Music of Pakistan

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MUSIC OF PAKISTAN Musical Expression

Ghazal
 great Indus civilization flourished which was rich in  traditional expressions of love, separation, and
art, music, and dance. loneliness
 national language is called Urdu and its main  It tells about both the pain of loss of the lover and
religion is Islam the beauty of love in spite of that pain
 is considered by many to be one of the principal
Periods of Pakistan Music poetic forms in the Persian civilization
Prehistoric Music 7000-2500 BC.  can be sung by both men and women
 several archeological findings suggest the existence Qawwali
of music in early Pakistan culture  devotional music of the Chishti Order
 melodies and lyrics of the songs are unknown and  musical tradition that stretches back more than 700
still undecipherable years
Buddhist Period 275 BC to 600 AD  originally performed mainly at Sufi shrines
 the Ghandara art produced several images of throughout the sub-continent and gained
people holding musical instruments mainstream popularity
 singing but no actual account of songs were noted Kafi
Hindu-Muslim Interaction  is a term for mystic song, based on regional folk
 the classical discipline of Pakistan music is a melodies that revolves around heroes and heroines
continuation of Indo- Muslim musical tradition  sung in solo and is often accompanied by a table
 Hindus possess a rich tradition of music that began
from the sacred Vedas Instrumental Music
Kheyal and Dhurpad (18th century onwards) - Punjabi music strengthens the importance of
 Kheyal style of singing musical instruments in Pakistan.
- which has reigned supreme in the domain of - Punjab is a region in South Asia which is divided
classical music into West Punjab, Pakistan and East Punjab,
- most important form of musical composition India.
- a muslim innovation which has completely - Bhangra, one of the most recognized forms of
revolutionized the music of Pakistan Punjab, is based on the drum rhythm of dhol.
 Dhurpad
- most ancient style of Hindustani classical music  each instrument has its own peculiar structure and
that has survived until today in its original form tonal characteristics producing unique effects of
- thematic matter ranges from the religious and pitch, loudness, thickness, and intensity of tone that
spiritual (mostly in praise of Hindu deities) to differentiates from the rest
royal panegyrics, musicology and romance
Musical Instrument
Vocal Music Percussion instruments
 Some of the Pakistan chanted genres are not Tabla
considered music but merely recitation of poetic  a pair of hand drums used in devotional music
text.  played using the fingers and the palms to create a
variety of sounds
Devotional music Dholak
 play an important part in the musical culture of  two-headed drums widely used in qawwali
Pakistan equated with the church music of the  played on the lap of the player played with bare
Western tradition hands
Ghungroo
People of Pakistan sing song and dance in  set of many small metallic bells strung together and
commemoration and worship of saints tied to the feet of the dancers
 produces sound as the feet is moved
poet-saints themselves compose many songs to get
Algoza
the sympathy of their followers
 is a pair of woodwind instruments adopted by
Punjabi, Sindhi, Kutchi, Rajasthani and Baloch folk
Musicians
 It consists of two joined beak flutes, one for melody,
the second for drone
 quick recapturing of breath on each beat creates a
bouncing, swinging rhythm
Rubab
 a short-necked lute whose body is carved out of a
single piece of wood
 it has a membrane covering the hollow bowl of the
sound chamber
 has three melodic strings that are played with a
bow

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