Heavenknows Orangeslemon

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Heaven Knows Orange & Lemons

This Angel Has Flown Kuya Mo Adie


BANDA BUENAVENTURA
(Solo for Alto Saxophone) R. Resurreccion Jr.
 
 = 90
        

    

Piccolo

         
     

         
Flute

           
       

Clarinet in B♭ 1

              
           
  

Clarinet in B♭ 2

     
             
         

Clarinet in B♭ 3

      
Alto Saxophone   
 
                      

Tenor Saxophone

            
                

Horn in F 1

             
              
  

Horn in F 2

      
  

Trumpet in B♭ 1

 
       

Trumpet in B♭ 2

  
      

Trumpet in B♭ 3

                   
  


Trombone 1

                   
  


Trombone 2

                      


           
Trombone 3

       
  


Euphonium

            
                                 

Tuba

                                
         

Electric Bass

                                          
                                  
      
Drumset

   
     
     
     
     

    
Bass Drum

             
 

Cymbals

Antipolo Youth Concert Band Inc


2
7   
                     
A

 
Picc.

  
                      
 
    
Fl.

  
            
Cl. in B♭ 1
  

                   
  

Cl. in B♭ 2

     
       
         
Cl. in B♭ 3

               
                    

A. Sax.

  
     
      

T. Sax.

    
                  

Hn. in F 1

                 
    

Hn. in F 2

        
Tpt. in B♭ 1 

       
Tpt. in B♭ 2  

     
Tpt. in B♭ 3    
       
      

Tbn. 1

           
  

Tbn. 2

              

Tbn. 3

          
   

Euph.

  
          
    
           

Tba.

              
             

El. B.

                                
                    
  
D. Set

BD           

              


Cym.
3
       
 
15 B


Picc.

      
 

Fl.

       


Cl. in B♭ 1

      
 

Cl. in B♭ 2

  
     

Cl. in B♭ 3

             


                   
A. Sax.

                           
        

T. Sax.


                           
       

Hn. in F 1

       
                           

Hn. in F 2

       
Tpt. in B♭ 1 

       
Tpt. in B♭ 2 

       

           
Tpt. in B♭ 3

           
   
       

Tbn. 1

                           
       

Tbn. 2

                          
        

Tbn. 3

   
            
          
        

Euph.

         
                          

Tba.

                           
   
   

El. B.

                      
                                 
    
D. Set

            

BD

           


Cym.
        
4
22   
  
C

 
        
Picc.

  
  
 
        
Fl.

   
 
 
Cl. in B♭ 1

             



 
Cl. in B♭ 2

            


 
 
Cl. in B♭ 3


                 
 
  
A. Sax.

     
               
 
  
T. Sax.

          
   
      
  
Hn. in F 1

 
            
      
 
Hn. in F 2

         

   
             
 
Tpt. in B♭ 1

     
                         

 
Tpt. in B♭ 2

      

                      
 
Tpt. in B♭ 3

                          
          
  
Tbn. 1

                         
         
  
Tbn. 2

                           
       
  
Tbn. 3

   
              
    
  
Euph.

             
                         
           
 
Tba.

                                            
       
  
El. B.

                                         


                                            
         
D. Set

                          
      
BD

                     


Cym.
      
5
   
    
29


     
Picc.

   
    

     
Fl.

    
   

Cl. in B♭ 1

  
           

Cl. in B♭ 2

 
            

Cl. in B♭ 3

 
 
            
A. Sax.   
           

       
   

T. Sax.

           
           
 
Hn. in F 1

 
             
     



Hn. in F 2

            
 
      
       

 
Tpt. in B♭ 1

    
       

           
     
 
Tpt. in B♭ 2

    
  
         
 
          
Tpt. in B♭ 3

                      
        

Tbn. 1

                     
        

Tbn. 2

                      
       

Tbn. 3

          

         
  

Euph.

          
                     
Tba.
                

                                          
       

El. B.



