mip tealen=te) Ne Se me CCC me Dt SET CAML 2 C0 ne from Bruno Mars and Aerosmith to Pearl Jam and Led ZeppelinFRRST 5O SONGS ee ea Cee HAL*LEONARD® ee eea eee a Cee rt ante ere Ca ea teat ttt a ee aoe iaiatng fiesaeeeenirrat12 “4 a a 20 Py] 24 Pa Py 30 Ey) cry 35 40 ord rr rg 50 Ey ES IS ee a ee eel acai Toe Neo iy Ear eee Blister in the Sun. Neues eta. ee % ecu CC Cay ie) Sikenray Bee cd nea nes ACE ry Corer) lores SOA UE Re at Pen een een e oa Ca roca feed Coke oa aL ey cower ae an eet cua) Honky Tonk Women SOc ears red esta tdi Rett) aoa I'm Your Hoochie Coochie Man, Muddy Waters eR Ra cg Oe ed Bea oa as Cae Longview. Cg Low Rider ed DCU out es AComa AN ae? Como Co Rec e OCs ace a eae oun 80 Sanford and Son Them Ever cuc) CR ecm Akon Pore Beem ry ae ae ta a ee Press Cacrcg Cay SCOUT eae Se ac ea So ae coma ome SRC PE eRCr Rey my amauta? RC Pe aR Reel) Cao) aac Neo aOR ao eset) DUC Cua OC . The Police Ta ar The Clash Semen eas Neder as Bob Marley and the Wailers era Seco) Carey fee i) accents ed Daria es -Lou Reed Deane eer u2 BaeAmerican Girl Words and Music by Tom Petty Key of D Intro Moderately (Guitar and rams Verse D Em G Well, she was an A~ mer =i - can gid raised on 2. Well, “it was kind-a cold that night She stood a = lone o-ver a ae A D ES prom -is-es. She could =a" help think = in” that there was a bal - co =. Yeah, she could hearthe cars roll by._outon Cee — 7 + “| 8 2 4¢ }§ § ¥ Soy ESE — eee —— G A Viele more 10 life some = where che. Four - for = ty-one like waves crash-in’ onthe beach % — Pre-Chorus A D G AC - ter all it was a great big world with tots of ple = et ‘And for one des = per ate mo ~ ment — there, he crept back = inher = ? Copyr ont 2 1976 ALO MU: : 1976: mr we in’ she = 7 (22 2 yo. Tobe — : —s ee ee or — FX _ ) G had one -Ab-D9.09 Key of Em Intro Moderately fast Bm7 Am? Feelgood. shake it) Feel good. (Shake it, shake it, ye ES Bm? shake it) Feel good, (Shake it, shake it, shake it) Feel good Bas Fig. 1 Baye Fig. 2 Am? ES (Shake it, shake it, shake it) Feet good. _ End Bass Fig. 2 = SS = = +; ma = —— f ! 0 Bas: wi Bas Fig 1 (tines) ES Bm? Am ES J]: sake i, shake i, | shake it) Feet good. | (Shake it, shake it, shake it) Feel good. \ Verse Fw Bs Fig. 2m) ES Bm? Am7 | LCi = ty’s breaking down ona | camel's back, they just have to go “cause they got a new ho - ri-20n, i's @ | phem- er = al style, a | mel an - cho - ly town where we ES Bm? don't know — whack So | all you fill the streets, it's ap -| peal- ing to see, you won't wey - er smile ‘And | all I wan=na hear” is the | message beep; ‘my dreams, Copyright © 2005 Gerllaz, Chrysalis Music Ltd. ang 50's Kid Music Al Rights on behalf of Gola Ai eared by Sany/AMV Musk Pubahng LEO 204 Church test Sut 1200 Nashie, TN 37219 ‘AlrRiahts on behalf of Chryzale susie Lia. Adminjtered by Bl Rights Monogerbent (US LLe Tailrights on benaifof So's kid Music Aa mstereg by Have ive Got Music For You LLC Aa aahin tare Tene ee coe _Am? ES get ont the coun = ty “ease you're | damned as fie. You they've got + tn kiss be - came dont get soon, 20 ES so —————F Le ? $ Chorus Bast Em D Am Bm Wind mi, wind = mill for | the tan, tum | for-ev - er band | in hand Em D Am Bm ake it atin on | sour se ite tok ing tan | ing down, Em D Am Bm Love for-ev - en toe | i fee, ets tm | ervey at you] and me Em D Am D Wind mill, wind — mill for | the tan, is ev fey = bos ay int ToCoia 6 — Base w Bas Fi ES | | 2. Laugh = ing gs, these fl, haz = mats, fast cats | ghost town, this Mo = town, with Bm? Amt lin = ing them up tke ass cracks, la = dies, po = mies atthe track, yor sound you in the blink You gon’ | bite the dusty” can't fight with us, with asc w/ Bas F.2 ES i's my choc = 9 = late at ~ tack | Shit, Pm steppin’ inthe eat of this here so sound sou kil the Ines So don't Pe ed“ne LS es ts testes mY we enc fie tata (te ate ba wa zs sate) ata Gate 4 ate ste tat ome Breakdown DS. al Coda sero Em Verse Ist, Bass: w Bass Fig. 2 2 ie, Bae Bass 1 ES Bm7 1 Don’t stop, get it, get we ae your cap-tains in it Outro Ist ime, Bass w Bass Fig 2 2nd ts, Bans wBass Fig 1 Am? ES ES | Steady, watch me mv + i+ gate. ha -[ haha ~ ha = ha (Shake it, shake it Bm? Am? ES shake it) Feelgood | stake it) Feet good. | (Stake shake itBlack Dog Words and Music by Jimmy Page, Robert Plant and John Paul Jones Key of A Verse Moderately / NCAAS) \4 Hey, hey, ma + ma, said =the = way you move, gonna | make you sweat, gor-na make you groove. — z a | = tet nS AS NC{AS) AS Hey, hey, ba-by.when you walk that way,watch your F don't know bat [ve been told, a NCAAS) hhon-ey drip; can’t keep away, big leg wom - an ain't got no soul + o= co ss ee = 2 T goretn ol, sant sand sl. gota * * SAM UL ask for when 1 pray. aie? 8 = NCWAS) flaming heat, can't get_ my fil scant mina come my. Wa nd Bs Fig? steudy-roling woman go y way, eer — tert = pope ott j = a ce eee === Be bash NCAAS) 4 ao ila, turn = ing rd. divams of you all through my head. 3 Need a woman gonna hold my hand, won't| tell me no ies, make me haps py. man, ToCoda riage © chor AS AS Ayah ahah, aby ah, oh, ah, ah, ah, ahy ah, ah Hey baby oh ta bps Hey a —— = I ee —— — 7 : 2 ro? 23 70 o ee, GE D AS pret-ty ba - by, dar-ling, can't you do me now? pret-ty ba - by. move me while you groove me now. Base Bass Fig (2 imes) AS NAS) | tke to tong fore I found out what | people mein by dovn and out [ff B 4 RS atc AS NCAAS) | spent my mon-ey, took my car started | ling her ids she gona bea star] B 4 err O-Coda oe Re rea + $ eet OE aBlister in the Sun Words and Music by Gordon Gano. Key of G Intro Fast G c G c G e G eee et ce eet en oe fiz is = dy ol, tenis, I stain ‘my sheets, 1 don't ‘e ~ ven know why. « c G c BS BS as] OR $§ Chorus a 6 6 a Pe eoncn er ts me go an tke a = —— = — a f i—1-¢ B oo Ses = fv | od See ToCoda 0 eee c D G c G 1 know you're the one.Verse ‘Has w/ Bass Fig. (8s) G a G c 3.4.6. When I'm out walk-ing, ry} strut my 5. Bo -dy and beats, ui stain my sheets, c ut Pm | high asa kite, My itl fiend, scutt G 1 she's | G c G and Tm so strung T don’t - ven know why. c ust might at the end, 12 [a G c G stop to check = you out. | she is, start - ing to | ery, -@-Coda G