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PDF Cultural Anthropology Asking Questions About Humanity Robert L Welsch Ebook Full Chapter
PDF Cultural Anthropology Asking Questions About Humanity Robert L Welsch Ebook Full Chapter
PDF Cultural Anthropology Asking Questions About Humanity Robert L Welsch Ebook Full Chapter
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Principle Key Ideas
1. Do No Harm This is a primary obligation. Anthropologists must avoid harm to dignity, as well as bodily and material
well-being, especially among vulnerable populations. This principle can supersede the goal of seeking new
knowledge, even forcing the cancellation of a project. Anthropologists must be aware of any potential
unintended consequences of their research. Archaeologists in particular must seek "conservation, protec-
tion, and stewardship" of irreplaceable objects.
2. Be Open and Honest Anthropologists muse be clear, honest, and open regarding the purpose, methods, outcomes, and sponsors
Regarding Your Own Work of their work. They muse not mislead participants, conduct secret or clandestine research, or omit signifi-
cant information chat might affect an individual's decision co participate. They muse consider the poten-
tial impact of che research and its dissemination. They should explicicly negotiate with research partners
about the ownership of and access to records. Researchers muse not plagiarize, fabricate, or falsify data
(except for che use of pseudonyms or ocher minor modifications to limit informants' exposure to risks).
3. Obtain Informed Consent Anthropologists muse obtain voluntary and informed consent of participants. They must explain their
and Necessary Permissions goals, methods, funding, and expectations regarding anonymity and credit. This principle recognizes chat
consent is dynamic and may need to be renegotiated. Signed consent forms are not automatically neces-
sary; it is che quality, not che format , oT the consent chat is important. All research permissions and per-
mits must be acquired in advance.
4. Weigh Competing Ethical Anthropologists must recognize and weigh competing obligations to participants, students, colleagues,
Obligations Due funders , etc. (Usually primary responsibilities are to participants, especially vulnerable ones .) They muse
Collaborators and Affected be able to distinguish between interdependencies of interests and also be prepared to be explicit about
Parties their ethical obligations. They muse not agree to conditions that inappropriately change che research. In a
collaboration, open negotiation is more important than credit, ownership, etc.
5. Make Your Results Anthropologists muse disseminate the results of their research in a timely fashion, including with partici-
Accessible pants. Preventing or limiting dissemination, such as co protect confidentiality, may be appropriate.
6. Protect and Preserve Your Anthropologists must ensure che integrity, preservation, and protection of their work. Unless otherwise
Records established (such as in collaborations), research belongs to the researcher. Clarity about who owns the
records of che research is critical. Priority must be given to ensure the security and confidentiality of raw
data and collected materials, and to ensure chat these not be used toward unauthorized ends. Anthropolo-
gists muse inform participants about the uses of records. Generally, che advantages of preserving data out-
weigh the potential benefits of destroying materials for the sake of confidentiality.
7. Maintain Respectful and Anthropologists must promote an equitable, supportive, and sustainable workplace environment. They
Ethical Professional must report research misconduct when they observe it, and they must not obstruct the responsible schol-
Relationships arly efforts of others. They must also provide acknowledgements and credit where they are due.
Source: Adapted from http://ethics.americananchro.o rg/category/starement/.
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Cultural Anthropology •
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J
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Oxford University Press is a department of the University of Oxford. It
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furthers the University's objective of excellence in research, scholarship, and
education by publishing worldwide. Oxford is a registered trademark of l
Oxford University Press in the UK and certain other countries.
You must not circulate this work in any other form and you must impose this
same condition on any acquirer.
98765432
Printed by LSC Communications
Printed in the United States of America on acid-free paper
..
Robert L. Welsch:
To Sarah for her love and support, and to my students who have nudged me toward a broader
and more complex view of the human condition and humanity's remarkable diversity.
Luis A. Vivanco:
To Peggy, Isabel, Felipe, and Camila for their love and support, and to my students who have
taught me much about the importance of inspired teaching and learning.
