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Business Process Modeling,
Simulation and Design
Third Edition
Textbooks in Mathematics
Series editors
Al Boggess and Ken Rosen
By
Manuel Laguna
Johan Marklund
CRC Press
Taylor & Francis Group
6000 Broken Sound Parkway NW, Suite 300
Boca Raton, FL 33487-2742
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Preface............................................................................................................................................ xiii
v
vi Content
7 Introduction to Simulation................................................................................................257
7.1 Simulation Models..................................................................................................... 259
7.2 Monte Carlo Simulation............................................................................................ 261
7.3 Discrete-Event Simulation........................................................................................ 265
7.4 Getting Started in Simulation Modeling................................................................ 267
7.4.1 Step 1: Defining the Problem....................................................................... 267
7.4.2 Step 2: Understanding the Process............................................................. 268
7.4.3 Step 3: Determining Goals and Objective................................................. 269
7.4.4 Step 4: Obtaining Support from Management......................................... 269
7.4.5 Step 5: Choosing Simulation Software...................................................... 270
7.4.6 Step 6: Determining Data Requirements and Availability..................... 270
7.4.7 Step 7: Developing Assumptions about the Problem.............................. 271
7.4.8 Step 8: Determining Desired Outputs....................................................... 271
7.4.9 Step 9: Building the Simulation Model...................................................... 271
7.4.10 Step 10: Project Kickoff................................................................................. 272
7.5 An Illustrative Example............................................................................................ 272
7.6 Spreadsheet Simulation of a Process....................................................................... 279
7.7 Successful Simulation in Practice............................................................................ 281
7.8 When Not to Simulate...............................................................................................284
7.9 Summary..................................................................................................................... 287
Discussion Questions and Exercises.................................................................................. 287
References.............................................................................................................................. 292
Content ix
As the title suggests, this book is about analytical business process modeling and design.
It is the result of several years of teaching undergraduate and graduate process design
and simulation courses to business students at the Leeds School of Business (University of
Colorado Boulder) and engineering students at the Department of Industrial Management
and Logistics (Lund University). The main motivation for writing this textbook stems from
our struggle to find a book that approaches business process design from a broad, quan-
titative modeling perspective. The main objective of this book is thus to provide students
with a comprehensive understanding of the multitude of analytical tools that can be used
to model, analyze, understand, and ultimately design business processes. We believe that
the most flexible and powerful of these tools, although not always the most appropriate, is
discrete-event simulation.
The wide range of approaches covered in this book include graphical flowcharting
tools, deterministic models for cycle time analysis and capacity decisions, and analytical
queuing methods, as well as data mining. What distinguishes this textbook from general
operations management books, most of which cover many of the same topics, is its focus
on business processes as opposed to just manufacturing processes or general operations
management problems, and its emphasis on simulation modeling using state-of-the-art
commercial simulation software. Essentially, Business Process Modeling, Simulation and
Design can be thought of as a hybrid between traditional books on process management,
operations management, and simulation. Although it would be desirable for all students
in operations management to take several courses in each of these topics, the reality is that
few business school curricula today allow that. In our experience, simulation especially
tends to be shoved to the side simply because it is perceived to be too technical. However,
our firm belief, manifested by our writing of this book, is that this need not and should
not be the case. The rapid development of user-friendly simulation software with graphi-
cal interfaces has made the use of simulation accessible even to those lacking computer
programming skills, and it provides a great medium for illustrating and understanding
the implications of capacity restrictions and random variation for process performance.
Furthermore, the growing interest in simulation-based tools in industry suggests that an
understanding of simulation modeling, its potential as well as its limitations for analyzing
and designing processes, is of key importance to students looking for a future career in
operations management.
Before proceeding with a discussion of how we picture this book being used, it is worth-
while to summarize what the book is not. It is not a traditional, qualitatively oriented
book on process management, although we address these important issues throughout
the book. It is not a traditional book on operations management, although it covers some
of the traditional tools found in most operations management books. Furthermore, it is not
a traditional book on simulation, although discrete-event simulation is used extensively.
It is a book that attempts to bring these topics together by placing an analytical modeling
perspective on process design and particularly emphasizing the power of simulation mod-
eling as a vehicle for analyzing and designing business processes.
This textbook is ideal for a one-semester undergraduate or MBA course within an
operations management business school curriculum. The MBA course typically would
cover some of the more advanced topics in greater depth, such as process analytics
xiii
xiv Preface
(which does not require that students have some previous exposure to linear program-
ming, but it is helpful), simulation optimization, and queuing. The MBA course also
could include a more involved simulation project. In addition, we envision this book
being used for an undergraduate course in industrial engineering or within an engi-
neering management program.
In terms of requirements, the textbook assumes that students have taken a basic
course in business statistics. However, if students have been exposed to a basic course
in operations management and have some prior knowledge of quantitative techniques,
this gives an additional opportunity to explore some of the topics covered in this text-
book in more detail. In terms of how to cover the material, we recommend following
the chapter sequence.
The text is organized as follows.
• Chapter 1 sets the stage by defining what we mean by a business process and
business process design. It also points to the importance of these issues for overall
business performance and the organization’s strategic positioning.
• Chapter 2 explains some fundamental principles for successful process manage-
ment and also takes a closer look at two of the more influential, process-oriented
improvement programs in recent years: Six Sigma and business process reen-
gineering. The rationale is that although the focus of the book is on analyti-
cal modeling and design rather than implementation and change management,
even the best possible design is of little use if it is not implemented and managed
properly.
• Chapter 3 presents a methodology for business process design projects. The
approach identifies a number of steps or issues that typically need to be dealt
with during a process design project from initialization to implementation. The
approach can be seen as a roadmap to the remainder of the book in the sense that
the tools and methods discussed in the following chapters can be used to address
some of the specified issues.
• Chapter 4 deals with a range of basic tools for analyzing and designing processes
that display limited variability in demand and activity times (i.e., deterministic
as opposed to stochastic models). The first part of the chapter discusses several
graphical tools for charting and describing processes. These tools are particularly
useful for understanding existing processes. The second part of the chapter inves-
tigates seven fundamental process design principles and associated methods of
analysis.
