1. Saron- xylophone of heavy bronze bars.

MUSIC 6. Gender- bronze xylophone .

2. Bonang- set of bronze bowls.
Theater 7. Gong and Kempul- hanging
- the activity or profession of acting in, producing, directing, or gongs.
writing plays. 3. Kenong and Ketuk- single inverted bronze bowls.
8. Gambang- wooden xylophone.
Japanese Theatre 4. Rebab- two-stringed fiddle.
- are the oldest theatre traditions in the world. 9. Suling- flute.
5. Kendang- horizontal drum beat with the fingers on both ends.
Traditional theatre includes: 10. Tjelempung- a zither of
thieteen double strings.
1. Noh
- a spiritual drama, and its comic accompaniment kyogen. ARTS

2. Kabuki Chinese Theater

- Combination of acting, dancing, and music which includes the
manifestation of form, color, and sound.
- a dance and music theatrical tradition; bunraku, puppetry; and yose,
a spoken drama.
- ka for “song”, bu for “dance”, ki for “skill”.
- founded in 1603 by Okuni, a Shinto priestess.
Chinese Peking Opera- or Beijing Opera which combins music, vocal
performance, pantomime, dance, and acrobatics. Started in 18th century
during Qing Dynasty court.
Role and Characters:

Vocal pattern and technique: 1. Sheng- is the main male role in Peking opera.
a. Xiaosheng
1. Ipponchoshi- or continuous pattern is used in speeches building up b. Wusheng
to an explosive climax in the aragoto style. c. Laosheng
2. Nori
3. Yakuharai 2. Dan- refers to any female role in Peking opera.
a. Laodan
Vocal and instrumental pattern: b. Wudan
c. Daomadan
1. Shamisen- a string instrument which accompanied dances and d. Qingyi
movements of Japanese theater. e. Huadan
2. Gagaku- classic court music imported from China.
3. Kagura- performed in Shinto shrines. 3. Jing- is a painted face male role who plays either primary or
4. No-chant derives from shomyo. secondary roles.
5. Nagauta- a love song., can performed by one shamisen or by an
entire orchestra. 4. Chou- is a male clown role. Usually plays secondary roles
whose name also means “ugly” and could drive away evil
Chinese Theater - Considered as the highest form of arts in China. spirits.
Peking Opera Staging and Costumes:
- is a stylized Chinese form of opera from the late 18th century.
Speech, singing, mime, and acrobatics are performed to an 1. Stage- usually visible from at least three sides.
instrumental accompaniment. Popular during Qing Dynasty court. 2. Costume: Xingtou, popularly known as Xifu.
- Also known as Beijing Opera 3. Props- table and at least one chair.
- comprises about 8 musicians sitting on stools in the far-corner of 4. Musicians- are visible to the audience on the front part of the
the stage. stage.
- each performance begins with the ta-lo and siag-lo. 5. Viewers
Vocal and instrumental pattern: 6. Performers

Aerophone- Tits (cross flutes), Siao (recorded flutes), Sona (trumpet) Japanese Theater
Chordophone: Violin-like- Huchin, Buchin Kabuki
: Guitar-like- Yuechin, Sansien, Pipa - form of traditional Japanese drama with highly sstylized song,
Idiophone- Talo (gongs), Siaolo (gongs), Tanpiku (kettle drum) mime, and dance, now performed only by male actors.
- Sometimes translated as “the art of singing and dancing”.
2 main styles of music: - Derived from the word Kabuku, meaning “to lean” or “to be out
-these styles are very similar & the only difference is the key. Also utilized of the ordinary”.
the technique called fan-pan which is commonly used for sorrowful songs,
and is only sung by bearded characters. The Kabuki Stage Features