                                                   
                                
     
D. Set

                
  
BD

                  


Cym.
 
6
35             
        
D

 
 
Picc.

            
        
 
 
Fl.

             
       

 
Cl. in B♭ 1

            

 
Cl. in B♭ 2

      
     
 
Cl. in B♭ 3

                   
        
    
A. Sax.

                       
      
 
T. Sax.

      
        
   
 
Hn. in F 1

 
              
   


Hn. in F 2

       


     

            
  
   
  
Tpt. in B♭ 1

        
                   
 

Tpt. in B♭ 2

   
         

                  

Tpt. in B♭ 3

                 
  
 

Tbn. 1

                 
 
 
Tbn. 2

                  
   
Tbn. 3

               
   
  
 
Euph.

            
                                         
 
Tba.

         
                                       
      

El. B.

                                                
                                    
       
D. Set

                          
     
BD

                      
 
 
Cym.

7
        
               
41 E

  
 
Picc.

           
            
  
     
Fl.

          
         
   
Cl. in B♭ 1

     
                   
Cl. in B♭ 2
  

                    
Cl. in B♭ 3
    
     
          


A. Sax.

            
         
    

T. Sax.

         

     
 
     


 
      

Hn. in F 1

         
      
         
      

Hn. in F 2

      
 

Tpt. in B♭ 1

   
    

Tpt. in B♭ 2


       

Tpt. in B♭ 3

                  
      

Tbn. 1

                 

       

Tbn. 2

                      
     

Tbn. 3

           
        


Euph.

           
                                 

Tba.

          
               
          
      

El. B.

                                                
                                    
      
D. Set

                    
   
BD

              
  
Cym.

          
8
47 
     
   

 
  
Picc.

            
    

Fl.

      
  
      

Cl. in B♭ 1

    
     
    

Cl. in B♭ 2

 
     
         

Cl. in B♭ 3

                        


A. Sax.   

  
          
T. Sax.
               



          
                                 
      

Hn. in F 1

           
                             
         

Hn. in F 2

    
     
      

Tpt. in B♭ 1

 
     
       

Tpt. in B♭ 2

 
               

Tpt. in B♭ 3

                                      
          


Tbn. 1

                                     
      
    

Tbn. 2

                                        
            

Tbn. 3

   
                   

   
 

Euph.

   
                     
      
       
Tba.

          
          
          

El. B.

                                                
                                     
      
D. Set

                
  
BD

        
Cym.

9
      
 

  

 

      
 
53 F


Picc.

                  


     

Fl.

      
          

Cl. in B♭ 1

         

            
Cl. in B♭ 2

 
       

Cl. in B♭ 3

     

      

          
A. Sax.   

       
               
T. Sax.


    
                              
   

Hn. in F 1

     
                            

Hn. in F 2

       


Tpt. in B♭ 1

 
      

Tpt. in B♭ 2


       
 
   
Tpt. in B♭ 3

                                    
         

Tbn. 1

                                         
           

Tbn. 2

                                           
             
 
    
Tbn. 3

              
Euph.
       

        
                        

Tba.

                        
       

El. B.

                                 


                                               
       
D. Set

                 
  
BD

         
Cym.

60         
10
 
   

Picc.

          
   

   
Fl.

         


Cl. in B♭ 1

       


Cl. in B♭ 2

    
   

Cl. in B♭ 3

                         
   
 
A. Sax.

                        
  
 
T. Sax.

       
                              
           

Hn. in F 1

            
                                    

Hn. in F 2

     
    
 
Tpt. in B♭ 1

     
   
 
Tpt. in B♭ 2

 
       
 
           
Tpt. in B♭ 3

                        
             

Tbn. 1

                                     
           

Tbn. 2

  
            
                        
 
           

                        
Tbn. 3

     
  
 
Euph.

             
                                    

Tba.

                                     
           
 
El. B.

                                                  
                                         
           
        
D. Set

                
   
BD

         
Cym.

