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Textbook Spider Web The Birth of American Anticommunism 1St Edition Nick Fischer Ebook All Chapter PDF
Textbook Spider Web The Birth of American Anticommunism 1St Edition Nick Fischer Ebook All Chapter PDF
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NI
CKF
ISC
H E
R
SPI
DER
WEB
TH
EB I
RTHOF
AMERI
CAN
A
NTICO
MMU N
ISM
Spider Web
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Nick Fischer
Spider
Web
The Birth of
American
Anticommunism
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Publication of this book is supported by grants from
the Australian Academy of the Humanities and
from Monash University.
© 2016 by the Board of Trustees
of the University of Illinois
All rights reserved
Manufactured in the United States of America
1 2 3 4 5 c p 5 4 3 2 1
∞ This book is printed on acid-free paper.
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Contents
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Chapter 11. The Mythology of Anticommunism 220
Chapter 12. Antidemocracy and Authoritarianism 244
Conclusion Legacies of the Spider Web 256
Afterword 279
Notes 283
Bibliography 315
Index 329
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Illustrations
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Acknowledgments
S pider Web represents the culmination of many years of work. The staff of
University of Illinois Press and many mentors, friends, and relations have
helped me greatly during this time and deserve my formal thanks in these pages.
I first thank the staff, faculty board, readers, and copyeditors who work at UIP
or were engaged by the Press to work on the book. In particular, I thank Laurie
Matheson for seeing potential in the book and in me, and for persevering with
both. Jennifer Comeau has been a helpful production editor. Jennifer Holzner de-
signed two tremendous covers, presenting me with a wonderful dilemma, which
I think we got right. The design staff created a very attractive and easy-to-read
manuscript. Rosemary Feurer of the Northern Illinois University contributed
invaluable observations and generous advice at critical stages during the book’s
development, and I thank her and the Press’s anonymous reader, an expert on the
Industrial Workers of the World. Ellen Goldlust’s eagle eye improved the syntax
of the book and helped us both discover terms that have not crossed the Pacific
Ocean. And Sheila Bodell created the useful and insightful index.
I conducted considerable research for this book in various archives, where I
received valuable guidance and assistance, including at the Hoover Institution
(especially from Remy Squires), the Newberry Library in Chicago, Loyola Uni-
versity of Chicago (especially from the late Brother Michael Grace), the Library
of Congress, and the US National Archives and Records Administration. I also
found valuable material in the National Library of Australia and the State Library
of Victoria, and I thank manuscript staff at those institutions.
Much of my research was also conducted through interlibrary loans and
the assistance of the document delivery librarians at Monash University, who
promptly furnished me with every item I requested.
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x • Acknowledgments
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Acknowledgments • xi
development of the book, and I thank her for her unconditional love and confi-
dence in me and this project, as well as for studiously reading great chunks of
the book and for putting things in the right perspective, so many times.
Inevitably I have not been able to produce this book as quickly as I had hoped,
and as a result some people very dear to me will never have the chance to read
it. I particularly wish that my late grandmother Marta Fischer had been able to.
She led a remarkable life (1910–2009) through many of the events described in
this book. Whereas her brother and his German-born wife settled in the United
States, the Fischer clan has John B. Trevor (see chapter 6) to thank, in part, for
having been born and raised in Australia. Marta had more horse sense than any-
one I have ever met, and both she and my grandfather Bela were great influences
on me, morally and intellectually.
My penultimate thanks go to Gabrielle Wolf. Her support has been crucial.
She has taken joy in all my successes, shepherded me through disappointments,
and made so many sacrifices, particularly to care for our children for extended
periods, to enable me to write. A marriage is about so much more than achieve-
ments, trials, and single events, and I am very grateful to have Gabrielle’s love
and support, at all times.
Finally I thank my father, John Fischer, who has read the book more times
than anyone but me. I know he is as excited as I am to finally see it in print. I am
more grateful than he can know for the myriad ways in which he has helped me
complete the book, including, above all, in introducing me to many wonderful
historians and books, and in teaching me how to think as a scholar should.
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Introduction
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xiv • Introduction
the political events of the mid-twentieth century are generally understood and
consequently has encouraged episodic interpretations of the significance of
anticommunism. As a result, the significance of the doctrine and its hold on
American politics has sometimes been understated, quarantined to particular
and short periods of time, and explained as an aberration from a more durable
political norm.