c DS. al Coda Let me goBlitzkrieg Bop Words and Music by Jeffrey Hyman, John Cummings, Douglas Colvin and Thomas Erdelyi Key of A Intro Fast Hal Hey, ho, ler’s go! let's gol They're — — 1 55555 555 popes $§ Chorus A DOF A D&E form-in’ ina straight line. They're go-ing through a tight wind. The Bass Fig 1 A D o£ A b= A ids are losing their minds the Blitz - bree Bop They're — —— | —- ef ee ~ = 365 $s eee a eres Copyright #1976, 1977 by Mutatea Music, WB Musi Corp. and Taco Tunes 109 Music 7 tne Unteg States Adm nistered by BMG Rights Mon Te Oe eee een kaprtemead le WE venDog 4 _ | piling in the back sa eee puls- ToCoda A D. E A D A ating 0 the back - bet Te Ble ig | Bop. | | Verse D A D A Lid. Hey, he, les ¢0, shoot "em in the back, now. D BS D E What they want, don't know, they're all revved up and read~y to go. a = = ~ ise pa To LEE CL A NC. Hey,Born Under a Bad Sign Words and Music by Booker T. Jones and William Bell Key of C#m ee NC ca SS FS == = ait ee Pee nn — chr Ger rey gan to crawl Ifit was-n't for bad tuck, you know 1 wouldn't have no luck at % Verse chr 1. Hard luck and trou - ble been my on-ly fiend, at can't read, I didnt learn “howto write, 3.You know, wine and wom - en isall 1 crave T been on my own ev-er since 1 was ten, My whole life has been fone big fight. A big leg wom an gonna camry me to my grave. = 2 4 4 Copyright #1967 IRVING MUSIC. INC. tied Chat eyBisFg | Bom un «der a bad sgn, Fer I it was-n’t for bad luck, Been down since 1 ch you know 1 would-n'thave no luck at | al bbe -gan to | crawl | ater ea ch Spot: And tt ot 00 4 4 r ete D br yt rely ppt — ctr a7 ott ar You know if it was~ n'¢ for had luck, + 4 —— = T piv >> yf ee eee eee rr ret G7 Gay ar ot Gr wouldn't have m0 kind of ‘ick At it wascat for real bad ek, a = Sees t $ Lett DS. al Coda Fer ch I would-n't hve no Wek tal B + + Steele = ? {ca S| RES Ppt? Coda outro ch Yeah, I'ma bad ick boy! Been hain ad tuck all of r+ 4 ' 2 t an el bt + bp? Begin fe Fadeout my days, yeah. = rt a 2 e — ttt bpp rot pertThe Chain Words and Music by Stevie Nicks, Christine McVie, Lindsey Buckingham, Mick Fleetwood and John McVie Key of Em Intro Verse Moderately Es AS D c 8 GE] ttt int to, wach te om |i ES as Doc. gs Rn in the shad-ows,| damn your lve, damn your lis. | | And if Chorus Am you dont love me now, you will never fove. =e again, 1 can a ——— = SS T T T Ld Em c D sill hear you saying. you. would seveet break the chain, And it use re : aoa fo co co you it ee | 1 Em c D eles (ered ee | Imcertage Verse tae Bs As 2iLi-ie te he wind Non So —__]. in ne shad - oe dunn yrs, cama your | ewe a Sinn “ie dak anne Copyright £ 1977 Welsh Witeh Music, Universal Msc - Careers, Kobalt Music Copyrights S42 ‘Now sounds Music, Moly Mae Music and Rattleman Music ‘Copyhant Renewed Al Rigns tor welsh witen Music Rdminateveg by Songs Of Kobe! At Rights “or Konet Hes ¢ Conymamts SARD she night light Chorus Bass Bass Fig. 1 (3 ines) Am you don't love me Em c now, you will 1,2. D sill fear you saying you would |ev-er break the chin oterlude ES COE Core ES COE Ce me a gain 