• Chapter 5 focuses on how to manage process flows, particularly with regard to
cycle time and capacity analysis. As in Chapter 4, we consider only deterministic
situations with perfect information regarding demand, resource availability, and
activity times.
• Chapter 6 introduces queuing as a means for explicitly incorporating randomness
and variability into the process analysis. The chapter discusses queuing strategies,
properties of the exponential distribution, the Poisson process, traditional birth-
and-death processes, and the corresponding queuing models including single and
multiple servers with and without restrictions on the queuing population and/
or the queue lengths. A discussion of waiting/shortage costs and applications to
process design situations is included.
Preface xv
The simulation modeling is done entirely with the ExtendSim software, enabling stu-
dents to work hands-on with models of their own. A potential criticism associated with this
software-integrated approach is that the acquired knowledge may be thought of as being
software dependent. However, our experience is that after initially investing some time
in understanding the software, the main challenge and learning lie in creating abstract
models of processes, a conceptual framework that is software independent. Furthermore,
because the functionality of most modern simulation software is very similar, exposure to
one product promotes a valuable understanding of the potential and limitations of simula-
tion modeling in general.
There are many individuals among our colleagues, families, and friends who have con-
tributed to this book as sources of inspiration, encouragement, and support. Our deepest
gratitude goes to all of you. Others have had a more direct influence on this book, and we
take this opportunity to express our appreciation for their valuable help. Special thanks
go to Dave Krahl at Imagine That Inc., who worked with us on the simulation models.
xvi Preface
We would also like to thank two anonymous reviewers, who provided many valuable
suggestions in shaping this textbook.
Our gratitude also goes to past and present students in the undergraduate and grad-
uate programs at the Leeds School of Business and Lund University, who have helped
shape this book into what it is today. Special thanks go to Marco Better for helping us put
together the instructor’s manual.
And thank you to Bob Ross at Taylor & Francis, who encouraged us to pursue this proj-
ect and provided help and advice along the way, as well as to Jose Soto, Joette Lynch and
Andrew Corrigan, who capably guided our manuscript through production. Thank you
for making this book a reality!
1
Introduction to Business Process Design
1
2 Business Process Modeling, Simulation and Design
define a business as “an organizational entity that deploys resources to provide customers
with desired products or services.” This definition serves our purposes, because it encom-
passes profit-maximizing firms and supply chains, as well as nonprofit organizations and
governmental agencies.
A process is a somewhat more ambiguous concept with different meanings, depend-
ing on the context in which it is used. For example, a biologist or medical doctor refers to
breathing as a life-sustaining process. In mathematics or engineering, the concept of ran-
dom or deterministic processes describes event occurrences. In politics, the importance of
election processes is obvious, in education a key concept is the learning process, and so on.
Merriam Webster’s Dictionary defines process as (i) a natural phenomenon marked by grad-
ual changes that lead to a particular result, (ii) a continuing natural or biological activity
or function, or (iii) a series of actions or operations conducing to an end. The last of these
definitions is of particular interest, as it leads into the traditional high-level definition of a
process used in the operations management literature, illustrated in Figure 1.1: A process
specifies the transformation of inputs to outputs. The transformation can be of many different
forms, but a broad classification into four different types is commonly used:
The simple transformation perspective, illustrated in Figure 1.1, forms the basis for the
so-called process view of an organization. According to this perspective, any organizational
entity or business can be characterized as a process or a network of processes.
The process view makes no assumptions about the types of processes constituting the
organization. However, often, a process is automatically thought of as a manufacturing
or production process. We employ the term business process to emphasize that this book is
not focusing on the analysis and design of manufacturing processes per se, although they
will be an important subset of the entire set of business processes that define an organiza-
tion. Table 1.1 provides some examples of generic processes other than traditional produc-
tion/manufacturing processes that one might expect to find in many businesses. For the
remainder of this book, the terms process and business process will be used interchangeably.
The simple transformation model of a process depicted in Figure 1.1 is a powerful start-
ing point for understanding the importance of business processes. However, for purposes
of detailed analysis and design of the transformation process itself, we need to go further
and look behind the scenes, inside the “black box,” at process types, process hierarchies,
and determinants of process architecture.
FIGURE 1.1
The transformation model of a process.
Introduction to Business Process Design 3
TABLE 1.1
Examples of Generic Business Processes Other Than Traditional Production and
Manufacturing Processes
Accounts payable Inventory management
Accounts receivable Order fulfillment
Admissions (e.g., hospitals and universities) New employee training
Auditing Performance appraisal
Billing Product approval (e.g., pharmaceuticals)
Budget planning Product development
Business planning Purchasing
Client acquisition Receiving
Continuous improvement Shipping
Credit approval Vendor certification
Human resource planning and hiring Warranty and claims processing
CEO
Buying a TV
commercial
FIGURE 1.2
Illustration of individual, vertical, and horizontal processes.
4 Business Process Modeling, Simulation and Design
subprocesses (e.g., in the sales and marketing departments) that receive the order request
by phone, process the request, and place a production order with the operations depart-
ment. The order receiving itself is an activity comprised of the tasks of answering the
phone, talking to the customer, and verifying that all necessary information is available to
process the order. If we assume that the order-receiving activity is performed by a single
employee, this constitutes an example of an individual process.
In terms of process design, cross-functional business processes that are core to the orga-
nization and include a significant amount of nonmanufacturing-related activities often
offer the greatest potential for improvement. Core processes are defined by Cross et al.
(1994) as all the functions and the sequence of activities (regardless of where they reside
in the organization), policies and procedures, and supporting systems required to meet
a marketplace need through a specific strategy. A core process includes all the functions
involved in the development, production, and provision of specific products or services
to particular customers. An underlying reason why cross-functional processes often offer
high improvement potential compared with functional processes in general, and produc-
tion/manufacturing processes in particular, is that they are more difficult to coordinate
and often suffer from suboptimization.* An important reason for this tendency toward
suboptimization is the strong departmental interests inherent in the functional† organiza-
tion’s management structure.
