AMADO ARRANJO MUSICAL;

PARTITURA MODULAR ALEXANDRO A.S


                                          
    
 = 80 INÍCIO

      

               

        
             
         
          
12

         
     
           
  

    
                        
            
20

    
 
                    

         
                                 
28 REFRÃO

         

   
 
         
                

                              
                             
35


                        
          

          

       
    
                         
  
   
43 PROGRESSÃO

        
 
               

           

                                              
49 REFRÃO 2

 
    
                    

                                         
          
    
56 PROGRESSÃO 2

 
 
                                     
 
                                            
                
  
63 FINAL INST

  
      
           

                    
                              
71


          
              


VANESSA DA MATA