Professional Documents
Culture Documents
High School Unit Plan
High School Unit Plan
National Standards:
The National Standards for this unit are as follows:
MU:Cn10.0.H.5a, MU:Cn11.0.T.5a, MU:Pr4.3.H.8a, MU:Re7.1.H.IIIa, MU:Re7.2.H.IIIa,
MU:Re8.1.H.IIa, MU:Re9.1.H.IIa, MU:Cn10.0.H.IIIa, MU:Cr1.1.C.Ia, MU:Cr1.1.H.IIIa,
MU:Cr2.1.E.IIIa, MU:Cr3.1.E.IIIa, MU:Cr3.2.E.IIIa, MU:Pr4.1.E.IIIa, MU:Pr4.2.E.IIIa,
MU:Pr4.3.E.IIIa, MU:Cr6.1.E.IIIa, MU:Re8.1.E.IIIa, MU:Cn10.0.H.IIIa, MU:Cn11.0.T.IIIa,
MU:Cr3.1.H.IIIa, MU:Cr3.2.H.IIIa, MU:Pr4.2.H.IIIa, MU:Pr4.3.H.IIIa, MU:Pr6.1.H.IIIa,
MU:Re7.1.H.IIIa, MU:Re7.2.H.IIIa, MU:Re8.1.H.IIIa, MU:Re9.1.H.IIIa, MU:Cn10.0.H.IIIa,
and MU:Cn11.0.T.IIIa.
MA Frameworks:
The MA Frameworks for this unit are as follows:
P.M.Cr.01, P.M.Cr.02, P.M.Cr.03, P.M.P.04, P.M.P.05, P.M.P.06, P.M.R.07, P.M.R.08, P.M.R.09,
P.M.Co.10, P.M.Co.11, AG.M.Cr.01, AG.M.Cr.02, AG.M.Cr.03, AG.M.P.04, AG.M.P.05,
AG.M.P.06, AG.M.R.07, AG.M.R.08, AG.M.R.09, AG.M.Co.10, and AG.M.Co.11.
Rationale:
(Why is this unit important, how does it fit into the long term goals of the
curriculum map?)
This unit will follow a lesson on early folk and country music, so the students will be familiar
with the characteristics and historical context of these genres, as well as genres from previous
units, such as jazz, blues, traditional, and ragtime. This unit is significant in the class curriculum
as a whole, as the progression of early R&B and rock ‘n roll are essential in the foundation and
development of modern day popular music. Similarly, this music serves as an example for the
evolution of musical genres over time, as well as the impact culture and society has on art and
media.
Essential Questions:
(What are the big questions that students will be able to answer? Eg What do
composers do? What is rhythm and what is meter?)
The essential questions the students will be able to answer are as follows:
● What are the characteristics of early R&B?
● What is the cultural context surrounding early R&B?
● What are some examples of early R&B songs/artists?
● What are the characteristics of early rock ‘n roll?
● What is the cultural context surrounding early rock ‘n roll?
● What are some early examples of early rock ‘n roll?
● How can I write a song in the style of early R&B?
● How can I write a song in the style of early rock ‘n roll?
● How do I analyze a piece of music for characteristics and historical context?
Enduring Understanding:
(What will stick with them in the long term- what will they be able to do or use
later in the year or in years to come?)
After participating in and completing this unit, students will be able to recognize the key
characteristics of early R&B and rock ‘n roll music, recall the historical context and reasoning as
to why these genres were created and popularized, and write and perform a song in these styles.
Assessment/Evaluation:
Informal
Informal assessments for this unit will be presented in the form of informal check-ins on notes
during class, discussions held as a class and in small groups, and checking for understanding by
means of a game.
Formal
Formal assessments for this unit will be presented in the form of weekly homework assignments
in which students will choose a song within a given genre and analyze it for instrumentation,
song form, and lyrical content. This assignment will also require students to provide a reflection
on the piece they chose, detailing what they liked or disliked about it, as well as how the piece
fits into the cultural context.
Accommodations:
(How does instruction accommodate for special needs and ELL students to
insure equity?)
1. Special needs
2. ELL
For this class, students are often encouraged to work with their peers to discuss aspects of the
music they hear, the cultural context behind the music, and how they can implement these ideas
into their own songwriting. This peer interaction is especially important for equitable education,
as peer teaching and learning is an accessible way in which students are able to get involved in
the lesson without feeling left out by their peers. Instruction will be provided in another language
if a student is struggling to understand a lesson in English. Students will be learning through a
mix of visual, oral, and auditory methods, so as to satisfy the needs of different types of learners.
School to Home/community connection:
(How can student connect this knowledge to their daily lives, community and/or
enhance their skills as global citizens?)