Roberts (1994) provides some additional explanations for the high improvement poten-
tial of cross-functional business processes.
* The term suboptimization refers to situations in which optimizing a subsystem according to its local objectives
leads to an inferior solution for the overall system. For example, a production manager under budgetary pres-
sure might decide not to allow any more overtime. As a consequence, the orders accepted by the sales staff
cannot be met on time, which leads to order cancellations. For profit-maximizing firms, this implies revenue
reductions due to lost sales and also long-term effects in terms of loss of goodwill and reputation.
† Traditionally, companies have developed organizational structures based on the type of work performed.
This type of organization is commonly known as a functional organization, because work is organized on the
basis of the function it serves. A restaurant that classifies its workers as chefs, dishwashers, bartenders, and
so on has classified them on the basis of the function they serve or the type of work they perform. Likewise, a
manufacturer of consumer goods with accounting, finance, sales, and engineering departmentshas organized
its employees on the basis of the tasks they perform.
Introduction to Business Process Design 5
structure, some of which we have touched on briefly already. To a large extent, process
design and analysis has to do with understanding the restrictions and opportunities these
elements offer in a particular situation. We will deal with this extensively in Chapters 2
through 9.
1.1.2.2 Flow Units
A flow unit can be defined as a “transient entity* that proceeds through various activi-
ties and finally exits the process as finished output.” This implies that depending on the
context, the flow unit can be a unit of input (e.g., a customer or raw material), a unit of
one or several intermediate products or components (e.g., the frame in a bicycle-assembly
process), or a unit of output (e.g., a serviced customer or finished product). The character-
istics and identity of flow units in a system, as well as the points of entry and departure,
can vary significantly from process to process. Typical types of flow units include materi-
als, orders, files or documents, requests, customers, patients, products, paper forms, cash,
and transactions. A clear understanding and definition of flow units is important when
modeling and designing processes because of their immediate impact on capacity and
investment levels.
It is customary to refer to the generic flow unit as a job, and we will use this connotation
extensively in Chapters 3 through 9. Moreover, an important measure of flow dynamics is
the flow rate, which is the number of jobs that flow through the process per unit of time.
Typically, flow rates vary over time and from point to point in the process. We will exam-
ine these issues in more detail in Chapter 5.
* In the field of discrete event simulation, the term transient entity is given to jobs that enter the simulated sys-
tem, where activities are performed to complete such jobs before exiting. Therefore, in that context, transient
entities and flows are synonymous. In simulation, there is also the notion of resident entities, which are the
resources needed to perform activities.
6 Business Process Modeling, Simulation and Design
Process complexity
FIGURE 1.3
Process complexity versus activity complexity.
Introduction to Business Process Design 7
Value-Adding
Value-Adding
Activity Non-Value-Adding Activity
Handoff
Non-Value-Adding
Delay
Handoff
Rework
Delay
Business-Value-Adding Rework
Control Control
Policy compliance Policy compliance
FIGURE 1.4
Classification of activities.
question: Would your customer be willing to pay for this activity? If the answer is no, then
the activity does not add value. It is then believed that control activities, such as checking
the credit history of a customer in a credit-approval process, would fall into the category
of non-value-adding activities, because the customer (in this case, the applicant) would not
be willing to pay for such an activity.
To understand the value-adding classification, the concept of value must be addressed.
Although this is an elusive concept, for our purposes, it is sufficient to recognize that it
involves doing the right things in the right ways. Doing the right things means providing
the customers with what they want (i.e., being effective). Activities that contribute to trans-
forming the product or service to better conform to the customer’s requirements have the
potential to add value. For example, installing the hard drive in a new personal computer
brings the product closer to being complete and is, therefore, value adding. However, to
be truly value adding, the activity also must be carried out efficiently using a minimum of
resources; that is, it must be done right. If this is not the case, waste occurs that cannot be
eliminated without compromising the process effectiveness. If the hard drive installation
was not done properly, resulting in damaged and scrapped hard drives or the need for
rework, the installation activity would not be value adding in its true sense. Even though
the right activity was performed, it was not done correctly, resulting in more than the
minimum amount of resources being consumed. Clearly, this extra resource consumption
is something the customer would not be willing to pay for.
The task of classifying activities should not be taken lightly, because the elimination
of non-value-adding activities in a process is one of the cornerstones of designing or
redesigning efficient processes. In the business process management literature, these
two steps of value classification and waste elimination are often jointly referred to as
value-added analysis; see, for example, Dumas et al. (2013). One of the most common
and straightforward strategies for eliminating non-value-adding and control activities
is the integration of tasks. Task consolidation typically eliminates wasteful activities,
because handoffs account for a large percentage of non-value-adding time in many pro-
cesses. Also, controls (or control activities) are generally in place to make sure that the
work performed upstream in the process complies with policies and regulations. Task
aggregation tends to eliminate handoffs and controls; therefore, it increases the ratio of
value-adding activities to non-value-adding activities (and/or business-value-adding
activities).
To illustrate the process of classifying activities, let us consider the famous IBM Credit
example introduced by Hammer and Champy (1993). IBM Credit offered financing of
computers, software, and services sold by the IBM Corporation. This was an important
8 Business Process Modeling, Simulation and Design
A possible classification of these activities into the categories of value adding, non–value
adding, and business value adding appears in Table 1.2.
Note that only a small fraction of the activities are considered to add value to the cus-
tomer (i.e., the sales field agent). Arguably, the only activity that adds value is Activity 9—to
develop a quote; however, we also have included Activity 1, because the customer triggers
the process with this activity, and Activity 6, because the customization of the contract is
forced by the peculiarities of each specific request. Handoffs account for a considerable per-
centage of the non-value-adding activities (3, 5(b), 8(b), and 10). This description does not
include all the delays that are likely to occur between handoffs, because in practice, agents in
this process did not start working on a request immediately on receipt. In fact, although the
actual work took in total only 90 minutes to perform, the entire process consumed 6 days on
average and sometimes took as long as 2 weeks. In Section 3.6.2 of Chapter 3, we will discuss
how the process was redesigned to achieve average turnaround times of 4 hours.
