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THE POLITICS
OF RACE AND
ETHNICITY
IN MATTHEW’S
PASSION
NARRATIVE
WONGI PARK
The Politics of Race and Ethnicity in Matthew’s
Passion Narrative
Wongi Park
© The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer
Nature Switzerland AG 2019
This work is subject to copyright. All rights are solely and exclusively licensed by the
Publisher, whether the whole or part of the material is concerned, specifically the rights of
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known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this
publication does not imply, even in the absence of a specific statement, that such names are
exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information
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The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
People have been responding to the existence of racism for 300 years,
attacking its every overt daily expression. Yet after 300 years, it
remains, changing form over time, in response to political conditions,
while producing more damage. Whenever we have gotten strong enough
to interfere with its operations (as the civil rights movement did), it
comes back wearing different language, speaking an up-to-date lingo,
while creating more of the “same old” effects…These effects, the racial
hierarchies and segregations that get taken for granted, are too dire for
us to simply watch them occur again and again, responding after the
damage is done. Their resurgence, their recurrence, their longevity in
the face of centuries of opposition suggest that their source lies deeper in
this culture than we had imagined. Something keeps rebuilding that
machine, renovating it, something beyond the nefarious individual
prejudices and tainted desires by which racism manifests itself.
—Steve Martinot, The Machinery of Whiteness
Acknowledgments
vii
Contents
1 Introduction 1
6 Conclusion149
Index157
ix
List of Figures
Fig. 3.1 Head of Christ © 1941, 1968 Warner Press, Inc., Anderson,
Indiana. (Used with permission) 66
Fig. 3.2 A wooden African statue of Jesus Christ on the cross with a
crown of thorns on his head, in a Roman Catholic chapel in
Namibia. (Credit: Friedrich Stark/Alamy Stock Photo) 67
Fig. 3.3 The Madonna and Child of Soweto, mostly referred to as “The
Black Madonna,” depicting a black Virgin Mary holding the
Child Jesus (also black), Regina Mundi Church (is the largest
Roman Catholic church in South Africa), Soweto (South
Western townships), Johannesburg, South Africa. (Credit: Blaine
Harrington III/Alamy Stock Photo) 68
Fig. 3.4 Ethiopian Orthodox Church fresco painting with black Jesus
Christ crucified. (Credit: Maciej Wojtkowiak/Alamy Stock Photo) 69
Fig. 3.5 Jesus Christ in the slums in Chennai, Tamil Nadu, in South
India, South Asia. (Credit: Shaun Higson/India-Chennai/
Alamy Stock Photo) 69
Fig. 3.6 Jesus image on a garage door in Makati City in Manila,
Philippines. (Credit: NiceProspects-LM/Alamy Stock Photo) 70
Fig. 3.7 A typical catholic image of Jesus Christ from Slovakia by the
painter Zabateri. (Credit: Jozef Sedmak/Alamy Stock Photo) 71
Fig. 3.8 Hamra, Beirut, Lebanon: Greek Orthodox Church Jesus.
(Credit: Art Directors & TRIP/Alamy Stock Photo) 72
Fig. 3.9 An image of Jesus. (Contributor: Godong/Alamy Stock Photo) 73
xi
CHAPTER 1
Introduction
15:26; Luke 23:38; John 19:19).2 Made to hang from a Roman tree
under a derogatory banner—Οὗτός ἐστιν Ἰησοῦς ὁ βασιλεὺς τῶν Ἰουδαίων
(“This is Jesus: King of the Judeans” [Matt 27:37])—Jesus’ gruesome
execution is fraught with ethnoracializing implications. Despite the
explicit use of terminology, previous scholarship has understood the title
curiously in non-ethnoracial ways.
The present book takes this peculiar omission in the history of interpre-
tation as its point of departure. But rather than only filling the lacuna of
an ethnoracial reading, it is also necessary to pose a more fundamental
ideological question that interrogates the pattern in the larger disciplinary
context of modern biblical scholarship.3 Therefore, the main question that
orients this research is: How and why are dominant readings of Jesus’
crucifixion as ὁ βασιλεὺς τῶν Ἰουδαίων in Matthew’s passion narrative
rendered in non-ethnoracial terms? To develop an answer, it is necessary
to probe the history of readings that constitute the non-ethnoracial pat-
tern as well as the history of reading strategies that produce it. Yet because
the terminology of race and ethnicity is not self-evident but highly con-
tested, each with complex histories in their own right, it is necessary to
clarify the use of these terms at the very outset.