       
11
   
  
67 G


       
Picc.

  
  

        
Fl.

     
 

Cl. in B♭ 1

  
          

Cl. in B♭ 2

          


  

Cl. in B♭ 3


          
     
  

A. Sax.

                
  

T. Sax.

          
       
        
 
Hn. in F 1


          

  
    

   
 
Hn. in F 2

           
               
 

Tpt. in B♭ 1

         
                   
 

Tpt. in B♭ 2

         
                    

Tpt. in B♭ 3

       
                  
        
 
Tbn. 1

                          
        
 
Tbn. 2

                           
       
 
Tbn. 3

      
        
  

Euph.

            
                   
                 

Tba.

                                      
         

El. B.

                                                
                                     
      
D. Set

                
  
BD

                  


Cym.
73        
12
 
    

       
Picc.

 
    

       
Fl.

     


Cl. in B♭ 1

             




Cl. in B♭ 2

             




Cl. in B♭ 3

          
A. Sax.    
  

          

        
   

T. Sax.

      

    


 
 
Hn. in F 1

 
            

 
Hn. in F 2


         
          
   
 
Tpt. in B♭ 1

        
    
            
 
Tpt. in B♭ 2

    
       
  
           
Tpt. in B♭ 3

                          
          

Tbn. 1

                         
          

Tbn. 2


   
     
 
                 
     

Tbn. 3

          

        
   

Euph.

          
Tba.
                                  
     

                                          
       

El. B.


                                                   
                                   
     
D. Set

                     
   
BD

                  


Cym.
    
13
  
     
79


   
Picc.

    
   

   
Fl.

     
  

Cl. in B♭ 1

     
      

Cl. in B♭ 2

          
 

Cl. in B♭ 3

         
           
A. Sax.
  
           
     
  
 
T. Sax.

           

                   
   
  
Hn. in F 1

    
                      
         
  
Hn. in F 2

       


               
       
    
  
    
Tpt. in B♭ 1

             
       
           

  
Tpt. in B♭ 2

 
    
 
         
               
     
 
Tpt. in B♭ 3

               
 
      
 
Tbn. 1

               
      
 
Tbn. 2

                
     
 
Tbn. 3

          
       
 
 
Euph.

          
                 
             
      
Tba.

        
                        
               
 
El. B.


                                                   
                                   
      
D. Set

                    
    
BD

                  

 
Cym.
   
14
85          
     
H

 
   
Picc.

         
     
 
    
Fl.

         

  




 
Cl. in B♭ 1

           

 
Cl. in B♭ 2

  
         
 
Cl. in B♭ 3

                
 
         
A. Sax.

                    
     
 
T. Sax.

       
             
 
Hn. in F 1

 
              
     


Hn. in F 2

         


      
            
   
Tpt. in B♭ 1

            
                  


Tpt. in B♭ 2

   
        
                   

Tpt. in B♭ 3

                   
    
 
Tbn. 1

                    
   
 
Tbn. 2

                    
     
Tbn. 3

              
     
 
Euph.

            
                                    
 
Tba.

                                           
     
   
 
El. B.

                                                
                                     
       
D. Set

                     
    
BD

                  

 
Cym.
          
 
15
       
 
    
   
rit.


91

 

Picc.

                    
   
  
 
rit.

 
          
Fl.

               
    
 

Cl. in B♭ 1

              
     
Cl. in B♭ 2 
  

        
         
Cl. in B♭ 3
    

         
   

A. Sax.

              
          
 
T. Sax.

    


          
Hn. in F 1
     
     
       
       

Hn. in F 2

              
    

Tpt. in B♭ 1

   
             
   
Tpt. in B♭ 2

     
Tpt. in B♭ 3               



               
  

Tbn. 1

                
  

Tbn. 2

                  
Tbn. 3
  
     
 
 
       
Euph.
 
        
Tba.
                  

     
 
                        
       
  

El. B.