1.1.2.4 Resources
Resources are tangible assets that are necessary to perform activities within a process.
Examples of resources include the machinery in a job shop, the aircraft of an airline, and
the faculty at an educational institution. As these examples imply, resources often are
divided into two categories: capital assets (e.g., real estate, machinery, equipment, and
computer systems) and labor (i.e., the organization’s employees and the knowledge they
possess). As opposed to inputs, which flow through the process and leave, resources are
used rather than consumed. For example, an airline uses resources such as aircraft and
TABLE 1.2
Activity Classifications for IBM Credit
Category Activities
Value adding 1, 6, and 9
Non–value adding 2, 3, 4(a), 5, 7(a), 8, and 10
Business-Value-Adding 4(b) and 7(b)
Introduction to Business Process Design 9
personnel to perform the transportation process day after day. At the same time, the jet
fuel, which is an input to the process, is not only used but consumed.
1.1.2.5 Information Structure
The last element needed to describe the process architecture is the information structure.
The information structure specifies which information is required and which is available
to make the decisions necessary for performing the activities in a process. For example,
consider the inventory replenishment process at a central warehouse; the information
structure specifies the information needed to implement important operational policies,
such as placing an order when the stock level falls below a specified reorder point.
Based on our definition of a business and the exploration of process hierarchies and
architecture, a more comprehensive and adequate definition of a business process emerges.
A business process is a network of connected activities and buffers with well-defined boundaries
and precedence relationships, which use resources to transform inputs into outputs for the purpose
of satisfying customer requirements. (See Figure 1.5.)
Resources
Process
FIGURE 1.5
A process defined as a network of activities and buffers with well-defined boundaries transforming inputs to
customer-required outputs using a collection of resources.
10 Business Process Modeling, Simulation and Design
and business processes. Workflow management controls the actions taken on documents
moving through a business process. Specifically, workflow management software is used
to determine and control who can access which document, what operations employees can
perform on a given document, and the sequence of operations that are performed on docu-
ments by the workers in the process.
Workers have access to documents (e.g., purchase orders and travel authorizations) in
a workflow management system. These individuals perform operations, such as filling
and modifying fields, on the documents. For example, an employee who is planning to
take a business trip typically must fill out a travel authorization form to provide informa-
tion such as destination, dates of travel, and tentative budget. The document (electronic or
paper) might go to a travel office where additional information is added. Then, the form
probably goes to a manager, who might approve it as is, ask for additional information, or
approve a modified version (for instance, by reducing the proposed travel budget). Finally,
the form goes back to the individual who requested the travel funds. This simple example
illustrates the control activities that are performed before the request to travel is granted.
The activities are performed in sequence to guarantee that the approved budget is not
changed at a later stage. Although the sequence is well established and ensures a desired
level of control, workflow management software should be capable of handling excep-
tions (e.g., when the manager determines that it is in the best interest of the company to
bypass the normal workflow sequence), reworking loops (e.g., when more information is
requested from the originator of the request), and obtaining permissions to modify and
update the request before the manager makes a final decision. Workflow management
software developers are constantly incorporating additional flexibility into their products
so that buyers can deal with the increasing complexity of modern business processes with-
out the need for additional computer programming.
With its expanded scope and flexibility, modern workflow management software is
often referred to as business process management (BPM) software systems.
lines of the organization and reach all the way to the end customer. An example is the
order-fulfillment process illustrated in Figure 1.2.
The roots of the functional organization date back to the late 1700s, when Adam Smith
proposed the division of labor concept in An Inquiry into the Nature and Causes of the Wealth
of Nations (1776). Referring to the 17 operations required to produce a pin, Smith argued
that assigning one task to each of 17 workers would be more efficient and would produce
more pins than having 17 workers each autonomously perform all 17 tasks. According to
Smith, dividing work into discrete tasks provides the following benefits.
What Smith’s model does not address is that as products and services become more com-
plex, and customers require more varieties of them, the need for many more activities and
the coordination of the resulting basic tasks comprising these activities becomes extremely
difficult. The division of labor has the goal of creating highly specialized workers who can
complete basic tasks efficiently. Even if the workers become highly efficient at their tasks,
the process as a whole can be inefficient. Inefficiencies in a process design with the divi-
sion of labor paradigm are primarily related to the need for handing off work from one
station to the next and for coordinating the flow of jobs in the process. Perhaps the most
significant drawbacks associated with handing off work are the delays and errors intro-
duced when a job is passed from one worker (or workstation) to another.
Consider, for example, the traditional approach to designing new products illus-
trated by Shafer and Meredith (1998). The process typically begins when the marketing
department collects information about customers’ needs and desires. This information
is then relayed to a research and development (R&D) department, which is responsi-
ble for designing the product to meet the customers’ requirements. After the design
is completed, it is up to the manufacturing department to produce the product exactly
as specified in the design. After the product is produced, it is the responsibility of the
sales department to sell it. Finally, after a consumer purchases the product, the customer
service department must provide after-sales services such as help with installation and
warranty repairs. This process, although involving several departments, appears to have
a logical structure, but in reality, it is not uncommon that the engineers in R&D design
a feature that manufacturing cannot produce or one that can be produced only at a high
cost. In this sequential approach (commonly known as over-the-wall design), the produc-
tion problems are not discovered until after the design is finalized and handed off to
manufacturing. On discovering the problem, manufacturing has to send the design back
to R&D for modifications. Clearly, each time a design has to go back and forth between
R&D and manufacturing, it involves yet another handoff and increases the delay in
introducing the new product.
This example illustrates an essential issue often addressed in process design—namely,
that completing a set of activities sequentially, one at a time, tends to increase the time
required to complete the entire process. In addition, significant delays can occur in the
discovery of important information that would have influenced the quality of the output
from activities already completed; this tends to extend the completion time even further.
The solution is to try to do as many activities as possible in parallel. Sophisticated product
12 Business Process Modeling, Simulation and Design
development teams use the concept of concurrent engineering* to avoid the “over-the-wall
design” problem and shorten the process time.
As discussed earlier, the road to a good process design starts with a profound under-
standing of what the customers want and thereby, what the process is supposed to deliver.
