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Full Chapter The Nature Fix Why Nature Makes Us Happier Healthier and More Creative Williams Florence PDF
Full Chapter The Nature Fix Why Nature Makes Us Happier Healthier and More Creative Williams Florence PDF
Full Chapter The Nature Fix Why Nature Makes Us Happier Healthier and More Creative Williams Florence PDF
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The Spaces Between Us: A Story of Neuroscience,
Evolution, and Human Nature Michael S.A. Graziano
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To my father, John Skelton Williams, for showing me the
natural world in the first place. You always
made it magical.
CONTENTS
PART ONE
LOOKING FOR NATURE NEURONS
PART TWO
NEARBY NATURE: THE FIRST FIVE MINUTES
PART THREE
FIVE HOURS A MONTH
PART FOUR
BACKCOUNTRY BRAIN
PART FIVE
THE CITY IN A GARDEN
Epilogue
Acknowledgments
Notes
Illustration Credits
THE
Nature
Fix
INTRODUCTION
There is nothing you can see that is not a flower; there is nothing you
can think that is not the moon.
—BASHO
When I pictured shinrin yoku, “forest bathing,” I conjured Sleeping
Beauty in her corpse phase, surrounded by primordial trees,
twittering birds and shafts of sunlight. You just knew she was
somehow taking it all in, and she’d awake refreshed, enlightened
and ready for her hot prince. But this was wrong on so many levels.
First off, Japan doesn’t have a lot of primeval forest left, and second,
you have to work at this, although corpselike moments are not
discouraged. In Chichibu-Tama-Kai National Park, a ninety-minute
train ride from Tokyo, I was supposed to be concentrating on the
cicadas and the sound of a flowing creek when a loud Mitsubishi van
rumbled by. It was disgorging more campers to a nearby tent village
where kids were running around with their fishing poles and pink
bed pillows. This was nature, Japan-style.
The dozen others with me on our shinrin yoku hike didn’t seem
to mind the distractions. The Japanese go crazy for this practice,
which is standard preventive medicine here. It involves cultivating
your senses to open them to the woods. It’s not about wilderness;
it’s about the nature/civilization hybrid the Japanese have cultivated
for thousands of years. You can stroll a little, write a haiku, crack
open a spicebush twig and inhale its woodsy, sassy scent. The whole
notion is predicated on an ancient bond that can be unearthed with
a few sensory tricks.
“People come out from the city and literally shower in the
greenery,” our guide, Kunio, explained to me. “This way, they are
able to become relaxed.” To help us along, Kunio—a volunteer
ranger—had us standing still on a hillside, facing the creek, with our
arms at our sides. I glanced around. We looked like earthlings
transfixed by the light of the mother ship. Weathered and jolly, Kunio
told us to breathe in for a count of seven seconds, hold for five,
release. “Concentrate on your belly,” he said.
We needed this. Most of us were urban desk jockeys. We looked
like weak, shelled soybeans, tired and pale. Standing next to me was
Ito Tatsuya, a forty-one-year-old Tokyo businessman. Like many day-
hikers in this country, he carried an inordinate amount of gear, much
of it dangling from his belt: a cell phone, a camera, a water bottle
and a set of keys. The Japanese would make great boy scouts,
which is probably why they make such great office workers, working
longer hours than anyone else in the developed world. It’s gotten to
the point where they’ve coined a term, karoshi—death from
overwork. The phenomenon was identified during the 1980s bubble
economy when workers in their prime started dropping dead, and
the concept reverberated into the future and throughout the
developed world: civilization can kill us. Ito and I breathed in the
pines and then dove into our bento boxes full of octopus and pickled
root vegetables. Kunio was moving around, showing people the
astonishingly twiggy walking-stick insect. Ito’s shoulders seemed to
be unclenching by the minute.
“When I’m out here, I don’t think about things,” he said, deftly
scooping up shards of radish while I splattered mine onto the leaf
litter.
“What’s the Japanese word for ‘stress’?” I asked.
“‘Stress,’” he said.
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