French English Bilingual Visual

Dictionary DK Visual Dictionaries Dk

Publishing
Visit to download the full and correct content document:
https://textbookfull.com/product/french-english-bilingual-visual-dictionary-dk-visual-dic
tionaries-dk-publishing/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...

Italian English Bilingual Visual Dictionary DK Visual

Dictionaries Dk Publishing

https://textbookfull.com/product/italian-english-bilingual-
visual-dictionary-dk-visual-dictionaries-dk-publishing/

German English Bilingual Visual Dictionary DK Visual

Dictionaries Dk Publishing

https://textbookfull.com/product/german-english-bilingual-visual-
dictionary-dk-visual-dictionaries-dk-publishing/

Korean-English Bilingual Visual Dictionary (DK Visual

Dictionaries) 1st Edition Dk Publishing

https://textbookfull.com/product/korean-english-bilingual-visual-
dictionary-dk-visual-dictionaries-1st-edition-dk-publishing/

Italian English Bilingual Visual Dictionary DK Visual

Dictionaries Dk

https://textbookfull.com/product/italian-english-bilingual-
visual-dictionary-dk-visual-dictionaries-dk/
Russian English Visual Bilingual Dictionary 1st Edition
Dk

https://textbookfull.com/product/russian-english-visual-
bilingual-dictionary-1st-edition-dk/

Ultimate Visual Dictionary Dk Publishing

https://textbookfull.com/product/ultimate-visual-dictionary-dk-
publishing/

Philosophy a Visual Encyclopedia Dk Publishing

https://textbookfull.com/product/philosophy-a-visual-
encyclopedia-dk-publishing/

DK Publishing-Pocket Genius Earth Dk

https://textbookfull.com/product/dk-publishing-pocket-genius-
earth-dk/

DK Eyewitness Travel Guide - Russia Dk Publishing

https://textbookfull.com/product/dk-eyewitness-travel-guide-
russia-dk-publishing/
Bilingual
VISUAL
dictionary
Bilingual
VISUAL
dictionary
Previously published as part of
5-Language Visual Dictionary
 table des matières
contents
Senior Editor Angeles Gavira
Senior Art Editor Ina Stradins
DTP Designers Sunil Sharma, Balwant Singh,
Harish Aggarwal, John Goldsmid, Ashwani Tyagi
DTP Coordinator Pankaj Sharma
Production Controller Liz Cherry
Picture Researcher Anna Grapes
Managing Editor Liz Wheeler
Managing Art Editor Phil Ormerod
Category Publisher Jonathan Metcalf

Designed for Dorling Kindersley by WaltonCreative.com

Art Editor Colin Walton, assisted by Tracy Musson
Designers Peter Radcliffe, Earl Neish, Ann Cannings
Picture Research Marissa Keating

Language content for Dorling Kindersley by

g-and-w PUBLISHING
Managed by Jane Wightwick, assisted by Ana Bremón
Translation and editing by Christine Arthur
Additional input by Dr. Arturo Pretel, Martin Prill, la santé
Frédéric Monteil, Meinrad Prill, Mari Bremón,
Oscar Bremón, Anunchi Bremón, Leila Gaafar health
First American Edition, 2009
This edition published in the United States in 2015
by DK Publishing, 345 Hudson Street, New York,
New York 10014

Copyright © 2015 Dorling Kindersley Limited

A Penguin Random House Company

15 16 17 18 19 10 9 8 7 6 5 4 3 2 1
001 – 283035 – June/15

All rights reserved.

Without limiting the rights under the copyright reserved
above, no part of this publication may be reproduced, sortir manger
stored in or introduced into a retrieval system, or transmitted,
in any form, or by any means (electronic, mechanical, eating out
photocopying, recording, or otherwise), without the prior
written permission of the copyright owner.
Published in Great Britain by Dorling Kindersley Limited.