The second half of the book in Chaps. 4 and 5 follows suit in terms of
theory and method. Specifically, it offers a constructive proposal for an alter-
native narrative based on minority readings, reading strategies, and reading
locations. For if the non-ethnoracial pattern is actually a function of dera-
cialized reading locations, then it is necessary to construct an alternative
approach contextualized by racialized reading locations. Such an approach
presents an effective way to foreground the politics of race/ethnicity in
Matthew’s passion narrative. Chapter 4, therefore, draws upon the insights
of minority biblical criticism in order to introduce minority readers into the
discussion.15 To develop the specific contours of my proposal, I engage an
important essay by Jeffrey Siker on how Jesus has been racialized by two
minority scholars.16 This essay helpfully frames a number of related issues—
notably, the discourse of race/ethnicity, the dialectic of dominant-minority
relations, and the impasse of competing ethnoracial representations. Yet my
primary interest in Siker’s essay is to make legible the logic of racialization
and deracialization inherent in both his reading and reading location. Here,
the ideology of white invisibility and superiority can be seen even in the
most constructive efforts to diversify modern biblical scholarship. By utiliz-
ing the insights of minority b iblical criticism, Chap. 4 provides a crucial
segue to the final stage of the argument.
Chapter 5 returns to Matthew’s passion narrative to offer an alternative
narrative of Jesus’ crucifixion as ὁ βασιλεὺς τῶν Ἰουδαίων. My argument is
that Jesus is minoritized as an ethnoracial-other. Just as important as its
substance, however, is the basis for the alternative narrative. I offer an
ethnoracial reading of Jesus’ minoritization in light of the experiences of
US minority groups, drawing on four conventional tropes that have been
historically used against Native Americans (“being proud”), African
Americans (“being inferior”), Latinx Americans (“being illegal”), and
Asian Americans (“being foreign”).17 These four tropes—alternatively
summarized as beyond, below, between, and besides the normative center
of whiteness—furnish a critical lens to reframe the politics of race/ethnicity
in the Matthean passion narrative. My reading underscores how Jesus is
minoritized through an analysis of how ethnoracial signifiers are mobilized
in four courtroom scenes (Judean, Roman, popular, and divine) that com-
prise Matthew’s passion narrative. Accordingly, the title ὁ βασιλεὺς τῶν
Ἰουδαίων is not a positive messianic designation. It is an ethnoracial slur
that signifies Jesus’ death on a Roman crucifix as a grotesque act of minori-
tization—specifically, Judean ethnoracialization.
6 W. PARK
Notes
1. All translations are mine unless otherwise noted. The most common
English Bible translation of ὁ βασιλεὺς τῶν Ἰουδαίων is “King of the Jews”
(KJV, RSV, NIV, NASB, ESV, ASV, NKJV, HCSB, NLT). A rationale for
rendering the title as “King of the Judeans” will be developed in Chap. 5.
2. The titulus inscribed on the cross is different in all four Gospels. However,
the following highlights ὁ βασιλεὺς τῶν Ἰουδαίων as a core element all four
accounts share in common:
Οὗτός ἐστιν Ἰησοῦς ὁ βασιλεὺς τῶν Ἰουδαίων (Matt 27:37);
Ὁ βασιλεὺς τῶν Ἰουδαίων (Mark 15:26);
Ὁ βασιλεὺς τῶν Ἰουδαίων οὗτος (Luke 23:38);
Ἰησοῦς ὁ Ναζωραῖος ὁ βασιλεὺς τῶν Ἰουδαίων (John 19:19).
3. For a helpful overview of ideological criticism, see: Fernando F. Segovia,
Decolonizing Biblical Studies: A View from the Margins (Maryknoll: Orbis
Books, 2000).