Although understanding customer preferences and purchasing behavior is a field of study
in its own right, for process design purposes, four dimensions of customer requirements
are particularly important: cost, quality, response time, and variety. Arriving at a good
process design also requires a thorough understanding of the current process (if one exists)
and any new enablers that change the rules of the game, such as information technology
(IT) developments (today often referred to as digitalization), breakthrough technologies, or
changes in legislation. A first approach, particularly in redesign situations, is to eliminate
waste, waiting times, and non-value-adding activities to speed up the process. However, it
is important not to get stuck in the old ways of doing things but to leverage the power of
process design by challenging rooted perceptions of how to do things.
Throughout the book, we will use the terms design and redesign interchangeably,
because from an analytical point of view, no major difference can be distinguished
between designing a new process and redesigning an existing one. This statement
hinges on the fact that in this book, we make a clear distinction between designing a
process and implementing the design. The latter is a tremendously challenging task
that requires good skills in change management and in knowing how to motivate and
inspire an organization to change. Ultimately, success will depend on the buy-in from
people at all levels of the organization. In implementing a new design, a big difference is
evident between making changes to an existing process and establishing a process in a
“greenfield organization” (or an organization that does not have any processes in place),
the former usually being the more difficult situation to handle. Because the focus of this
book is on the analytical modeling, analysis, and design of processes, from our perspec-
tive, the analytical approach for design and redesign is the same. We will touch briefly
on the important issues of process and change management in Chapter 2. However, for
a more in-depth treatment of this important area, we refer to books solely devoted to
the subject of how to achieve and sustain organizational changes; these can be found in
the management and human resource literature. For a comprehensive treatment of the
specific field of BPM, we refer to the book by Dumas et al. (2013).
* Concurrent engineering is one of the most effective strategies designed to shorten product development cycle
times and increase the likelihood of designing robust products that can be manufactured efficiently. In simple
terms, the strategy consists of overlapping various phases of the design and development process, allowing
downstream work to begin before the prior phase of work has been completed. However, implementing con-
current engineering is no trivial matter because of the increased need for information to flow between the
different phases of the process.
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Twice a week I tramped into town and spent the night in the native
cafés listening to the alluring singing of Andalusian songs to the
accompaniment of lute and mandolin. It was interesting to note that
Spanish and French words and musical phrases were slipping into
the native melodies. Some day a wonderful new music is destined to
come out of North Africa.
The life was a little lazy. I did not plunge deep enough down into the
native ways to touch the depths of that tribal opposition to other
opposing groups which gave strength and meaning to their common
existence.
So I lived on the edge of the native life, among them, but not one of
them. I could have become a member by marrying into a family, as
my two Senegalese friends had done. But religion was an obstacle. I
did not want to take a backward step in that direction. I had
interesting conversations with my friend Sidi Abdallah, a poet, who
was educated in Egypt and was conceded by the natives to be the
most highly educated and broad-minded Moroccan of the town. He
assured me that Islam was all-embracing and could accommodate
free-thinkers. It was he who started me off on the great story of
Antar, informing me of the high-lights that were not hinted of in the
Encyclopedia Britannica. He told me too that the father of free-
thought was the Moslem, Averrhoës, who lived in Spain in the twelfth
century; that he was the real founder of pantheism and of modern
European free thought. And he told me his story, how he was
imprisoned and flogged by the Caliph of Cordova, because he had
said that the Caliph had no divine authority.
Sidi Abdallah was very eloquent. He resented the Christian
representation of Islam as the religion of the sword. It was the
religion of social equality, for all humanity, he said. It was the liberal
and liberating religion, when the orthodox Christians were
persecuting dissident Christians and pagans. Arabia was a land of
refuge for the dissident Christians and Jews and pagans fleeing
Christian persecution. "Our great Prophet dreamed of a religion of
reconciliation in a world where all men would be like brothers,
worshipping the same God," he said. "Take the Guinea fetishists, for
example; they are primitive magicians and steeped in superstition,
yet we accept and tolerate them as Moslems because they
acknowledge Mohammed as the prophet."
All that Sidi Abdallah said was fine and vastly illuminating. I had a
better conception of Islam after knowing him. The philosophy was all
right, but the fact was that Islam, as it was practiced in North Africa
when I observed it, was intolerant and fanatic. The Moors frankly
admitted that perhaps Morocco was the most fanatically Islamic
country in the West.
It was better, I thought, to live as I did without getting too deeply
involved, and thinking too much, because I experienced more of
purely physical happiness than at any time in my life.
When Carmina and I separated she circulated the report that I
disliked white people. The natives were puzzled about that, because
large numbers of them are as white as some Spanish and French. In
the Riff and other mountain regions there are blue-eyed and blonde-
haired types resembling Nordics, except that they are rather
bronzed. But they are all remarkably free of any color obsessions or
ideas of discrimination. They are Africans. The others are roumi or
Europeans. So they thought that Carmina meant that I did not like
the roumi or Europeans. And that did not displease them. They
opened their doors wider for me. And I did not mind the report, for I
was not particularly interested in European society in North Africa.
But I did have "white" friends (if the Moors do not object to the use of
that phrase) from the white colony. They were all Americans, some
of whom are interestingly friendly to colored people abroad. They
delighted in flaunting their intimacy with colored persons in the face
of the smug European colony. Also there were visitors from Europe.
My first and oldest French friend, Pierre Vogein, came to see me in
1932. He and his wife had come over the previous summer, but I
was away in Xauen. Also Max Eastman and his wife, Eliena
Krylenko, visited me the same year. And there came some of the
Gertrude Stein young men. Carmina's young man had been a kind of
protégé of Gertrude Stein. Carmina said she had been welcome at
Gertrude Stein's at first. But when she and the young man became
seriously enamored of each other, Gertrude Stein grew cold to them.
Carmina said she could not understand Gertrude Stein being a
novelist, for she seemed almost incapable of understanding life. She
said Miss Stein saw black as black and white as white, without any
shades, and so it was impossible to understand one like herself, for
she was neither black nor white. She said Miss Stein did not seem to
realize that chameleon was a fundamental feature of life; that
serpents shed their skins and even the leopard might change its
spots for a woman. But Miss Stein was reactionary: she did not
believe in change.