1 can 3. — D G Em Am. Em =e Guitar Solo Am Bass Fig. 2 c G Play $ tines End Bae Fig. 2 = Ta Outro ‘ass Base Fig. 2 (il ide) Am c |::coaia | — G Em keep us to -| geth - er) Runnin’ in the shad — ow.Come as You Are Words and Music by Kurt Cobain Key of Em Intro Moderately (Guinn Verse Bas w Bass Fig 141i) Em Ds Em 1. Come as you are, | as you were Em Ds Asa fiend, | asa friend ' base ws Fig. 11812 tines Em bs Take your time, | hur = 2.Come doused “in mud, soaked Ds Em Ds | don't be late. | Take a rest}) you be. | Asa wend} S Pre-Chorus bs Bsust mm = 0-9 as Fig? Bass: w Base Fig, 2(2 12 times) Esusd G 1991 The End Of Music ang Prmary Wave Teves, bn Bass Fig bs rd bs as an old | eee || Em yw. choice is yours, in bleach, aT want Em asa friend, as an old_| | G: SS AS AS cs AS don't have a gun, m0, 1 don't| have a gum, 0, 1 don't | have a gun Interlude 1.2.3 oes DS. Cow Gata St (ute dnd te Bec En Ds km bs | | | wen sow. | cs AS cs AS don't have a gun, 0, 1 don't have a gun Outro Bass w Bass Fi 1 (ines) cs Em Ds Em Ds Esusd Mem -0- ry. a : —le=Creep Words and Music by Albert Hammond, Mike Hazlewood, Thomas Yorke, Jonathan Greenwood, Colin Greenwood, Edward O'Brien and Philip Selway Key af G Intro Moderately G B as Fe ae Pre etavale ve “ bea 1, When you were here —_be- fore, nd Des 2 }3— E Bo : = + vl I t verse sf Bas Fig (sine) G B could-rtIook you in thee You're just ke an an * 1 wan-nahave con ~ 10} 1 want a per- fect bod - c cm G = eel [a tee You float ike a feat) - or | 124 TT want a per= fet soul T ant you to no. |- ce B ins bean-ti-fal wos | 1 wish | iene ari por (a: rot youres0. fi } cm You're so fick - ing spe |= ith} Chorus wes Fig 16 mes) i B re 8 we fo, c pee ae | fee th I cm Cn here 2.4 don't care if it hans, ere on, on ah = T £2292 BA APR, MUSIC INC one WaRNER/CHAPPELL MUSIC LTDa 3 —/ ¢ = c She's rin = ing out Saas ; 5 ms =| 3. What-ev -er makes you hap- T don’t be-long here, I don’t he-long here.Crossfire Words and Music by Bill Carter, Ruth Ellsworth, Reese Wynans, Tommy Shannon and Chris Layton Tedown 12 low igh) E>-Ab-Db.Gb Key of E Intro Moderate ¥ ET Play 6 ts — Bass Fi nd Bass Fig ven ecb 12m 2 [oy a, | ie | sined ty he [ow $§ ass: wi Bass ig 1 times) f meee [Rare STS at [I ww.” 3. Save the strong, lose the weak. ' ‘Nev-er tum-in’ the | oth - er cheek. Mon-ey's tight, noth -ing fee. Won't some-bod = y come and Beg gin’ a dol» lar steal in’ a dime, | Came on, cat ya see Trust_no- bod - y, | don't be no fool Whatever hap-pened tothe Chores ET rode met ams 9a i tht = tm stand |: cd, | caught in e cross | fire gold - en mile? We gotstrand i ea : : io ToCoda-Q | sen cut ines | te | Bridge ¢ A 1 non Kind of kind ns were j ; w— Che) y Copyright + 1989 Manchaca Music and Blame Music 2) Rants for Mane7ace Music Aum stored by BMG Rights Manager2nd time, D.S. al Coda ge = a 5 8 — a a | a) p Co a aaa Bass: w Base Fig. (4 mss) | We got sind | - ed, [ete inthe cos |= re | sean cauaht inthe cross | fe Outro-Guitar Solo E7 Play 7 tinesDown on the Corner Words and Music by John Fogerty Key of C Intro Moderately ic