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Full Chapter Twilight Warrior The Harlequin S Harem 3 1St Edition Tansey Morgan Morgan Tansey PDF
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Contents
TITLE PAGE
Synopsis
Also by Tansey Morgan
Follow Tansey!
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE
Follow Tansey!
About the Author
Also by Tansey Morgan
Copyright
TWILIGHT WARRIOR
The Harlequin’s Harem
Book Three
By Tansey Morgan
I can't kill it, I can't stop it, I can only fight it, but I'm getting tired.
Twilight Warrior is the third book in a brand new series by Tansey Morgan, author
of the hit debut novel, 'Serpent's Touch', and the Last Serpent series. Continuing
to write in the style she is best known for, Tansey delivers a "thrilling and unique"
story set in modern day New Orleans, where one woman must face off against an
unknown and unknowable foe, all while discovering who she really is as a person,
and navigating a complicated romantic situation. If you love the paranormal
romance and urban fantasy genres, if you like your stories to have a little bite in
them, if you aren't scared of excitement, if you don't like having to choose
between love interests and would rather have them all, then this is the book for
you.
Also by Tansey Morgan
Sign up today to Tansey’s mailing list to keep in touch, receive updates, and
occasionally take part in great contests and giveaways!
SIGN UP HERE!
You can also join Tansey’s Serpent Coven on Facebook, where you’ll be able to
interact with me directly whenever you want! That’s also where I’ll be sharing
early snippets, early cover reveals, and more contests!
CHAPTER ONE
The French Quarter was quiet, dead, devoid of life and sound and
people, leaving only that awful, open drain smell that seemed to
always fill the air. My feet felt light as I walked along the oddly
smooth ground, as if it were made of felt or fabric rather than
cracked stone. Above me, the sky was churning and turning, dark,
full, and pregnant with rain. The more I walked, the more this place
took on the appearance of a foreign, alien landscape, one that
almost looked like the real thing, but wasn’t.
As I walked, I noticed the bars on either side of me. All of them
were open, but dark and silent. In one bar, the name of which I
didn’t get—not because I didn’t have the ability to read, but because
my brain wasn’t digesting the words in front of me and giving me
something I could work with—the flickering light of a TV flashing
static caught my eye. I tried not to look at it and turned my
attention back to Bourbon street, watching it stretch and elongate in
front of me.
The sky grumbled, and the first pattering of rain touched my
shoulders. I gripped the scepter more tightly and took another step
down the street, watching myself move through it a speed much
faster than my pace would have suggested, until a sound caught my
attention. Someone was playing a piano.
The keystrokes were faint, the melody escaped me, but I thought
it was coming from a bar up ahead and to the left; on the corner of
an unnamed street I didn’t recognize. As I approached, the source of
the sound moved so it no longer sounded like it was coming from
that bar on the corner of the street, but from one further down,
around halfway up the block. I swallowed and kept moving along the
desolate path, always going forward, never going back because I
couldn’t go back.
Not in here.
The outside of the bar where the music was coming from was
blue, and chipped; faded and damaged by the ravages of time.
Something pricked my neck, and I slapped the spot instinctively. My
hand came away red with blood, and parts of a mosquito that was
too large, too alien, to be real, and yet somehow it was real.
The piano music stopped. I walked closer to the bar, keeping my
distance from the double entrance and peering inside. There were
two pianos by the door—dueling pianos—where two musicians
would take turns battling each other for tips and the affection of the
crowd. Both seats were empty, the bar itself was empty, there were
stools arranged around the place, but no one was sitting on them.
In the back, there were two daiquiri machines, each of them
roiling the cold, red liquid inside that I hoped wasn’t blood. The tip
jar sitting between both pianos was full, not with coins, but with tiny
brass balls. As I examined the bar from my vantage point on the
street, my eyebrows meeting in the middle, I felt my heart start to
race, and then I heard another sound.
The jingle of bells.
I spun around on the spot, throwing my stare at the path I had
just come from. Much of it was dark, but I could see all the way to
the last intersection I had crossed. There, walking around the curb
and disappearing behind it, was a tall, slouching figure, draped in
darkness. My heart continued to thump, threatening at any second
to leap out of my chest and explode. I heard the jingle again, this
time coming from the other direction—the way forward instead of
the way back.