INTRODUCTION 7
17. Bailey, Liew, and Segovia, “Toward Minority Biblical Criticism,” 13, n. 7.
18. The scope of the problem, as a number of scholars have pointed out, is
enormous:
Shawn Kelley, Racializing Jesus: Race, Ideology, and the Formation of
Modern Biblical Scholarship (London: Routledge, 2002), 3–4: “For most
modern Europeans, racism was a morally and empirically justifiable way of
thinking. This was true for thinkers in most academic disciplines, including
biblical scholarship, for most of modern history. Repulsion in the face of
overt racism is a relatively recent phenomenon. If this assessment is true, it
raises a number of interesting and disturbing questions … Behind these
questions lurks another question specifically directed to biblical scholarship:
if racism is embedded deeply within the culture and political practice of
modern European countries (as slavery, imperial conquests, and the Shoah
imply), and if it is also embedded in the thought of the great intellectuals of
the modern era (as I hope to show), is it not reasonable to assume that racist
thought has also found its way into the disciple of biblical scholarship? After
all, modern biblical scholarship did not emerge in a vacuum.”
Jeffrey Siker, “Historicizing a Racialized Jesus,” 27: “The history of
Western Christian theology (often articulated in art) has seen the ascen-
dancy of Jesus as a white Christ with a resultant de facto white God endors-
ing white power claims over other racial/ethnic groups.”
Stephen D. Moore, God’s Beauty Parlor: And Other Queer Spaces in and
around the Bible (Stanford: Stanford University Press, 2001), 110: “Although
its pedestal was erected during the Renaissance and the ‘Age of Exploration,’
it was not until the nineteenth century that the image of Jesus as not just
fair-skinned but blond and blue-eyed as well was fully in place, towering over
the world.”
Halvor Moxnes, Jesus and the Rise of Nationalism: A New Quest for the
Nineteenth-Century Historical Jesus (London: I.B. Taurus, 2012), 146–7:
“In that sense, Renan’s picture of Jesus as non-racial is characteristic of
later representations of Jesus. Mass media, especially films, provide good
illustrations of cultural presupposition, and the many popular Jesus movies
from the 1920s to Mel Gibson’s The Passion of the Christ (2004) are perti-
nent examples. Jesus’ opponents, the mob in scenes from the Passion, and
even his disciples are played by men from the Middle Easy or North Africa,
but Jesus himself is always played by a white European or North American.
It seems that in order to present the story of Jesus as universal, to lift him
out of his historical setting in a Middle Eastern context, he has to be made
in a white man.”
Susannah Heschel, The Aryan Jesus: Christian Theologians and the Bible
in Nazi Germany (Princeton: Princeton University Press, 2008), 28:
“Images of Jesus were crucial to racism in establishing the primary criterion
of whiteness: Christ himself. It is not the Caucasian male who was the
10 W. PARK
model of the authentic white man, but rather an idealized ‘White Man,’
namely Christ. For the European male to define himself as a ‘white man’ he
had to fantasize himself as Christ, a Christ who had to be imaged not as Jew
but as Aryan … Yet by converting to Christianity, blacks did not become
white, any more than Jews became Aryans. The ultimate impossibility of
Christianizing nonwhites highlighted the problem of race at the heart of
Christian theology. Missionary efforts recapitulated Christianity’s funda-
mental supercessionist flaw: the effort to Christianize Judaism was a theo-
logical miscegenation.”
Julian Kunnie, “Jesus in Black Theology: The ancient ancestor visits,” in
The Cambridge Companion to Black Theology, eds. Dwight N. Hopkins and
Edward P. Antonio, (Cambridge: Cambridge University Press, 2012),
94–110; here 94: “For too long, Judeo-Christianity has been viewed as a
Western Christian tradition mediated by the entrepreneurial agents of colo-
nial missionaries from Europe for the ‘enlightenment’ of the vast majority of
the world’s people, most of whom are overwhelmingly of color. Since
Christianity as we know it in most places in the world today, with the excep-
tion of places such as Egypt, Ethiopia, Iraq, Jordan, Palestine, India, and
other places in close proximity to the confluence of the African-Asian world,
has generally been a Western European transmission with its concomitants of
colonization and slavery, much of the world has ineluctably been indoctri-
nated with the hegemonic ideological imposition that Jesus of Nazareth was
a ‘white man’ so depicted in the plethora of books, paintings, pictures, and
stained-glass windows around the world.”
J. Kameron Carter, Race: A Theological Account (Oxford: Oxford
University Press, 2008), 12: “This is the modern problem of imagining the
human being in racial terms, and within these terms positioning whiteness
as supreme. As a central ideological component in constructing the mod-
ern world as we have come to know it, the racial imagination arose inside
of, nurtured itself on, and even camouflaged itself within the discourse of
theology. That is, it articulated itself in a Christian theological idiom.”