G al Base Fig 1 Verse c G Cc Ley be ee soe just tt rb) epee yc, i, fi ot < - ioe —— od bu | 6 c | i’. atps he “aor Sn an [oc ie for a whe Spin oe eto Si ee om oo F c Four ids on the or = net | oay- tt te eg gem Poot - boy twangs the rhythm out on his ‘Kal - a - ma - zoo and | Over on the cor - ner | eyere's — - 6 c wily pids 8 tte cata Hows tom the ham, Wil -ly ‘goes in - to a dance ~— and | dou-bles on ka- 200. | Wily ee ang ram to) | watch te mageie By. ‘Copyright § 1969 Jondorg Music‘Chorus F c G c Down on thecor = cout here inthe street Wilely and the Bas Fig ———_ —_— p ToCota-)- F c G c Poor = boys are play = in’ Bring a nick = el, tap your feet. nd as Fig? ————— + yy 0 T —_s ' Interlude ‘ase os Fig. 1 c Goce Gc oF c ooc¢ Chorus Bas Bas Fig. 2 F c G c Down onthe cor = net out here inthe street Wil- ly and the F c G c Poor - boys are play in Bring a nick |- cl tap your feet DS. al Coda Interlude Basta c G c G c ] I -O-Coda Ba w/ Bas Fig. 2 a) F c G c Jj: Dove onthe cor = et out here inthe street. Wil-ly andthe Repeat and fade F c G c Poor = boys are play « in’, Bring a nick |= ek tap your feet. |Here Comes Your Man Words and Music by Frank Black key of D Intro Moderately eto Verse D Aa Em G lows eee ee co = the then ye bas gt nt waste = ++ oy ae vo) pele ppl pe w/ fa Fig D A Em G ou bythe | tre breath = ing w= side, we wait | all fice tums. bl sw Bs Fig 1 tims) D A Em 6 ie re (ey omen ee eee et) ed eee Big stoke on tte | boxes, tow - ing Big shake to the and | that’s “Tal = ing D A Em G eee ee ede eel) he tony ee mee) down, 3. 8 vind makes a" | palm sop blow = inten | bigs big. ste fall and | breck'my row. J Pre-Chores Bm 6 A D There is a wait so long. (So tong, so Fong) You'll nev = erwait oo rons - E ~ : 4 E zat : cree ? ?eee Go > 6 oa a aera = +4 : os fs es = as 1 Te. te . A bn 6 . oo; A bn 6 = enw ww Co Eee sung atte oly Pre-Chorus Bm pes =o D Outro-Chorus a= ci. D Goa D man Herccomes your man Pay nes TS 44 45 58 ; ies oe Toc 31Hey Joe Words and Music by Billy Roberts Keyot ino Mdraely E = Sa da = - EF — = Vere c « A Le se, wi, vee you go it wh at —— = = v v Co E pm ia your hand? ad Bes et — c G A | Wey hee, | 1 sid, whereyou a0 in’ with tht gun E [in your tam . | c 6 A | rm penny ds, | & & G | go hon hy a £ ‘And that ain't you know I caughther mess~ in’ “round with an-oth-er Yeah. D A you know T caught her mess- in’ “round with an - 100 600 THIRD PALM MUS.2.Uh hey Jee. Hl 1 heard you shot your | ree 3 oo | c G D A Un, hey, Joe, | 1 heard you shot your old | E la - dy down, you shot her down in the ground Yeah! | c 6 D A Yes 1 did, 1 shot her, you know I eaughther messin’ ‘round, Bas Fig? end Bas Fig? es 4 7 pr Cr ew Bas Fig. 2 c G D A Ub, yes 1 did, 1 shot her, you know 1 caught my old Ia ~ dy mess-in**round | E town, And 1 gave her the | gun, I shot her! | Guitar Solo Bas: Bass ig 2 (2s) cl G D A ,E ) | Interlude c G D A E Bass Fig. 3 ad Bass Fig. 3 SaasVerse Boss Bs Fig. (11/2 tmes) c G D B.Hey, Joe, A E fl uh.where you gonna min | to now, where you gonna run 60? G D A He, dont | eee where you gon -na