A catalog record for this book is available from the

Library of Congress.
ISBN: 978-1-4654-3630-6

DK books are available at special discounts when purchased

in bulk for sales promotions, premiums, fund-raising, or
educational use. For details, contact: DK Publishing Special
Markets, 345 Hudson Street, New York, New York 10014
SpecialSales@dk.com

Printed and bound in China le temps libre

All images © Dorling Kindersley Limited leisure
For further information see: www.dkimages.com
A WORLD OF IDEAS:
SEE ALL THERE IS TO KNOW
www.dk.com
 à propos du comment utiliser les gens l’apparence
dictionnaire ce livre people appearance
about the dictionary how to use this book

la maison les services les courses la nourriture

home services shopping food

l’étude le travail le transport les sports

study work transportation sports

l’environnement l’information index remerciements

environment reference index acknowledgments
TABLE DES MATIÈRES • CONTENTS

les gens • people la grossesse | pregnancy 52 les communications 98

la naissance | childbirth communications
le corps | body 12 53
l’hôtel | hotel 100
le visage | face 14 les thérapies alternatives 54
la main | hand complementary therapy
15
les courses •
le pied | foot 15
la maison • home shopping
les muscles | muscles 16
la maison | house 58 le centre commercial 104
le squelette | skeleton 17 shopping centre
les organes internes 18 les systèmes domestiques 60
le grand magasin 105
internal organs internal systems
department store
les organes de reproduction 20 le salon | living room 62 le supermarché 106
reproductive organs la salle à manger 64 supermarket
la famille | family 22 dining room la pharmacie | pharmacy 108
les relations 24 la cuisine | kitchen 66 le fleuriste | florist 110
relationships
les ustensiles de cuisine 68 le marchand de journaux 112
les émotions | emotions 25
kitchenware newsagent
les événements de la vie 26
la chambre | bedroom 70 le confiseur | confectionery 113
life events
la salle de bain 72 les autres magasins 114
l’apparence • bathroom other shops

appearance la chambre d’enfants 74

la nourriture •
baby’s room
les vêtements d’enfants 30
children’s clothing la buanderie | utility room 76 food
la viande | meat 118
les vêtements pour hommes 32 l’atelier | workshop 78
men’s clothing le poisson | fish 120
la boîte à outils 80
les vêtements pour femmes 34 toolbox les légumes | vegetables 122
women’s clothing le fruit | fruit 126
la décoration | decorating 82
les accessoires | accessories 36 les céréales et les légumes 130
le jardin | garden 84 secs | grains and legumes
les cheveux | hair 38
les plantes de jardin 86
la beauté | beauty 40 les herbes et les épices 132
garden plants herbs and spices
la santé • health les outils de jardin 88 les aliments en bouteilles 134
garden tools bottled foods
la maladie | illness 44
le médecin | doctor 45 le jardinage | gardening 90 les produits laitiers 136
dairy produce
la blessure | injury 46
les services • les pains et la farine 138
les premiers secours 47 breads and flours
first aid services les gâteaux et les desserts 140
l’hôpital | hospital 48 les services d’urgence 94 cakes and desserts
le dentiste | dentist 50 emergency services la charcuterie | delicatessen 142
l’opticien | optometrist 51 la banque | bank 96 les boissons | drinks 144

6 français • english
 TABLE DES MATIÈRES • CONTENTS

sortir manger • les sports • sport

eating out le football américain 220
le café | café 148 football

le bar | bar 150 le rugby | rugby 221

le restaurant | restaurant 152 le football | soccer 222

la restauration rapide 154 le hockey | hockey 224

fast food le cricket | cricket 225
le petit déjeuner | breakfast 156 le basket | basketball 226
le repas | dinner 158 le baseball | baseball 228
le tennis | tennis 230
l’étude • study le golf | golf 232 les arts et métiers 274
arts and crafts
l’école | school 162 l’athlétisme | track and field 234
les mathématiques | maths 164 les sports de combat 236 l’environnement •
la science | science 166 combat sports
l’enseignement supérieur 168 la natation | swimming 238
environment
college l’espace | space 280
la voile | sailing 240
la terre | Earth 282
l’équitation | horseback riding 242
le travail • work la pêche | fishing 244
le paysage | landscape 284
le bureau | office 172 le temps | weather 286
le ski | skiing 246
l’ordinateur | computer 176 les roches | rocks 288
les autres sports 248
les médias | media 178 other sports les minéraux | minerals 289
le droit | law 180 le conditionnement physique 250 les animaux | animals 290
la ferme | farm 182 fitness les plantes | plants 296
la construction | construction 186 la ville | town 298
les professions | professions 188
le temps libre • l’architecture 300
leisure architecture
le transport • le théâtre | theater 254
transportation l’orchestre | orchestra 256 l’information •
les routes | roads 194 le concert | concert 258 reference
le bus | bus 196 le tourisme | sightseeing 260 l’heure | time 304
la voiture | car 198 les activités de plein air 262 le calendrier | calendar 306
outdoor activities les nombres | numbers 308
la moto | motorcycle 204
la plage | beach 264 les poids et mesures 310
la bicyclette | bicycle 206
le camping | camping 266 weights and measures
le train | train 208
les distractions à la maison 268 la carte du monde 312
l’avion | aircraft 210 home entertainment world map
l’aéroport | airport 212 la photographie 270 particules et antonymes 320
le navire | ship 214 photography particles and antonyms
le port | port 216 les jeux | games 272 phrases utiles | useful phrases 322