1. Erh-huang 2. His-pl- has lower sound than erh- 1. Hanamichi- a flower path, a walkway which extends into the
huang. audience via which dramatic entrances and exits are made.
2. Kogakudo
Indonesian Theater 3. Mawaro butal- the interior of the theater contains a revolving
- Shadow Puppet Theater- well-known Indonesian theater. stage.
- Wayang Kulit- is one of the oldest continuous traditions of 4. Suppon- a platform that rises from below the stage.
storytelling in the world. 5. Hanamicho- a walkway that cuts through the audience seating
-Wayang is Indonesian and Malay word for theater. - area to connect the stage with the back of the theater.
Kulit- means skin or leather construction of the puppet.
The Three Main Categories of the Kabuki Play:
The Dalang:
- The puppeteer. Characterized as creative, humorous, and flexible. 1. Jidaimono
He manipulates the puppet, sings, and taps out signals to the - historical or pre-Sengoku period stories. Within the context of
orchestra. Speaks the parts of all the characters. major events in Japanese history.
- Performed in royal court. 2. Sewamono
- domestic or post- sengoku stories. Focused primarily upon
Gamelan Music Ensemble commoners (towns people)
- background accompaniment in every performance of Wayang 3. Shosagoto- dance pieces.
Kulit.
- composed of bronze percussion instruments. Elements of Kabuki:

The Music: Gamelan consists of the following; a. Mie

 - in which the actor holds a picturesque pose to establish his
character and his house name yago. Mr. Suchart Sapsin
- Onna-gata- female roles, Aragoto- male roles. - man of many talents. Award-winning writer and poet, an expert in the
craft of making puppets.
b. Makeup
- one of the most iconic parts of kabuki. Usually used red, black or HEALTH
blue.
- Red and Blue are usually aragoto roles, onna-gata playing young Gateway drugs
women have very little paint. - such as cigarettes and alcohol are legal drugs that a non-drug
- rice powder is used to create the white oshiroi base for the user might try, which can lead him/her to more dangerous drugs
characteristic stage makeup, and such as marijuana and shabu.
kumadori enhances or exaggerates facial lines to produce dramatic
animal or supernatural character. Cigarettes
- grounded and processed tobacco wrapped in a special paper for
Kabuki Props smoking. Carcinogens are substances which cause cancer.
Nicotine, the addictive drug found in tobacco products like
- flowing water, creatures like insects & foxes, Fans used to symbolize wind, cigarettes is a poisonous stimulant. A stimulant drug increases
sword, tobacco pipe, waves or food. the central nervous system (CNS) activity. The central nervous
Costumes- kimono and obi, hakuma trousers. system controls all body organs like the heart, lungs, brain, and
Wigs- made of human hair, horsehair, bear fur, or yak-tail hair from Tibet. processes like heart rate, blood pressure rate, respiration rate,
Indonesian Theater and more.

Wayang Kulit Three Types of Smoke:

- refers to kinds of puppet theaters.
- accompaanied by Gamelan orchestra in Java, and by gender
wayang in Bali.
- best known Indonesian theater. Kulit means “skin or leather
construction of the puppets.
- Given recognition as a Masterpiece of oral and Intangible Heritage
of Humanity on Nove,ber 7, 2003 by UNESCO.
- Stories are usually drawn from the Hindu epics; Ramayana,
Mahabharata, Serat Menak (heroism of Amir Hamza)
- Wayang Sandosa- employed spotlights, colored lights, & other
innovations.
1. Mainstream Smoke – refers specifically to the smoke that a
smoker directly inhales.
2. Sidestream Smoke – the smoke that comes out of the lighted end
of a cigarette or pipe. This is also called “second-hand smoke”
(SHS) or “environmental tobacco smoke (ETS). This is more
dangerous than mainstream smoke.
3. Third-hand Smoke – smoke left for a long time on sofa,
beddings, pillow and other objects. This smoke also called
residual tobacco smoke (RTS) settles along with dust and can
last for months. This smoke still contains harmful chemicals and
carcinogens.

