Professional Documents
Culture Documents
Baxter Rebecca ENGL3381 SP 2024 O'Conner Research Paper
Baxter Rebecca ENGL3381 SP 2024 O'Conner Research Paper
unique blend of Southern Gothic storytelling and profound psychological insight. Her narratives
delve into the depths of the human condition, exploring themes of morality, redemption, and the
complexities of human behavior. In particular, O'Connor's fiction often delves into the
subconscious motivations and inner conflicts of her characters, inviting readers to explore the
hidden realms of the human psyche. This paper employs a psychoanalytic approach to examine
O'Connor's storytelling, focusing on four key stories—' A Good Man Is Hard to Find,'
'Everything That Rises Must Converge,' 'A View of the Woods,' and 'Revelation.' Through the lens
of Freudian and Jungian psychology, this paper contends that O'Connor's narratives offer
profound insights into the dynamics of power, the manifestations of repressed desires and
anxieties, and the complexities of human behavior. By analyzing these stories through a
human psyche and the enduring relevance of her work in contemporary literature.
In "A Good Man Is Hard to Find" by Flannery O'Connor, the narrative unravels as a
tragic road trip turns into a chilling encounter with violence and mortality. The grandmother's
longing for a nostalgic visit to her childhood home sets the stage for a journey laden with
themes into the story, delving into the characters' psyches to reveal their subconscious
motivations and inner conflicts. Through elements of Freudian and Jungian psychology,
O'Connor examines the complexities of human behavior, offering profound insights into the
grandmother's nostalgic yearning for the past and her manipulative behavior to control the
family's destination. Her fixation on visiting the old plantation reflects a subconscious desire to
regain control over her life and reconnect with her roots. The grandmother's behavior and
dialogue throughout the story provide textual evidence supporting this interpretation. For
example, when she insists on visiting the plantation, she describes it as having "six white
columns across the front"(O’Connor) and recalls a "secret panel" (O’Connor) where family
silver was hidden during Sherman's march. These details suggest a fixation on the past and a
desire to relive or reclaim it, indicating underlying feelings of inadequacy or dissatisfaction with
the present.
The grandmother's interactions with The Misfit unveil her underlying fears of mortality
and existential dread, highlighting her desperate attempts to assert her worth and humanity in the
face of impending danger. As she faces death at his hands, she desperately attempts to appeal to
his humanity and establish a connection based on their shared Southern heritage and upbringing.
Her plea to The Misfit, "You're one of my own children!" (O’Connor), underscores her desire for
recognition and validation of her worth, even in the face of imminent danger. Similarly, The
Misfit embodies Freudian concepts of the id, ego, and superego, representing primal instincts and
amoral impulses within the human psyche. His disregard for societal norms and moral
superego. This interpretation is supported by The Misfit's own words when he reflects on his past
and expresses a sense of detachment from his actions, stating, "I never was a bad boy that I
remember of...I ain't a good man...but I ain't the worst in the world, neither." (O’Connor)
The story's exploration of psychoanalytic themes extends beyond individual characters to
encompass broader dynamics within the family unit. Each family member's response to danger
reflects variations in their psychological makeup, shaped by past experiences and individual
personalities. Furthermore, symbolism, such as The Misfit's name and the grandmother's
manipulative behavior, adds layers of meaning to the narrative, reflecting deeper psychological
truths about the human condition. Douglas Novich Leonard's states in his article titled
“Experiencing Flannery O’Connor’s “A Good Man is Hard to Find” that “O'Connor explained:
'I have found that violence is strangely capable of returning my characters to reality and
preparing them to accept their moment of grace. Their heads are so hard that almost nothing
else will work.' Presumably, in her moment of crisis, the grandmother senses her need for
salvation." (Leonard) His analysis of the story's themes of grace, violence, and human nature
resonates with psychoanalytic principles, offering valuable insights into the characters'
explores psychoanalytic themes, inviting readers to confront the complexities of the human
psyche. Through her narrative, O'Connor illuminates the subconscious motivations, repressed
desires, and existential struggles that shape human behavior. By integrating insights from
psychoanalytic theory, O'Connor provides a deeper understanding of the characters' inner lives
and the universal quest for meaning and connection in a chaotic world.
"Everything That Rises Must Converge" by Flannery O'Connor intricately dissects the
Julian and Mrs. Chestny. Set against the backdrop of the American South in the 1960s, the
narrative unfolds as Julian accompanies his prejudiced mother on her weekly bus ride. Their
journey becomes a battleground for heated discussions on race, class, and societal change,
psychoanalytic themes illuminates the intricacies of their interactions and the subconscious
At the core of the story lies Julian's internal struggle, mirroring elements of the Oedipal
complex. Julian's emotions vacillate between resentment and dependency towards his mother, as
evidenced by his inner turmoil, where he muses about slapping her. This internal conflict hints at
unresolved Oedipal tensions, reflecting the complex dynamics between mother and son. For
instance, Julian's inner turmoil is evident when he muses, "He could with pleasure have slapped
her as he would have slapped a particularly obnoxious child in his charge." (O’Connor)
Furthermore, Julian frequently projects his insecurities onto his mother, using her as a target for
his frustrations. His elaborate fantasies of teaching her racial equality serve as a defense
The narrative delves into Julian and his mother's unconscious desires and conflicts,
shedding light on their psychological complexities. Julian's quest for independence clashes with
his mother's need for control, resulting in tense interactions during their bus journey. Symbolism,
such as the hats worn by Mrs. Chestny, adds layers to the narrative, symbolizing her attempts to
maintain dignity amidst societal changes. These symbols reflect the characters' psychological
states and serve as conduits for deeper exploration of their inner worlds.
