Ah!

Mio cor
Alcina (HWV 34) Act 2, Scene 8
G.F. Handel

   
             
 
           
              
Andante larghetto

             
  
                          
     

             
                           
                             

6

  
          



 

  
       
  


           
12 Alcina

       
                     
            
    
  
Ah! mi o cor!


            
             

 

        

19

          
   
                               

Scher ni to se i!

         
                       
       

       
   
   
  

24

        
                 
    
 
        
Stel le! De i! Nu me d'a mo re! Tra di

    
                           
  

      
                
 
29

       
    
                       
 
to re! T'a mo tan to; puoi la sciar mi so lain

       
   
   
      
           
  

     
 
    

33

     
   
                          
pian to, oh De i! Puoi la sciar mi,oh

        
      
                  

     


            
38

         
                                
         
Dei! Per chè? T'a mo tan to! Puoi la

         
 
     
 
             
    


       
     
  

43

          

sciar mi so la, so la, so lain pian to,

        

                  
            
     
        
48


       
                 
          
puoi la sciar mi, oh Dei! Per chè?

          

              
    


     
    
53

         
                   
Ah! mio cor! Scher ni to

 
                   
   

    
             
59

  
          
                       
 
     
 
se i! Stel le! De i! Nu me d'a mo re!

              
                    


      
 

  
          

   
64

     
                         
   
Tra di to re! T'a mo tan to;

          
    
      
          



  

 
     
      
  
     


 
68

     
            
    
puoi la sciar mi so lain pian to, oh De i! Puoi la

          

      
     
             


  
                  
73

 
           
           
sciar mi so la, so la, so lain pian to puoi la

     
  
                    
  
     
    

 
               
79


          
                                   
sciar mi, oh Dei! Per chè? Per chè? Per chè?

 
    
       









     
                     
   
85

              
    
Puoi la sciar mi so lain pian to, oh De i! Puoi la sciar mi, oh Dei! Per

     
              

       

    
     
        
       
  
91

 
             
          
     
chè?

 


                  
 
       

      
            
      
Fine

 
98


    
      

   
  
  

  
           
Allegro
102


              
 
Ma, che fa ge men doAl ci na?

       
          
       

  
         
104

  
                            
Son re i na, e tem po an co ra:

 
           
    

 
         
106

                
                
re sti,o mo ra, pe ni sem pre,


            
   
   
       
     
108

        
                
pe ni, pe ni sem pre, o

       
   
 
      
    

   
              
110

    

tor nia me, o tor nia me, pe

     

        
       
    
         
   


 
              

112

         
 
ni sem pre, o tor nia me Ma, che

            
  
   
 
 
               

      

     
           
  
115

  
                 
       
fa ge men do Al ci na? Son re i na,

 

         
      
 
   
   
  
     


 

117

                 
                
e tem po an co ra. Re sti, o mo ra!



             
 

 
             
   
119

              

Pe ni sem pre, pe ni sem pre, o

                
    
        
   

      
  
             

 
121

    
      

     
tor ni a me, res ti, o mo ra, pe ni sem pre, pe ni


       
 

    
    



123


                    
sem pre,o tor nia me,

    
        
      
     
    


     

125

   
                  
son re i na, e tem poan co ra

       
   
      
       
 

    
    
     


   
127

  
          
re sti,o mo ra, pe ni sem pre, o tor nia me,

          
       
 
                 
   

      
       
Tempo I


D.S. al Fine

  
130

   
       
pe ni sem pre, o tor nia me. Ah! Mi o cor!

  
       
    