go? Well, dis! c 3 E Mex-i- co way! AL rit t a basso BaF 3 c 6 D A E Vm go~int way down sou, way down where 1 | can be fel Ain't wo ong gonsna find me, E me, You'd bet-ter beclieve D A you'd bet-ter run on Bass w/ Bass Fig 2 c G D A [Siw no hang-man gon-a he ain't gon-na put a rope around Begin fade as w/ Bas Fie (al fade) c G it ight | I got-ta go now. Hey, Joe, Repeat and fade Bos down, Good-bye ev -ty-bod- y: |Hysteria Words by Matthew Bellamy Music by Matthew Bellamy, Chris Wolstenholme and Dominic Howard Key of Am Intro Moderately NC(Am) (e7) aa ee (Ge eee ee oy) OO, Oe et cow owe one Se ee OL Se 1.2.3. = (Dm) (Am) End Bas Fg. - corbeewrTeetze Tt ee ee ee Coe w Rew ewe eee slr (Am) Ls 7 — ra —1 19 —o— —— 7 ——— (et) Verse Bass w/ Bass Fig (134 mes) NC(Am} (E7) (Dm) (am) bug ging me | ert - ing me and | twist - ing me a round Yeah, I'm hold = ing me, | morph = ing me and | fore - ing me 10 strive to be (7) (Dm) | end tess - ay cav = ing in and | wm - ing in - side out.) | end less - ly cold with = in and | dream = ing I'm a - fives Chorus (am) c ‘Cause! want it now, 1 want it Base Fig? © 2003 HEWRATE LIMITED All Rights in the Us. aad Canaca Aamn tered by WB MUSIC CORP. he U.S. and Caneda Administered by WE I a{Andi'm break - ing out, ‘ nat [1m not break = ing down, | Ho ee End Bass Fg. ? ~ ~ ae Saeaes = Interlude (Am) Gow wey ey Pg eee states aati gta tate gates Dm Am ‘A last chance to dose con = tol ——— Interlude NCIES) a ee ase eee eSGuitar Solo Bass Bass Fig. 14134 times) Bass: w/Bass Fig. 2(2 mes) Am 7 = ee And 1 want you I Chorus Bass: w/ Baas Fig. 2134 ies) c G Dm now, 1 want you now. 1 fect my heat im = plod Am c G Dm And I'm break-ing | out, es-cap-ing | now, | eel-ing my faith rode, Outro Am NCIES) owe? 9 10 10-10 8 =F — i ro — === oo we owe 9 8 oe —S Play 5 timesHonky Tonk Women Words and Music by Mick Jagger and Keith Richards ; ¢ 4 Bae) 1 ff, meta gin soaked bar | room queen in Mem - phis. 6 F She | tried to take me oup stairs for a ride. | She 6 | nad to heave me tight across hher shoul | - der, cause 1 just a 5 c 3 oo ke oo oy | ial c 5 : ] - i" ee _——— | poy et es Pt Po ’ ns _ ? — D G the hon-ky tonk gim-me poe ? a a La 42 : $ : 4 a G tues. Al ght yey et Fea tag tbe = ao ee ee ee G a : _ 3 . f 7 : Oo yoo Oo ro}, ooo Ws the hon - blues a ———— 7+ f Tt = Ly a an a| Got You (I Feel Good) Words and Music by James Brown Key of D Verse Moderately fast DI 1, Wow! 1 feel. good, 1 knew that I would, now. Bass Fig 1 ——4 - (ea — + ee) a pr 1 feel good, 1 knew that I would, now. So good, s0 good, 1 got you. 2.Wow! 1 feel nice, nd Bas Fig Kverse . e A Tike sug - ar and spice So nice, | 50 nice, ToCoda G NC.Bridge When 1 D 1 know that 1 can’t do no wrong, G when I hold you in my arms 3 my Tove can't do you no. harm. 22 . DS. (no 4, And I fel ice, fete lesel ee t al Coda repeat) CodaI’m Your Hoochie Coochie Man Words and Music by Willie Dixon oa Tao nde so aI fared ol Se 3 a) ° iy ? ? ? WH Verse a Fete p-ey women ld my moa ele E23 Seeadional ies | Serene eee | ne pernenate ey women | Sem ad tt ee | owe Dt eee poee me) ce ee > Be = 4 4 Ts 5 wT > ——F 0 ? 