Karen Teel, “What Jesus wouldn’t do: A white theologian engages white-
ness,” in Christology and Whiteness: What Would Jesus Do?, ed. George
Yancy, (London: Routledge, 2012), 19–36; here 20: “Whiteness has devel-
oped through a long and tortuous history…a history that some scholars
contend has its root in an ancient and fundamental perversion of
Christianity’s Jewish origins. There can be no doubt that it began at least as
long ago as the European Christians who, even before thinking of them-
selves as ‘white,’ created the U.S. system of race-based slavery. ‘Whiteness’
is a properly and peculiarly white Christian theological problem that
demands a white theological response.”
Tim Wise: “The image of a white Jesus has been used to justify enslave-
ment, conquest, colonialism, the genocide of indigenous peoples. There
are literally millions of human beings whose lives have been snuffed out
INTRODUCTION 11
by people who conquered under the banner of a white god” (CNN inter-
view, December 16, 2013, n.p. [cited March 28, 2014] Online: http://
www.timwise.org/2013/12/tim-wise-on-cnn-1216-discussing-white-
jesussanta-imagery-and-racist-iconography/).
Teju Cole: “From Sachs to Kristof to Invisible Children to TED, the fast-
est growth industry in the US is the White Savior Industrial Complex …
The white savior supports brutal policies in the morning, founds charities in
the afternoon, and receives awards in the evening” (“The White-Savior
Industrial Complex,” March 21, 2012, n.p. [cited March 31, 2014] Online:
h t t p : / / w w w. t h e a t l a n t i c . c o m / i n t e r n a t i o n a l / a r c h i v e / 2 0 1 2 /
03/the-white-savior-industrial-complex/254843/).
References
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Bible: Expanding the Discourse. Atlanta: SBL Press.
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Press.
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Garner, Steve. 2007. Whiteness: An Introduction. London/New York: Routledge.
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INTRODUCTION 13
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CHAPTER 2
Introduction
The aim of this chapter is to establish the pattern of non-ethnoracial read-
ings surrounding Jesus’ identity as ὁ βασιλεὺς τῶν Ἰουδαίων in Matthew’s
passion narrative. I identify two representative trajectories of the dominant
narrative in Matthean scholarship: traditional religious-theological read-
ings and more recent socio-political readings.1 As we shall see, both
religious-theological and socio-political readings of the title exhibit a pecu-
liar pattern of bypassing and overlooking the title’s ethnoracial dimensions.
Although Jesus is explicitly and repeatedly marked as ὁ βασιλεὺς τῶν
Ἰουδαίων in the passion narrative, he becomes ethnoracially unmarked in
scholarly interpretations. To better understand this phenomenon, a larger
view of Matthean scholarship is required. When this curious pattern is con-
sidered within a broader perspective that includes the history of methods,
a more compelling account of their interdependence begins to emerge.
After briefly outlining the uses of the title in Matthew, my argument to
establish the non-ethnoracial pattern proceeds in three stages. First, I
identify two tendencies in traditional religious-theological readings that
constitute the non-ethnoracial pattern. Second, I turn to a socio-political
reading that has expanded the narrow focus of the traditional reading.
While this approach better accounts for the title’s imperial dimensions, the
non-ethnoracial pattern nevertheless continues. Third, I offer a method-
ological analysis of the pattern by contextualizing it within the history of
reading strategies. My assessment is that the dominant trend of producing
Matthew (e.g., υἱοῦ Δαυὶδ [Matt 1:1]; ὁ χριστὸς [Matt 16:15]; θεοῦ υἱὸς
[Matt 14:33]). This is also confirmed by his comments on the title’s
occurrences in Matt 27:
“But even before that, in the mock homage to the ‘king of the Jews’ by the
non-Jewish soldiers and the laconic charge written above Jesus’ head, and in
the more theologically nuanced mockery by Jewish bystanders and oppo-
nents, Matthew expects his readers to catch the ironical truth of the honors
heaped upon Jesus in jest and mockery: even in a setting of public humilia-
tion and torture, this really is the king of the Jews, the temple builder, the
Savior, the Son of God.” (emphasis original)6
resolution to the conflict between Jesus and the chief priests and scribes.