Elements of Performance: POLICIES AND LAWS AGAINST CIGARETTE SMOKING

a. The puppeteer, dhalang (Java)/ dalang (Bali)
b. A hammer
c. Metal plates
d. A traditional Indonesian orchestra, gamelan
e. Shadow puppets, Wayang Kulit
f. A light source, blencong
g. Female singers and a male chorus, pesindhen and penggerong
h. A screen frame and screen, gawang & kelir, the main focus of the
performance
i. Banana logs, gedebog, pointed sticks of the wayang base handle
j. A puppet box, kothak.
Thailand Theater
Nang Shadow Puppet Show
- One form of public entertainment in the South of Thailand.
- Manipulated with rods that control movements of the arms and
legs.
Nang
- recites tales of the Gods & contemporary people through stories of
love, current events, and tradition.
- represent the norms and mores of Thai society.
- themes include family conflict, fantastic adventures, star-crossed
lovers, romantic tales, abandoned children seeking loved ones.
- attempts to relay the importance of Thai values and ideologies in a
changing world, the association of Karma and underlying message
of rewards and punishments act as allegories for Buddhist morality
and philosophy.
- Nang theater troupe usually consists of five to ten puppeteers &
musicians.
2 Types of the Nang:
1. Republic Act No. 9211, otherwise known as The Tobacco
Regulation Act of 2003 is the law governing tobacco
production, distribution and use.
2. Republic Act No. 8749, also known as the Philippine Clean Air
Act of 1999 states that: Smoking inside a public building or an
enclosed public place including public vehicles and other means
of transport or in any enclosed area outside of one's private
residence.
Alcohol
- is a colorless, bitter-tasting substance that humans have been
consuming since the ancient times. It comes from plants that
underwent fermentation. Fermentation is the process of
extracting alcohol from a plant or a fruit. An example of
fermented alcohol is a beer.
Three types of alcohol:
1. isopropyl
2. methanol
3. ethanol.
Effects Of Alcohol Drinking
- When alcohol enters the bloodstream, it goes in all the parts of
the body. The main effect of alcohol drinking reflects on a
person‟s central nervous system (CNS). The CNS controls
one‟s mental processes, memory, speech, learning and decision-
making. It also affects a person‟s senses, feelings, movement,
and breathing.
- The amount of alcohol that entered in the bloodstream at a
certain period can be measured in percentages through blood
alcohol concentration (BAC) or most often called blood alcohol
level (BAL). A BAC of 0.05 percent means there is 5 parts of
alcohol per 10,000 parts of blood in the body. A 0.3-0.5 percent
BAC could lead to coma, brain damages, and death.

1. Nang Talung Two Immediate Effects of Consuming Alcohol:

- played with leather puppets, 50cm high, movable, jointed arm 1. Intoxication
controlled by a string. - happens when the alcohol goes into the bloodstream,
- Nai Nang- The teachers and presenters of the Nang Talung producing physical and mental changes in the body. These may
include changes in sight, smell and other senses.
2. Nang Yai- made of cowhide and rattan, they do not have jointed 2. Hangover
arms, themes and styles remain the same. - is the occurrence of an uncomfortable feeling after getting
intoxicated. These effects are only for occasional drinking.
Characters
- gods and goddesses
- kings and queens
- magical figures
- and comedians.

