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12 Sedgwick
12 Sedgwick
homosexual bonds, and, on the other hand, the radically discontinuous rela-
tion of male homosocial and homosexual bonds. The example of the Greeks
(and of other, tribal cultures, such as the New Guinea “Sambia” studied by
G. H. Herdt7) shows, in addition, that the structure of homosocial contin-
uums is culturally contingent, not an innate feature of either “maleness” or
“femaleness.” Indeed, closely tied though it obviously is to questions of male
vs. female power, the explanation will require a more exact mode of historical
categorization than “patriarchy,” as well, since patriarchal power structures
(in Hartmann’s sense) characterize both Athenian and American societies.
Nevertheless, we may take as an explicit axiom that the historically differen-
tial shapes of male and female homosociality— much as they themselves may
vary over time— will always be articulations and mechanisms of the enduring
inequality of power between women and men.
Why should the different shapes of the homosocial continuum be an
interesting question? Why should it be a literary question? Its importance
for the practical politics of the gay movement as a minority rights move-
ment is already obvious from the recent history of strategic and philosophi-
cal differences between lesbians and gay men. In addition, it is theoretically
interesting partly as a way of approaching a larger question of “sexual poli-
tics”: What does it mean— what difference does it make— when a social or
political relationship is sexualized? If the relation of homosocial to homo-
sexual bonds is so shifty, then what theoretical framework do we have for
drawing any links between sexual and power relationships?
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1985
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a x io m 2 : th e s t u d y o f s e x u a l i t y is n o t c o e x t e n s i v e w i t h t h e
S T U D Y O F G E N D E R ; C O R R E S P O N D I N G L Y , A N T IH O M O P H O B IC IN Q U IR Y
IS N O T C O E X T E N S IV E W IT H F E M I N I S T IN Q U IR Y . B U T W E C A N ’T K N O W
IN A D VA N C E H O W T H E Y W I L L B E D I F F E R E N T .
Sex, gender, sexuality: three terms whose usage relations and analytical rela-
tions are almost irremediably slippery. The charting of a space between
something called “sex” and something called “gender” has been one of the
most influential and successful undertakings of feminist thought. For the
purposes of that undertaking, “sex” has had the meaning of a certain group
of irreducible, biological differentiations between members of the species
Homo sapiens who have XX and those who have XY chromosomes. These
include (or are ordinarily thought to include) more or less marked dimor-
phisms of genital formation, hair growth (in populations that have body hair),
7. A m erican anthropologist (b. 1949), author of G uardians o f the Flute: Idioms o f Masculinity (1981)
[editor’s note].
2284 / Eve K o s o f s k y S e d g w i c k
1. Gayle Rubin, “The Traffic in W omen: Notes [except as indicated, all notes are Sedgw ick’s],
toward a ‘Political Economy’ o f Sex,” in Toward an ( b . 1949), American anthropologist and
[r u b i n
Anthropology o f W omen , ed. Rayna Reiter (New queer theorist— editor’s note.]
York: Monthly Review Press, 1975), pp. 1 57 -2 10
E pis t e m o l o g y o f t h e C l o s e t / 2285
Biological Cultural
Essential Constructed
Individually immanent Relational
Constructivist Fem inist Analysis
chromosomal sex gender
gender inequality
R adical Feminist Analysis
chromosomal sex
reproductive relations reproductive relations
sexual inequality sexual inequality
Foucault-influenced Analysis
chromosomal sex reproduction sexuality
“sex” in the sense of “the space of differences between male and female” (what
I’ll be grouping under “gender”) and “sex” in the sense of sexuality.