 
                      
                    
                       
       
D. Set

                          
   
BD

                   
Cym.
   
Piccolo Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) BANDA BUENAVENTURA
R. Resurreccion Jr.

                 
 = 90
 

   
   
             
A B

  
8


        
   
 
20
C

 
     
     
 
28


                 
    
D


35

 
              
        
 
40

                   
      
E

 
45


               
    
51

 
                
    
58
F

         


 
G


65

 
Antipolo Youth Concert Band Inc
     

2

     
73



       


     
80



               
        
87
H

 

     
             
  
rit.

  
92
Flute Heaven Knows Orange & Lemons
This Angel Has Flown BANDA Kuya Mo Adie
(Solo for Alto Saxophone) BUENAVENTURA
R. Resurreccion Jr.

                 
 = 90
 

   
   
             
A B

  
8


        
   
 
20
C

 
     
     
 
28


                 
    
D


35

 
              
        
 
40

                   
      
E

 
45


               
    
51

 
                
    
58
F

         


 
G


65

 
Antipolo Youth Concert Band Inc
     

2

     
73



       


     
80



               
        
87
H

 

     
             
  
rit.

  
92
Clarinet in B♭ 1 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone)

         
BANDAR.BUENAVENTURA
Resurreccion Jr.

    
 = 90
        

 
             
        
A

  
6


            
B


11

 
         
 
C


23


           
 
31

 
                                
D


38


          
             
E

  
42


        
 
     
48



     
             
F

    
55


 G   
           
 
61

 
Antipolo Youth Concert Band Inc
 
        

2

   

68

 
         
 

75



        


   
82

 

                                
H


89



      rit. 
          
 
93
Clarinet in B♭ 2 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) BANDA BUENAVENTURA
R. Resurreccion Jr.


 = 90
                      
  
  
                               
A


6

 
         
  
B


11

 
           
C


23


            

31

 
          
        
D

 
38



                   
44
E


 
      
          
50

 
     
    
F

          
56

          


G


64

 
Antipolo Youth Concert Band Inc
           
2

 
72



    

       
79



             
H


86

 

      rit.   
         
 
93
Clarinet in B♭ 3 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.

  
BANDA BUENAVENTURA
 = 90
        

      
  

 
                
A

    
6

      

  
B

         
11

 
 
         
C


23


 
           
31

 
           
   
D

   
38


     
E

             
44


 
         
       
50


      
F G

    
58

  
Antipolo Youth Concert Band Inc

       
2

    
68


          
75



          


 
82

 

       
         
     
H


89 rit.



 
 
95
Alto Saxophone Heaven Knows BAND A
Orange & Lemons
This Angel Has Flown B U E N AKuya
VEN MoTAdie
URA
(Solo for Alto Saxophone)


R. Resurreccion Jr.

   
    
 = 90
    
A


         
         
11

 
 
              
   
14

   
     
         

17
B

           
      
C

  
20

 

       
  
 
      
     
27




           
  

31

                    
   
D

   
37

  
                 
E

  
42


                         

48

Antipolo Youth Concert Band Inc


             
   
2

    
52

 
      
               
F

 
57

            
       

61


  
           
G

  
64

  

           
        
     
71

        
           
     
78



           
  

82

                     
 
H

    
88

   

93 rit.
Tenor Saxophone Heaven Knows BANDA BUENAVENTURA
Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.


 = 90
              

   
       
A


8


                     
B

        
17


        
            
C

    
22

  
                     


   
29


                        
 
D

      
35

 
              
       
E

    
41


         
                   
47

            


  
51

        


  
F


57

Antipolo Youth Concert Band Inc


            
2

   
  
62

 

      
            
G

   

67



          
   
             
74

 

                  

    

 
80

                       
 
H

      
86

 

  rit.   
            