français • english 7
à propos du
dictionnaire
Il est bien connu que les illustrations
nous aident à comprendre et retenir
l’information. Fondé sur ce principe,
ce dictionnaire bilingue richement
illustré présente un large éventail de
vocabulaire courant et utile dans deux
langues européennes.
Le dictionnaire est divisé de façon
thématique et couvre en détail la plupart
des aspects du monde quotidien, du
restaurant au gymnase, de la maison au
lieu de travail, de l’espace au monde
animal. Vous y trouverez également des
mots et expressions supplémentaires
pour la conversation et pour enrichir
votre vocabulaire.
Il s’agit d’un outil de référence
essentiel pour tous ceux qui
s’intéressent aux langues – pratique,
stimulant et d’emploi facile.
Quelques points à noter
Les deux langues sont toujours
présentées dans le même ordre –
français et anglais.
Les noms sont donnés avec leurs
articles définis qui indiquent leur genre
(masculin ou féminin) et leur nombre
(singulier ou pluriel):
la graine les amendes
seed almonds
Les verbes sont indiqués par un (v),
par exemple:
récolter • harvest (v)
Chaque langue a également son propre
index à la fin du livre. Vous pourrez y
vérifier un mot dans n’importe laquelle
des deux langues et vous serez renvoyé
au(x) numéro(s) de(s) page(s) où il
figure. Le genre est indiqué par les
abréviations suivantes:
m = masculin
f = féminin
8 français • english
about the dictionary
The use of pictures is proven to aid
understanding and the retention of
information. Working on this principle,
this highly-illustrated bilingual
dictionary presents a large range of
useful current vocabulary in two
European languages.
The dictionary is divided
thematically and covers most aspects
of the everyday world in detail, from
the restaurant to the gym, the home
to the workplace, outer space to the
animal kingdom. You will also find
additional words and phrases for
conversational use and for extending
your vocabulary.
This is an essential reference tool
for anyone interested in languages –
practical, stimulating, and easy-to-use.
A few things to note
The two languages are always
presented in the same order – French
and English.
Nouns are given with their definite
articles reflecting the gender (masculine
or feminine) and number (singular or
plural), for example:
la graine les amendes
seed almonds
Verbs are indicated by a (v) after the
English—for example:
récolter • harvest (v)
Each language also has its own
index at the back of the book. Here you
can look up a word in either of the two
languages and be referred to the page
number(s) where it appears. The gender
is shown using the following
abbreviations:
m = masculine
f = feminine
comment utiliser
ce livre
Que vous appreniez une nouvelle langue
pour les affaires, le plaisir ou pour
préparer vos vacances, ou encore si vous
espérez élargir votre vocabulaire dans une
langue qui vous est déjà familière, ce
dictionnaire sera pour vous un outil
d’apprentissage précieux que vous
pourrez utiliser de plusieurs manières.
Lorsque vous apprenez une nouvelle
langue, recherchez les mots apparentés
(mots qui se ressemblent dans
différentes langues) et les faux amis
(mots qui se ressemblent mais ont des
significations nettement différentes). Par
exemple, l’anglais a importé des autres
langues européennes de nombreux
termes désignant la nourriture mais, en
retour, exporté des termes employés
dans le domaine de la technologie et
de la culture populaire.
Activités pratiques d’apprentissage
• Lorsque vous vous déplacez dans
votre maison, au travail ou à l’université,
essayez de regarder les pages qui
correspondent à ce contexte. Vous
pouvez ensuite fermer le livre, regarder
autour de vous et voir combien d’objets
vous pouvez nommer.
• Forcez-vous à écrire une histoire, une
lettre ou un dialogue en employant le
plus de termes possibles choisis dans
une page. Ceci vous aidera à retenir le
vocabulaire et son orthographe. Si vous
souhaitez pouvoir écrire un texte plus
long, commencez par des phrases qui
incorporent 2 à 3 mots.
• Si vous avez une mémoire très
visuelle, essayez de dessiner ou de
décalquer des objets du livre sur une
feuille de papier, puis fermez le livre et
inscrivez les mots sous l’image.
• Une fois que vous serez plus sûr de
vous, choisissez des mots dans l’index
de la langue étrangère et essayez de
voir si vous en connaissez le sens avant
de vous reporter à la page corres-
pondante pour vérifier.
français • english
how to use this
book
Whether you are learning a new
language for business, pleasure, or in
preparation for an overseas vacation,
or are hoping to extend your
vocabulary in an already familiar
language, this dictionary is a valuable
learning tool that you can use in a
number of different ways.
When learning a new language,
look for cognates (words that are alike
in different languages) and “false
friends” (words that look alike but carry
significantly different meanings). You
can also see where the languages
have influenced each other. For
example, English has imported many
terms for food from other European
languages but, in turn, exported terms
used in technology and popular
culture.
Practical learning activities
• As you move around your home,
workplace, or school, try looking at
the pages which cover that setting.
You could then close the book, look
around you, and see how many of the
objects and features you can name.
• Challenge yourself to write a story,
letter, or dialogue using as many of the
terms on a particular page as possible.
This will help you retain the vocabulary
and remember the spelling. If you want
to build up to writing a longer text,
start with sentences incorporating
2–3 words.
• If you have a very visual memory,
try drawing or tracing items from the
book onto a piece of paper, then
closing the book and filling in the
words below the picture.
• Once you are more confident, pick
out words in a foreign-language index
and see if you know what they mean
before turning to the relevant page
to see if you were right.
9
les gens
people
LES GENS • PEOPLE