When I turned, I saw the figure again, only this time it was
running, sprinting between from one side of the street to the other. I
ran toward it, feet pounding the smooth stone, feeling like I was
flying and yet making very little progress as I went. The figure’s
footsteps made no sounds at all, but the jingle of bells was there,
always there, following it as it moved. It disappeared before I could
reach it. What was worse was, I felt like I hadn’t moved at all.
In fact, no, I hadn’t moved at all.
The sound of a single key being played on one of those pianos,
high and sharp, with enough pitch to make my teeth rattle, caused
me to turn slowly and face the bar I had been standing in front of
only a moment ago. I really hadn’t moved, and when I saw the back
of the figure sitting at the piano closest to the door, I knew why.
It hadn’t wanted me to move.
I swallowed as I turned, trying to wet my dry throat but not
succeeding at all. The thing sitting at the piano played another rote,
then another, and another, rapidly gaining speed until it was playing
an actual song. At first, I thought it may have been playing Für Elise,
or maybe Green sleeves but there were too many sharp notes, too
many dissonant chords, it was like listening to a song you might
hear playing from one of those haunted house attractions at a fair.
The creature—the Death Jester—loomed over the piano not so
much like a pianist tickling the ivories, but like a mad scientist
cutting someone open on his operating table, it’s terribly long arms
moving at awkward angles and stretching easily to catch any of the
keys on the piano should they need to. As the jester played, the
bells on its cap and starry collar jingled and twinkled. Now it was
moving its feet as it played, pressing on the pedals to the beat and
bobbing its head from side to side.
What the fuck is it playing?
For the second time I found myself gripping the scepter more
tightly, so much so my knuckles were turning white. I raised it and
pointed the head of the Talisman—also the face of a jester—at the
thing playing a melody that would haunt my dreams for months. The
jester suddenly slammed its hands against the piano, creating an
explosion of sound that hurt my ears and seemed to echo off into
the distance.
The sky above grumbled again.
“I grow tired of you, child,” the creature said, its voice like silk. It
hadn’t turned to look at me yet, was still hunched over the piano, its
shoulders rising and falling as it drew breaths and exhaled. “Why do
you insist on bringing me here? You owe them nothing.”
“I won’t let you kill people,” I said, though my own voice sounded
like it was coming from somewhere else.
“Tell me, Harlequin, what would they do for you? If you were the
one caught in the path of the hurricane with no means of defending
yourself, would they come to your aid? Would they help? Would they
give as much to you as you have given to them?”
“It’s not about that.”
“I suppose you’re fighting for what’s good and right in the
universe. Let me fill you in on a little secret; there is no such thing
as good, and evil, there is only death, and it comes for all of you.
Today, I am the reaper. Tomorrow, a knife in the dark, a plague, a
fire. Let me feed, Harlequin, so that I may sleep… you can’t keep
fighting me forever; give up, and I’ll spare you and the ones you
care about.”
I clenched my jaw. “I’ll fight until I’m dead.”
I watched one of the jester’s hands slide off the piano as it turned
on the stool it was sitting on. Slowly, the profile of its face came into
view. Before long, I was staring at the thing’s white, porcelain mask,
the roiling sky and even my own body reflected on it. The jester’s
painted lips were red and turned up into a smile, its eye sockets
were black, but from deep within I saw two red dots glowing dying
stars out there, in the infinite void of space.
“Let’s get started, then,” it said, those red lips never moving.
It raised one of its hands, pressed its index and middle fingers
against its thumb, clicked, and the world around me exploded. Light,
sound, smell, it came at me all at once, flooding every last one of
my senses. There were people shouting, music playing, whistles
rattling. I could smell beer, sweat, cologne. People were crowding all
around me, pushing, and shoving, and yelling as if they’d been
swept up into some kind of riotous frenzy, but it wasn’t a riot; it was
a carnival.