Rome’s involvement, in the end, is minimized. Pilate is rendered a neutral
figure who has to intervene and adjudicate a religious conflict. According to
France, Jesus’ transfer to the Roman authorities in Matt 27:2 is “presented as
a formality required to effect the execution the Jewish leaders have already
decided on.”10 France continues: “Pontius Pilate appears almost as a stooge
rather than as the ultimately responsible authority.”11 Both sentiments effec-
tively diminish Pilate’s role and Rome’s culpability.
Some render Pilate in glowing terms as the first Christian.12 Others
have likened Pilate’s use of the title as the first Christian sermon ever to be
preached. With reference to Matt 27:37, Frederick Dale Bruner writes:
For Bruner, the vicious beatings by the Roman soldiers, the torture that
Jesus endures, and the ridicule that is cast upon him reveal, confirm, and
offer proof of Jesus’ messianic identity. So strong are the messianic over-
tones of the title that the salvific significance of Jesus’ crucifixion prevails
not despite, but actually through his brutal crucifixion as ὁ βασιλεὺς τῶν
Ἰουδαίων. The theological significance attributed to Jesus’ death seems to
overshadow the dehumanizing aspects of Roman crucifixion—what Cicero
referred to as “the most horrendous torture” (crudelissimum taeteri-
mumque supplicium).14 This reading borders on a glorification of violence
and is yet another instance of how ὁ βασιλεὺς, as a signifier of Jesus’ mes-
sianic identity, overdetermines his identity as τῶν Ἰουδαίων.15
Both tendencies underscore the pattern of how Jesus’ ethnoracial iden-
tity as a marginalized Judean is made peripheral and of little consequence
by the traditional approach. Naturally this raises a number of questions
regarding the origins of the religious-theological reading. For instance, is
it actually the case that the titles attributed to Jesus in Matthew—particu-
larly, ὁ βασιλεὺς τῶν Ἰουδαίων—point in the same direction toward Jesus’
messianic identity? Are the two titles, ὁ βασιλεὺς τῶν Ἰουδαίων and
ὁ χριστὸς, virtually the same in meaning from two different perspectives—
the former from a “Gentile perspective” and the latter from a “Jewish
perspective”? Moreover, is the conflict surrounding Jesus’ birth and death
20 W. PARK
Geheimbünde 370.
Gelbgießer 326. 327. 328.
Geld in Ostafrika 131. 132.
Gerichtsbarkeit 154. 155. 156.
Geschlechternamen, Erklärung 378.
Geschlechtsverband s. Litaua.
Gespenstergeschichten 399. 400.
Getränke in Ostafrika 62.
Gneiskuppen 89. 90. 91. 92. 141.
Grabbäume 398.
Gräber 73. 243. 323;
für Kinder 168.
Granaten 262.
Guillain, Admiral 3.
Machemba 488.
Madjedje, Landschaft 90;
Berge 312.
Madyaliwa 413. 414. 415. 425. 426.
Mafia, Insel 39.
Mafiti 150. 406. 416.
Magwangwara 150. 406.
Mahuta 316. 318. 406. 407. 408. 409. 417. 430. 431. 435.
486.
Majimaji, Aufstand 48. 69. 70. 72. 73. 433.
Mais 207.
Makachu, Jumbe 411. 412. 413. 414. 415. 440. 441.
Makale 414.
Makatta-Ebene 454.
Makonde 72. 93. 176. 258. 284. 304. 314. 319. 320. 325.
367. 379. 382. 409. 506;
Feldbau 305. 314. 315. 407;
Geschichte 315;
Häuser 319;
Hausfresken 446. 447;
Hausverschluß 319. 320. 321. 322;
Heirat 373;
Lippenscheibe 77. 439;
Masken 289. 290;
Maskentanz 370;
Namen 315. 316. 317;
Siedelungen 446;
Sprache 462. 463;
Stammessage 316;
Stammgesetze 316;
Ursprung 317. 318;
Volksfeste 456. 457;
Ziernarben 440;
Zwillinge 344.
Makondebusch 292. 293. 311. 312. 313. 314. 410;
Entstehung 313. 314. 315.
Makondeplateau 66. 73. 76. 77. 82. 88. 89. 146. 163. 303.
311. 370. 401. 405. 418. 424. 505;
Bevölkerung 304;
Flüsse 190;
Wasserverhältnisse 303. 304.