For meanwhile the whole realm of what modern culture refers to as “sexu-
ality” and also calls “sex”— the array of acts, expectations, narratives, plea-
sures, identity-formations, and knowledges, in both women and men, that
tends to cluster most densely around certain genital sensations but is not
adequately defined by them— that realm is virtually impossible to situate on
a map delimited by the feminist-defined sex/gender distinction. To the degree
that it has a center or starting point in certain physical sites, acts, and
rhythms associated (however contingently) with procreation or the potential
for it, “sexuality” in this sense may seem to be of a piece with “chromosomal
sex”: biologically necessary to species survival, tending toward the individu-
ally immanent, the socially immutable, the given. But to the extent that, as
Freud argued and Foucault2 assumed, the distinctively sexual nature of
human sexuality has to do precisely with its excess over or potential differ-
ence from the bare choreographies of procreation, “sexuality” might be the
very opposite of what we originally referred to as (chromosomal-based) sex: it
could occupy, instead, even more than “gender” the polar position of the rela-
tional, the social/symbolic, the constructed, the variable, the representa-
tional (see Figure 1). To note that, according to these different findings,
something legitimately called sex or sexuality is all over the experiential and
conceptual map is to record a problem less resolvable than a necessary choice
of analytic paradigms or a determinate slippage of semantic meaning; it is
rather, I would say, true to quite a range of contemporary worldviews and
intuitions to find that sex/sexuality does tend to represent the full spectrum
of positions between the most intimate and the most social, the most prede-
termined and the most aleatory, the most physically rooted and the most
symbolically infused, the most innate and the most learned, the most autono-
mous and the most relational traits of being.
If all this is true of the definitional nexus between sex and sexuality, how
much less simple, even, must be that between sexuality and gender. It will
be an assumption of this study that there is always at least the potential for
an analytic distance between gender and sexuality, even if particular mani-
festations or features of particular sexualities are among the things that
plunge women and men most ineluctably into the discursive, institutional,
and bodily enmeshments of gender definition, gender relation, and gender
inequality. This, too, has been posed by Gayle Rubin:
1 want to challenge the assumption that feminism is or should be the
privileged site of a theory of sexuality. Feminism is the theory of gender
oppression. . . . Gender affects the operation of the sexual system, and
the sexual system has had gender-specific manifestations. But although
sex and gender are related, they are not the same thing.3
This book will hypothesize, with Rubin, that the question of gender and the
question of sexuality, inextricable from one another though they are in that
each can be expressed only in the terms of the other, are nonetheless not the
same question, that in twentieth-century Western culture gender and sexual-
ity represent two analytic axes that may productively be imagined as being
as distinct from one another as, say, gender and class, or class and race.
Distinct, that is to say, no more than minimally, but nonetheless usefully.
Under this hypothesis, then, just as one has learned to assume that every
issue of racial meaning must be embodied through the specificity of a particu-
lar class position— and every issue of class, for instance, through the specificity
of a particular gender position— so every issue of gender would necessarily
be embodied through the specifity of a particular sexuality, and vice versa;
but nonetheless there could be use in keeping the analytic axes distinct.
An objection to this analogy might be that gender is definitionally built into
determinations of sexuality, in a way that neither of them is definitionally
intertwined with, for instance, determinations of class or race. It is certainly
true that without a concept of gender there could be, quite simply, no concept
of homo- or heterosexuality. But many other dimensions of sexual choice
(auto- or alloerotic,4 within or between generations, species, etc.) have no
such distinctive, explicit definitional connection with gender; indeed, some
dimensions of sexuality might be tied, not to gender, but instead to differ-
ences or similarities of race or class. The definitional narrowing-down in this
century of sexuality as a whole to a binarized calculus of hom o- or hetero-
sexuality is a weighty fact but an entirely historical one. To use that fait
accompli as a reason for analytically conflating sexuality per se with gender
would obscure the degree to which the fact itself requires explanation. It
would also, I think, risk obscuring yet again the extreme intimacy with which
all these available analytic axes do after all mutually constitute one another:
to assume the distinctiveness of the intimacy between sexuality and gender
might well risk assuming too much about the definitional separability of
either of them from determinations of, say, class or race.