I struggled to right myself, moving with the crowd as it tried to
sweep me further down Bourbon street. There were people in
colorful costumes everywhere; women wearing two-piece showgirl
outfits covered in feathers and wearing incredibly flamboyant hair,
while men wore the traditional outfit of the jester, complete with
caps and bells.
People holding sparklers and beer bottles pushed past me as if I
wasn’t even there. Children screamed and laughed and sang with
their parents. One bald man had decided to go shirtless and was
racing down Bourbon street, his chest covered in bead necklaces,
screaming not with the voice of a man but roaring like a lion. To my
right I saw a trio of women pull their tops up and flash their breasts
at the guys standing on a balcony above them. Neither the men nor
the women had faces.
When I felt like I had my balance, I searched for the jester, the
one I was here for, but there was so much color in my eyes, so
many people pushing all around me, it was difficult to draw a clear
line of sight to it. It wasn’t sitting at the piano anymore. In fact,
there was a guy in the jester’s place dueling with another guy sitting
on the piano opposite his. A crowd had formed, and people were
throwing money at them—not bills, but coins, as hard as they could,
some coins drawing blood where they hit.
The current of people carried me along, pushing and shoving me
as if I were a piece of driftwood caught in the frothing rapids of a
violent river. I tried to push one woman away from me, but she
turned and slapped me hard enough across the face that I saw
stars. I cradled my cheek for an instant then stared at her. She was
yelling at me, but I couldn’t hear a word she was saying.
Before I could act, someone shoved me from behind, pushing me
right into the back of the bald man that had been roaring like a lion.
He turned around, screaming vitriol and hatred at me, and went to
take a swing at me, but I brought the scepter up to block his attack.
Muscly arm and metal collided with a loud ping. Before he could hit
me again, I pulled the scepter back and swung it at the back of the
man’s knee, sending him to the floor as if he was about to propose.
I then brought the scepter around for a back-swing, this time into
his face. The scepter smacked the man square in the what would
have been his mouth with a loud whack.
When I spun around, scepter poised and ready to strike, the
crowd around me moved back like a school of fish separating at the
sight of a shark. A small, circular clearing opened around me,
creating a gap between me and them. A whistle rang out, and one
of them came at me. I braced myself, anchoring my body with my
right foot and then launching the scepter first into the stomach of
the charging man, and then into the side of his face.
He went down quick, but then a second one came for me. As I
twirled around to hit him, wielding the scepter like a baton, I noticed
his clothes were the same as the other guy’s. In fact, there was
nothing about this one that was different to the last one. The
scepter crashed into the side of his face with a loud crack, and he
went down too. When the third one sprang out of the crowd and
came toward me, I ran at him, vaulted into the air using his
shoulders for support, and hurled myself across the street, at an
impossible distance.
I landed with a clear space roll, when I turned around the group
of people that had been surrounding me had now turned to face me.
They yelled, and pointed, and then the entire carnival brought its
eyes to bear on me; hundreds and hundreds of eyes, some attached
to faces, others attached to faceless heads.
Without thinking about it I started sprinting down Bourbon street,
taking a hard-left turn at the next intersection. The street was quiet
save for the roar of the crowd at my back. They were coming for
me, they were going to hurt me, and as I tried to outrun them, I
remembered that the reason why I couldn’t see the jester was
because they were the jester.
This wasn’t the first, fifth, or even fifteenth time I had faced off
against the jester within the Twilight, but each time it was like I had
to learn some of the rules all over again. Though I remembered
every detail of what happened to me while I was inside the Twilight,
it seemed that information was only available to my waking mind.
Coming back into the Twilight carried the risk of forgetting
something important, something that could help me while I was in
here. I wasn’t sure if that was just another one of this place’s rules,
or if that was the jester’s doing, a way of protecting itself the way
some animals throw clouds of dirt into predators’ eyes.
I continued to run along the side street, with the simple goal of
reaching the next street in my mind. If I could do that, I thought, I
would be safe. At least, without that huge crowd at my back, the
jester would have to try another trick to get me. The roar of people
followed me as I ran, like backup vocals to the music of my heavy
breathing.