Makondeschichten 303. 312.
Makosyo 380.
Makua 93. 126. 176. 177. 179. 218. 258. 304. 314. 319.
377. 379. 382. 393. 506;
Leben nach dem Tode 399;
Häuptlinge 73;
Hautfarbe 72;
Heirat 373;
Hütten 323;
Jäger 222. 223;
Tänze 223–226;
Wanderung 151.
Makwaru, Tanz 223. 224. 225. 226.
Malambo 177.
Malaria 138. 241. 318.
Maluchiro 243.
Mambo sasa 412. 413.
Mango 380. 488. 496. 497.
Mangroven 35. 36.
Mangupa 292. 356. 367.
Maniok, wilder 382.
Mannbarkeitsfest s. Unyago.
Manyara-See 19.
Marenga Mkali 454.
Marquardt 262. 263. 453.
Marschleben 104. 105. 106. 108. 109. 110.
Masewe, Rasseln 226;
Tanz 226. 361.
Masimbo 382.
Masitu 150. 179. 218. 406.
Masken 289. 290. 444.
Massai 23. 151;
Hütten 110. 111.
Massai-Affen 151.
Massanje-Heirat 371. 372.
Massassi 64. 74. 87. 88. 92. 93. 110. 136. 139. 173. 176.
177. 178. 213. 254. 319. 335;
Boma 124;
Gebiet 88;
Gräber 243;
Klima 146;
Militärstation 65. 87. 89;
Mission 64. 65. 94. 96;
Stämme 92. 93;
Vegetation 92.
— -Berge 88. 89. 91. 455. 456;
Entstehung 90. 91.
Massekere-Matola 120. 135.
Masumgumso V.
Mataka 380.
Matambwe 72. 176. 179. 258. 292. 304. 325. 416. 422;
Frauen 294. 295;
Auflösung des Stammes 258;
Schwimmkunst 422. 423.
Matola 140. 169. 171. 176. 177. 179. 180. 184. 185. 194.
195. 201. 222. 264. 291. 357. 358. 406;
Haus 171. 172. 173.
Mawia 319. 418. 445. 446;
Zopf 445;
Tätowierung 446.
Mawiaplateau 409. 418.
Mbemkuru 316. 318. 505.
Mchauru 279.
Medizinen 231. 396.
Medulla, Zauberer 279. 280. 281. 282.
Mehlbereitung 207. 208.
Mehlopfer 396. 397. 398.
Menschheit, Herkunft 23;
Entwicklung 25.
Menstruation 383. 384.
Mentore der Knaben 234;
Ansprache 234. 235. 236.
Merker, Hauptmann 23. 31.
Messing 328.
Meteore 230.
Meyer, Prof. Dr. Hans 18.
Mgoromondo 351. 389.
Mhogo 92. 119.
Mikindani 32. 41. 315. 401.
Mikindanischichten 303.
Mirambo 488.
Mischrassen 25. 26.
Mission, englische 64. 65. 93. 98. 305. 391.
Missionare 75.
Mitete 444. 445. 446.
Mkomahindo 91.
Mkululu 161. 162.
Mkwera 91.
Mlila 264.
Mlipa 323.
Mluhesi 414.
Mnyampara, Trägerführer 38. 106. 107.
Mombassa 2. 3. 29. 44.
Mondfinsternis 230.
Monsun 29.
Moritz 34. 104. 109. 160. 210. 212. 213. 266. 271. 277.
379.
Morse 99.
Moskitonetz 138.
Moskitos 36.
Mpapua 454.
Mputa 184.
Mrogoro 454.
Mrweka 490.
Msollo-Baum 396. 397. 398.
Mtama 72.
Mtandi 91. 94;
Besteigung 94. 95. 96. 97.
Mtarika 177. 179. 264. 265.
Mtschingabai 40.
Mtua 66. 72.
Muerahochland 505.
Muhesa 499.
Munchira 367. 368.
Mundsteine 393. 394. 395.
Muschel 382.
Musikinstrumente 214. 215. 226. 227. 268. 351.
Musik in Südostafrika 218.
Musikkapelle 214. 224. 226. 227. 500.
Mutterrecht 236. 426.
Mwiti 141. 145. 146. 147. 154. 243. 382.
Myombowald 82.
Nachtlager 153.