Rodelinda OUVERTURE Georg Friedrich Händel

                         
              
Bassons e Violincelli

  
   

        1.    
       
          
     
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8

          

           
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13 2. Presto

                          
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   
23


            
           

  
32

                      
     
38

 
        
                                
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46

     

       
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51

 
                                          
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59

   
    
                   1.  
  
66

           
74 Adagio, staccato e forte
2.