When I reached the next street, I took a tight right, and then
everything changed. The people were no longer after me, their
voices just gone leaving only a slight ringing in my ear. I wasn’t
running anymore, either; I was walking casually. And I wasn’t in the
French Quarter anymore—I was walking underneath a purple banner
with illegible writing on it, and into the mouth of a quiet, dead,
fairground.
It was like waking up all over again. The memory of what had just
happened faded into the recesses of my mind, where they would
resurface once I woke up; if I woke up. Now I was walking through
the fairground, the scent of cotton candy invading my nose, the
sound of squeaking metal joints and the squawking of crows
pervading the air.
I thought I could hear music again, distant and faint, but it wasn’t
a piano this time; it was an accordion, and it was also playing an
imperfect, lopsided melody. I walked past an unmanned food cart,
the contents of which were rotting and covered in maggots. Nearby,
the wall of a shooting range wasn’t just covered in tiny pockmarks
from where small metal pellets had been hitting for years, but also
splattered with blood. A rusted Ferris wheel which looked more like a
death-trap than an attraction towered above, its carts swaying
gently with the wind, its joints groaning.
A crow squawked, drawing my attention across the fairground.
The grey sky above rumbled, and this time it opened, unloading a
torrent of rain on my head. I watched the drops fall, my eyes
following them as if they were coming in slow motion, then I saw
the bodies. There were hundreds of them scattered across the
fairground, some laying on their backs, others on their fronts, all of
them were covered in blood that was pooling beneath them and
running as water fell on it.
I walked forward, stepping lightly around them, careful not to step
in any blood if I could help it. One man, I saw, had his throat ripped
open and blood was pouring out of it. A woman’s eyes—these bodies
had faces—had been gouged out, and blood was running down the
side of her face and out of her mouth. Everywhere I looked, there
was death, and blood. Most of the people here I didn’t know, but
some I did.
There was Evelyn, her fiery red hair caked with dark red blood,
her face looked like it had been savaged by an animal with sharp
nails. A few feet away was Lucia, lying on her side with a stab
wound in her stomach, blood trickling down to the ground. My
parents were there, people I used to work with were there, people
who lived in my building were there, everyone had been killed
somehow.
Then I saw the only body that wasn’t on the floor; it was hanging
from a lamp-post at the foot of the Ferris wheel, the breeze gently
pushing it this way and that. I approached, my heart hammering
against my temples, my fingertips, because I knew without seeing,
without truly knowing, who it was hanging from his neck from that
lamp-post, and I could do nothing but walk toward it, because I
couldn’t walk back, and staying still meant death when the jester
was around. Like a moth to a flame, I was pulled toward that body
swinging lightly from its neck, drawn inevitably to it until I saw his
face.
Damon.
His skin was pale, deathly pale, his eyes were bulging, his mouth
slack, lips blue. My heart wrenched at the sight. I wanted to stop, to
turn away, to wretch, but I couldn’t, because if I reacted, then the
jester would get what it needed from me, and I would be feeding it
with my own fear, my own pain.
“Andi,” a voice called out.
I turned my eyes up as the Ferris wheel started up, whining and
protesting as the massive metal structure began to turn. There,
sitting in one of the cars, was the jester. It was waving a gloved
hand at me as if it were a royal waving at the peasants that worship
it, then it pointed across from where I stood, and I found myself
powerless to stop from turning and giving my attention to what it
wanted me to see.
Eli.
He was upside down, shirtless, and strapped to a giant wheel.
Embedded in his chest, his shoulders, his legs, were knives that had
been thrown at him, lines of blood dribbling from each of the
wounds. His eyes were open, his mouth, like Damon’s, was slack and
open, his eyes also open but drooping and lifeless; all of the light
had gone from him.
They’re just pictures, I thought, but I couldn’t think this away.
They weren’t just pictures. The jester was imprinting, infecting, my
mind with not only the images, but also the doubt that I was even
dreaming at all. It seemed impossible that this creature could do
that considering I knew exactly where I was and what I was doing
on a logical level, but people always have a layer of doubt that
they’re dreaming when they’re deep inside; whatever is happening is
real enough to make you feel true joy, like holding onto a check for a
million dollars, or true fear, like being chased by a demon down a
dark hallway.