3. Gayle Rubin, “Thinking Sex: Notes for a Radi- above— editor’s note.]
cal Theory of the Politics of Sexuality,” in Plea- 4. Based in eroticism focused on the other. “Auto-
sure and Danger: Exploring Fem ale Sexuality, ed. erotic”: based in eroticism focused on the self
Carole S. Vance (Boston: Routledge & Kegan [editor’s note].
Paul, 1984), pp. 3 0 7 - 8 . [For this essay, see
E pis t e m o l o g y of t h e C l o s e t / 2287
5. A term used to described social bonds between cal Sign: Contests for M eaning and the US Wom-
persons of d ifferent genders, by analogy with en’s Movement, 1968—1972,” Communication 9
hom osocial, the notion Sedgw ick explores in (1986): 6 5—91, special issue, “Fem inist Critiques
Between Men (1985; see above) [editor’s note]. of Popular Culture,” ed. Paula A. Treichler and
6 . D istinctive; serving as a distingu ishing fea- Ellen W artella; and Teresa de Lauretis, “Sexual
ture [editor’s note]. Indifference and Lesbian Representation,” T he-
7. For valuable related discussions, see Katie King, atre Journal 4 0 (May 1988): 155-77.
“The Situation o f Lesbianism as Fem inism’s M agi-
2288 / Eve Ko s o f s k y S e d g w ic k
8 . Gay m ale-centered work that uses more com - York: Vintage, 1973). On the intersections of
plex models to investigate the intersection of dif- racial with gender and sexual oppressions, see, for
ferent oppressions includes Gay L eft Collective, example, Elly Bulkin, Barbara Smith, and M innie
eds., Homosexuality: Power and Politics (London: Bruce Pratt, Yours in Struggle: Three Feminist
Allison & Busby, 1980); Paul Hoch, W hite Hero Perspectives on Anti-Semitism and Racism (New
B lack Beast: Racism, Sexism, and the Mask o f York: Long Haul Press, 1984); b e l l h o o k s [Gloria
Masculinity (London: Pluto, 1979); Guy Hoc- Watkins], Feminist Theory: From Margin to C en-
quenghem, Homosexual Desire, trans. Daniella ter (Boston: South End Press, 1984); Katie King,
Dangoor (London: Allison & Busby, 1978); Mario “Audre Lorde’s Lacquered Layerings: Th e L es-
M ieli, Homosexuality and Liberation: Elements o f bian Bar as a Site of Literary Production,” Cid-
a Gay Critique, trans. David Fernbach (London: tural Studies 2, no. 3 (1988): 3 2 1 -4 2 ; Audre
Gay M en’s Press, 1980); D. A. Miller, The Novel Lorde, Sister Outsider: Essays and Speeches (Tru-
and the Police (Berkeley: University o f California mansburg, N.Y.: Crossing Press, 1984); Cherrfe
Press, 1988); M ichael Moon, ‘“The G entle Boy Moraga, Loving in the War Years: Lo que nunca
from the Dangerous C lasses’: Pederasty, Domes- paso por sus lahios (Boston: South End Press,
ticity, and Capitalism in Horatio Alger,” Represen- 1938); Cherrie Moraga and g l o r i a a n z a l d u a ,
tations, no. 19 (summer 1987): 87—110; M ichael eds., This Bridge Called My Back: Writings by
Moon, Disseminating W hitman (Cambridge: Har- Radical Women o f C olor (W atertown: Perse-
vard University Press, 1990); and Jeffrey Weeks, phone, 1981; rpt. ed., New York: Kitchen Table,
Sexuality and Its Discontents: Meanings, Myths, Women of Color Press, 1983); and Barbara Smith,
and Modern Sexualities (London: Longman, ed., Home Girls: A B lack Feminist Anthology (New
1980). York: Kitchen Table, Women o f Color Press,
9. Explanatory, serving as an aid to problem solv- 1983). Good overviews of several of these inter-
ing [editor’s note]. sections as they relate to women and in particular
1. The influential socialist-fem inist investigations to lesbians, can be found in Ann Snitow, C hris-
have included Michfele B arrett, W om en’s Oppres- tine Stansell, and Sharon Thompson, eds., The
sion Today: Problems in Marxist Feminist Analysis Powers o f Desire: The Politics o f Sexuality (New
(London: Verso, 1980); Zillah Eisenstein, ed., York: Monthly Review/New Fem inist Library,
Capitalist Patriarchy and the Case fo r Socialist 1983); Vance, Pleasure and Danger-, and de Laure-
Feminism (New York: M onthly Review Press, tis, “Sexual Indifference.”