Carmina was considered one of the most intellectual women in
Harlem. Carmina said that Gertrude Stein reproached her young
man, telling him that if he were seriously interested in Negroes he
should have gone to Africa to hunt for an authentic one. Carmina
said she did not know what more authentic than herself Miss Stein
desired. For besides having some of the best white blood mingled
with black in her veins, which were blue, she came from the best
Negroid middle-class stock, and Gertrude Stein was also only
middle-class.
An interesting couple of visitors from Paris was Monsieur Henri
Cartier-Bresson, and his friend, an American colored woman. He
was a Norman, and a painter and photographer. He had studied at
Oxford and had a suggestion of upper-class English something
about him. He had a falsetto voice which was not unpleasant, but it
wasn't so pleasant to listen to it reiterating that its possessor could
fancy only Negro women because he preferred the primitive. That
falsetto voice just did not sound authentic and convincing to me.
And if a white man is fond of black women, why should he be
declaring his liking to me! The penchant of white men for black
women is nothing new. It has given the world an arresting new type
of humanity, generally known as mulatto. M. Bresson had hunted all
over West Africa in search of the pure primitive. And he had returned
to Paris to find an American brown woman nearly twice his age and
as sophisticated as Carmina, but not so pretty.
M. Bresson brought his lady over to lunch at my house. I was living
alone then like an ascetic, which I found necessary to the completion
of a new book. But I asked Mr. Charles Ford over to meet my guests.
He came in his bathing suit, walking his way down the peninsular
strip which lay between the river and the bay, and swimming over to
my house. He took one look at the pair and left. The lady said, "He
smells like a down-home." I said, "Yes, but he's not a cracker." Later
Ford explained that his precious artistic sense of the harmony of
form and rhythm had suffered too great a shock.
Our conversation turned upon M. Bresson's unwillingness to carry on
with his father the business of an industrialist. M. Bresson's colored
lady thought that he would be more interesting as a business man
than as a modern photographer. She said he was not so artistic as
he was plain lazy; that he was so lazy he wouldn't even pick up his
pajamas from the floor.
I said that there at the head of Africa in Morocco, hard by the ancient
civilized Mediterranean, the natives did not worry about pajamas.
Going to bed was an effortless thing. And I asked M. Bresson
whether among the pure primitives (if there were any left) in the
middle or the bottom of Africa, one had to worry about pajamas. Or if
one might be satisfied with a broad banana leaf. M. Bresson was not
so sure. He had returned all the way to Paris to find his pure
primitive and bring her to Morocco to show me. Well, in less than a
couple of years I heard of M. Bresson in Mexico with a Mexican girl.
Perhaps when his protracted period of adolescence has passed he
will finally finish like a cool Norman and practical Frenchman by
marrying a woman of his country and his class.
I am a little tired of hearing precious bohemian white men protesting
their admiration and love for Negro women and the rest. Yet many of
them are shocked at the idea of intimacy between a black man and a
white woman, because of their confused ideas of erotic attraction.
Perhaps I am hypercritical in detecting a false accent in their
enthusiasm. But it strikes me as being neither idealistic or realistic. I
know it is a different thing from the sympathy and friendship that the
humane and tolerant members of one group or nation or race of
people feel for the members of another. And I know it is different
from that blind urge of sexual desire which compelled white men to
black women during the age of black slavery in the Occident (and
perhaps in Africa today), and created an interesting new type of
humanity. The performance of such men was not actuated by false
and puerile theories of sex. I have a certain respect for them. But
these nice modern faddists—they give me a feeling of white lice
crawling on black bodies.
The most interesting visitor of them all was the American writer and
protégé of Gertrude Stein, Charles Henri Ford, who published a
queer book of adolescence in Paris under the rather puritan title of
The Young and Evil. Young Mr. Ford suddenly dropped in upon me
one day when a group of tribesmen were killing a steer in my
garden. They cooked the liver in the yard and roasted some of the
meat on skewers and invited him to join us in the feast. He was like a
rare lily squatting in among the bearded and bournoused natives,
and he enjoyed it. When he left in the evening I gave him a chunk of
meat from what had been given to me.
He had been in Italy with a Cuban girl. When they came to Madrid
she found a young Spanish lover and the three of them came on to
Tangier. He came to see me soon again and I invited some of the
younger Moors and a few fatmahs to meet him. They all rather liked
him. They said he looked wonderfully like the cinema portraits of
Marlene Dietrich.
He came again and again, evidently liking my little isolated house on
the river. He was likable enough, and we gave a few native parties
for him. The young men brought their lutes and mandolins and sang
Andalusian melodies, and the girls danced. One evening Mr. Ford
came over early and excitedly told me that the young men were
bringing a very beautiful fatmah—prettier than any he had seen at
my place. I said I couldn't think of any pretty girl of that class whom
Mr. Ford knew and I had not seen before. He said he felt certain I
hadn't seen her. So we waited expectantly until the carriages arrived
with the party. When the girl unveiled she turned out to be the first
little one who had worked for me when I arrived in Tangier. We were
both very surprised. She had lost the quaint native freshness of our
earlier acquaintanceship and already she had developed like a fine
and hardened cashew-nut. She was not aware that the joy-makers
were bringing her to my new place. But she was not in the slightest
embarrassed. She established herself as temporary hostess as well
as guest and was just as charming in the rôle as she had been
efficient as a little housekeeper.... Our fiesta lasted two days. The
Moroccans are a magical barbaric people, if one isn't too civilized to
appreciate the subtlety and beauty of their barbaresques. When at
last I decided to return to America, in homage to them I indited: "A
Farewell to Morocco."
Oh wistful and heartrending earth, oh land
Of colors singing symphonies of life!
Myself is like a stone upon my spirit,
Reluctant, passing from your sunny shore.
Oh native colors,
Pure colors aglow
With magic light.