“Killing them was fun,” the jester said, and though it was far from
where I was standing, its voice was close enough to my ear to make
the hairs on the nape of my neck stand on end. “This one squealed
the most.”
Again, my attention was pulled, this time toward a carousel which
had been dark and quiet, until now. The lights flickered on, the
busted old PA system came to life, and a twisted ratchet came
through the speakers that sounded like two organs fighting each
other for the right to create the most messed up, nightmarish music;
if you could call it music.
Horses impaled to the top and bottom of the carousel passed by,
the odd train and car floated along, and then there was Logan. Like
the horses, he was also impaled and suspended in the air, bobbing
along with the rest of the carousel. He was facing the floor, his
shoulders were slumped, knuckles dragging. The pole entered
through his back and came out through his stomach, the underside
of which was covered in blood.
My stomach twisted like a rag over a sink. I wanted to hurl, to
scream, to run, but I couldn’t. I had to stand where I was, had to try
and push the images back, make them disappear, stop them from
closing in on me like walls—on three sides Logan, Eli, and Damon,
on the other, the Death Jester. I turned around again, using every
ounce of my willpower, and brought my eyes to bear on the Ferris
wheel. The jester was there, it had stepped out of the car and was
carefully dancing around the many, many dead bodies scattered
around the fairground, its bells jingling.
“I hope you like what I’ve done with the place,” it said, its voice
smooth and soft, “I made it just for you, Andi.”
I swallowed hard and dug deep. “Do you think this scares me?”
The jester stopped dancing and stared at the floor. It raised itself
up to full height, easily seven feet, then violently turned its head in
my direction to look at me, its neck and shoulders cracking with a
sound like gunshots popping off and echoing into the distance.
“Yes,” it said, “I do.”
Steeling myself against the horror all around me, I took a step
toward it, then another. “You’re wrong. This is nothing but smoke
and mirrors, party tricks. How long have you been trying to do to me
what you did to all those other people? Has it worked?”
The jester said nothing. A breeze passed between us, one that
reeked of blood and death.
“You can show me all you want,” I said, “But you’re going to have
to do better than that if you want to kill me.”
“I don’t want to kill you, Andi. I want to sleep, but you won’t let
me, and so I’m going to make sure you hurt, and I will eat your hurt
and be nourished by it, perhaps not enough to thrive, but enough to
survive. We can keep dancing, but I will be dancing long after you’ve
become a corpse and your body is rotting underground. Remember
that.”
I raised the scepter, directing the head at the jester. “I might die
fighting you, but I’m going to fight for a long, long time, and you’re
just going to get hungrier and hungrier. I don’t think that’s ever
happened to you before, so we’re going to find out just how long
you can really dance for. Because I think you’re going to make a
mistake, and when you do, I’m going to be there to put you back
into the hole you came out of.”
The jester lowered its head and flexed its long fingers. “Maybe I’ll
bring you with me. Don’t you think that’ll be fun, Andi? The things I
could show you.”
A trickle of power raced through me, a vibration that started in my
chest and moved through my arm and into my hand. This was it.
This was how I knew the jester had used too much of its own
energy trying to get me to crack, it was how I knew this whole thing
was over. “Until tomorrow,” I said, and the fairground around us
collapsed as if I had created a black hole where the jester was
standing, and everything except for me was being pulled in until
nothing remained but darkness, and silence.
I shot awake bolt upright, gasping for air, drenched in cold sweat.
My chest, the back of my neck, my hair, my pillow, I was covered in
it. The soft, morning breeze coming through the window felt like ice
against my skin, but it was daylight at least, I was in my bed, and I
was alive. I rubbed my eyes with one hand, in the other I had the
scepter, my hand so tightly wrapped around it my knuckles were
white.
The tiredness set in almost immediately. I could have done with
another hour or two of sleep, but it was morning, the others were
probably up, and I couldn’t risk going back to sleep anyway. There
was always a chance the jester was there, waiting, even though its
power was strongest at night. I’d just have to be tired again today,
not like that would be different from any other day from the past
three weeks.
CHAPTER TWO