoncello.

Cembalo. See Clavicembalo; also Harpsichord.

Chabrier, Emanuel, 353, 366.

Chaconne, 83.

Chadwick, George W., 589.

Chamber music, 16;

(16th-17th cent.), 467ff;
(origin of term), 467, footnote;
(for wind instruments), 598.
See also Trio; String quartet; String quintet; Pianoforte quartet;
Pianoforte quintet; Sextet; Septet; Violin sonata; Violoncello
sonata; Wind instruments, etc.

Chamber sonatas, 94.

Chambonnières (Campion), 27, 32, 33, 104.

Chaminade, Cécile, 342.

Chanson, 9, 10, 11, 92.

Charelli, 478.

Charlatanism, 435.

Charles XI, 375.

Chausson, Ernest, (string quartet), 552;

(pianoforte quartet), 589.

Cherubini, 411;
(string quartet), 535.

Chess-board, 3.

Chopin, 55, 132, 207, 250ff, 284, 305, 333, 342, 367, 428;
(opinion of Mendelssohn), 217;
(as character, in Schumann’s ‘Carnaval’), 227;
(popularization), 300;
(transcriptions of songs of), 306;
(transcription of ‘The Maiden’s Wish’), 307;
(influence on Russian composers), 329;
(influence), 335;
(influence in France), 341;
(compared to Paganini), 439.
Pianoforte sonatas, 257ff.
Barcarolle, 263.
Fantasia in F minor, 263.
Mazurkas, 281f.
Nocturnes, 281.
Pianoforte concerto, 263.