However, scholars recently have developed a more sophisticated under-
standing of the long and complex history of American anticommunism. Ellen
Schrecker, Kim Phillips-Fein, and Ira Katznelson have shown that a broad range
of organizations and individuals were involved in anticommunist repression.
They have also explored the importance of depression-era developments to
the emergence not only of Cold War anticommunism but also of the modern
conservative movement more broadly.2 This book builds on this scholarship by
exploring the significance of the period immediately following the First World
War to the emergence of anticommunism as a significant influence in US poli-
tics and culture. In particular, the volume focuses on the linkages, beliefs, and
actions of a network of anticommunists that emerged at this time, particularly
in response to the Russian Bolshevik Revolution of November 1917. With sup-
porters in every field of government and industry, this network stretched from the
highest echelons of power down to the smallest towns and farming communi-
ties. Seizing on the call for transnational socialist revolution issued by Russia’s
new communist government, the anticommunist movement devised the perfect
metaphor both for describing the international communist threat and for spread-
ing its counterrevolutionary message: the spider web. No image could better
represent how the disparate strands of international radicalism—anarchists,
socialists, Bolsheviks, labor unions, peace and civil liberties groups, feminists,
liberals, aliens, and Jews—intertwined and terminated at one source: the Com-
munist International in Russia.
Yet ironically, the image of the spider web perhaps most accurately describes
the interwar anticommunist movement itself. Indeed, the anticommunist spider
web was arguably a more powerful and influential “conspiracy” against Ameri-
can democracy. During the Red Scare of 1919 and then in the 1920s and 1930s,
anticommunists fought organized labor, radical political parties, and numerous
progressive causes, insisting for both sincere and opportunistic reasons that
those movements formed part of a hideous Bolshevik and anti-Christian web.
This inflammatory rationalization helped to justify anticommunists’ extreme
actions, which included murder, assault, political terror, the suppression of free
speech and industrial action, interference with educational institutions, forced
patriotism, immigration restriction, deportation, and the annulment of landmark
social legislation.
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Introduction • xv
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xvi • Introduction
communism was deployed, more or less unceasingly from 1871, in the service
of laissez-faire economics and the suppression of labor organization as well as
other forms of social, political, and economic activity that undermined domi-
nant business and political interests. This deployment has important implica-
tions for historical debate about the origins of American anticommunism as a
response both to hostile foreign influence and to domestic political, economic,
and social conditions. Opposition to radical left-wing doctrines and organiza-
tions originating in Europe certainly provided one motive for antiradicalism.
However, anticommunism became an important factor in American politics
long before the socialist revolutions that empowered the international com-
munist movement. The two were fully compatible and eventually melded, but
anticommunism had emerged much earlier, primarily in response to domestic
tensions that grew in significance as the US economy rapidly industrialized in
the late nineteenth century.
These tensions played an important role in the emergence and sustenance of
anticommunism because the same rhetoric and actions were used to suppress
indigenous radical organizations and the anarchist and later communist parties
that were more cosmopolitan in orientation and membership. These radical
organizations and movements were maligned and attacked indiscriminately
until the emergence of the USSR subsumed other strands of the Radical Left
and simplified the crusade against the Left into a fight against (international)
communism. The story of why and how the Anticommunist Spider Web of the
interwar period advanced this crusade forms the core of this book.
The rise of American anticommunism also imparts important lessons about
how politics in America has worked since the Civil War. Organized groups in the
American polity have harnessed political and economic doctrines in the service of
specific sectional goals. Anticommunism was the product of a marriage of private
and state instruments, techniques, and philosophy used to promote laissez-faire
and the antilabor “open shop.” Anticommunism was applied with particular in-
tensity during the McCarthy era and the Red Scare, but these periods have been
emphasized only because anticommunist repression then spread beyond the
labor movement and the Radical Left into broader society. Nevertheless, those
two eras were thoroughly grounded in the politics of the preceding decades.
The evolution of anticommunism was an important element in the construc-
tion of the modern American state and corresponds with profound changes in
state, social, and corporate methods of dealing with conflict, especially economic
conflict. Over time, a reliance on brutal, physical repression of targeted individu-
als and organizations gave way to more sophisticated forms of repression and
control.5 What began with antistrike injunctions and the fatal beating of striking
workers evolved into a political ideology that eventually claimed a greater hold
on the concept of Americanism than any other competing force or notion.6
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Introduction • xvii
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xviii • Introduction
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Spider Web
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Chapter 1
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2 • Chapter 1
safe environment, and they had no safety net to sustain them when they became
sick or disabled. The principle of forcing people to labor in intolerable conditions
or for intolerable terms survived slavery to become a basic feature of working life.
