Professional Documents
Culture Documents
PDF Lonely Planet Best of Tokyo 2020 Lonely Planet Ebook Full Chapter
PDF Lonely Planet Best of Tokyo 2020 Lonely Planet Ebook Full Chapter
Lonely Planet
Visit to download the full and correct content document:
https://textbookfull.com/product/lonely-planet-best-of-tokyo-2020-lonely-planet/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...
https://textbookfull.com/product/lonely-planet-best-of-
london-2020-lonely-planet/
https://textbookfull.com/product/lonely-planet-pocket-tokyo-
lonely-planet/
https://textbookfull.com/product/lonely-planet-best-of-
barcelona-2020-4th-edition-lonely-planet/
https://textbookfull.com/product/lonely-planet-best-of-new-york-
city-2020-lonely-planet/
Lonely Planet Best of Rome 2020 4th Edition Lonely
Planet
https://textbookfull.com/product/lonely-planet-best-of-
rome-2020-4th-edition-lonely-planet/
https://textbookfull.com/product/lonely-planet-pocket-tokyo-6th-
edition-lonely-planet/
https://textbookfull.com/product/lonely-planet-best-of-australia-
lonely-planet/
https://textbookfull.com/product/lonely-planet-best-of-europe-
lonely-planet/
https://textbookfull.com/product/lonely-planet-best-of-france-
lonely-planet/
BEST OF TOKYO
TOP SIGHTS, AUTHENTIC EXPERIENCES
Contents
Top Experiences
Golden Gai
Meiji-jingū
Ramen
Shopping in Harajuku
Walking Tour: Omote-sandō Architecture
Tokyo National Museum
Cherry-Blossom Viewing
Day Trip: Mt Fuji
Shibuya Crossing
Sumo at Ryōgoku Kokugikan
Sensō-ji
Ghibli Museum, Mitaka
teamLab Borderless
Onsen
Toyosu Market
Walking Tour: Yanaka
Kabukiza Theatre
Day Trip: Kamakura
Imperial Palace
Rikugi-en
Roppongi Art Triangle
Tsukiji Market
Akihabara Pop Culture
City Views
Karaoke
Dining Out
Treasure Hunt
Bar Open
Showtime
Active Tokyo
Spectator Sports
Outdoors
Amusement Parks
Courses
Rest Your Head
Accommodation Types
Where to Stay
In Focus
Tokyo Today
History
Pop Culture
Food & Drink
Arts
Traditional Culture
Survival Guide
Directory A–Z
Accessible Travel
Customs Regulations
Electricity
Emergency
Health
Insurance
Internet Access
Legal Matters
LGBT+ Travellers
Money
Opening Hours
Public Holidays
Safe Travel
Telephone
Time
Toilets
Tourist Information
Visas
Women Travellers
Transport
Arriving in Tokyo
Getting Around
Language
Behind the Scenes
Our Writers
Map Section
Tokyo City Maps
Harajuku, Aoyama, Shibuya & Ebisu
Marunouchi, Nihombashi, Ginza & Tsukiji
Roppongi & Around
Shinjuku
Ueno, Akihabara & Asakusa
Symbols & Map Key
Welcome to Tokyo
Rather than any particular sight, it’s Tokyo itself that enchants
visitors. It’s a sprawling, organic thing, stretching as far as the eye
can see. It’s diverse collection of neighbourhoods is always
changing, so no two experiences of the city are ever the same.
Some neighbourhoods feel like a vision from the future, with ever-
taller, sleeker structures popping up each year; others evoke the
past with low-slung wooden buildings and glowing lanterns
radiating surprising warmth. Elsewhere, drab concrete blocks hide
art galleries and cocktail bars and every lane hints at possible
discoveries. In Tokyo you can experience the whole breadth of
Japanese arts and culture, from centuries-old sumo and kabuki to
cutting-edge digital art.
When it comes to Tokyo superlatives, however, the city’s food scene
tops the list. Wherever you are, you’re usually within 100m of a
good, if not great, restaurant. It’s a scene that careens nonchalantly
between the highs and lows: it’s not unusual for a top-class sushi
restaurant to share the same block with an oil-spattered noodle
joint. Tokyoites love dining out; join them and delight in the sheer
variety of tastes and experiences the city has to offer.
Tokyo may seem daunting at first: it’s subway map is a tangle of
intersecting lines and is often compared to a bowl of noodles. But
once you get out there, you’ll be surprised how easy it is to
navigate. That subway can take you everywhere you want to go;
trains are frequent (though sometimes uncomfortably crowded)
and almost always on time, and stations are well signposted in
English.
CLOCKWISE FROM TOP LEFT: SEAN PAVONE/SHUTTERSTOCK ©; SEAN PAVONE/SHUTTERSTOCK ©;
MANUEL ASCANIO/SHUTTERSTOCK ©; TTSTUDIO/SHUTTERSTOCK ©; PANWASIN
SEEMALA/SHUTTERSTOCK ©; WITAYA RATANASIRIKULCHAI/SHUTTERSTOCK ©; MATT
MUNRO/LONELY PLANET ©; TAKASHI YASUI/500PX ©; TOM BONAVENTURE/GETTY IMAGES ©;
BIXPICTURE/SHUTTERSTOCK ©; SEAN PAVONE/SHUTTERSTOCK ©; OLIOPI/SHUTTERSTOCK ©
Plan Your Trip
This Year in Tokyo
Tokyo
From pop culture events to festivals that have been taking place for
centuries, there is always something going on in Tokyo. Like
elsewhere in Japan, the seasons have special meaning and every
new bloom is a reason for celebration.
z Hatsu-mōde 1 Jan
Hatsu-mōde, the first shrine visit of the new year, starts just
after midnight on 1 January and continues through O-
shōgatsu. Meiji-jingū is the most popular spot in Tokyo; it can
get very, very crowded, but that’s part of the experience.