XXIX
On Belonging to a Minority Group
IT was in Africa that I was introduced to Nancy Cunard—an
introduction by mail. Years before, when I saw her at a studio in
Paris, she had been mentioned as a personage, but I had not been
introduced. In Africa I received a pamphlet from Miss Cunard entitled
Black Man and White Ladyship. The interesting pamphlet gave
details about the Cunard daughter establishing a friendship with a
Negro musician, of which the Cunard mother had disapproved.
Miss Cunard wrote that she was making a Negro anthology to
dedicate to her Negro friend, and asked me to be a contributor. I
promised that I would as soon as I found it possible to take time from
the novel I was writing. That started an interesting correspondence
between us.
Although I considered the contents of the Nancy Cunard pamphlet of
absorbing interest and worthy of publication, I did not admire the
style and tone of presentation.
After some months, Miss Cunard informed me that she was traveling
to New York, and from there to the West Indies, including Jamaica.
She asked me if I could introduce her to anybody in Jamaica who
could put her in touch with the natives. I addressed her to my eldest
brother, who is well-placed somewhere between the working masses
and the controlling classes of Jamaica and has an excellent
knowledge of both. From Jamaica Miss Cunard wrote again that she
had landed in paradise after the purgatory of New York, where she
was put in the spotlight by the newspapers, when it was discovered
that she was residing in Harlem among the Negroes. My brother
invited her to his home in the heart of the banana, chocolate, and
ginger region of Jamaica, and she stayed there two weeks with her
Negro secretary. Both she and her secretary wrote extolling my
brother's hospitality and the warmth and kindliness of the peasants.
Miss Cunard said she particularly liked my brother's face, and she
sent me a snapshot of him.
Meanwhile I had come to the point of a breakdown while working on
my novel in Morocco; and besides I was in pecuniary difficulties.
Nevertheless I wrote an article for Miss Cunard's anthology and
forwarded it to her on her return to France. Miss Cunard
extravagantly praised the article and said it was one of the best and
also that I was one of the best, whatever that "best" meant. She said
she would use it with a full-page photograph of myself which was
done by a friend of ours, the photographer, Berenice Abbot.
However, she did not accompany her praise by a check, and I
requested payment. I was in need of money. Miss Cunard replied
that she was not paying contributors and that my article was too long
after all. She was doing the book for the benefit of the Negro race
and she had thought that every Negro would be glad to contribute
something for nothing. She had suffered and sacrificed a fortune for
Negroes, she said.
I comprehended Miss Cunard's way of reasoning. Yet in spite of the
penalty she had to pay for her interest in the Negro, I did not
consider it my bounden duty to write for her without remuneration.
Miss Cunard would have been shocked at the idea of asking the
printers and binders to print and bind her charitable book without
remuneration. But in spite of her ultra-modern attitude toward life,
apparently she still clung to the antiquated and aristocratic and very
British idea that artists should perform for noble and rich people for
prestige instead of remuneration.
I might say that I too have suffered a lot for my knowledge of, and
contact with, the white race. Yet if I were composing an anthology of
the white hell, it never would have occurred to me that all
sympathetic white writers and artists owed me a free contribution. I
suppose it takes a modern white aristocrat to indulge in that kind of
archaic traditional thinking.
As Miss Cunard would not pay for my article, I requested its return.
She said she was going to take extracts from it. I forbade her to
touch it. That made her mad, comme une vache enragée. My brother
also was supposed to do an article on the Jamaica banana industry
for Miss Cunard. He decided not to. And suddenly Miss Cunard did
not like his face any more. She wrote that he was big and fat.
In her pamphlet Black Man and White Ladyship the reader gets the
impression that the Cunard daughter enjoys taking a Negro stick to
beat the Cunard mother. Miss Cunard seemed to have been ultra-
modern in ideas and contacts without alarming Lady Cunard, who
was a little modern herself. Then Miss Cunard became aware of the
Negro by way of jazz in Venice. And soon also she was made aware
that her mother would not accept her friendship with a Negro. Other
white women have come up against that problem. It is not merely a
problem of people of different races; people of different religions and
of different classes know the unreasonableness and the bitterness of
it. The mother Cunard drastically reduced the income of the daughter
Cunard. The daughter replied with the pamphlet Black Man and
White Ladyship, which was not published for sale but probably for
spite. In telling the story of her friendship, Miss Cunard among other
things ridicules her mother's American accent. Yet the American
Negroes she professes to like speak the same language as her
mother, with slight variations.
Writing in her strange, heavy and ineffectual giant of a Negro
anthology, Miss Cunard has this to say of me: "His people [the
characters of my novels] and himself have also that wrong kind of
race-consciousness; they ring themselves in."
The statement is interesting, not so much from the narrow personal
as from the broader social angle of a minority group of people and its
relationship to friends who belong to the majority group. It leaves me
wondering whether it would be altogether such a bad thing if by
ringing itself in closer together, a weak, disunited and suppressed
group of people could thereby develop group pride and strength and
self-respect!
It is hell to belong to a suppressed minority and outcast group. For to
most members of the powerful majority, you are not a person; you
are a problem. And every crusading crank imagines he knows how
to solve your problem. I think I am a rebel mainly from psychological
reasons, which have always been more important to me than
economic. As a member of a weak minority, you are not supposed to
criticize your friends of the strong majority. You will be damned mean
and ungrateful. Therefore you and your group must be content with
lower critical standards.
A Fannie Hurst who is a best seller is interested in Negro literature.
She is nice to Negro writers and artists. She visits among Negroes.
She engages a Negro secretary. And finally she writes a trashy novel
of Negro life. Negro critics do not like the novel. Fannie Hurst thinks
they are ungrateful. I suppose the only way Negro critics could get
around the dilemma would be to judge Fannie Hurst by social and
sentimental instead of artistic standards. But that wouldn't help the
Negro literature that Fannie Hurst desires to promote. I think Negro
writers might benefit more by the forthright criticism of such southern
gentlemen as H.L. Mencken and Joseph Wood Krutch than by the
kindness of a Fannie Hurst.