le corps • body

le cou
la tête
neck
head
le mamelon
nipple

la poitrine
chest le sein
breast

le ventre la taille
abdomen waist

le nombril
navel
la hanche
hip
l’avant-bras
forearm

les organes la cuisse

génitaux l’aine thigh
genitals groin

le genou
knee
la jambe
le tibia leg
shin

le pied
foot
l’homme
male la femme
female

12 français • english
 LES GENS • PEOPLE

la nuque le dos
nape of back
l’épaule neck
shoulder

le bras l’aisselle
arm armpit

le coude
elbow le creux des reins
small of back

le poignet
wrist
la fesse
buttock

la main
hand

le mollet
calf

la cheville
ankle

le talon
heel
la femme
female l’homme
male

français • english 13
LES GENS • PEOPLE

le visage • face
les cheveux
hair

la peau
skin
le front
forehead
le sourcil
eyebrow

la tempe
temple

le cil
eyelash

l’œil
eye
l’oreille
ear

le nez
la joue
nose
cheek

la narine
nostril
le grain de beauté
mole

la bouche
la lèvre mouth
lip

la mâchoire
le menton
jaw
chin

14 français • english
 LES GENS • PEOPLE

la ride la tache de rousseur le pore la fossette

wrinkle freckle pore dimple

la main • hand
le majeur l’ongle
l’annulaire nail
middle finger
ring finger
la cuticule
l’index
cuticle
index finger
l’auriculaire
little finger

le nœud de
l’articulation
le poignet la paume knuckle
wrist palm

le pouce le poing
thumb fist

le pied • foot le gros orteil

big toe l’ongle du pied
toenail
l’avant-pied
ball
l’orteil
toe le petit orteil
little toe
le talon
heel
le dos du pied
bridge