That Rises Must Converge" offers profound insights into the intricacies of human behavior and
symbolism, O'Connor invites readers to navigate the labyrinth of the human psyche. Through
this psychoanalytic lens, O'Connor's narrative transcends mere storytelling, becoming a mirror
through which readers confront the complexities of their own minds and relationships.
In "A View of the Woods" by Flannery O'Connor, the narrative unfolds within the
turbulent relationship between Mr. Fortune and his granddaughter, Mary Fortune. The story
delves into psychoanalytic themes, exposing the power struggles, unconscious desires, and
unresolved conflicts that define their dynamic. Mr. Fortune's determination to maintain control
over his estate and Mary Fortune's rebellious defiance against his authority serve as focal points
One key aspect of the story is the power dynamics and control exhibited by Mr. Fortune
over Mary Fortune. His insistence on selling the land symbolizes his desire for dominance and
autonomy, while Mary Fortune's resistance reflects her struggle to assert her own identity and
preserve her father's legacy. An example of this is as follows “When the well had gone dry, he
had not allowed Pitts to have a deep well drilled but had insisted that they pipe their water from
the spring.” (O’Connor) This struggle for control manifests in their interactions, culminating in a
violent confrontation that highlights the destructive nature of unchecked pride and power.
Freudian psychoanalysis sheds light on the Oedipal dynamics at play, with Mr. Fortune's
attempts to discipline Mary Fortune representing his unconscious desires to maintain dominance
within the family structure. Mary Fortune's defiance, on the other hand, signifies her rebellion
against paternal authority and her quest for autonomy. An example of this is as follows “The
daughter had been born and raised on it but the old man considered that when she married Pitts
she showed that she preferred Pitts to home." (O’Connor) Mr. Fortune interprets Mary Fortune's
marriage as a sign of her independence and prioritization of her own interests over familial ties,
themes through the tumultuous relationship between Mr. Fortune and Mary Fortune. By
O'Connor provides valuable insights into the complexities of human behavior and the destructive
consequences of unchecked pride and power. Additionally, integrating insights from secondary
sources further enriches our understanding of the story's psychological depth and thematic
richness.
offering insights into the characters' motivations, desires, and inner conflicts. Through the lens of
psychoanalysis, one can unravel the complexities of human psychology and the underlying
forces that drive behavior. Mrs. Turpin's journey serves as a compelling exploration of
The violent outburst in the text, "And then she jumps over the table and commences to
choke me," (O’Connor), signifies a moment of extreme emotional upheaval. This violent act
serves as a catalyst for Mrs. Turpin's confrontation with her own sense of superiority and self-
righteousness. Similarly, Mrs. Turpin's encounter with a young woman in the doctor's waiting
room triggers a cascade of repressed emotions and desires, revealing her internal turmoil. This
violent outburst, coupled with her encounter, prompts Mrs. Turpin to confront aspects of herself
that she has long suppressed. It becomes evident that Mrs. Turpin's projection of her own flaws
onto others reinforces her sense of moral superiority as a defense mechanism against her
unconscious minds, particularly in Mrs. Turpin's vision of souls ascending to heaven. This vision
serves as a manifestation of her deepest fears and aspirations, reflecting her struggle to reconcile
her id-driven desires for superiority with her superego's moral ideals. Mrs. Turpin's moment of
epiphany at the pig parlor symbolizes a shift in her unconscious perceptions, leading to a process
particularly in terms of Mrs. Turpin's construction of identity and her confrontation with her own
self-image. Hubbard argues that “Mrs. Turpin's interactions with other characters serve as a
means to establish and reinforce her own identity. He argues that Mrs. Turpin categorizes and
compares herself to others, which reflects her psychological need to define herself in relation to
those around her. This aligns with Lacanian concepts of the symbolic realm, where individuals
examines the significance of Mrs. Turpin's vision as a moment of spiritual revelation and
reconciliation, aligning with Lacanian theories of the unconscious and the integration of
unraveling the complexities of human psychology and the transformative power of grace.
