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PDF The Swan King Ludwig Ii of Bavaria Christopher Mcintosh Ebook Full Chapter
PDF The Swan King Ludwig Ii of Bavaria Christopher Mcintosh Ebook Full Chapter
Christopher Mcintosh
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Christopher McIntosh was born in England in 1943 and grew up
in Edinburgh. He studied Philosophy, Politics and Economics at
Oxford University and German at London University. Later, he
returned to Oxford to take a doctorate in History. As a writer, he has
specialized in the history of ideas, central European history and the
Western esoteric tradition. In addition to The Swan King, he has
written two books on the Rosicrucians, a biography of the French
occultist Eliphas Lévi and Gardens of the Gods (I.B.Tauris).
King Ludwig II of Bavaria in his General’s uniform, in a portrait by F. Piloty of 1865.
The
SWAN KING
LUDWIG II OF BAVARIA
CHRISTOPHER McINTOSH
New revised edition published in 2012 by I.B.Tauris & Co Ltd
6 Salem Road, London W2 4BU
175 Fifth Avenue, New York NY 10010
www.ibtauris.com
The right of Christopher McIntosh to be identified as the author of this work has
been asserted by the author in accordance with the Copyright, Designs and
Patents Act 1988.
All rights reserved. Except for brief quotations in a review, this book, or any part
thereof, may not be reproduced, stored in or introduced into a retrieval system, or
transmitted, in any form or by any means, electronic, mechanical, photocopying,
recording or otherwise, without the prior written permission of the publisher.
A full CIP record for this book is available from the British Library
List of Illustrations
List of Maps
Preface to the 2012 Edition
Preface
Acknowledgements
1. Bavaria.
‘There is a Swan whose name is Ecstasy …’
Aleister Crowley, The Book of Lies
Preface to the 2012 Edition
I n the period of nearly three decades since the first edition of this
book was published, the figure of King Ludwig II has exerted an
ever more powerful fascination and attracted an increasing number
of admirers. He features in books, articles, television programmes,
films, plays and even a musical. And, in the age of the internet, a
search under his name will reveal thousands of entries. At the same
time, research on him has advanced considerably since this book
first appeared. This new edition gives me the opportunity to present
a fuller and more up-to-date view of Ludwig and the various areas of
controversy connected with him.
There are four areas of his life that are particularly controversial.
First, there has been a persistent rumour that his father was not
Crown Prince (later King) Maximilian but rather the dashing royal
adjutant Baron Ludwig von der Tann or possibly the Italian Joseph
Tambosi, who was a butler in the royal household. According to one
theory, Maximilian was not in possession of full potency and von der
Tann was asked to ensure the succession. These theories are highly
speculative, but I have mentioned them briefly in the chapter on
Ludwig’s birth and childhood.
The second area of controversy is Ludwig’s supposed
homosexuality, which is widely taken for granted, although many of
his devotees deny it vehemently. Again, this subject has been much
written about lately, and much new alleged evidence has come to
light. While I have already written about this question in the earlier
edition, I now do so more fully in Chapter 15.
A third topic of controversy is the question of whether Ludwig was
mad or not, and, if so, what the cause of his madness might have
been. The story has often been told of his dethronement on the
grounds of a psychological ‘assessment’ that pronounced him insane,
but there are many who reject the madness theory and dismiss the
assessment as part of a plot against him. The possibility that his
condition was due to syphilis has been aired a number of times, but
one recent author on Ludwig who rejects this theory is Heinz Hänfer,
Emeritus Professor of Psychiatry at the University of Heidelberg, who
has examined this question very thoroughly in his book Ein König
wird beseitigt. Ludwig II von Bayern (A King is Removed. Ludwig II
of Bavaria). In Chapter 18 I shall return to the subject of Ludwig’s
mental and physical health, examining the question in greater detail
than in the earlier edition.
The fourth — and perhaps most hotly debated — issue concerns
the cause and circumstances of his death in Lake Starnberg on 13
June 1886. Essentially the speculations on this subject boil down to
three basic theories: (a) the murder theory; (b) the theory that
Ludwig died accidentally while trying to escape; (c) the suicide
theory. The murder theory is a favourite among Ludwig’s devotees,
but I find it unconvincing for the reasons I give in Chapter 19. The
second theory has a romantic quality, but there is little solid
evidence to support it. On balance, I continue to believe that Ludwig
entered the lake with the intention of committing suicide. This seems
to me his most probable motive, given the intensely humiliating and
hopeless situation in which he had been placed. Clearly a struggle
then took place between the King and his doctor. I have suggested
what might have ensued in the struggle, ending in the deaths of
both men, but I do not claim that this is anything more than
speculation. I have not changed my position on this since the earlier
edition, but I have reported on various recent pronouncements on
the subject.
A further area where I felt some updating was necessary was in
connection with the legend of Ludwig, which even in his lifetime had
begun to outgrow the man himself and since his death has grown
continuously. Herein lies one of the main reasons why I was
attracted to the subject of Ludwig in the first place. I have long been
fascinated by the borderland between history and myth — by the
way in which history turns into myth and myth in turn influences
history. This is a process which is not yet sufficiently understood,
although it continually propels historical events and shapes the way
we perceive them. One way in which it manifests itself is with
national heroes or heroines, who often assume a mythical dimension
out of proportion to the reality. We saw this, for example, towards
the end of the last century with the near deification of Princess
Diana — to the point where a Pakistani waiter in a Hamburg
restaurant told me that, out of grief over her death, he had taken
two days sick leave. Royalty are, of course, especially likely to be
objects of this sort of mythologizing because of the exalted aura that
their role gives them. If you add, as in the case of Ludwig, a highly
eccentric personality to the point of suspected madness, a passion
for creating astonishing buildings, a key role in the life of a great
composer (Wagner), alleged homosexual leanings, rumours
concerning his parentage, and a mysterious, tragic and premature
death, then you have a recipe for a legend of enduring fascination.
Accordingly, I have extended the Epilogue to take account of the
continuing cult of Ludwig. At various other points in the book I have
made changes and corrected what I felt to be omissions in the
earlier version.
Ultimately, Ludwig remains what he wanted to be: ‘an eternal
enigma’. No book can ever fully ‘capture’ him, but this one, in its
revised form, attempts more fully to describe the enigma and the
legend and to throw some more light on the reality.
Preface
The King saw his two sons, Ludwig and Otto, only once or twice
during the day, at midday during the second breakfast and in
the evening at dinner. He very rarely visited the rooms where
they were growing up; when he did he usually just held out his
hand in greeting and took his leave as quickly as possible. It
needed long and hard efforts to persuade the King to take his
eldest son with him on his morning walk in the English Garden
between 9 and 10 o’clock. But even so it only happened a few
times. The King declared: ‘What am I supposed to talk to the
young man about? Nothing that I deal with interests him.’5