la cheville
la plante du pied la cambrure ankle
sole arch
le cou-de-pied
instep

français • english 15
LES GENS • PEOPLE

les muscles • muscles

le frontal le pectoral le deltoïde le trapèze
frontal pectoral deltoid trapezius

le dorsal
l’intercostal latissimus dorsi
intercostal

le biceps
biceps le triceps
triceps

les abdominaux
abdominals
le tendon
du jarret le fessier
hamstring buttock

les quadriceps
quadriceps

le tendon
les muscles
d’Achille
jumeaux
Achilles tendon
calf

16 français • english
 LES GENS • PEOPLE

le squelette • skeleton
la clavicule le crâne
collarbone skull

l’omoplate le maxillaire les vertèbres cervicales

shoulder blade jaw cervical vertebrae

le sternum les vertèbres

l’humérus thoraciques
breastbone humerus thoracic vertebrae

la côte la cage
rib thoracique
rib cage
les lombaires
lumbar vertebrae
le cubitus le métacarpien
ulna metacarpal

le coccyx
tailbone

le radius la colonne vertébrale

radius spine
le bassin
pelvis

le fémur l’articulation • joint

la rotule femur
kneecap
le cartilage
cartilage
le péroné
fibula
le tibia
tibia le ligament
ligament
le métatarsien
metatarsal l’os le tendon
bone tendon

français • english 17
LES GENS • PEOPLE

les organes internes • internal organs

la thyroïde
thyroid gland
le foie
liver
la trachée
windpipe

le duodénum
duodenum
le poumon
lung

le rein le cœur
kidney heart

l’estomac
stomach
le pancréas
pancreas

la rate
spleen
l’intestin grêle
small intestine

le gros
intestin
large intestine

l’appendice
appendix

18 français • english
 LES GENS • PEOPLE

la tête • head le cerveau

brain

le sinus
sinus

le palais le pharynx
palate pharynx

la langue
tongue
l’épiglotte
epiglottis

le larynx
larynx
l’œsophage
la pomme d’Adam esophagus
Adam’s apple

les cordes vocales la gorge

vocal cords throat

les systèmes du corps • body systems

le diaphragme
diaphragm la veine l’artère
vein artery

respiratoire digestif cardio-vasculaire lymphatique

respiratory digestive cardiovascular lymphatic

la glande le nerf
gland nerve

urinaire endocrine nerveux reproducteur

urinary endocrine nervous reproductive

français • english 19
LES GENS • PEOPLE

les organes de reproduction • reproductive organs

la trompe de Fallope le follicule

fallopian tube follicle

l’ovaire
la vessie
ovary
bladder

l’utérus
uterus
le clitoris
clitoris

l’urètre
urethra
le col de l’utérus
cervix

les lèvres
le vagin
labia
vagina

féminin | female

la reproduction • vocabulaire • vocabulary

reproduction l’hormone impuissant les règles
hormone impotent menstruation
le sperme
sperm l’ovulation fécond les rapports sexuels
l’ovule ovulation fertile intercourse
egg
stérile concevoir la maladie sexuellement
infertile conceive transmissible
sexually transmitted disease

la fertilisation | fertilization

20 français • english
 LES GENS • PEOPLE

le conduit éjaculatoire le conduit l’uretère

ejaculatory duct spermatique ureter
vas deferens

la vésicule
seminal vesicle

la prostate
le pénis
prostate
penis

le rectum le prépuce
rectum foreskin

le testicule
testicle le scrotum
scrotum

masculin | male

la contraception • contraception

la cape le diaphragme le condom le stérilet la pilule

cervicale diaphragm condom IUD pill
cervical cap

français • english 21
LES GENS • PEOPLE

la famille • family

la grand-mère le grand-père
grandmother grandfather

l’oncle la tante le père la mère

uncle aunt father mother

le cousin le frère la sœur

cousin brother sister
la femme
wife

la belle-fille le fils la fille le gendre

daughter-in-law son daughter son-in-law

le petit-fils la petite-fille le mari

grandson granddaughter husband

22 français • english
 LES GENS • PEOPLE

vocabulaire • vocabulary
les parents les parents les petits-enfants la belle-mère le beau-fils la génération
relatives parents grandchildren stepmother stepson generation

les grands- les enfants le beau-père la belle-fille le/la partenaire les jumeaux
parents children stepfather stepdaughter partner twins
grandparents

les stades • stages

la belle-mère le beau-père
mother-in-law father-in-law

le bébé l’enfant
baby child

le beau-frère la belle-sœur
brother-in-law sister-in-law
le garçon la fille
boy girl