1979); and Ju liet M itchell, W omen’s Estate (New
E p i s t e m o l o g y o f t h e C l o s e t / 2289
2. T his list owes som ething to Rubin, “Th inkin g S ex,” esp. pp. 2 8 1 - 8 2 .
2290 / H a m i d D a b a s h i
the exact border between legal and illegal. What I mean at any rate to empha-
size is that the implicit condensation of “sexual theory” into “gay/lesbian and
antihomophobic theory,” which corresponds roughly to our by now unques-
tioned reading of the phrase “sexual orientation” to mean “gender of object-
choice,” is at the very least damagingly skewed by the specificity of its
historical placement.
* « *
1990
HAMID DABASHI
b. 1 9 5 1
Hamid Dabashi is a literary historian and cultural critic who both criticizes and
reconfigures contemporary postcolonial theory. He does so by focusing on the
changing geographical and historical fortunes of Persian literature over a tumultu-
ous fourteen-century span during which empires and forms of imperialism rose and
fell while borders expanded and contracted. From its earliest days, Persian litera-
ture was— and remains— transnational, multiethnic, cosmopolitan, and resistant.
Viewed historically, the human subject position of the Persian-language writer is
characterized not by ethnic or national sovereignty but by fluidity, which leads to a
distinctive and supple literary humanism. The comparatively recent arrivals in cen-
tral Asia of modern European imperialism, Orientalism, and nationalism at present
distort the contours of Persian culture. Dabashi argues, “Because it emerged and
thrived in multiple and multinational empires, Persian literary humanism does not
exclusively belong to any single, contemporary, postcolonial nation-state. Afghani-
stan, India, Iran, Pakistan, Tajikistan, and any number of other central Asian states
have identical claim on its long and meandering history— and rightly so.”
Dabashi was born in Ahvaz, a city in southwest Iran in the oil-rich province of
Khuzestan. After graduating from college in Tehran, he moved to the United States
to complete his graduate studies, and in 1984 he received a dual doctoral degree in
sociology of culture and Islamic studies from the University of Pennsylvania. His
dissertation, which he completed under the guidance of the Freudian cultural critic
Philip Rieff, examined Max Weber s theory of charismatic authority. Today Dabashi
is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at
Columbia University, and his interests and expertise span areas as diverse as
Islamism, politics, cinema, the performing arts, and literature. As a social activist,
he has supported progressive and reform movements in the Middle East and has
written extensive commentaries on them.
Dabashi has published two dozen books on a variety of subjects, including reli-
gion, history, cinema, and social criticism. Our selection comes from his book The
World o f Persian Literary Humanism (2012), in which he recasts the classical Per-
sian tradition known as adah, a word that combines literature and etiquette, as
Persian literary humanism. According to Dabashi, this humanism was “a normative
and moral space consistently cultivated within an imperial imaginary rather than a
mere ethnic uprising replicating Arab tribalism.” By explicitly avoiding the usual
Persian/Arabic dualism, this formulation enables us to observe a literature facing
numerous challenges over time, independent of any cultural confinements such as
Arab domination. Dabashi traces the epochs of Persian literature as it transforms