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Name: Product
Name: Product
Product:
(Please insert an image of the handicraft product)
Material:
Karagumoy
The art and beauty of banig weaving lie in the intricacy of folding over the
strips of the material that will yield a wonderful design of interlace folds
and entails a sequential order of steps to create geometric patterns and
rhythm.
An arduous and very tedious process, banig weaving is some sort of a spell
implied with hard work, determination and patience from the manugbanig
(a person who weaves banig). They simply cut the bariw leaves using
sanggot (an arc-shaped cutting tool) and a long slender bamboo pole to
reach the leaves of high-grown bariw plant, the process locally known as
the pagsasa.
The paghapnig (bundling) and pagriras (stripping off) are the next steps in
the pre-weaving preparations. They gather and bundle the slashed leaves
for stripping off thorns along the edges and into the middle ridge. By
removing the ridge, the leaf is divided into two. Each leaf is piled separately
until the bundle is stripped off with thorns. The leaves will be tightly tied up
in bundle so that each piece will not curl up as it dries.
The Pagbulad or sun or air drying phase follows. Sun drying of bariw leaves
under direct sunlight gives it a shiny brown tone and strengthens the fiber.
Air-dried leaves are durable compared to the sun-dried one. Air-dried
leaves create blackish spots or molds that destroy the natural luster of
brown mats; however, the molds fall off easily during weaving.
Then follows the pagkulhad or the shredding of bariw leaves into a desired
strand through the kurulhadan or splicer; a wooden-based shredder.
Pagkyupis is the preparatory process to the weaving proper. Generally,
bariw strands are folded into halves. Every kyupis consists of four strands,
folded together in pairs; horizontally and vertically, with the glossy brown
color in the outer surface.