Mademoiselle
Miss
la nièce le neveu l’adolescente l’adulte
niece nephew teenager adult

les titres • titles

Madame
Mrs.
Monsieur l’homme la femme
Mr. man woman

français • english 23
LES GENS • PEOPLE

les relations • relationships

l’assistante le chef l’associée l’employeur l’employée le collègue

assistant manager business employer employee colleague
partner

le bureau | office

le voisin l’ami la connaissance le correspondant

neighbor friend acquaintance pen pal

le petit ami la petite amie le fiancé la fiancée

boyfriend girlfriend fiancé fiancée

le couple | couple les fiancés | engaged couple

24 français • english
 LES GENS • PEOPLE

les émotions • emotions

le sourire
smile

heureux triste excité ennuyé

happy sad excited bored

le froncement
de sourcils
frown

surpris effrayé fâché confus

surprised scared angry confused

inquiet nerveux fier confiant

worried nervous proud confident

vocabulaire • vocabulary
consterné rire soupirer crier
upset laugh (v) sigh (v) shout (v)

choqué pleurer s’évanouir bâiller

shocked cry (v) faint (v) yawn (v)
gêné timide
embarrassed shy

français • english 25
LES GENS • PEOPLE

les événements de la vie • life events

naître commencer à l’école se faire des amis obtenir sa licence

be born (v) start school (v) make friends (v) graduate (v)

trouver un emploi tomber amoureux se marier avoir un bébé

get a job (v) fall in love (v) get married (v) have a baby (v)

vocabulaire • vocabulary
le baptême mourir
christening die (v)

la bar-mitsvah faire son testament

bar mitzvah make a will (v)

