Piano Chorale Prelude

Awake! the Voice hath called us, BWV 645 Johann Sebastian Bach


                              
(Wachet auf, ruft uns die Stimmer) Transcribed by Otto Singer


Andante moderato assai

   
              
 sostenuto

                    
          
                         
    
8

    
                    
       

           
       


      
      
       
13

  
                  
         
          
  
         
      
     
    

          
        
18

 


                  

         
               
       
           
  
                       

  
22

 
    
 
                       
                    
    
     
            
       
  
  
28

  
       


            
            
dolce

         
          
      
          
       
     

 
    

    
32

 r.H.
             
  


           
                      


              
 
  
   
                                  
 
37


         
                          
 

        

 
      
 
       
           
   
      
 
42

    
                       
        
 

          
      

                
                  
 
       
47

 
           


                    
         


        

2
    
     
 
52

    
    
poco espressivo

     
   

04/2019 violinworker