Students, through participating in this unit, will have a deeper understanding of the music that
influenced the generations preceding them, and vice versa. Students will be able to tie these
lessons into the music they listen to in their everyday lives, learning how music has evolved into
more modern popular music. The music in this unit was popularized by previous generations, so
the students will be able to relate to their community through the knowledge of the origins and
appreciation for these genres.
Activator:
(What activities will the students do in order to activate prior knowledge to
support the new material in this unit?)
Repertoire:
(List all music literature, scores, octavos, videos, recordings etc.)
Students will be listening to recordings of the following songs in each of the following genres:
R&B
● “Blue Monday” by Fats Domino
● “Only You (And You Alone) by The Platters
● “I Got A Woman” by Ray Charles
● “Johnny B. Goode” by Chuck Berry
● “Lucille” by Little Richard
● “Hound Dog” by Big Mama Thornton
Rock ‘n roll
● “Ain’t That A Shame” by Fats Domino
● “Believe What You Say” by Ricky Nelson
● “Great Balls of Fire” by Jerry Lee Lewis
● “Rock Around the Clock” by Bill Haley & His Comets
● “That’ll Be The Day” by Buddy Holly & The Crickets
● “Tutti Frutti” by Little Richard
● “Tutti Frutti” by Elvis Presley
Surf Rock
● “Surfin’ USA” by The Beach Boys
● “Movin’ and Groovin’” by Duane Eddy
● “Let’s Go Trippin’” by Dick Dale
Motown
● “You’ve Really Got A Hold On Me” by The Temptations
● “Heard It Through The Grapevine” by Marvin Gaye
● “You Can’t Hurry Love” by The Supremes
● “Never Can Say Goodbye” by The Jackson 5
Materials Needed:
(List all materials necessary for this unit, including paper, pencils, instruments,
audio visual, digital equipment etc.)
● Laptop
○ Speakers
○ Access to YouTube/Spotify
○ PowerPoint presentations for each lesson
● Whiteboard and markers
● 2-3 small whiteboards and markers
● Printed worksheets for each student for each lesson
● Printed homework sheets for each student to be given out every week
For final assessment songwriting activity, students should have access to the following if they
decide to not use a backing track:
● Guitar (electric)
○ amplifier
● Bass (electric)
○ amplifier
● Drum set
● Microphones with stands (2-3)
● Music stands
Lesson Outlines
(number the lessons in order and add as many as needed)
Behavioral Objective
Assessment/Evaluation (proposed)
Prior Knowledge and activator (proposed)
Lesson content (bullet points)
2. Assessment: There will not be a formal assessment for this lesson. Instead, the teacher
will collect the previous week’s homework assignment to be graded and given feedback.
This lesson is part of the foundational knowledge necessary to complete the unit project
assigned towards the end of the unit.
The National Standards that will be satisfied in this lesson are as follows:
MU:Cn10.0.H.5a, MU:Cn11.0.T.5a, MU:Pr4.3.H.8a, MU:Re7.1.H.IIIa, MU:Re7.2.H.IIIa,
MU:Re8.1.H.IIa, MU:Re9.1.H.IIa, MU:Cn10.0.H.IIIa, and MU:Cr1.1.C.Ia.
The MA Arts Frameworks that will be satisfied in this lesson are as follows: N.M.R.07,
N.M.R.08, N.M.Co.10, N.M.Co.11, AG.M.R.07, AG.M.R.08, AG.M.Co.10, and
AG.M.Co.11.
4. Context for the lesson: This lesson will take place following units on jazz, ragtime, and
traditional folk songs. Students should feel comfortable with the material taught in
previous units, as it is all foundational for this unit on early R&B and rock ‘n roll. This
will be the first lesson in this unit, so the knowledge in this lesson will be foundational
for the rest of the unit.
5. Required prior knowledge/skills: This will be the first lesson of this unit, following a unit
on jazz. Students will be familiar with the characteristics of all genres in past units, such
as instrumentation, lyrical content, song form, average tempo, etc of each individual
genre. In previous units, the students would have learned about the history of jazz,
ragtime, country, and folk music.
6. Review and Scaffolding: Students will be asked to explain some of the characteristics of
jazz in their own words, then the whole class will discuss. This will give students a
reminder of where in music history the class is in terms of chronology. Teacher will give
feedback on student responses, as well as remind students of any important aspects of the
genre they might have left out of the review.
The required materials and equipment for this lesson are as follows: Laptop with access
to powerpoint/music player, speakers, worksheets for each student, whiteboard with
markers, 2-3 small whiteboards with markers.
