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Good Person of Setzuan
Good Person of Setzuan
2K21/EN/40
The Modern era essentially demands a self-imposed binary out of a ‘good person’ for
them to survive. Do you agree? Give reasoned arguments for your answer with
Modernism was a period of great cultural and intellectual upheaval that began at the turn of
the twentieth century. This age saw a significant departure from the traditional norms and
moral certainties that had dominated Western thought for millennia. Scientific advancements
challenged religious doctrine, while the atrocities of World War I undermined the myth of
progress and human goodness. Against this foundation, playwrights such as Bertolt Brecht
struggled with the complications of finding "goodness" in a fractured and disillusioned world.
His play, "The Good Person of Szechwan," is a strong critique of traditional morality,
Epic Theatre. Epic Theatre aimed to distance the audience from emotional involvement and
encourage critical reflection. Brecht achieved this through techniques like breaking the
fourth wall and employing songs with pointed social commentary. In "The Good Person of
Szechwan," Brecht used these approaches to highlight the limitations of traditional morality
The play introduces Shen Te, a prostitute with an unshakeable commitment to helping others.
Her inherent goodness is evident in her willingness to sacrifice her own well-being for others
in need. She readily offers shelter to the unemployed men and allows Mrs. Mi Tzu to exploit
her generosity. She offers Mrs. Mi Tzu money for rent and even lets her stay in the shop,
even though it creates a financial constraint. However, Shen Te's kindness and benevolence
becomes unsustainable. The men view her solely as a source of financial support, and Mrs.
Mi Tzu manipulates her kindness for personal gain. This relentless exploitation pushes Shen
Driven by desperation, Shen Te adopts a male persona, Shui Ta, to protect herself and her
prioritises self-preservation. He establishes strict rules, demands repayment from those who
borrowed from Shen Te, and even profits from the very men who were initially dependent on
her generosity. While morally questionable, Shui Ta's actions allow Shen Te to survive and
The play thus problematizes the traditional binary of "good" versus "bad." Shen Te's struggle
highlights the difficulties of maintaining pure goodness in a world that thrives on
self-interest. The very act of survival requires a degree of rationality that clashes with the
traditional notions of morality. Brecht further emphasises this point through the play's
economic setting. The capitalist system within the play discourages acts of pure selflessness.
Shen Te's attempts to run a tobacco shop charitably lead to its financial ruin. The emphasis
on profit and personal gain leaves little room for acts of pure generosity. This critique
resonates with the disillusionment with capitalism that emerged during the Modern period.
Many Modernist writers, including Brecht, viewed capitalism as a system that fostered social
However, "The Good Person of Szechwan" doesn't simply present a bleak outlook on the
possibility of goodness in the modern world. The play's ending leaves the audience grappling
with a question: can Shen Te reconcile the conflicting aspects of her personality – the
kindness of Shen Te and the pragmatism of Shui Ta? This open-endedness suggests that
navigating morality in the modern world might require a more nuanced approach. The play
This concept aligns with the broader exploration of morality within the context of
Modernism. Many Modernist writers, disillusioned with traditional moral codes, sought to
explore the complexities of human behaviour. They recognized the influence of social,
economic, and psychological factors on individuals' actions, questioning the very notion of a
universal moral compass. In "The Good Person of Szechwan," Brecht echoes this sentiment.
Shen Te's behaviour is shaped not only by her inherent goodness but also by the harsh
realities of her economic situation. The play suggests that "goodness" in the modern world is
Furthermore, the modern era, while presenting challenges to traditional morality, has also
given rise to new avenues for fostering a sense of social responsibility and collective good.
Concepts of social justice, human rights, and environmental consciousness have gained
significant traction in recent decades. These advancements suggest an ongoing human effort
to define and strive for a more equitable and humane world, albeit in a nuanced and evolving
way.
In conclusion, Bertolt Brecht's "The Good Person of Szechwan" offers a compelling
challenges the notion of a singular "good person" and highlights the difficulties of
present a dystopian view. The ending leaves room for a more nuanced understanding of
morality, suggesting that adaptation and pragmatism might be necessary while striving for
being a good human being. This aligns with the broader exploration of ethics within
Modernism, which emphasises the fluidity of "goodness." While the modern world presents
challenges to traditional morality, it also offers new avenues for social responsibility and
reminder that the concept of "goodness" is constantly evolving alongside the complexities of
the human experience. Brecht encourages us to engage in critical reflection on what it means
to be "good" in a world that demands constant negotiation between our ideals and the