l’anniversaire de l’acte de
mariage naissance
anniversary birth certificate

le mariage | wedding émigrer le repas de noces

emigrate (v) wedding reception

prendre sa retraite le voyage de noces

retire (v) honeymoon

le divorce l’enterrement
divorce funeral

26 français • english
 LES GENS • PEOPLE

les fêtes • celebrations les fêtes •

la fête la carte festivals
birthday party card

le cadeau
l’anniversaire present le Noël la Pâque
birthday Christmas Passover

le Nouvel An le carnaval le défilé le Ramadan

New Year carnival procession Ramadan
le ruban
ribbon

la fête de Thanksgiving Pâques la veille de la Toussaint la Diwali

Thanksgiving Easter Halloween Diwali

français • english 27
Another random document with
no related content on Scribd:
it’s a case of work at the oars and make time. Let’s get a move on
ourselves.”
We did, most effectually, and in just two hours’ time were shoving
a crude, whipsawed skiff out into the river, and feeling the current
catch us and sweep us toward the Ramparts below. We had begun
the grim chase to overtake the one man who had paid his toll of
gratitude by robbing the man who had twice saved his life, and it was
certain that, did we overtake him, this time there would be no
escape; for we would bring him back for trial.
The current helped us, and, to our satisfaction, we discovered that
the apparently clumsy skiff handled excellently and responded
bravely to our steady oars. We tore through the Ramparts where the
waters lashed the rocks, and out into the breadths below, and then
set ourselves to our task, as we traveled through that great
uninhabited country. Save for the flying fowl, and a bear that lazily
paused from drinking on a distant shore, we saw no living thing, and
we did not pause for luncheon, but took turns with the oars.
Accustomed as we were to the heaviest work, and in the perfect
physical condition that comes from healthful food and clean lives, we
did not suffer from the prolonged exertion. Indeed, had our mission
been less melancholy and desperate, I, for one, would have enjoyed
that steady, rhythmic motion, the gurgling of the water under our
bow, the ever-changing scenery at our sides, and the beauties of a
perfect day. We did not talk much, but once or twice Shakespeare
George, brooding, quoted as if to himself, in a bitter tone, his own
version of Wordsworth’s “Gratitude.”
What would have been evening in a more southerly latitude came
on, and found us still rowing with that same measured stroke, save
that we took shorter turns at the oars, and found the resting spells
more grateful. The current carried us closer toward a shore, around
a point that seemed blanketed with the evening’s purple haze, and
we stopped rowing abruptly at the sound of a rifle shot. Nestled at
the foot of a bluff was a squalid little Indian village, and the natives
were running excitedly up and down the water’s edge and waving to
us. It was evident that the shot had been fired to attract our attention.
We headed the boat toward them, and they caught our prow and
pulled us up on the shingle before we could protest.
 “Come! Quick come!” urged a withered, kindly faced old native,
presumably the tyune of this little domain. “White man ’most peluck!
Him soon die. Quick come!”
We hastened after him to the big Kazima, a sort of clubhouse
which each village of any size possesses, crawled in after him, and
when our eyes grew accustomed to the dull, smoke-blackened,
raftered interior, lighted only by a huge hole in the upper center over
the fire pit through which the soft daylight streamed, we stood above
the cause of his solicitude. Our chase was ended; for on the skins, at
our feet, lay Laughing Jim.
George knelt beside him, and ran his hand inside the blue shirt
that was torn open across the chest, and then looked up at us.
“Somethin’s happened to him,” he said, “feels to me as if he was
all shot to pieces.”
At the sound of his voice Laughing Jim opened his eyes a little
wildly, then smiled as recognition crept into their clear, but pain-
drawn, depths.
“I’m going,” he croaked, with a queer, gasping effort. “You got here
just in time. I—I⸺ Drink!”
Bill Davis pulled our little emergency flask from his pocket, George
lifted the wounded man up, and gave him a strong sup of the brandy,
and it momentarily strengthened him. All our animosity was forgotten
now, as we stood there rubbing shoulders with death, such is the
queer awe and pity that assails us at sight of the mortally stricken
regardless of their merits.
“Who did it, Jim?” asked George, still supporting the dying man’s
shoulders and head.
“Mahoney. But I got him! He’s over there!”
He rolled his eyes toward the dark corner of the Kazima, and with
exclamations of surprise all of us, save George, hurried to the
corner, struck matches, and looked. There lay Phil Mahoney, beyond
all aid, dead. I threw my handkerchief over his face before we went
back to George and Jim, on tiptoe, as if the sound of our footsteps
on that beaten earth would ever matter to him. We gave Jim another
draft of the brandy, and he feebly waved for silence.
 “Let me talk,” he said. “Not much time left. Been going out all day.
I’ve never been any good. Gambler’s habit of sleeping days, awake
nights. Took walk yesterday morning. Wanted to get close to birds
and hear ’em sing. Mile above camp. Saw Phil Mahoney toting
something toward boat. Acted queer. Didn’t see me. Got in boat and
shoved off. Skirted opposite shore as if afraid being seen. ‘Funny,’
says I. ‘Wonder what that big, ugly devil’s up to?’ Forgot all about it
and went back to my cabin, to clean up. Couldn’t find best shoes.
Cussed some, and wondered what Siwash could have swiped them.
Then, all of sudden, remembered Mahoney walked queer. So I⸺”
He stopped and his lithe, wounded body was twisted with a harsh
cough that threatened to undo him, and again we gave him brandy.
After a time, but in a weaker and more broken voice, he went on: “So
I went back. Never trusted him, anyhow. Sure enough there were
tracks in the mud. He had ’em on. I back-tracked him. Found thicket
of pussy willows, and inside of it empty gold sacks. Special buck.
You fellows’ names on ’em in indelible pencil. Got wild! Ran back
farther along tracks and saw he must have come from gulch trail—
your direction. Saw it all in a minute. Saw you fellows wouldn’t
believe me, because you know I’ve been a bad one—sometimes—
not always. Maybe not so bad as some. Only thing I could do to
show you I wasn’t a dog, and appreciated what you all had done for
me, was to catch thief. Grabbed canoe and chased him. Caught him
here, where he’d stopped to make tea, above village. Saw smoke.
Found boat—nothing in it. Crept up on him. He had gold dust with
him. Tried to get drop on him, but he was too quick. Whirled and
shot.”
He rested silently for a moment as if to gather strength, and there
was a little, exultant gleam in his eyes as he continued:
“I was down. Played fox. ‘That’s all right!’ says he, as he came up
and stood over me, ‘but I’d rather you’d been hanged by them
Competents.’ Then he laughed and turned back. I got to my elbow
and shot. He went down. Then we shot from the ground, and luck
was against me. Could feel every one of his hit. Didn’t know any
more till Indians came running and picked me up. Phil was dead.
Made natives bring me here with your dust. Told ’em better bring
Phil, too, so if I went out, and you came, you’d understand.”
 He coughed again, more violently, and the brandy seemed to
have lost its effect. He motioned with his dying fingers toward his
side, and we had to bend over to catch his whispered words:
“It’s there—by me—all of it—and—and—George, you’re white and
—I’m not so bad—after all—am I? Wanted you boys to know that
⸺”
As if the severing of soul and body had given him an instant’s
strength, he half stiffened, struggled, and then tried to laugh, a
ghastly semblance of that reckless, full-throated laugh that had given
him his sobriquet, twitched, gasped, seemed to abruptly relax, and
rested very still.
“Right? You’re right as rain! You are! God knows you are!”
George shouted the words to him as if speeding them out to
overtake his parting soul, and I like to remember that Laughing Jim’s
eyes seemed to twitch and that he went out with a smile on his face.
Side by side we buried them there, close to where the babble of
the Yukon might croon to them in the long summers, or display to the
cold skies its beaten winter trails, Phil Mahoney, the thief, in his
stolen shoes, and Laughing Jim, the strange admixture of evil and
nobility. And over each, with equal forgiveness, we put a rude
wooden cross, while curious, stolid natives stood quietly by. The sole
distinction we made was that the cross above Jim was carefully
hewn. But George lingered behind as we made our preparations to
camp in the village for the night, and the next morning, still filled with
the tragedy, I slipped back up the hillside for a last look at the
graves. On that of Laughing Jim, who would laugh no more, lay a
handful of dying wild flowers, and I saw scrawled on the cross, in the
handwriting of Shakespeare George, these words:
Under here is Laughing Jim. Paid a little favor with his life,
And died with a laugh on his lips! Bad as he was, better’n
Most of us, and provin’ that sometimes even poets is
wrong, and
That men don’t forget. Lord help us all to do as well.
And so we left him, and my eyes were fixed, as we rowed back up
the river, and the village with its natives was lost to view, on the
rough-hewn cross that seemed to blaze with a peculiar glory all its
own, a shining standard for one honorably dead on the field of
gratitude.