3. Students will take notes regarding 3. Teacher will explain content in the
early R&B characteristics powerpoint, answering any questions
(instrumentation, lyrical content, students may have. Teacher will walk
song form, and tempo): around the room and make sure each
worksheets will have both student is filling in the right information
fill-in-the-blank spaces to take on the worksheets
notes, as well as short answer
spaces to ensure understanding.
The information the students will
be taking notes on will be provided
through the powerpoint, as well as
the teacher’s lecture.
4. Students will listen to 4 examples 4. Teacher will walk around the room and
of R&B songs (“Blue Monday” by check in on each students’ responses on
Fats Domino, “I Got A Woman” their worksheets, as well as check in with
by Ray Charles, “Lucille” by Little each student to make sure everything up
Richard, and “Johnny B. Goode” to this point in the lesson makes sense to
by Chuck Berry): on their them (if not, teacher will work with the
worksheets, students will make student, provide explanation, then
observations about encourage the next learning activity,
instrumentation, song form, and which will be partner discussion so that
lyrical content. They will also they can hear someone else’s perspective.
reflect about how the song makes
them feel, whether or not they like
it and why, and tie in cultural
context to the significance of the
piece.
5. In between each song, students 5. Teacher will walk around to each group
will turn and talk to their and ask to hear at least one thing they
neighbors and share their discussed in order to check for
observations and reflections with comprehension.
each other in order to gain multiple
perspectives
7. Students will play a Kahoot based 7. Teacher will facilitate the game,
on the material they have learned, checking for correct answers and tallying
discussed, and taken notes on. the points for both teams. Teacher will
Students will be encouraged to also observe whether or not the students
play the game without using their feel the need to reference their notes to
notes, but are welcome to use their answer questions during the game.
notes for reference if they find
they are struggling.
E. Secondary/alternative plans:
If technology should be an issue, most of this lesson can be adapted to be written on the board
instead. The materials will be posted on the class website, so students will have access to the
powerpoint in case this were to happen. Since the students will be required to have devices for
this lesson, the listening portions of the lesson could be completed individually or in small
groups. If classroom management should become an issue during the team game, the students
will transition into independent work, which would entail starting their homework assignment
that will be due at the start of the following class. If there should be an issue with the Kahoot, the
game can be easily adapted to a whiteboard-style game.
2. Assessment: There will not be a formal assessment for this lesson. Instead, the teacher
will collect the previous week’s homework assignment to be graded and given feedback.
This lesson is part of the foundational knowledge necessary to complete the unit project
assigned towards the end of the unit.
The National Standards that will be satisfied in this lesson are as follows:
MU:Cn10.0.H.5a, MU:Cn11.0.T.5a, MU:Pr4.3.H.8a, MU:Re7.1.H.IIIa, MU:Re7.2.H.IIIa,
MU:Re8.1.H.IIa, MU:Re9.1.H.IIa, MU:Cn10.0.H.IIIa, and MU:Cr1.1.C.Ia.
The MA Arts Frameworks that will be satisfied in this lesson are as follows: N.M.R.07,
N.M.R.08, N.M.Co.10, N.M.Co.11, AG.M.R.07, AG.M.R.08, AG.M.Co.10, and
AG.M.Co.11.
4. Context for the lesson: This lesson will take place following units on jazz, ragtime, and
traditional folk songs. The first lesson in this unit would have been on R&B cultural
context and characteristics. This lesson will directly follow and reference content learned
in the previous R&B lesson.
5. Required prior knowledge/skills: This will be the second lesson of this unit, following a
lesson on R&B. Students will be familiar with the characteristics of R&B, such as
instrumentation, lyrical content, song form, average tempo, etc. In previous units, the
students would have learned about the history of jazz, ragtime, and traditional folk music.
6. Review and Scaffolding: Powerpoint will include a brief overview of topics discussed in
the previous lesson. Students will be asked to explain some of the characteristics of R&B
in their own words, then the whole class will discuss. Teacher will give feedback on
student responses, as well as remind students of any important aspects of the genre they
might have left out of the review.
The required materials and equipment for this lesson are as follows: Laptop with access
to powerpoint/music player, speakers, worksheets for each student, whiteboard with
markers, 2-3 small whiteboards with markers.
The repertoire used in this lesson will be as follows: “Ain’t That A Shame” by Fats
Domino, “Believe What You Say” by Ricky Nelson, “Great Balls of Fire” by Jerry Lee
Lewis, “Rock Around the Clock” by Bill Haley & His Comets, “That’ll Be The Day” by
Buddy Holly & The Crickets, “Tutti Frutti” by Little Richard, and “Tutti Frutti” by Elvis
Presley.