Through Mrs. Turpin's journey, O'Connor invites readers to delve into the depths of the
unconscious mind and confront the universal struggle for self-awareness and spiritual
enlightenment.
unique blend of Southern Gothic storytelling and deep psychological insight. Her exploration of
themes such as morality, redemption, and the complexities of human behavior sets her apart as a
significant figure in literary history. In particular, O'Connor's narratives often delve into the
subconscious motivations and inner conflicts of her characters, inviting readers to explore the
hidden realms of the human psyche. This paper employs a psychoanalytic approach to delve into
O'Connor's storytelling, focusing on four key stories—"A Good Man Is Hard to Find,"
"Everything That Rises Must Converge," "A View of the Woods," and "Revelation." Through the
lenses of Freudian and Jungian psychology, this paper argues that O'Connor's narratives offer
profound insights into power dynamics, manifestations of repressed desires and anxieties, and
In "A Good Man Is Hard to Find," O'Connor crafts a narrative that blends tragedy with
chilling encounters, revealing the characters' subconscious motivations and inner conflicts. The
grandmother's nostalgic yearning for the past and manipulative behavior to control the family's
story. Her fixation on visiting the old plantation reflects a subconscious desire to regain control
over her life and reconnect with her roots. Additionally, the grandmother's interactions with The
Misfit unveil her underlying fears of mortality and existential dread, highlighting her desperate
attempts to assert her worth and humanity in the face of impending danger. The story's
exploration of psychoanalytic themes extends to broader dynamics within the family unit, with
each family member's response to danger reflecting variations in their psychological makeup,
complexities of human psychology through the nuanced relationship between Julian and Mrs.
Chestny. The narrative becomes a battleground for heated discussions on race, class, and societal
psychoanalytic themes sheds light on the characters' interactions and the subconscious
motivations driving their behavior. Julian's internal struggle mirrors elements of the Oedipal
complex, with his emotions vacillating between resentment and dependency toward his mother.
This internal conflict hints at unresolved Oedipal tensions, reflecting the complex dynamics
between mother and son. Furthermore, Julian frequently projects his insecurities onto his mother,
using her as a target for his frustrations. Symbolism, such as the hats worn by Mrs. Chestny, adds
layers to the narrative, symbolizing her attempts to maintain dignity amidst societal changes.
In "A View of the Woods," O'Connor explores the tumultuous relationship between Mr.
Fortune and his granddaughter, Mary Fortune, delving into power struggles, unconscious desires,
and unresolved conflicts. Mr. Fortune's determination to maintain control over his estate and
Mary Fortune's rebellious defiance serve as focal points for exploring these themes. Freudian
psychoanalysis sheds light on the Oedipal dynamics at play, with Mr. Fortune's attempts to
discipline Mary Fortune representing his unconscious desires to maintain dominance within the
family structure. Mary Fortune's defiance signifies her rebellion against paternal authority and
her quest for autonomy. Symbolism, such as the land and the woods, enriches the narrative,
revealing deeper psychological truths about the characters' motivations and conflicts.
into the characters' motivations, desires, and inner conflicts. Mrs. Turpin's journey serves as a
realization and transformation. Mrs. Turpin's encounter with a young woman in the doctor's
waiting room triggers a cascade of repressed emotions and desires, revealing her internal turmoil.
O'Connor employs vivid symbolism to represent the workings of the characters' unconscious
minds, particularly in Mrs. Turpin's vision of souls ascending to heaven. Through the framework
of Freudian psychology, Mrs. Turpin's internal struggle can be understood as a clash between her
psychoanalytic approach to analyze selected stories such as "A Good Man Is Hard to Find,"
"Everything That Rises Must Converge," "A View of the Woods," and "Revelation," this paper has
illuminated the depth and complexity of O'Connor's exploration of the human psyche. Through
characters like Mrs. May, Julian, the Grandmother, and Mrs. Turpin, O'Connor delves into the
offering profound insights into the human condition. By examining these stories through a
psychoanalytic lens, readers gain deeper insights into O'Connor's thematic preoccupations and
her enduring relevance in contemporary literature. O'Connor's narratives not only entertain but
also challenge readers to confront the complexities of human nature and the intricacies of the
unconscious mind, making her work a timeless exploration of the human condition.
Beineke, John. “FLANNERY O’CONNOR and PROGRESSIVE EDUCATION.”
2012, web.p.ebscohost.com/ehost/pdfviewer/pdfviewer?vid=0&sid=28500d01-a518-
4c55-bea5-61d43636bed3%40redis.
Hubbard, Scott. “The Refiner’s Fire and the Imago Dei: The Nature of the Self in
Man Is Hard to Find.”” Interpretations, vol. 14, no. 2, 1983, pp. 48–54,
www.jstor.org/stable/23241513?
saml_data=eyJzYW1sVG9rZW4iOiJjMTVhODEwNC03MDc2LTQzMmQtYjYxNy1iM
jA4N2UwZGVhNzQiLCJpbnN0aXR1dGlvbklkcyI6WyI3ZWY4ODlhNS02OWJlLTRi
literariness.org/2021/05/24/analysis-of-flannery-oconnors-everything-that-rises-must-
converge/.
Opinion, If You Want My. “A View of Flannery O’Connor’s Woods.” If You Want My