For millions of industrial and agricultural laborers, sharecroppers, and tenant
farmers, life was defined by cruel patterns. They worked in dangerous jobs for
subsistence wages, in constant fear of poverty and loss of livelihood. Booms and
busts shook the economy periodically, and “average” workers bore the brunt of
prolonged recession. Their every attempt to organize into cooperative or indus-
trial associations was met with heavy opposition, penalties, and condescension.
Simultaneously, the economic dominance of corporations and the institu-
tionalization of political corruption as the price of economic development in-
creased with each passing decade. Many employers and magnates refused to
negotiate with labor unions, and the state generally rose to the defense of prop-
erty. As corruption closed off one reform after another, the historical practices
of “criminaliz[ing] political differences” and stigmatizing “dissenters as social
pariahs” became ever more important devices for marginalizing “those going
under in the new America.”2 A rising tide of protest and civil, industrial, and
political violence was blamed on the unprecedented numbers of aliens arriving
on America’s shores, allegedly bringing with them polluting notions of class
warfare. This cycle of widespread and prolonged distress gave rise to competing
responses. While some citizens acknowledged that the nation’s political system
and economy required reform, a corresponding conviction that distress did not
warrant and should on no account receive any systemic redress emerged. And
this conviction resulted in a distinctive and in some respects exceptional Ameri-
can form of anticommunism.
With astonishing speed, anticommunism became an effective and influential
political doctrine and strategy. It was woven, sometimes uncritically but often
with great craft and persistence, into America’s “countersubversive” tradition of
politics, in which fear of disorder, conspiracy, and tribal bonds give rise to violent
and exclusionary rhetoric and action. As a form of countersubversive politics,
anticommunism was prosecuted by a blend of corporate, government, and social
entities comprising public-private or state-society partnerships of great power
that were in many respects particular to the United States.
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Origins of American Anticommunism • 3
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4 • Chapter 1
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Origins of American Anticommunism • 5
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6 • Chapter 1
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Origins of American Anticommunism • 7
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8 • Chapter 1
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A TUAREG WOMAN.
“The women, however, picked up the swords, the spears, and the
daggers, with which they faced the enemy and drove them off.
“From that day, to show their admiration for the conduct of their
wives, and their shame for their own cowardice, the men wore the
veil and the women left their features exposed to view.”
In addition to the veil the Tuaregs wear a tunic of lustrous black
cotton, which falls nearly to the ankles, and in the front of which is a
huge pocket.
The Tuareg who wishes to be very “chic,” to use the last slang
expression in vogue in France and England, has this pocket made of
red material; but whatever the colour it is always of huge size. It is
difficult to imagine what quantities of things that pocket will hold. In it
a Tuareg can stow away yards upon yards of stuff, any amount of
beads, whole coverlets, etc., etc.; and to see him dispose of
everything in such a limited space, reminds one of the conjurors who
put a cannon ball, a cage full of birds, and a bowl with gold fish all
into a single nut.
Long wide trousers envelope the lower part of the body, and are
drawn in at the waist with running strings, whilst sandals made of ox
or antelope hide protect the feet from the burning heat of the sun-
parched sand.
The costume is completed by quantities of little leather sachets,
containing amulets, hung round the neck on thin cords. These
amulets protect their wearer from all evil influences, and secure to
him all the good things his heart desires.
The weapons of a Tuareg are all what the French call armes
blanches, that is to say, swords, spears, daggers, etc., and it is rare
indeed for any of them to own firearms. Even if they have them they
will not use them unless they are positively driven to do so. They
have a kind of superstitious dread, and at the same time a contempt
for guns. “They are not weapons worthy of a man,” say these
Tuaregs, who admit that their women excel them in courage.
The national weapon par excellence is the so-called tellak or short
dagger, the sheath of which is fastened to the left wrist with a leather
armlet. The hilt of this tellak is of the shape of a cross, and the
wearer is not at all inconvenienced by wearing it. He generally rests
his hand on the hilt when he is not using the weapon. If he is
threatened with any danger, the dagger is drawn from the sheath
with the right hand in an instant.
The spear or lance is generally made entirely of iron, except for
certain copper ornaments; a few, however, have wooden handles,
though the actual weapon is of metal. The Ihaggaren alone have the
right of wearing the iron spear, and the so-called takuba or sword
worn at the side, suspended on a cotton or silk cord.