    
92
Horn in F 1 Heaven Knows BANDA BUENAVENTURA
Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.

              
 = 90
   

 


                   
A

       
6



         
B

  
11

 
 C
   
                 
 
  
19

   
      


     

       
25

 
         
             
31

 
            
         
D


37


                 
            
E

 
44


                   
                 
48


 
             
            
 
52


Antipolo Youth Concert Band Inc
2

 
              
F

 
56

 

              
 
             
 
61

   

         
      
   
 
G

 
65

  
 

          
          

72

 

       
   
   

    
           
  

 
79

  

        
  
   
     
85
H

 

 rit. 

         
  
    
92


Horn in F 2 Heaven Knows BANDA BUENAVENTURA
Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.


                 
 = 90
   
 

               
A

              
6

 
 
    
B

       
11


      
          
        
C


19

 

 
        
    
   
     
25

 
  
               
D

  
     
32

 
 
                 
   
39

       
           
E

           
45


      

                   
           
49


   
                 
 
 

53


Antipolo Youth Concert Band Inc
     
2

                            
58
F

        
                    
62




             
G

  
        
67


  

 
              
     
74


 

    
                        
  
80


 

 
            
H

  
     
86




  
       
      
rit.


93
Trumpet in B♭ 1 Heaven Knows BANDA Orange & Lemons
BUENAVENTURA
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone)

 
R. Resurreccion Jr.

        
 = 90
  
A B


       
           
C

       
23


                    
    
  
28

  
         
             
  

33


        
            
D


38

  
      
       
E

     
46

 
            
F


54

 
                 
G

         
66


                    
    
  
71

  
         
             
   
76


Antipolo Youth Concert Band Inc
 
                
         
2

    
81

 

         


 
              
H


86

   

rit. 

              
   
91
Trumpet in B♭ 2 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
BANDA BUENAVENTURA
(Solo for Alto Saxophone)

 
R. Resurreccion Jr.


 = 90
          
A B


       
                 
C

 
23


         
        
      
     
28

  
          
      
      
  
33


        
             
D

   
38

 
 
E

             
46

 
    
F

        
54

 
        
                
G

 
66


         
        
      
     
71

  
           
      
     
  
76


Antipolo Youth Concert Band Inc
                 
2

   

          
81

 

             


              
H

 
86



 rit.  
             
  
91


Trumpet in B♭ 3 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
BANDA BUENAVENTURA
(Solo for Alto Saxophone)

 
R. Resurreccion Jr.


 = 90
   
A B

      

    
C

       
          
23

   

 
  
  
     
             
28

  

     
  
                 
33


  
  
D

           
38

      

 
E

      
          
45

 

F

            
53


  
 
G

     
            
65

   

   
                      
71

  

Antipolo Youth Concert Band Inc
   
   
2

 
                 
76



        
    
      
           
81




    
     
    
H

  
86

          


     
            
rit.


91


Trombone 1 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
BANDA BUENAVENTURA
(Solo for Alto Saxophone)
 = 90                        
R. Resurreccion Jr.

  


           
8
A


                        
    
B


17


                  
 
C

   


22

 
                
    

27

 
                    
   

33


              
       
D


38


    E                           
     

45


             
                  
 
50


                       
    

54

Antipolo Youth Concert Band Inc


                       
2

    


F
58



                       
     
62



                        
    
67
G

 

               
    

72



                
    

77



                        
    

83

 

                        

rit.

  
H


88



 

95
Trombone 2 Heaven Knows Orange & Lemons
This Angel Has Flown BANDA BUENAVENTURA
Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.

 = 90                        
  


           
8
A


                       
   
B


17


                 
     
C


22

 
                 

    
27

 
  
                        
    
33


                           
D

 
38


    E                           

     
45


                                
       
50


                                
    
54

Antipolo Youth Concert Band Inc


           
             
2

  


F

  
58



                    
 
    
62



                      
   
G

  
67

 

               
    

72



              
   
  
77



                      
   
  
83

 

           
 
             
H


rit.