3. Students will take notes regarding 3. Teacher will explain content in the
rock characteristics powerpoint, answering any questions
(instrumentation, lyrical content, students may have. Teacher will walk
song form, and tempo): around the room and make sure each
worksheets will have both student is filling in the right information
fill-in-the-blank spaces to take on the worksheets
notes, as well as short answer
spaces to ensure understanding.
The information the students will
be taking notes on will be provided
through the powerpoint, as well as
the teacher’s lecture.
4. Students will listen to 3 examples 4. Teacher will walk around the room and
of rock songs from the 1950s era: check in on each students’ responses on
on their worksheets, students will their worksheets, as well as check in with
make observations about each student to make sure everything up
instrumentation, song form, and to this point in the lesson makes sense to
lyrical content. They will also them (if not, teacher will work with the
reflect about how the song makes student, provide explanation, then
them feel, whether or not they like encourage the next learning activity,
it and why, and tie in cultural which will be partner discussion so that
context to the significance of the they can hear someone else’s perspective.
piece.
5. In between each song, students 5. Teacher will walk around to each group
will turn and talk to their and ask to hear at least one thing they
neighbors and share their discussed in order to check for
observations and reflections with comprehension.
each other in order to gain multiple
perspectives
8. Students will turn and talk to their 8. Teacher will walk around to each group
neighbors about why categorizing and ask to hear about one thing each
these songs in two different genres group discussed in order to check for
is culturally significant, as well as understanding and cultural connection
what they thought about the songs
(i.e. liked/didn’t like). Student
pairs will then share their thoughts
with the class
9. Students will play a team game 9. Teacher will facilitate the game,
using whiteboards: students will be checking for correct answers and tallying
broken up into teams and be tasked the points for both teams
with answering questions about
rock characteristics on their
whiteboards for points
E. Secondary/alternative plans:
If technology should be an issue, most of this lesson can be adapted to be written on the board
instead. The materials will be posted on the class website, so students will have access to the
powerpoint in case this were to happen. Assuming students have devices with them, the listening
portions of the lesson could be completed individually or in small groups. If classroom
management should become an issue during the team game, the students will transition into
independent work, which would entail starting their homework assignment that will be due at the
start of the following class.
Lesson #3: Subgenres of R&B and Rock ‘N Roll (Note: depending on student
comprehension and learning pace, this lesson might be better split into two
lessons)
Behavioral Objective
Students will be able to successfully identify the characteristics of R&B and rock ‘n roll
subgenres (psychedelic rock, surf rock, British Invasion rock, and Motown) by means of guided
listening activities and games to reinforce comprehension.
Assessment/Evaluation (proposed)
This lesson will not have a formal assessment, besides the collection of the previous week’s
homework assignment at the start of class. Instead, at the end of the lesson, students will be split
into groups and asked to complete a Venn diagram, mapping out the similarities and differences
of each subgenre of R&B and rock ‘n roll.
Lesson 4: Final Composition Project (Note: this will be the first of 2 classes in
which students will be able to work on this project)
Behavioral Objective
Students will be able to rehearse and perform an early R&B or rock ‘n roll song based on their
understanding of the genres’ characteristics and historical context.
Students will be able to compose an original piece in groups utilizing the characteristics of a
genre of their choosing from this unit while simultaneously being able to recognize the historical
context of the genre.
Assessment/Evaluation (proposed)
This will be the culminating project of the unit, as the students will be applying the information
they have learned regarding the characteristics and cultural context of the genres they have
studied in this class. This project will consist of the class being split into groups, in which
students will write an original piece in the style of one of the genres they have learned about
during this unit. They will write and perform their songs at the end of the next lesson. Also due
at the end of the following lesson will be their reflection on their writing process, understanding
of the characteristics of the genre, and how they believe their piece aligns with the cultural
context. Students will be given a rubric so that they are aware of the expectations for this project.
Behavioral Objective
Students will be able to rehearse and perform an early R&B or rock ‘n roll song based on their
understanding of the genres’ characteristics and historical context.
Students will be able to compose an original piece in groups utilizing the characteristics of a
genre of their choosing from this unit while simultaneously being able to recognize the historical
context of the genre.
Assessment/Evaluation (proposed)
This will be the culminating project of the unit, as the students will be applying the information
they have learned regarding the characteristics and cultural context of the genres they have
studied in this class. This project will consist of the class being split into groups, in which
students will write an original piece in the style of one of the genres they have learned about
during this unit. These songs will be performed at the end of this lesson. Also due at the end of
this class will be their reflection on their writing process, understanding of the characteristics of
the genre, and how they believe their piece aligns with the cultural context. Students will be
given a rubric so that they are aware of the expectations for this project.