A southern white woman who is married to a black journalist says, in
a critique entitled, Don'ts for My Daughter, that she would not "want
her to read Home to Harlem, which overemphasizes the carnal side
of the Aframerican." I will confess that I may fall short of that degree
of civilization which perfects the lily-white state of mind of the gentle
southern lady. And that was why as a creative writer I was unable to
make nice distinctions between the carnal and the pure and
happened perhaps to sin on the side of the carnal in Home to
Harlem.
Yet I once read in a Negro magazine some stanzas entitled,
Temptation, by a certain Young Southern White Lady, and attributed
to my pure critic, which sound like a wild jazz page out of Nigger
Heaven. I remember some of those stanzas:
I couldn't forget
The banjo's whang
And the piano's bang
As we strutted the do-do-do's
In Harlem!
I couldn't forget
That black boy's eyes
That black boy's shake
That black boy's size
I couldn't forget
O, snow white me!
Now to the mind of this black sinner this piece of sophisticated lily-
white lyricism is more offensively carnal than the simple primitive
erotic emotions of the characters of Home to Harlem. But I reiterate it
is possible that I am not civilized white enough to appreciate the
purity of the mind which composed the above stanzas and to which
Home to Harlem is carnal.
The white lady is raising her mulatto daughter on a special diet and
periodically the child is featured as a prodigy in the New York Herald
Tribune. But it is possible that when that child has grown up out of
the state of being a prodigy she might prefer a plain fare, including
Home to Harlem. I have not had the time to be an experimentalist
about life, because I have been occupied always with facing hard
facts. And this I know to be a fact: Right here in New York there are
children of mixed parentage, who have actually hated their white
mother after they had grown up to understanding. When they came
up against the full force of the great white city on the outside and
went home to face a helpless white mother (a symbol of that white
prejudice) it was more than their Negroid souls could stand.
I think it would be illuminating to know the real feelings of that white
mother, who was doubtlessly devoted to her colored children.... I
myself have had the experience of a fine friendship with a highly
cultured white woman, when I first arrived in the United States—a
friendship which was turned into a hideous nightmare because of the
taboos of the dominant white community. I still retain a bitter memory
of my black agony, but I can only try to imagine the white crucifixion
of that cultured woman....
I do not think the author of Don'ts for My Daughter, felt personally
antagonistic to me, when she wrote in the leading Negro magazine
that she did not want her child to read my novel. It is possible that
like myself she has faith in literary and artistic truth. Perhaps she
even desires to contribute something to the growing literature of
Negro life. I have read an interesting article by her on "America's
Changing Color Line," which emphasizes the idea that America is
steadily growing darker in complexion, and is informing about the
increasing numbers of white Negroids who are absorbed by the
white group.
Without the slightest feeling of antagonism to my critic, I would
suggest to her that vicarious stories of "passing white" are merely of
slight importance to the great group of fifteen millions who are
obviously Negroes. I would suggest to her that if she really desires to
make a unique contribution to American literature, she has a chance
of doing something that no Negro can—something that might be
worthwhile for her daughter to read: she might write a sincere
account of what it means for an educated and sensitive white woman
to be the wife of a Negro in America.
Gertrude Stein, the high priestess of artless-artful Art, identifies
Negro with Nothingness. When the eternal faddists who exist like
vampires on new phenomena become fed up with Negro art, they
must find a reason for their indifference. From being disappointed in
Paul Robeson, Gertrude Stein concludes that Negroes are suffering
from nothingness. In the ineffable Stein manner she decided to take
Paul Robeson as the representative of Negro culture. Similarly, any
other faddist could arbitrarily make Chaliapin or Al Jolson or Maurice
Chevalier or Greta Garbo the representative of Russian, Jewish,
French and Swedish culture respectively. When Gertrude Stein finds
that Paul Robeson knows American values and American life as only
one in it and not of it could, when she discovers that he is big and
naïve, but not quite naïve enough to please Gertrude Stein, she
declares: "The African is not primitive; he has a very ancient but a
very narrow culture and there it remains. Consequently nothing can
happen." Not long after she published this, something was
happening: Negro Americans were rendering her opera Four Saints
in Three Acts to sophisticated New York audiences.
Well, whatever the white folks do and say, the Negro race will finally
have to face the need to save itself. The whites have done the
blacks some great wrongs, but also they have done some good.
They have brought to them the benefits of modern civilization. They
can still do a lot more, but one thing they cannot do: they cannot give
Negroes the gift of a soul—a group soul.
Wherever I traveled in Europe and Africa I was impressed by the
phenomenon of the emphasis on group life, whether the idea behind
it was Communist co-operative or Fascist collective or regional
autonomy. I lived under a Communist dictatorship in Russia, two
Fascist dictatorships in Europe, and the French colonial dictatorship
in Morocco. I don't like any dictatorship.
It would be altogether too ludicrous to point out that white women are
by far more an indivisible part of this country's population than
Negroes! Yet the advance guard of white women realize that they
have a common and special group interest, different from the
general interests of their fathers and brothers and their husbands
and sons.
It goes without saying that the future of the Negro is bound up with
the future system of world economy. And all progressive social
trends indicate that that system will be based on the principle of
labor for communal instead of private profit. I have no idea how the
new system will finally work out. I have never believed in the
infallibility of the social prophets, even though some of their
predictions and calculations have come true. It is possible that in
some countries some of the captains of capitalist industry might
become labor leaders and prove themselves more efficient than
many reactionary labor leaders. Who knows?
Anyway, it seems to me that if Negroes were organized as a group
and as workers, whatever work they are doing (with or without the
whites), and were thus getting a practical education in the nature and
the meaning of the labor movement, it might even be more important
and worthwhile than for them to become members of radical political
parties.
A West Indian charlatan came to this country, full of antiquated social
ideas; yet within a decade he aroused the social consciousness of
the Negro masses more than any leader ever did. When Negroes
really desire a new group orientation they will create it.
Such is my opinion for all that it may be worth. I suppose I have a
poet's right to imagine a great modern Negro leader. At least I would
like to celebrate him in a monument of verse. For I have nothing to
give but my singing. All my life I have been a troubadour wanderer,
nourishing myself mainly on the poetry of existence. And all I offer
here is the distilled poetry of my experience.
Updated editions will replace the previous one—the old editions will
be renamed.