  
88


Trombone 3 Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) BANDA BUENAVENTURA
R. Resurreccion Jr.

              


 = 90


           
8
A


                     
   
B

    
17


                    
  
C

  
22

 
        
         
  
27

 
                     
      
33


                           
D

   
38


                       
E

         
45


                     
                
50



                            
        
54

Antipolo Youth Concert Band Inc


           
2

              
 
F

    
58



                     
       
62



                         

G

   
67

 

                 
     
72



   
              
   
77



                     
       
83

 

                          
H rit.

  
88




 

95
Euphonium Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
BANDA BUENAVENTURA
(Solo for Alto Saxophone)
 = 90                    
R. Resurreccion Jr.

  


   
      
7
A


         
 
14
B


                  
   

19


               
   
C

      

23


        

        

  
28

 
         D          
  
   
34

 
           
         
40


                           
E

  
46

                     
     
50

Antipolo Youth Concert Band Inc


 

                
2

     
55

                      
    
F


59

           
  
      
63

 

     
            
G

   

67



               

      

    

73

         

 
   
   
78

 

             
    
H

 
84

 

     
    
       
 
rit.

   
90
Tuba Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) BANDA BUENAVENTURA
R. Resurreccion Jr.

  
 = 90
       
                    
    

    
             
A

 
6

            

    
  
B

                 
12


         
        

C

               
20


          

                         
    
25


        
                       

30

     

          
               
D

           
35

 
                 
                         
40

  
                          
E

                  
45

 
  

Antipolo Youth Concert Band Inc
   
2

     
                          
52
F



          
                         
   
60

         
           
    
G

    
65



                 
               
70

      

                
                    
 
75



        

                      
 
80

     

        
          
H

                        
85

 
          
                
rit.

                   
90

 
 
95


Electric Bass Heaven Knows BANDA BUENAVENTURA
Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.

                      
 = 90
        


                
           
A

  
6


       
    

B


11


                                 
    
19


                                
C

      
24

                      
            
28

 
                             
      
32

                               
D

      
36

 
                                
        
40

                       

E

      
44


Antipolo Youth Concert Band Inc
                     
2


           
  
50



                      
  
F

  
57



                     
      
62



                           
  
G

    
67

                        
         
71

 

                            
     
75

                      
            
79

 

                              
  
83

                              
H

        
87

 

                                
    
rit.

   
91
Drumset Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) BANDAR. BUENAVENTURA
Resurreccion Jr.
 = 90
         
   
      
     
                
     
A  
                    
                             
   
6

   
                   
                   
B

           
17

    

            C                       
                               
22

      

                                           
         
27

     
                                           
           
32

     

                                         
D

                        
37

     
        
                              
       
E

                      
42

     
         
                              
         
47

     
Antipolo Youth Concert Band Inc
         
2

                              
         
52

    

         
                              
F

         
57

     

                                 
                                 
62

      

         
                                   
G
67

     
 
                                           
       
72

    

                                            


     
77

     
 
              
                                      
82

    

                                             
H

         
87

      
    
                               
rit.

                             
92

      
Bass Drum Heaven Knows Orange & Lemons
This Angel Has Flown BANDA BUENAVENTURA
Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.

                                
 = 90

    
     
A
 B
              
8

  
                         
23 C

     
                      
31

D     
                      
38

   
                         
 
45 E

     
                   
52 F

  
                  
61 G

   
                           
70

     
                           
77

     
                      
84 H

    
                             
91

   
rit.

Antipolo Youth Concert Band Inc


Cymbals Heaven Knows Orange & Lemons
This Angel Has Flown Kuya Mo Adie
(Solo for Alto Saxophone) R. Resurreccion Jr.

     
BANDA BUENAVENTURA

              
 = 90



A

                    
10 B C

 
         
25

 
                    
34 D

 
               E
      
40

  
      F
   
G
           
52

         


71

  

         


80

 

          rit.
    
H

         
89

   

   
95

Antipolo Youth Concert Band Inc

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