MYPIXELDIARIES/SHUTTERSTOCKS ©
z Setsubun 3 Feb
The first day of spring on the traditional lunar calendar signalled a
shift once believed to bode evil. As a precaution, people visit
Buddhist temples on Setsubun, to toss roasted beans, and shout,
‘Oni wa soto! Fuku wa uchi!’ (‘Devil out! Fortune in!’).
MI7/SHUTTERSTOCK ©
March
03 Spring begins in fits and starts. The Japanese have a
saying: sankan-shion – three days cold, four days
warm.
LEUNGCHOPAN/SHUTTERSTOCK ©
ZIGGY_MARS/SHUTTERSTOCK ©
0 4 April
Warmer weather and blooming cherry trees make
this quite simply the best month to be in Tokyo.
KEIMA YAMADA/500PX ©
PATARA/SHUTTERSTOCK ©
One merry story suggested another, till the potent spirit of the bowl
covered some all over with slumber “as with a cloak,” laid others
prostrate beneath the table, and to the maudlin eyes of the
unconquered survivors presented every object as if of the dual
number. The bustle and hurry of preparation in the kitchen had died
away, orders for an additional supply of liquor were more tardily
executed, and the kitchen-maid came in half undressed, holding a
short gown together at the breast, rubbing her eyes, and staggering
under the influence of a stolen nap at the fireside, from which she
had been hastily and reluctantly roused. Cleekum, M‘Harrigle,
M‘Glashan, and myself were the only individuals who had any
pretentions to sobriety. The landlord had prudently retired to rest an
hour before. Silence reigned in the whole house, except in one
apartment, and silence would have put down her velvet footstep
there also, but for the occasional roars of M‘Harrigle, who bellowed
as if he had been holding conversational communion with his own
nowt; and the engine-without-oil sort of noise that M‘Glashan made
as he twanged, sputtered, and grunted his native tongue to
M‘Harrigle, who was turning round to the piper every now and then,
crying “D——n your Gaelic, you’ve spewed enough o’t the night; put a
bung in your throat, you beast!”
A few flies that buzzed and murmured round the room were the
only joyous and sleepless creatures that seemed disposed to prolong
the revelry. The cold toddy having lost its delicious relish, produced
loathing, and its former exhilarating effluvia was now sickening to
the nose. The candle-wick stood in the middle of the flickering flame
like a long nail with a large round head, and sending the light in fitful
flashes against the walls. The cock had sounded his clarion, the
morning seamed the openings of the window-shutters with lines of
light, and the ploughman, roused to labour, went whistling past the
door. I opened the window-shutter. A glare of light rushed in and
condensed the flame of our little luminary into a single bud of pale
light, whose sickliness seemed to evince a kindred sympathy with the
disorderly remains of the night’s revelry, and with the stupified
senses and exhausted bodies of the revellers themselves.
I looked out of the window. All was silent, save the far-off whistle
of the ploughman who had passed, and the continual roar of the
cataract; and all was motionless, except the blue feathery smoke
which puffed from a single-chimney, and floated down the glen in a
long wavering stream. How chill and piercing the morning air feels to
the nervous and debilitated reveller, and how reproachfully does the
light of another day steal in upon the unseemly disorder of his
privacy! Almost every man feels himself to be somewhat of a
blackguard who is thus surprised.
Going home drunk in a summer morning! What a beast!
Feebleness of knees, that would gladly lie down by the wayside,—
headache, that makes the brain a mere puddle of dirty recollections,
and dismal anticipations,—dimness of eyes, that makes every visible
object caricaturish and monstrous,—filthiness of apparel enough to
shame a very scavenger,—and a heart sick almost to the commission
of felo de se. Zig-zag, thump, thump, down again, howling, swearing,
praying. It is a libel on the brute creation to call it beastliness. Brutes
do no such thing. And the morning, how fresh, clear, green, and
glittering! Hang that fellow,—going to work, I imagine. What on
earth roused him at such an unseasonable hour? To be a spy upon
me, I suppose. Who are you, sir?—A poor man, please your honour,
sir.—A poor man! go and be hanged then.—These birds yelping from
that thicket are more unmusical than hurdy-gurdy, marrowbone and
cleaver. I wish each of them had a pipe-stopple in its windpipe. I
never heard such abominable discord. The whole world is astir. Who
told them I was going home at this time in the morning? Who is that
singing the “Flower o’ Dunblane” at the other side of the hedge? A
milkmaid—“and the milkmaid singeth blithe.” Ah, John Milton, thy
notions of rural felicity were formed in a closet. You may have a peep
of her through this “slap.” Rural innocence!—a mere humbug,—a
dirty, tawdry, pudding-legged, blowsy-faced, sun-burnt drab. What a
thing for a shepherdess in a pastoral! Confound these road trustees;
they have been drawing the road through a bore, and have made it
ten times its common length, and a hundred times narrower than its
common breadth. Horribly rough; no man can walk steadily on it.
Have the blockheads not heard of M‘Adam? In the words of the
Lawrencekirk album epigrammatist,—
“The people here ought to be hanged,
Unless they mend their ways.”
By D. M. Moir.
We’ll hap and row, hap and row,
We’ll hap and row the feetie o’t;
It is a wee bit weary thing,
I dinnie bide the greetie o’t.—Provost Creech.