According to circumstances, the spear is used as a missile or as a
lance. Mounted Tuaregs use it much as European lancers do, but
when they are fighting on foot, they fling it with marvellous skill, and
will rarely miss an enemy at a distance as great as fifty feet. The red
and green leather shields of the Tuaregs are often decorated with
considerable taste, and we must not forget to mention the ahabeg,
which is alike a weapon and an ornament, consisting of a circlet of
stone worn on the left arm a little above the wrist.
The horses of the Tuaregs are very ugly and small but strong. The
saddles in use are of wood covered over with leather, and a thick
coverlet of felt protects the hinder quarters of the steed. The bits are
of very well forged iron, the bridle is of plaited leather; the stirrups of
copper are very small, no bigger than a child’s bracelet, and the
horseman only rests his big toe in them.
But the animal which takes first rank, whether for riding or for
carrying bales of merchandise, the equipment of camps, meat, milk,
etc., is the camel.
The Tamschek language has many names for this useful animal,
a different one being used for it according to its age and capacity.
The camel used as a beast of burden is a strongly-built and heavy-
looking animal, known as an amnis, whilst the areggan or saddle
camel, used for riding, is much lighter, has slenderer limbs, and is far
more spirited. For guiding the amnis or the areggan a bridle is used,
passing through a ring which was fixed in the nose of the animal at a
very early age.
The camel is the chief wealth of a Tuareg. “How many camels has
your father?” I was asked, and it was very difficult to convince my
questioner that this useful animal would be of no good to us in
France.
The costume of Tuareg women is simpler than that of their
husbands, and consists of a long piece of stuff, which is rolled round
and round the body, a pair of cotton drawers, and a fariuel, or shawl,
which they wear over their heads, and drape about their figures as
gracefully as their extreme stoutness will admit.
Copper ornaments are much valued and are very rare. As a
general rule the women and men both like any sort of trinket which
can be hung round the neck; an old sardine tin is a very suitable
present for an admirer to give to a Tuareg lady. A Tuareg’s house is
his tent. The very poor, however, live in straw huts called ehan.
The tent or ehakit is made of skins upheld by a central stake; the
edges of the skins are very irregular, and are fastened with the aid of
tags to pegs stuck in the ground.
During the night the tent is closed, and the owner is shut up within
it, but in the daytime it is left open on the side opposite the sun;
blinds made of very thin laths of wood, kept together with strips of
leather, plaited in and out, shield those in the tent from the heat and
glare of the rays reflected from the burning sands.
An encampment of tents is called an amezzar, a group of camps,
generally occupied by one tribe, is a tausi, and over such an
agglomeration the chief or amrar has full authority.
The imrad camps are surrounded
by palisades or afaradj, between
which and the tents occupying the
centre of the enclosure the flocks and
herds are sheltered at night and
protected from the lions, which still
prowl in the vicinity.
The Ihaggaren seldom have their
flocks and herds with them, but when
they have, certain of the imrads under
them live in the camp and look after
the animals.
TUAREGS.
Within the tent the woman is
mistress. It is her business to look
after and order about the slaves. She milks the cows and she does
the cooking. But amongst the more important tribes the house, or
rather tent-keeping cares do not occupy the whole of the day, and
the nights are so warm that all sensible Tuaregs sit up till midnight at
least.
Well, how does the woman employ her spare time? She does her
leather work very much as European ladies do their embroidery, or
she sings to the accompaniment of an amzad, or violin with but one
string. She even composes verses.
Yes, she makes verses! Will not this arouse the interest of all the
blue-stockings of Europe? Surely when their occupations are so
much alike their sympathies will go out to their sisters in the distant
desert.
I can even add that Tuareg verses will always scan, and that they
all rhyme. Surely this is a good deal more than can be said of the
effusions of most female scribblers!
The men too write poetry sometimes. I have not time or space to
give specimens of the productions of these writers of the Niger
districts; but I cannot refrain from quoting two examples given by
Commandant Hanotaux in his Tamschek grammar, which were
written by Tuaregs of the north.
The first is a madrigal, composed and transcribed in the album of
a young lady of Algiers by Bedda of Ida. It must be observed that
Bedda was the first Tuareg to visit Algeria.
I speak; and, Angelina, thine the name!
Love in my heart for thee can never die.
What son of Adam may endure the flame
That burns within that dark, alluring eye?
For love of thee, enslavèd by thy glance,
I e’en would journey forth afar to France!
A YOUNG TUAREG.
EL KHOTAB