Transcriber’s Note: This story appeared in the December 1, 1913

issue of The Popular Magazine.
*** END OF THE PROJECT GUTENBERG EBOOK GRATITUDE ***

Updated editions will replace the previous one—the old editions

will be renamed.

Creating the works from print editions not protected by U.S.

copyright law means that no one owns a United States copyright
in these works, so the Foundation (and you!) can copy and
distribute it in the United States without permission and without
paying copyright royalties. Special rules, set forth in the General
Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
 PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the

free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and

Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree to
abide by all the terms of this agreement, you must cease using
and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only

be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project
Gutenberg™ works in compliance with the terms of this
agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms
of this agreement by keeping this work in the same format with
its attached full Project Gutenberg™ License when you share it
without charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project

Gutenberg:

1.E.1. The following sentence, with active links to, or other

immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the

United States and most other parts of the world at no cost
and with almost no restrictions whatsoever. You may copy
it, give it away or re-use it under the terms of the Project
Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country
where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is

derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is

posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project

Gutenberg™ License terms from this work, or any files
 containing a part of this work or any other work associated with
Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute

this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,

performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or

providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
 periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who

notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of

any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project

Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend

considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite
these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain “Defects,”
such as, but not limited to, incomplete, inaccurate or corrupt
data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other
medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES -

Except for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU
AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE,
STRICT LIABILITY, BREACH OF WARRANTY OR BREACH
OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER
THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF
THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If

you discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person or
entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set
forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS
OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR
ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied

warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the

Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission of

Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the

assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project

Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status by
the Internal Revenue Service. The Foundation’s EIN or federal
tax identification number is 64-6221541. Contributions to the
Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500

West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact

Section 4. Information about Donations to

the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws

regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states

where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot

make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current

donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About Project

Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several

printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,

including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.