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Brief 1
Anthropology:
Asking Questions About Humanity 2 ••
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Contents 2 Culture:
Giving Meaning to Human Lives 30 •••
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3 Ethnography:
Studying Culture 54 ••
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4 linguistic Anthropology:
Relating Language and Culture 80 ••
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5 Global ization and Culture:
Understanding Global Interconnections 108 ••
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6 Foodways:
Finding, Making, and Eating Food 136
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7 Environmental Anthropology:
Relating to the Natural World 164 ••
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Economics:
8 Working, Sharing, and Buying 190 ••
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Politics: ••
9 Cooperation, Conflict, and Power Relations 218
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lo Race, Ethnicity, and Class:
Understanding Identity and Social Inequality 246
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Gender, Sex, and Sexuality: ••
11 The Fluidity of Maleness and Femaleness 274
Kinship, Marriage, and the Family: •••
12 Love, Sex, and Power 300 •••
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13 Religion:
Ritual and Belief 328 ••
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14 The Body:
Biocultural Perspectives on Health and Illness 356 ••
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15 Materiality:
Constructing Social Relationships and Meanings •••
with Things 384 ••
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VII
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Contents •••
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Letter &om the Authors xxi
About the Authors xxii
Preface xxiii
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Acknowledgments xxviii •••
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Anthropology: ••
1 Asking Questions About Humanity 3 •••
How Did Anthropology Begin? 5 •••
The Disruptions of Industrialization 5 •
The Theory of Evolution 6 ••
Colonial Origins of Cultural Anthropology 7 ••
Anthropology as a Global Discipline 8 ••
What Do the Four Subfields of Anthropology Have in Common? 8 ••
Culture 10 ••
Cultural Relativism 11
Human Diversity 12
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Change 13 ••
Holism 14 ••
How Do Anthropologists Know What They Know? 14 •••
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The Scientific Method in Anthropology 16
When Anthropology Is Not a Science: Interpreting Other Cultures 19
Culture:
2 Giving Meaning to Human Lives 31
What Is Culture? 33
Elements of Culture 33
Defining Culture in This Book 39
- CLASSIC CONTRI BUTI O NS: Franz Boas and the Relativity of Culture 40
THINKING LIKE AN ANTHROPOLOGIST: Understanding Holism 48
ANTHROPO LOGIST AS PRO BLEM SOLVER: Michael Ames
and Collaborative Museum Exhibits 50
3 Et hnography:
Studying Culture 55
4 Linguistic Anthropology:
Relating Language and Culture 81
How Do Anthropologists Study Language? 83
- CLASSIC CONTRIBUTIONS: Eric Wolf, Culture, and the World System 120
- THINKING LIKE AN ANTHROPOLOGIST: Understanding Global Integration
Through Commodities 117
- DOING FIELDWORK: Tracking Emergent Forms of Citizenship
with Aihwa Ong 131
CONTENTS xiii
6 Food ways:
Finding, Making, and Eating Food 137
Environmental Anthropology:
7 Relating to the Natural World 165
Economics:
8 Working, Sharing, and Buying 191
Is Money Really the Measure of All Things? 194
Culture, Economics, and Value 195
The Neoclassical Perspective 196
The Substantivist-Formalist Debate 196
The Marxist Perspective 197
The Cultural Economics Perspective 199
How Does Culture Shape the Value and Meaning of Money? 201
The Cultural Dimensions of Money 201
Money and the Distribution of Power 202
9 Politics:
Cooperation, Conflict, and Power Relations 219
Does Every Society Have a Government? 221
The Idea of "Politics" and the Problem of Order 222
Structural-Functionalist Models of Political Stability 223
Neo-Evolutionary Models of Political Organization: Bands, Tribes, Chiefdoms,
and States 223
Challenges to Traditional Political Anthropology 224
How Are Social and Technological Changes Reshaping How People Think
About Family? 319
International Adoptions and the Problem of Cultural Identity 320
In Vitro Fertilization 322
Surrogate Mothers and Sperm Donors 323
13 Religion:
Ritual and Belief 329
How and Why Do Doctors and Other Health Practitioners Gain Social
Authority? 366
The Disease-Illness Distinction: Professional and Popular Views of Sickness 367
The Medicalization of the Non-Medical 370
CONTENTS XIX
15 Materiality:
Constructing Social Relationships and Meanings with Things 385
Why Is the Ownership of Artifacts from Other Cultures
a Contentious Issue? 388
Questions of Ownership, Rights, and
Protection 389
Cultural Resource Management: Not Just for
Archaeologists 392
Epilogue 412
Glossary 417
References 423
Credits 437
List of Boxes 441
Index 443
Letter from the Authors
Dear Reader,
Imagine how people would react to you if the next time you went to the university
bookstore you tried to haggle at the cash register for your textbooks. Or if the next
time you caught a cold you explained to your friends that you were sick because a
jealous person had hired a witch to cast a spell on you. In both cases, a lot of people
would think you were crazy. But in many societies throughout the world, a lot of
ordinary people would consider you crazy for not haggling or for not explaining your
misfortunes as the workings of a witch.
Issues such as these raise some interesting questions. How do people come to be-
lieve such things? How are such beliefs reflected in and bolstered by individual be-
havior and social institutions in a society? Why do we believe and act in the ways we
do? Such questions are at the core of the study of culture. The idea of culture is one of
anthropology's most important contributions to knowledge.
The goal of our textbook is to help students develop the ability to pose good an-
thropological questions and begin answering them, our inspiration coming from the
expression "99% of a good answer is a good question." We present problems and
questions that students will find provocative and contemporary, and then use theo-
ries, ethnographic case studies, and applied perspectives as ways of explaining how
anthropologists have looked at these topics over time. Our approach emphasizes what
is currently known within the study of cultural anthropology and issues that continue
to challenge anthropologists.
Central to the plan of this book are three underlying principles that guide our ap-
proach to cultural anthropology:
Every chapter, every feature of the book has been written with these principles in
mind. We have written a book about anthropology that draws on insights anthropol-
ogists have learned during the twentieth century. At the same time, with its cutting-
edge content and pedagogy, this is a textbook that provides what students need for
the twenty-first century.
For most students, an introductory course in cultural anthropology is the only
educational exposure they will have to anthropological thinking. Most readers are
unlikely to see anthropological thinking as relevant to their own lives unless we find
a way to make it so. This book represents our endeavor to do just that.
Here's wishing you greater appreciation of cultural anthropology and a lifetime of
cultural revelations to come.
Sincerely,
Robert L. Welsch
Luis A. Vivanco
xxi
About the Authors
Robert L. Welsch currently teaches cultural anthropology at Franklin Pierce Uni-
versity and previously taught for many years at Dartmouth College. He was affiliated
with The Field Museum in Chicago for more than two decades. Trained in the 1970s
at the University of Washington, at a time when anthropologists still focused mainly
on non-Western village-level societies, and when cultural materialist, Marxist, struc-
turalist, and interpretive theories dominated the discipline, Welsch has focused his
research on medical anthropology, religion, exchange, art, and museum studies in the
classic anthropological settings of Papua New Guinea and Indonesia, and the history
of anthropology as a professional discipline. He is Associate Professor of anthropology
at Franklin Pierce University.
Luis A. Vivanco teaches cultural anthropology and global studies at the University
of Vermont, where he has won several of the university's top teaching awards. He was
trained at Princeton Uhiversity in the 1990s when post-structuralist perspectives and
"studying up" (studying powerful institutions and bureaucracies, often in Western
contexts) was becoming commonplace. Vivanco has worked in Costa Rica, Mexico,
Colombia, and the United States, studying the culture and politics of environmen-
talist social movements, the media, science, ecotourism, and urban mobility with
bicycles. He is Professor of anthropology and co-director of the Humanities Center
at the University of Vermont.
xxii
Preface
What is cultural anthropology, and how is it relevant in today's world? Answering
these core questions is the underlying goal of this book.
Cultural anthropology is the study of the social lives of communities, their belief
systems, languages, and social institutions, both past and present. It provides a frame-
work to organize the complexity of human experience and comprehend global cul-
tural processes and practices. The practice of cultural anthropology also provides
knowledge that helps solve human problems today.
ourselves and our students, by strengthening the dialogue between generations and
sub-fields of anthropologists. We endeavor to bring classic anthropological examples,
cases, and analyses to bear on contemporary questions.
Thematic Boxes
Four types of thematic boxes are used throughout the book to highlight key themes
and principles. Classic Contributions boxes consider the history of anthropological
thought on a particular topic and provide follow-up questions to promote critical
analysis. Thinking Like an Anthropologist boxes invite students to exercise their own
anthropological IQ by examining concrete ethnographic situations and formulating
the types of questions that anthropologists typically ask. Doing Fieldwork boxes draw
upon actual field projects to explore the special methods anthropologists have used
to address specific questions and problems. Finally, Anthropologist as Problem Solver
boxes describe cases in which anthropologists have applied disciplinary insights and
methods to help alleviate social problems, mediate conflicts, and (re)define policy
debates. These cases also provide insights into careers that take advantage of an an-
thropology background.
In addition to these changes, we have also added new coverage of key topics in
various chapters to ensure students receive a well-rounded introduction to cultural
anthropology. These additions include the following:
For Students
Companion Website
Cultural Anthropology: Asking Questions About Humanity is also accompanied by an
extensive companion website (www.oup.com/us/welsch), which includes materials
to help students with every aspect of the course. For each chapter, you will find:
• Learning objectives
• Chapter outlines to help guide students through the chapter material
• Interactive exercises to engage students in fieldwork experience
• A glossary of key terms as a helpful reference for key concepts
• Flashcards to assist students in studying and reviewing key terms
• Additional links to websites providing supplemental information on the topics
and ideas covered in the chapter
• Additional recommended readings that delve more deeply into the topics dis-
cussed in the chapter and that broaden student conceptions of what one can do
with an anthropology degree
• Self-grading review questions to help students review the material and assess
their own comprehension
For Instructors
Oxford University Press is proud to offer a complete and authoritative supplements
package for both instructors and students. When you adopt Cultural Anthropology:
Asking Questions About Humanity, you will have access to a truly exemplary set of
ancillary materials to enhance teaching and support students' learning.
The Ancillary Resource Center (ARC) at www.oup-arc.com is a convenient,
instructor-focused single destination for resources to accompany CulturalAnthropology:
PREFACE xx vii
A sking Questions About Humanity. Accessed online through individual user accounts,
the ARC provides instructors with access to up-to-date ancillaries while guaranteeing
the security of grade-significant resources. In addition, it allows OUP to keep instruc-
tors informed when new content becomes available.
The ARC for Cultural Anthropology: Asking Questions About Humanity includes:
Instructors may also order a complete Course Management cartridge. Contact your
Oxford University Press Sales Representative for more information.
c-·
Acknowledgments
The authors would like to thank the many individuals who have supported this project
from its inception to the final stages of production. The impetus for this book lies with
Kevin Witt, who had an inspired vision for a new kind of anthropology textbook and
the foresight to identify and support the team to write it. In its early stages while this
project was with McGraw-Hill, development editors Pam Gordon, Nanette Giles, Susan
Messer, and Phil Herbst each played an important role in shaping the manuscript.
At Oxford University Press, Sherith Pankratz, our acquisitions editor, and our two
development editors, Thom Holmes (first edition) and Janice Evans (second edition),
have managed this project and helped us further refine our vision with exceptional
care and expertise. We would also like to thank associate editor Meredith Keffer for
her extensive support, especially with the visual program. In addition, we would like
to thank editorial assistant Larissa Albright, advertising and promotion product asso-
ciate Marissa Dadiw, associate editor Andrew Heaton, editorial assistant Jacqueline
Levine, and assistant editor Paul Longo for their helpful feedback on the headings.
We would also like to thank permissions coordinator Cailen Swain. In production, we
would like to thank designer Michele Laseau, production editor Lisa Ball, copy editor
Gail Cooper, and proofreader Marianne Tatom. And last, but by no means least, we
would like to acknowledge and thank our marketing team, including Tony Mathias,
Frank Mortimer, Jordan Wright, and the other hardworking men and women who are
marketing this book and getting it into the hands of the students for whom we wrote
it. Although the sales and marketing teams often go unsung and unacknowledged by
many authors, we know their work is critical to the success of a project like this one.
It is important to acknowledge and thank Agustfn Fuentes of the University of
Notre Dame, co-author of our general anthropology textbook, Anthropology: Asking
Questions about Human Origins, Diversity, and Culture (published by OUP), who has
helped shape our thinking on numerous dimensions of cultural anthropology.
We are grateful to Franklin Pierce University, the University ofVermont, Dartmouth
College, the Hood Museum of Art, The Field Museum, the U.S. National Museum
of Natural History (a branch of the Smithsonian Institution), the American Museum of
Natural History in New York, the University of Costa Rica, and the National Uni-
versity of Colombia, all of whom have provided support in diverse ways. In particular,
we appreciate the support and encouragement of Kim Mooney, President of Franklin
Pierce University; Andrew Card, former President of Franklin Pierce University;
Lynne H. Rosansky, Provost at Franklin Pierce; Kerry McKeever and Paul Kotila,
Academic Deans at Franklin Pierce; and Jean Dawson and John Villemaire, Division
Chairs of the Social and Behavioral Sciences at Franklin Pierce. At the University of
Vermont, the Provost's Office and the Office of the Dean of the College of Arts and
Sciences have provided important institutional support for this project.
Numerous librarians aided the development of this project at various stages, includ-
ing Paul Campbell, Gladys Nielson, Amy Horton, Paul Jenkins, Leslie Inglis, Wendy
O'Brien, Eric Shannon, Melissa Stearns, Lisa Wiley, and Jill Wixom at Frank S. DiPi-
etro Library at Franklin Pierce University in Rindge, New Hampshire; Laurie Kutner
at Bailey-Howe Library at the University of Vermont; Amy Witzel, Fran Oscadal, and
John Cocklin at Baker Library at Dartmouth College; and staff of Alden Library at
Ohio University in Athens, Ohio.
We want to especially thank our colleagues Kirk M. and Karen Endicott, Robert
G. Goodby, Debra S. Picchi, Douglas Challenger, John E. Terrell, Robert J. Gordon,
and Richard Robbins, all of whom have offered support, encouragement, and in-
xxviii sights throughout the various phases of writing this book. Many other colleagues
ACKNOWLEDGMENTS xxix
have contributed to this project in direct and indirect ways, including shaping our
thinking about various anthropological topics, sparking ideas and being a sounding
board about matters of content and pedagogy, and reading and responding to draft
chapters. These colleagues include: at Dartmouth College, Hoyt Alverson, Sienna R.
Craig, Brian Didier, Nathaniel Dominy, Seth Dobson, Dale F. Eickelman, Kathy
Hart, Sergei Kan, Brian Kennedy, Kenneth Korey, Joel Levine, Deborah Nichols,
and John Watanabe; and at the University of Vermont, Ben Eastman, Scott Van
Keuren, Jennifer Dickinson, Teresa Mares, and Amy Trubek.
Several students at Franklin Pierce, the University of Vermont, and Dartmouth
College have helped with research during the various stages of writing and rewriting.
These include: Kristin Amato, Cory Atkinson, D. Wes Beattie, Kyle Brooks, Justyn
Christophers, Michael Crossman, Matthew Dee, Brian Dunleavy, Catherine Durickas,
Nathan Hedges, Kelsey Keegan, Saige Kemelis, Brian Kirn, Cooper Leatherwood,
Adam Levine, Kevin Mooiman, Taber Morrell, Rebecca Nystrom, Shannon Perry,
Keenan Phillips, Adam Slutsky, Scott Spolidoro, and Michael Surrett.
We want to thank our students at Franklin Pierce University and the University of
Vermont who have test-driven both early drafts of this book as well as the first edi-
tion. Their feedback and insights have been invaluable. But in particular we want to
thank Courtney Cummings, Kimberly Dupuis, John M . Gass, Kendra Lajoie, Holly
M artz, Scott M. McDonald, Lindsay Mullen, and Nick Rodriguez, all of whom were
students in AN400 at Franklin Pierce during the fall semester of 2012. Having used
drafts of the text in their Introduction to Cultural Anthropology class, they reviewed
all of the chapters in the book in focus-group fashion and offered useful insights
about examples and writing in each chapter.
Last but certainly not least, we would like to thank our families for all the critical
emotional and logistical support they have provided over the years to ensure the suc-
cess of this project. Luis's children, Isabel, Felipe, and Camila, have aided us in various
ways, from prodding questions about the book and anthropology to, at times, comic
relief when we needed it. Our wives, Sarah L. Welsch and Peggy O 'Neill-Vivanco,
deserve our deepest gratitude for all their wise counsel over the many years this book
was in development, and their ongoing support as we continue to improve it.
Manuscript Reviewers
We have greatly benefited from the perceptive comments and suggestions of the many
talented scholars and instructors who reviewed the manuscript of the second edition
of Cultural Anthropology. Their insight and suggestions contributed immensely to the
published work.
A.
Direct Value.
(I) If the Chronicler’s version of the history was to gain
acceptance at all, it was necessary to make the older well-known
histories the basis of his work. And indeed he himself no doubt
conceived his version not as contradictory of the older narratives but
only as a more careful account of the history of Judah, paying
adequate attention to the religious affairs in which he was specially
interested. Hence, wherever the text of Samuel and Kings was
suitable for his purpose he reproduced it exactly ¹: an example is 2
Chronicles xviii. 3‒34 = 1 Kings xviii. 4‒35. The historical value of
passages which are merely transcriptions must be discussed not
here but in their original setting: obviously their value is that which
they possess there—neither more nor less. We proceed therefore to
consider the changes introduced by the Chronicler in using canonical
sources. They are of various kinds:
B.
Indirect Value.
Although the Chronicler says not one word directly of his own
times, indirectly his work gives us much useful information
concerning that obscure period. In very many ways Chronicles is a
mirror reflecting the thoughts, hopes, and circumstances of the
orthodox community in Jerusalem, circa 300‒250 b.c. Indirect and
unconscious though the evidence may be, it is still precious, for our
knowledge of the period is so slight that all fragments of information
are most welcome.