PE
Basic dance terminologies
a. Padyak- to stamp or tap with one foot and the weight of the body is
on the other foot.
b. Saludo: to bow.
c. Arms in Lateral Position- both arms are on one side at shoulder
level, either left or right.
d. Set- a dance formation of two or more couples.
e. Bend- to move the body or part of the body around the wide axis.
f. Leap- to spring one foot and land on the other foot.
Binislakan
Background:
Lingayen in Pangasinan means having to look backward and upward. It
was derived from “Li-King-Tung”, a Chinese word given to the name
Lingayen, the capital of Pangasinan, by the Chinese settlers of this place a
long time ago. The barrio folks who lived at Almazin, a small place between
barrio Pangasinan (Pulong) and Maniboc. To commemorate the stay of
Limahong, a Chinese pirate who built his kingdom here. They also use two
sticks to produce rhythms imitating the chopsticks used by the Chinese in
eating, so the dance is also called Binislakan, which in Pangasinan means,
with the use of sticks.
Dance Properties:
1. Costume
Female- Siesgo and kimono with loose and long sleeves and
soft panuelo
Male- Camisa de Chino and red pants
2. Music- ²₄ composed of two parts: A and B
3. Formation- partners stand about six feet apart. One or more pairs in
a set can take part in the dance, in any formation desired.
Sua-Ku-Sua
Dance Background
- Aside from being known as fierce warriors, the Tausug of Jolo,
Sulu are also remarkable as seafarers and farmers. In Sulu,
extensive orchards are planted with coconuts and pomelos and the
fields with staples like rice and root crops. Pomelo fruits serve as an
important source of income for the people of Sulu. Their
independence on pomelo fruits for their livelihood inspired them to
create Sua-Ku-Sua dance. The movements of the dance compare
Sua’s leaves, slender branches, attractive fruits, and fragrant
flowers to a lady. During the performance, the couples sing while
flapping two white fans representing the leaves rustling in the wind.
The performers, especially women, dance with faces thickly
covered with finely ground rice powder. Their eyebrows and
sideburns are enhanced with soot for aesthetic purposes.
Dance Researcher: Ramon A. Obusan Meaning:
My Pomelo Tree
Dance Culture: Muslim-lowland Place of
Origin: Jolo, Sulu
Country of Influence: China, Malaysia, and Indonesia Ethno-
Linguistic Group: Tausug
Classification: Courtship
Movements/ Steps Particular to Dance Creative imagery:
- Fans transform into tiny sails, face mirrors, butterflies, shields, and
leaves. Sua-Ku-Sua’s traditional steps are with Chinese influence.
Dance Properties:
1. Costume:
 Male: Top – Bajo Pants- Sawal or Kantiu
 Female: Top- Barawasi Pants- Sawal or Kantiu
Shoulder band- Siyag Headpiece
2. Accessories- money belt, Sarok hat, Pis siyabit, Kris (wavy
knife), or barong (leaf-knife)
3. Suggested footwear- Dancers are barefoot.
4. Music- 2/4 and 4/4; composed of three parts- A, B, and C.
5. Instruments:
 Gabbang, bamboo xylophone are shaped-like a small
boat. Bamboo slats are thinned and cut to graduated
sizes to produce three octaves of pentatonic scale.
6. Count: One, two to a measure in 2/4 time signature; 1,2,3,4, to a
measure in 4/4 time signature.
Pangalay
Background
q
Also known as Daling-Daling or Mengalai in Sabah The traditional
"fingernail" dance of the Tausūg people of the Sulu Archipelago and
eastern coast Bajau of Sabah. The dance has a similarity to classical
Balinese and Thai dances, where it is also the most distinctively Asian of
all the southern Philippine dances because dancers must have dexterity
and flexibility of the shoulders, elbows, and wrists[9] – movements that
strongly resemble those of "kontaw silat". The Malaysian art of Buah
Pukul is classified as silat despite its Yunnan origin, kuntao is "way of the
fist", from kun 拳 meaning fist and tao 道 meaning way. This term was
originally used for Chinese martial arts in general. Predominantly
performed during weddings or other festive events. The male equivalent
of the Pangalay is the Pangasik and features more martial movements,
while a pangalay that features both a male and female dancer is
called Pangiluk. A variant of the dance called Pakiring is practiced by the
people of Mindanao, Sulu and Sabah. The dance emphasizes the
movement of the hips (kiring-kiring) to mimic the movement of a
butterfly. It is also called kendeng-kendeng in Tagalog speakers of Central
Luzon.
Sakuting
Background
This is a dance of the ethnic people living in the western side of the
Cordilleras before the coming of the Americans to our country. During
Christmas, young boys and girls accompanied by their elders would go to
the lowlands, especially in Abra and Ilocos Norte to dance in front of the
houses and ask for gifts. These young children hold sticks, one on each
hand and strike them together to make their dance livelier. The homes
would give them money, homemade delicacies and other things. These
dancing groups later reached as far as the coastal towns of Ilocos region as
years went by. The rhythmic sounds produced by the stick attracted other
children and also adults and they also learned the dance.
Sakuting is an ethnic term that refers to the rhythmic sticks
producing the accompaniment for the dance.
Dance Researcher : Francisca Reyes Aquino
Meaning : Refers to rhythmic sticks producing the accompaniment for the
dance.
Place of Origin : Abra and Ilocos Norte
Country of Influence : China
Classification : Recreational and Social Dance.
Dance Properties:
1. Costume:
 Girl – Native Ilocano kimono style with sleeves of elbow length; A
skirt of bright-colored plaids shirred at the waist of ankle-length.
Boy – A Camisa de chino and red trousers, and a native hat.

2. Music :²₄ and ³ ₄ rhythms and composed of 9 parts: A, B, C, D, E,

F, G, H and I.
3. Formation: