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ENGLISH LANGUAGE
PROFICIENCY ASSESSMENTS
FOR YOUNG LEARNERS
English Language Proficiency Assessments for Young Learners provides both theoretical
and empirical information about assessing the English language proficiency of
young learners. Using large-scale standardized English language proficiency
assessments developed for international or U.S. contexts as concrete examples,
this volume illustrates rigorous processes of developing and validating assessments
with considerations of young learners’ unique characteristics. In this volume,
young learners are defined as school-age children from approximately 5 to 13
years old, learning English as a foreign language (EFL) or a second language
(ESL). This volume also discusses innovative ways to assess young learners’ English
language abilities based on empirical studies, with each chapter offering stimulat-
ing ideas for future research and development work to improve English language
assessment practices with young learners. English Language Proficiency Assessments
for Young Learners is a useful resource for students, test developers, educators, and
researchers in the area of language testing and assessment.
Mikyung Kim Wolf is Senior Research Scientist at the Center for English Lan-
guage Learning and Assessment Research at Educational Testing Service.
The goal of the Innovations in Language Learning and Assessment at ETS series is
to publish books that document the development and validation of language
assessments and that explore broader innovations related to language teaching
and learning. Compiled by leading researchers, then reviewed by the series
editorial board, volumes in the series provide cutting-edge research and
development related to language learning and assessment in a format that is easily
accessible to language teachers and applied linguists as well as testing professionals
and measurement specialists.
Edited by
Mikyung Kim Wolf
Yuko Goto Butler
First published 2017
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2017 Taylor & Francis
The right of Mikyung Kim Wolf and Yuko Goto Butler to be identified as
the authors of the editorial material, and of the authors for their individual
chapters, has been asserted in accordance with sections 77 and 78 of the
Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced
or utilised in any form or by any electronic, mechanical, or other means,
now known or hereafter invented, including photocopying and recording,
or in any information storage or retrieval system, without permission in
writing from the publishers.
Chapters 3, 4 and 9 in this volume © 2016 by Educational Testing Service.
Reprinted with permission of Educational Testing Service. All rights reserved.
Trademark notice: Product or corporate names may be trademarks or
registered trademarks, and are used only for identification and explanation
without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Names: Wolf, Mikyung Kim, 1971– editor. | Butler, Yuko Goto, editor.
Title: English language proficiency assessments for young learners / edited
by Mikyung Kim Wolf, Yuko Goto Butler.
Description: New York, NY : Routledge, [2017] | Series: Innovations in
language learning and assessment at ETS | Includes bibliographical
references and index.
Identifiers: LCCN 2016055246 | ISBN 9781138940352 (hardback) |
ISBN 9781138940369 (pbk.) | ISBN 9781317379034 (epub) |
ISBN 9781317379027 (mobipocket/kindle)
Subjects: LCSH: English language—Study and teaching—Ability testing. |
English language—Age differences—Ability testing. | English
language—Study and teaching—Ability testing. | English language—
Study and teaching—Evaluation.
Classification: LCC PE1065 .E653 2017 | DDC 372.652/1076—dc23
LC record available at https://lccn.loc.gov/2016055246
ISBN: 978-1-138-94035-2 (hbk)
ISBN: 978-1-138-94036-9 (pbk)
ISBN: 978-1-315-67439-1 (ebk)
Typeset in ApexBembo
by Apex CoVantage, LLC
CONTENTS
Section 1
Introduction1
Section 2
Theoretical Basis and Assessment Frameworks 23
Section 3
Empirical Studies for Validity Evidence 97
Section 4
Future Assessments and Innovations for
Young Learners 191
Section 5
Conclusion253
The second volume in the Innovations series is an edited book by Mikyung Kim
Wolf and Yuko Goto Butler titled English Language Proficiency Assessments for
Young Learners. One of the first collections of its kind, this book provides a
comprehensive overview of issues related to assessing the language proficiency
of young English second and foreign language learners. This population of test
takers differs in critical ways from adults, as do the purposes for assessing their
language proficiency, and these differences have important implications for the
design of meaningful, useful, and ethical language assessments. This volume
therefore covers a host of issues that should be of central interest to the many
stakeholders in young language learner assessment, including not only test devel-
opers, but also researchers, administrators, practitioners, and policy makers.
The chapters are divided into five sections related to designing, validating,
and innovating young language learner assessments. Section one provides a
comprehensive introduction to the volume, including a critical overview of and
justification for assessing the English language proficiency of young learners.
The next section then begins with an overview of key characteristics of young
learners, providing an essential foundation for anyone interested in developing
or using language assessments with this population. Subsequently, the conceptual
and design frameworks for two recent ETS assessments—the TOEFL® PrimaryTM
and TOEFL Junior® tests—are reported, offering readers unique insights into
how constructs, test taker characteristics, and assessment purposes are built into
the conceptual frameworks underlying these large-scale, standardized assessments.
A final chapter of this section highlights design considerations for tasks to be
used in U.S. assessments of K–12, or school-age, English language learners’
proficiency development.
Series Editors’ Foreword ix
Figures
3.1 The Construct of Reading 46
3.2 The Construct of Listening 47
3.3 The Construct of Speaking 47
4.1 Defining the Target Language Use (TLU)
Domain of the TOEFL Junior Test 64
4.2 An Example of Linking a Target Language Use (TLU)
Task to an Assessment Task 66
6.1 Frequency Distributions of the Estimated Reading and
Listening Abilities 109
6.2 Test Characteristic Curves for the Four Operational Base Forms 114
9.1 Average Total Scale Score by Test Administration for
Students Who Took the Test Two, Three, Four, or Five Total Times 158
9.2 Histogram of Interval for the Analysis Sample 159
9.3 Smoothed Trends of Initial Score (Solid Line) and
Second Administration Score (Dashed Line) as a Function of
Interval, Separately for Each Skill Area and the Total 161
9.4 Scatterplot of Total Score Gain Versus Interval Where
Both Are Centered Around Their Respective Country Means 164
10.1 Sample Screenshots of Scenario-based Prototype Tasks for
Grades K–2 176
10.2 A Screenshot of the Playground Task for Grades K–2 176
10.3 Sample Screenshots From the Mixing Paint (Top) and
Melting Ice (Bottom) Tasks 177
10.4 The Average Scores for the Holistic and Analytic Dimensions
of the Playground and Mixing Paint Tasks, Grade K 181
Illustrations xv
10.5 The Average Scores for the Holistic and Analytic Dimensions
of the Playground and Melting Ice Tasks, Grades 1–2 181
10.6 Visual Representation of the Common Error Types
in Students’ Responses 184
11.1 Young Learner Characteristics 196
12.1 Sample Reading Text and Item From Chinese C-DA Test 223
13.1 ELFA Subconstructs and Subskills 241
13.2 ELFA Example Item Directions 243
13.3 Task Sequencing in ELFA 244
13.4 Task Sample: Warm-up 244
13.5 Task Sample: Getting a Main Idea 245
13.6 Task Sample: Comparing and Integrating Multiple Sources
of Information 246
Tables
3.1 Reading Test Structure 51
3.2 Listening Test Structure 52
3.3 Speaking Test Structure 54
4.1 Overall Structure of the TOEFL Junior tests 67
4.2 Scores on the TOEFL Junior Standard Score Report 71
4.3 Scores on the TOEFL Junior Comprehensive Score Report 72
5.1 Layers of Evidence-Centered Design and Key Features for
Assessment Developers 83
5.2 Language on Scaffolding in ELPA21 ELP Standards and
California ELD Standards 90
6.1 Reading Field Test Forms 102
6.2 Listening Field Test Forms 103
6.3 Sample Composition of the Field Test Sample by Region 105
6.4 Sample Size, Mean, and Standard Deviation of
Raw Scores for Field Test Forms 106
6.5 Summary Statistics of the p+ and r-biserial for Reading and
Listening Items 107
6.6 Summary Statistics of the IRT Calibrated Item Pools for
the Reading and Listening Tests 108
6.7 Means and Standard Deviations of the Latent Ability Estimates
by Country 110
6.8 TOEFL Primary Reading Scale Score, Band Levels, and
CEFR Levels 112
6.9 Summary of IRT Parameters for the Four Operational Base Forms 113
6.10 Reliability and Standard Error of Measurement of Operational Forms 115
7.1 Demographic Information of the Participants Sorted by Proficiency 122
7.2 Summary of the Listening and Reading Items 123
xvi Illustrations
Introduction
1
AN OVERVIEW OF ENGLISH
LANGUAGE PROFICIENCY
ASSESSMENTS FOR YOUNG
LEARNERS
Mikyung Kim Wolf and Yuko Goto Butler
Learning English is vital for school-age children today given both the increasing
globalization of academic, governmental, and economic affairs and the associated
rise in the global profile of English as a lingua franca, as well as the potential for
personal enrichment that comes with learning any foreign language. In countries
where English is not an official language but a foreign language (EFL), English
language classes have typically been included as a regular curriculum component
in middle and high schools. Furthermore, some countries have begun to introduce
an English course into elementary school curricula in consideration of the benefits
of earlier language education (Rea-Dickins, 2000). In countries where English is a
language of daily communication, formal instruction of English as a second language
(ESL) in primary and secondary schools is commonly required to serve students
whose first or home language is not English. Particularly in the ESL context,
acquisition of English language proficiency (ELP) is essential for school-age children
not only to achieve academic success but also to participate in social activities.
As the need for learning English among young learners increases, so does the
need for appropriate measures for informing relevant stakeholders (e.g., learners,
parents, and educators) of the learners’ English proficiency levels. High-quality
English language proficiency assessments (referred to as ELP assessments hereafter)
can be instrumental at the institutional level in planning curriculum and instruc-
tion and placing students into appropriate programs. ELP assessments can also be
useful at the individual level, supporting students, parents, and teachers to improve
their English language learning and teaching. However, while there is a growing
demand for standardized ELP assessments as an objective measure to gauge each
student’s level of English language development, extra care must be exercised in
the development and use of standardized ELP assessments for young school-age
children considering their unique characteristics compared to adult learners.
4 Mikyung Kim Wolf and Yuko Goto Butler
the earlier grades. Campfield (2006) also notes that form-based instruction is
prevalent in EFL contexts and that evaluating young students’ oral production
skills can be challenging partly due to young students’ instructional settings.
In EFL contexts, young learners’ target language use domains are largely bound
to school contexts where major interactions take place with peers and teachers
in English classrooms. These young learners’ opportunities to engage in English
are likely limited to textbook and instructional activities. This limited and unique
exposure to the target language influences the way in which young learners
develop both their proficiency as well as their background knowledge on social
norms associated with the target language use.
In ESL contexts, young learners likely encounter more linguistically and
cognitively complex language tasks as they are immersed in English-medium
environments both inside and potentially outside of school. In K–12 school
settings in the U.S., for example, ELP standards are rigorous, including the lan-
guage skills that students need to meaningfully engage in various disciplinary
areas (Bailey & Huang, 2011; Hakuta, Santos, & Fang, 2013; Wolf & Farnsworth,
2014). For instance, ELP standards for kindergarten contain “supporting own
opinions and evaluating others’ opinions in speaking and writing” (California
Department of Education, 2012, p. 27).
Despite the enriched input that characterizes ESL contexts, it is important to
note that young learners do not necessarily share common background knowl-
edge and experiences (Lenski, Ehlers-Zavala, Daniel, & Sun-Irminger, 2006). In
English-speaking countries, young ESL students are a highly heterogeneous group
in terms of their linguistic, cultural, and educational background. When it comes
to U.S. schools, recent statistics show that over 300 home languages are reported
by K–12 English learners (National Clearinghouse for English Language Acquisi-
tion, 2011). The length of students’ U.S. residence is varied. Some students are
themselves immigrants, whereas others were born in the U.S. as children of
immigrants. Students’ formal schooling experience also varies; recently-arrived
students may include both those with limited/interrupted formal education as
well as those who have acquired academic literacy skills and content learning in
their L1 (Wolf et al., 2014). Thus, even among middle schoolers, there are stu-
dents who are still beginning to develop foundational English skills. The het-
erogeneous background of young English language learners implies that there
are various contextual factors that affect these students’ ELP attainment.
In both EFL and ESL contexts, younger students (i.e., in the early elementary
grades) who also begin to acquire L1 literacy tend to develop comprehension
skills (particularly listening skills) faster than productive skills in the L2 (Cameron,
2001; Molloy, 2015). Considering previous research findings on the transfer effect
of L1 on L2 acquisition (e.g., Ellis, 2008; Gass & Selinker, 1994; Tessier, Duncan,
& Paradis, 2013), young students’ L1 development might influence their L2
development in oral language and literacy skills in different ways. Bialystok
(2001) also illustrates that young learners at the early stages of L2 learning begin
An Overview of ELP Assessments 7
Bialystok, 2006). Concrete objects with sensory supports are more readily acces-
sible to younger students than abstract concepts in their L2 development and
assessment. As an example of young learners’ abstract conceptualization and
reasoning, young learners have a “different concept of time and sequence” (Mol-
loy, 2015, p. 4). Citing Orbach and Lamb (2007), who showed that children
develop their ability to think flexibly (back and forth) about sequences of events
at around 9 years old, Molloy argues that language learning or assessment activi-
ties for young children need to be designed in such a way that their development
of abstract concepts is appropriately taken into account.
Young learners’ cognitive development over attentional procedures needs
special consideration in the development of ELP assessments. Young learners
have relatively short attention spans (e.g., about 10–15 minutes on a given
task), so they tend to get distracted easily, and their completion of a given task
can also be strongly influenced by their interest levels (Bailey, Heritage, &
Butler, 2014; Cameron, 2001; Hasselgreen, 2005; McKay, 2006). Furthermore,
young students’ use of various strategies to tackle given tasks, including com-
pleting assessments, is associated with their cognitive development. Tragant and
Victori (2012), for instance, found that younger students (i.e., 12 and 13 years
old) had more variability in the use of strategies (e.g., analysis and reduction
strategies) compared to older students (i.e., 15 and 18 years old) who demon-
strated similar use of the strategies examined in the study. In discussing the
findings, the researchers note that younger students had a clear preference for
a set of particular types of strategies, whereas older students used all the strate-
gies in accordance with their higher level of cognitive maturity. This line of
research indicates how young students’ cognitive abilities influence their per-
formance on assessments.
Given young learners’ growing cognitive abilities (e.g., working memory,
information processing speed, metalinguistic awareness, attention, and executive
functions), a number of assessment design issues deserve consideration, including
the length of assessments and assessment stimuli, clarity of task instructions, and
appropriateness of the topics and content of tasks (Bailey, 2008; Bailey et al.,
2014). We will revisit these considerations later in this chapter.
have indicated that there is a strong, positive relationship between young students’
performance on assessments and their motivation in general (e.g., Brumen &
Cagran, 2011). That is, when students are motivated, their assessment performance
is increased. Hence, it is particularly crucial that young learners have positive
experiences with ELP assessments and engage in L2 learning and assessment
with high motivation.
Young learners’ ability to control their emotions is not fully developed, and
their emotions can have substantial impact on assessment performance (Aydin,
2012; Black, 2005; Molloy, 2015; and see Jang, Vincett, van der Boom, Lau, &
Yang, 2017 in this volume). For instance, Aydin (2012) examined the relationship
between test anxiety and performance in young EFL students ages 9 to 13 in
Turkey. It was found that these students experienced test anxiety associated with
testing time, challenges in comprehension of directions, and physical settings.
Molloy (2015) notes that young learners may perform differently depending on
the assessment environment. She asserts that young learners perform better when
they are provided with clear instructions and purposes along with positive feedback
and rewards. Previous research consistently argues that young learners’ positive
experience with assessments is critical in order for them to increase their motiva-
tion and self-esteem, which eventually leads to the promotion of L2 learning
(Black & Wiliam, 1998; Brumen & Cagran, 2011; McKay, 2006; Moss, 2013).
The unique characteristics of young learners discussed in this section have
important implications for the development and uses of standardized ELP assess-
ments. In the next section, we describe some key features of item and test
development for young learners.
The formats of ELP assessments that serve these purposes with young learners
are wide-ranging, from standardized assessments to classroom-based assessments
with varying degrees of formality (e.g., portfolio assessments, classroom tests and
quizzes, observations, collaborative assessments, and self-assessments; see Bailey, 2017
in this volume for a discussion of various assessment types for young learners).
Standardized ELP assessments have been widely used in both EFL and ESL
contexts. A standardized assessment is defined as an assessment that is “admin-
istered, scored, and interpreted in a standard manner” (Popham, 1999, p. 264).
Distinguished from other assessment formats, standardized ELP assessments have
the following major characteristics. Standardized ELP assessments usually undergo
rigorous development processes including (1) careful target language use domain
analyses to define the constructs to be measured, (2) item and task development
with expert review of content appropriateness for the target population, (3)
large-scale pilot and/or field testing with a representative sample of the target
population, (4) various psychometric/statistical analyses to establish the technical
qualities of items and test forms, and (5) scaling and standard-setting studies to
create scaled scores and cut scores, as needed, for score reports. In addition to
development procedures, administration settings are also an important factor in
standardized assessment. Standardized ELP assessments are typically accompanied
by administration manuals, and trained administrators work to ensure that the
assessment settings are kept as consistent as possible. This is an important factor
in supporting fair and adequate inferences about the abilities of test takers on
the basis of standardized ELP test scores across administration settings.
Standardized ELP assessments for young learners can provide information
about (1) individual students’ achievements and levels of proficiency based on
international, national, or local standards/curricula and (2) individual students’
growth in their ELP attainment. The information provided by standardized ELP
assessments can certainly be used for low-stakes purposes, for example when
parents or schools simply wish to gauge students’ ELP levels based on national
or international yardsticks (e.g., Common European Framework of Reference).
Even for young learners, however, results from standardized ELP assessments also
can be used for relatively high-stakes purposes such as to inform placement
decisions (i.e., to place students into appropriate instructional programs), exit
decisions (i.e., to exit students out of certain programs), admission decisions for
secondary or private schools, and for accountability purposes at the level of
individual schools (i.e., to report students’ proficiency and growth in ELP and
to make funding/resource allocation decisions for schools). As an example, stan-
dardized ELP assessments in U.S. K–12 school settings are administered to very
young students at the age of 5 (in kindergarten) for the purpose of identifying
“English learners (ELs)”2 who, once identified, will be eligible for appropriate
ESL services (Hauck, Pooler, Wolf, Lopez, & Anderson, 2017; Wolf, Lopez, Oh,
& Tsutagawa, 2017, both in this volume). This identification purpose of ELP
assessments involves high-stakes decisions because students, once identified as
An Overview of ELP Assessments 11
ELs, follow a certain academic path including taking ESL courses and taking
summative ELP assessments annually until they meet the required proficiency
level. Inaccurate identification based on ELP assessments entails substantial nega-
tive consequences impacting the provision of services for students in need,
students’ academic paths, funding/resource allocation, and program evaluation.
To ensure that standardized ELP assessments elicit young learners’ abilities
appropriately and, thus, provide adequate information to help with young learners’
ELP development, below we highlight a few key aspects that need to be consid-
ered in the design and use of standardized ELP assessments for young learners:
The features of standardized ELP assessments introduced here are certainly not
a comprehensive list. Yet, we consider these to be highly important given the
unique characteristics of young learners. A wide range of these and related issues
pertaining to the assessment of ELP for young learners is discussed across the
chapters in this volume.
These markets, in fact, have taken, during the past year, one-
sixteenth of our entire exports of plain calicoes, and one-eleventh of
our exports of printed and dyed calicoes, whilst her imports of yarn—
the article upon the production of which in this country the least
amount of labour is expended—have been comparatively
insignificant. The imports of cotton goods into Russia are, on the
contrary, almost entirely confined to yarn for the consumption of the
Russian manufacturer.
So far, therefore, as our export trade is likely to be affected during
the coming struggle, we have manifestly got by the hands a more
valuable customer than we are likely to lose in Russia; and we cannot
discover in what way, with the means at present at her disposal, she
can interrupt, or limit, that trade further than by destroying for a
time the consuming power of those provinces of Turkey east of the
river Pruth, which she has occupied with her troops. Our shipowners
and manufacturers may lose for a time some portion of the valuable
trade with the population of Wallachia and Moldavia which is carried
on through the ports of Galatz and Ibrail upon the Danube. It will
probably, however, be one of the earliest aims of the combined
powers of England and France to clear that portion of Turkey of the
presence of the invader, and to maintain the long-established
inviolability of the two eastern mouths of the Danube—the St
George’s and Sulina—as outlets for her commerce with neutral
countries. The remainder of our trade with Turkey must remain
impervious to the efforts of Russia, unless her fleet, at present shut
up in Sebastopol, first achieve the exploit of destroying, or capturing,
the magnificent navies which England and France have assembled in
the Black Sea, or her Baltic fleet succeeds in forcing its passage
through the Cattegat or the Sound, and in making its way to the
shores of the Mediterranean. Neither of these contingencies can be
regarded as very likely to be realised by Russia in the face of the
superior power which will shortly be arrayed against her.
There is certainly the possibility that our commerce with Turkey
may suffer to some extent through the drain upon the resources of
her population, created by a necessarily large war-expenditure. No
material symptoms of such suffering have occurred thus far,
notwithstanding she has been for months past actually engaged in
hostilities, the preparation for which must have been very costly. Her
imports of textile fabrics fell off very little in 1853 from their amount
in former years; and even this may in part be accounted for by the
unsettled prices, in this country, which have resulted from strikes
throughout our manufacturing districts, and other causes of an
accidental or a purely domestic character. Moreover, to balance any
such falling off in her ordinary imports, Turkey will most probably
require from us large supplies of stores, munitions of war, arms, &c.,
as well as of produce of various kinds, to fill up the vacuum created
by the partial interruption of her own foreign trade.
We have a further guarantee of commercial safety during this
struggle, unless it should assume new features, in the fact that the
commercial marine of Russia is blocked up, like her fleets, in the
Baltic and the Black Sea. There is not at this moment a single
Russian merchantman in the ports of Great Britain or France—the
few vessels which were shut out from their usual winter quarters
having been sold some time ago, to escape the risk of seizure. She is
thus without the materials for inflicting the annoyance upon our
colonial and foreign trade which she might have possessed, could she
have armed any considerable portion of her mercantile navy for
privateering purposes. It has been reported, indeed, that two of her
cruisers have been met with somewhere in the neighbourhood of the
Pacific, and suggested that their object may be to waylay and capture
some of our gold ships. But that the report in question is not believed
—and that any serious interference with our vessels engaged in the
carrying trade, to and from the various ports of the world, is not
feared by our best informed capitalists—is evident from the fact, that
there has as yet been no marked advance in the rates of insurance
upon such property. It has been reported, too, that Russian agents
have been lately engaged in the United States of America in
negotiating for the purchase, or building, of large ships capable of
being converted into vessels of war. Be this so, although we greatly
doubt the fact. We cannot be taken off our guard, in the event of any
such purchase being made, or such conversion taking place. Our fast-
sailing ocean steamers will bring us the necessary information quite
in time to enable us to take the steps most proper for the occasion;
and whilst mentioning those noble vessels, we must remark upon the
important change which the application of steam to navigation will
effect in all future struggles between maritime countries. We do not
refer here to the power which it gives of taking fleets into action, or
of making more rapid sail to the localities where their services are
required, although the effect of this power is incalculable in value.
We allude merely to the advantage which we shall derive in such
struggles from the vastly increased rapidity and regularity with
which we are at present supplied with information of an enemy’s
movements, from all quarters of the world. We shall no longer have
to witness the spectacle of rival fleets seeking each other in vain—
proceeding from sea to sea only to discover that they have missed
each other on the way. Traversed as the ocean is now in every
direction by fast-sailing steamers, there can be little fear of such
fleets, if their commanders are really anxious for an engagement,
being unable to procure tolerably accurate information of each
other’s whereabouts. We shall no longer require the aid of powerful
fleets as convoys of our merchantmen, in seas where it can be so
readily known that an enemy is not to be met with; and, as another
result, we shall probably see an end put to the injurious system of
privateering. Few parties will be found to risk life and property in
assaults upon the commerce of a powerful maritime country, with
the certainty before them that every movement which they make
must be so promptly made known, and every offence which they
commit must bring down upon them such speedy punishment.
There is, however, one element of commercial mischief which may
make itself felt during the coming struggle, although such mischief, if
it unfortunately should occur, could not be attributed properly to the
mere fact of the existence of a state of war. It may, and very probably
will, be proved that we cannot carry on a free-trade system, which
involves the necessity of providing for enlarged imports concurrently
with expensive military and naval operations both in the north and
south of Europe, and possibly in Asia as well, with a currency
restricted as ours is by the mistaken legislation of 1844. Already the
note of alarm of this danger has been sounded from a quarter whose
authority cannot be treated lightly on such a subject. Mr William
Brown, the eminent American merchant, and member for South
Lancashire, emphatically warned her Majesty’s Government, during
the recent debate on the Budget, of the probability, and almost
certainty, of a severe monetary crisis as the consequence of
persistence in carrying out in their full stringency the measures
passed, at the instigation of Sir Robert Peel, in that and the following
year. But for the operation of those measures, Mr Brown contended
that the calamity of 1847 would never have occurred. The country, he
says, was paralysed by the effect which they produced; and the seven
or eight millions sterling in bullion, held at the time in the coffers of
the Bank, “might as well have been thrown into the sea,” as retained
there unproductive during a period of pressure. Should the same
state of things occur again, therefore, during the approaching
struggle—should the commerce and industry of the country be
prostrated, and the government be rendered incapable of
prosecuting with the required energy a just war, to which we are
bound alike by every consideration of national honour, sound policy,
and good faith towards an oppressed ally—we must not be told that
the suffering and degradation which will be brought down upon our
heads are the results of a war expenditure merely, or have been
caused by any natural interruption of our ordinary trading pursuits.
The true cause of the calamity, it must become obvious to all the
world, will be our dogged maintenance of an impracticable crotchet;
and should the nation submit to be thus thwarted and fettered in its
determination to maintain its high prestige—should it submit to sink
down from its position as a leading power,—we may with reason be
asked the question, “Of what avail is your possession of the noblest
fleet which ever rode the seas in ancient or in modern days—of what
avail is the possession of the best-disciplined and bravest soldiers
which ever marched to battle—of what avail is your vast mercantile
marine, your vast accumulations of capital, your almost limitless
command over all the improved appliances which modern science
and ingenuity have constructed for the purposes of war, if you cannot
resent a national insult, or oppose the aggressions of an enemy,
without commercial ruin, suspended industry, and popular
disaffection and outrage being spread over the face of your whole
empire?” We hope, however, for better things. We feel confident that
a high-minded and honourable people will not submit to be thus
stultified and degraded in the eyes of the world. We entertain, too, a
reasonable hope that the unpatriotic faction, who would gladly
involve the country in that degradation, will not be favoured in their
unworthy efforts by the possession of the instrumentality—a
suffering and dissatisfied working population—upon which they
calculate to insure success. By the blessing of a bountiful Providence,
clothing our fields and those of Western Europe and America with
luxuriant harvests, we may this year be snatched from our position of
dependence upon the growth of an enemy’s soil for the food of our
people, and be enabled to enter upon a period of plenty and
cheapness, instead of that scarcity and high prices of all the
necessaries of life from which we have been suffering during the past
twelve months—certainly without such suffering being attributable
to a state of war, or to any but ordinary causes.
THE PUPPETS OF ALL NATIONS.[1]
The history of Puppets and their shows may at first appear but a
trivial subject to fix the attention and occupy the pen of a learned
academician and elegant writer. The very word history may seem
misapplied to a chronicle of the pranks of Punchinello, and of the
contortions of fantoccini. Puppet-shows! it may be said; troops of
tawdry figures, paraded from fair to fair, to provoke the laughter of
children and the grin of rustics—is that a theme for a bulky octavo at
the hands of so erudite and spirituel an author as M. Charles
Magnin? Had M. Magnin chosen to reply otherwise than with perfect
candour to anticipated comments of this kind—the comments of the
superficial and hastily-judging—he might easily have done so by
saying that, whilst studying with a more important aim—for that
history of the stage of which he has already published portions—he
found the wooden actors so constantly thrusting themselves into the
society of their flesh-and-blood betters, so continually intruding
themselves, with timber joints, invisible strings, and piping voices,
upon stages where human players strutted, that, to be quit of their
importunity, he was fain to shelve them in a volume. This, however,
is not the motive he alleges. He boldly breasts the difficulty, and
stands up for the merits of his marionettes, quite deserving, he
maintains, of a separate study and a special historian. He denies that
time can be considered lost or lightly expended which is passed in
tracing the vicissitudes of an amusement that, for three thousand
years, has been in favour with two-thirds of the human race. And he
summons to his support an imposing phalanx of great men—poets,
philosophers, dramatists, musicians—who have interested
themselves in puppets, taken pleasure in their performances, and
even written for their mimic theatre. He reminds his readers how
many pointed remarks and precious lessons, apt comparisons and
graceful ideas, have been suggested by such shows to the greatest
writers of all countries and ages, and heads the list of his puppets’
patrons with the names of Plato, Aristotle, Horace, Marcus Aurelius,
Petronius, in ancient times; and with those of Shakespeare,
Cervantes, Ben Jonson, Molière, Swift, Voltaire, and Goethe,
amongst the moderns; to say nothing of Charles Nodier,
Punchinello’s laureate, the assiduous frequenter of Parisian puppet-
shows, who has devoted so many playful and sparkling pages to that
favourite study of his literary leisure. M. Magnin begins to be
alarmed at the shadows he has evoked. Is it not presumption, he asks
himself, to enter a path upon which his predecessors have been so
numerous and eminent? The subject, for whose frivolity he lately
almost apologised, appears too elevated for his range when he
reviews the list of illustrious names more or less connected with it,
when he recalls the innumerable flowers of wit with which their
fancy has wreathed it. So he marks out for himself a different track.
Others have played with the theme; he approaches it in a graver
spirit. “I am not so impertinent,” he exclaims, “as to seek to put (as
the Greeks would have said) my foot in the dance of those great
geniuses. Too well do I see the folly of attempting to jingle, after
them, the bells of that bauble.” Following the example of the learned
Jesuit, Mariantonio Lupi—who wrote a valuable although a brief
dissertation on the Puppets of the Ancients—but allotting to himself
a much broader canvass, M. Magnin purposes to write, in all
seriousness, sincerity, and simplicity, a history of the “wooden
comedians,” not only of antiquity, but of the middle ages, and of
modern times.
A subject of far less intrinsic interest than the one in question
could not fail to become attractive in the hands of so agreeable and
skilful a savant as M. Magnin. But it were a mistake to suppose that
the history of the Puppet family, from Euripides’ days to ours, has
not a real and strong interest of its own. The members of that
distinguished house have been mixed up in innumerable matters
into which one would hardly have anticipated their poking their
wooden noses and permanently blushing countenances. They have
been alternately the tools of priestcraft and the mouthpiece of
popular feeling. Daring improvisatori, in certain times and
countries, theirs was the only liberty of speech, their voice the sole
organ of the people’s opposition to its rulers. Their diminutive
stature, the narrow dimensions of their stage, the smallness of their
powers of speech, did not always secure impunity to their free
discourse, which sometimes, as their best friends must confess,
degenerated into license. So that we occasionally, in the course of
their history, find the audacious dolls driven into their boxes—with
cords cut and heads hanging—or at least compelled to revise and
chasten their dramatic repertory. Sometimes decency and morality
rendered such rigour incumbent upon the authorities; but its motive
was quite as frequently political. It is curious to note with what
important events the Puppet family have meddled, and what mighty
personages they have managed to offend. At the present day, when
the press spreads far and wide the gist and most salient points of a
successful play, in whatever European capital it may be performed,
allusions insulting or irritating to friendly nations and governments
may be fair subject for the censor’s scissors. It was only the other day
that a Russian official journal expressed, in no measured terms, its
high indignation at the performance, at a fourth-rate theatre on the
Paris boulevards, of a drama entitled “The Cossacks,” in which those
warriors of the steppes are displayed to great disadvantage. The
circumstances of the moment not being such as to make the French
government solicitous to spare the feelings of the Czar, the piece
continued to be nightly played, to the delight of shouting audiences,
and to the no small benefit of the treasury of the Gaieté. One
hundred and twenty-three years ago, Russian susceptibility, it
appears, was held quite as easy to ruffle as at the present day. In
1731, the disgrace of Menschikoff was made the subject of a sort of
melodrama, performed in several German towns by the large English
puppets of Titus Maas, privileged comedian of the court of Baden-
Durlach. The curious playbill of this performance ran as follows:
“With permission, &c., there will be performed on an entirely new
theatre, and with good instrumental music, a Haupt-und-
Staatsaction, recently composed and worthy to be seen, which has
for title—The extraordinary vicissitudes of good and bad fortune of
Alexis Danielowitz, prince Menzicoff, great favourite, cabinet
minister, and generalissimo of the Czar of Moscow, Peter I., of
glorious memory, to-day a real Belisarius, precipitated from the
height of his greatness into the most profound abyss of misfortune;
the whole with Jack-pudding, a pieman, a pastrycook’s boy, and
amusing Siberian poachers.” Titus Maas obtained leave to perform
this wonderful piece at Berlin, but it was quickly stopped by order of
Frederick-William I.’s government, for fear of offending Russia. In
1794 a number of puppet-shows were closed in Berlin—for offences
against morality, was the reason given, but more probably, M.
Magnin believes, because the tone of their performances was
opposed to the views of the government. In what way he does not
mention, but we may suppose it possible that the Puppenspieler had
got infected with the revolutionary doctrines then rampant in
France. The Prussian police still keeps a sharp eye on exhibitions of
this kind, which at Berlin are restricted to the suburbs. In France we
find traces of a regular censorship of the marionette theatres. Thus,
in the Soleinne collection of manuscript plays is one entitled: The
capture of a company of players by a Tunis rover, in the month of
September 1840. This piece, whose name, as M. Magnin remarks,
reads more like the heading of a newspaper paragraph than the title
of a play, was performed in 1741 at the fair of St Germains, by the
puppets of the celebrated Nicolet, and annexed to it is a permit of
performance, bearing no less a signature than that of Crébillon. It is
not improbable that the puppet-show had fairly earned its subjection
to a censorship by the irreverence and boldness with which it took
the most serious, important, and painful events as subjects for its
performances. In 1686, D’Harlay, then attorney-general at the
parliament of Paris, wrote as follows to La Reynie, the lieutenant of
police:—“To M. de la Reynie, councillor of the king in his council, &c.
It is said this morning at the palace, that the marionettes which play
at the fair of St Germain represent the discomfiture of the
Huguenots, and as you will probably consider this a very serious
matter for marionettes, I have thought it right, sir, to advise you of it,
that you may so act as in your prudence shall seem fit.” It does not
appear what result this advice had; but as the date of the note is little
more than three months later than that of the edict of revocation,
when Louis XIV. was exulting in the downfall of heresy in France,
and when those who still clung to Protestantism were looked upon as
hardened sinners, no better than common malefactors, it is quite
probable La Reynie thought it needless to interfere with the puppet-
scoffers at the Huguenots. D’Harlay, it will be remembered, was
intimate with some of the chiefs of the proscribed party, and a
particular friend of the Marquis de Ruvigny, although he some years
afterwards betrayed, according to St Simon, the trust that friend had
reposed in him. But we are wandering from our wooden play-actors.
The first two sections of M. Magnin’s work, devoted to the puppets
of Antiquity and of the Middle Ages, are far briefer, and upon the
whole, less interesting than the portion of his volume allotted to
those of modern times. All those parts display extensive reading and
patient research. The author commences by defining and classing his
marionettes. “Everybody knows that marionettes are small figures of
wood, bone, ivory, baked earth, or merely of linen, representing real
or fantastical beings, and whose flexible joints obey the impulse
given to them by strings, wires, or catgut, pulled by a skilful and
invisible hand.” He divides them into three classes: hierarchical,
aristocratic, and popular. In ancient times and in the middle ages,
the first of these classes was decidedly the most important and
influential. Auguries were obtained and miracles wrought by its aid,
indispensable to priestly ambition and to idolatrous or erroneous
creeds, dependent upon prodigies for support. Even at the present
day, and in highly civilised countries, puppets of this kind are not
wholly in disrepute, nor are the services of bleeding saints and
nodding madonnas uniformly declined by the pastors of credulous
flocks. The practice is very ancient—if that can give it respectability.
The statue of Jupiter Ammon, when carried in procession on the
shoulders of priests, previously to uttering its oracles, indicated to its
bearers, by a motion of its head, the road it wished them to take. The
golden statue of Apollo, in the temple of Heliopolis, moved when it
had an oracle to deliver; and if the priests delayed to raise it upon
their shoulders, it sweated and moved again. When the high-priest
consulted it, it recoiled if it disapproved of the proposed enterprise;
but if it approved, it pushed its bearers forward, and drove them, as
with reins. M. Magnin quotes, from the writers of antiquity, a host of
instances of this kind, in which machinery, quicksilver, and the
loadstone were evidently the means employed. “In Etruria and in
Latium, where the sacerdotal genius has at all times exercised such a
powerful influence, hierarchical art has not failed to employ, to act
upon the popular imagination, sculpture with springs.” The ancient
idols of Italy were of wood, like those of Greece, coloured, richly
dressed, and very often capable of motion. At Præneste the
celebrated group of the infants Jupiter and Juno, seated upon the
knees of Fortune, their nurse, appears to have been movable. It
seems evident, from certain passages in ancient writers, that the little
god indicated by a gesture the favourable moment to consult the
oracle. At Rome, feasts were offered to the statues of the gods, at
which these did not play so passive a part as might be supposed.
Religious imagination or sacerdotal address aided their immobility.
Titus Livius, describing the banquet celebrated at Rome in 573,
mentions the terror of the people and senate on learning that the
images of the gods had averted their heads from the dishes presented
to them. When we meet with these old tales of statues invited to
repasts, and manifesting their good or bad will by movements, we
understand by what amalgamation of antique recollections and local
legends was formed, in the Spain of the middle ages, the popular
tale, so touching and so dramatic, of the Convidado de Piedra.
Between these tricks of the priests of Jupiter and Apollo, and the
devices resorted to by the Christian priests of the middle ages, a close
coincidence is to be traced. M. Magnin touches but cursorily on this
part of the subject, referring to the crucifix said to have bowed its
head in approval of the decisions of the Council of Trent, to the
votive crucifix of Nicodemus, which, according to popular belief at
Lucca, crossed the town on foot to the cathedral, blessing the
astonished people on its passage, and which, upon another occasion,
gave its foot to kiss to a poor minstrel—perhaps himself a puppet-
showman—and mentioning as a positive and undoubted fact the
movement of the head and eyes of the crucifix in the monastery of
Boxley in Kent, testified to by old Lambarde in his Perambulations of
that county. It is to be observed that these winking, walking, and
nodding images were not always constructed with a view to delude
credulous Christians into belief in miracles, but also for dramatic
purposes, with the object of exciting religious enthusiasm by a
representation of the sufferings of the Redeemer and the martyrs,
and probably, at the same time, to extract alms from the purses of
the faithful. When thus employed, they may be said to form the link
between mechanical church sculpture, used by priests for purposes
of imposture, and the player-puppets of more modern times. It is the
point where the hierarchical and the popular classes of puppets
blend. Scenes from the life and passion of the Saviour were favourite
subjects for such representations; but incidents in the lives of the
Virgin and saints were also frequently acted, both in secular and
monastic churches, and that almost down to our own times,
notwithstanding canonical prohibitions. “In a synod held at
Orihuela, a little Valencian bishopric, at the commencement of the
seventeenth century, it was found necessary to renew the orders
against the admission into churches of small images (statuettes) of
the Virgin and female saints, curled, painted, covered with jewels,
and dressed in silks, and resembling courtezans.” The abuse,
nevertheless, continued; and we believe there would be little
difficulty in authenticating instances of it in Spain within the present
century. That it was an actual puppet-show which the ecclesiastical
authorities thus strove to suppress, or at least to expel from
churches, is clearly proved by a passage M. Magnin quotes from the
proceedings of the synod: “We forbid the representation, in churches
or elsewhere, of the actions of Christ, of those of the most holy
Virgin, and of the lives of the saints, by means of those little movable
figures vulgarly called titeres.” This last word is the exact Spanish
equivalent to the French marionettes and the English puppet-show.
It was a titerero who fell in with Don Quixote at a Manchegan
hostelry, and exhibited before him “the manner in which Señor Don
Gayferos accomplished the deliverance of his spouse, Melisendra,”
and whose figures of paste were so grievously mishandled by the
chivalrous defender of dames. And it may further be remarked, as a
sign of the ancient alliance in Spain between the church and the
theatre, that an altarpiece and the stage or theatre upon which a
puppet-show is exhibited are both expressed, to the present day, by
the word retablo. To the titeres, by no means the least diverting and
original of the European marionette family, we shall hereafter come.
The precedence must be given to Italy, the cradle and the paradise of
puppets.
The eccentric and learned physician and mathematician, Jerome
Cardan, was the first modern writer who paid serious and scientific
attention to the mechanism of marionettes. He refers to them in two
different works, and in one of these, a sort of encyclopedia, entitled
de Varietate Rerum, when speaking of the humbler branches of
mechanics, he expresses his surprise at the marvels performed by
two Sicilians, by means of two wooden figures which they worked
between them. “There was no sort of dance,” he says, “that these
figures were not able to imitate, making the most surprising gestures
with feet and legs, arms and head, the whole with such variety of
attitude, that I cannot, I confess, understand the nature of the
ingenious mechanism, for there were not several strings, sometimes
slack and sometimes tight, but only one to each figure, and that was
always at full stretch. I have seen many other figures set in motion by
several strings, alternately tight and slack, which is nothing
marvellous. I must further say that it was a truly agreeable spectacle
to behold how the steps and gestures of these dolls kept time with the
music.” Such variety and precision of movement prevent the
possibility of confounding this exhibition with that puppet-show of
the lowest class common in the streets at the present day, where a
Savoyard boy makes a doll dance upon a board by means of a string
fastened to his knee.[2] M. Magnin supposes that the single string,
always at full stretch, was a little tube, through which passed a
number of small strings connected with the interior of the puppet. A
similar plan is general in Italy at the present day amongst the
aristocracy of the marionettes—those whose performances are in
regular theatres, and not in wandering show-boxes. The theatre and
the mode of working of out-of-door puppet-shows is the same in
most countries, and it appears more than probable, from the
authorities adduced by M. Magnin, that the marionettes of Greece
and ancient Italy had much the same sort of stage as that on which
the pupazzi of Italian towns, the London Punch, and the Guignol and
Gringalet of Paris, are to the present day exhibited; namely, a sort of
large sentry-box or little fortress, called castello in Italy, castillo in
Spain, and castellet in France. In Persia, in Constantinople, in Cairo,
the same form prevails. In modern times the extent of the stage has
been diminished, and the apparatus lightened, so as to admit of
theatre, scenery, actors, and orchestra being carried long distances
by two men. Formerly, in Spain, as we gather from Cervantes and
other authorities, a cart was necessary to convey the theatrical
baggage of a titerero, which was on a larger scale than at the present
day, many more figures appearing on the stage, and the mode of
working them being different from that now in use in strolling
puppet-shows, where the usual and very simple process is for the
showman to insert his fingers in the sleeves of the actors, only half of
whose body is visible. Master Peter’s show was of a much more
elevated style, and seems to have possessed all the newest
improvements; as for instance, when the Moor steals softly behind
Melisendra and prints a kiss in the very middle of her lips, we are
told that “she spits, and wipes them with the sleeves of her shift,
lamenting aloud, and tearing for anger her beautiful hair.” If the
Lady Melisendra really did spit—and that the word was not a figure
of speech of Master Peter’s boy, whose flippancy his master and the
Knight of the Rueful Countenance had more than once to reprove—
the civilisation of Spanish puppets must have been in a very forward
state, for we find M. Magnin recording, as a novel triumph of
puppet-mechanism, similar achievements in Germany in the present
century. When Goethe’s Faust gave a fresh vogue to the marionette
exhibition, from which he had derived his first idea of the subject,
Geisselbrecht, a Viennese mechanician, got up the piece with those
docile performers, under the title of Doctor Faust, the great
Necromancer, in Five Acts, with songs, and performed it at
Frankfort, Vienna, and at Weimar, Goethe’s residence. “He strove to
excel Dreher and Schütz (other proprietors of marionettes) by the
mechanical perfection of his little actors, whom he made raise and
cast down their eyes. He even made them cough and spit very
naturally, feats which Casperle,[3] as may be supposed, performed as
often as possible. M. Von der Hagen, scoffing at this puerile marvel,
applied Schiller’s lines, from Wallenstein’s Camp, to the Austrian
mechanician:—
‘Wie er räuspert und wie er spuckt
Das habt Ihr ihm glücklich abgeguckt;
Aber sein Genie....’”[4]