0 Y t ToCoda a7 ety Wel, you wm te Berane aT — I; .— 4 + 2 ? aay ,_ > o> | Jv br ar 5 é—4 fecpastaonest i ae i a aaa) TT D7 a $ + = + $ + = 44 5 6 + el | Toe =a B b7 ‘ i aT br ts i @-Coda ar ET pT Well, you know I'm the Hoo - chie Coo-chie boy, ++ $+ ++ re a a the whole round world know we here, E7 AT v Additional iyries 2 gota black eat bone, [gota mojo oo. {got the Johnny Conkeroo, Tim gonna mess with you. rm gonna make you gil, Lead me by my band, Then the world will Know, ‘That I'm a Hoochie Coochie Man 3. On the seventh hour, ‘On the seventh day. (On the seventh month, ‘The seven doctors sad, ‘You were born for good luck, ‘And that you'll see 1 got seven hundred dollars, ‘And don’t you mess with me.If You Want Me to Stay Words and Music by Sylvester Stewart tun op 12 iow high Pak-o#.ot Key of Am Intro Moderately Am7 cuG Mes “5 55-5 5 —— + *Oviginlly recorded in standard unig th tp was spp rs Gt oT — — oy ee ee i E = = WK Verse = os ° tp fo — — . ep — ? —— rs 8 ee encores = —— ;- - ~ — cP ope a an cn © — _—— = = = > 4 ae a SS Copyright £ 1973 tijac Music a Ee caFo sray here, ro a 1 one Se num = ber one. 2. You'll nev - er End Bas Fig, 2 2d ime, Bas: w Bass Fig Bass: w Bass Fg, 2 (2 dans) 2rd time, Bass: W/ Bass Fig 3 (st mean) Am7 cyG oc be in doubs, that’s what its | all a bout You can't Whoa, Til be good, T wish could at this ToCoda-- ¥6 ET tke mer gant = ed and smile Count the mes = se 0 ett you 0%, ah Ami? ca © days Tm — gone For [Bh a tech iat me by poe because 1 F6 ET prom - ise TH be gone for hile 3. Mn, when you Verse a Bas Fig, 2093 mes) Am7 cyG co Fo see I hope that } you have been the kind of | per-son that you ree ET Am? cue o ow You got to get it staigh. How could | ev. = er be Inte when you're my Tas Fig. ++ a LPs $ ; DS. al Coda F6 Fe) woman tuk = int up omy time? 40h, brates 3 ; — eee Cit Cer-Q-Coda Interlude 2a time, Bas: w Bas Fig. 3 Am7 F6 Verse Am? cyG Fo see me asin, 1 hope that you have been the kind of per-son you really are now. e - Seppe et 7 Amt cue o nu eee Srna a T wish 1 could got the —= = = 5 =| | 7 0 08 3 : t cer Fo mes - sage 0 - ver 0 ET ah, oh, Outro age Bass Fig. 3 il ade) Am? cyG © Fo Repeat and fade ETJeremy Music by Jeff Ament Lyric by Eddie Vedder Key of A Intro Moderately NC. Play 3 vines ‘tnd es plays harmonics th fret of and G sings Verse A GA 1. At home, drawing pic - tures of moun-tain tops as Fp A s7o |) esy?-" - = t= GIA A ams ised] in a | sndthedsad lay in [pools of maroon be-low | S Pre-Chorus AS GSA DA Daidy didnt give at-ten~ tion, Daidy ——did-a't af fection, $ $= z } + ja , o fact that Mom - my did - nt some-thing that Mom-my would -n't Chorus Am Fmaj7 Dm DnyBDmyF A Jer = e-my spoke in class to day. Bass Fig? a a + right © 891 UNIVERSAL - POLVGRAM INTERNATIONAL PUBLISHING, INC. SCRIBING CENT GONG and INNOCENT BYSTANDER CEPR: for SORIBING CMENT SONGS Controlled sr OLVCRAM INTERNATIONAL PUBLISHING INCAm Fmaj7 Dm DmE DmC A Jer = e-my spoke in cass to dy fp i = vod I T Verse as Bas Fig ine) A GjA A 2.Clealy 1 resmem| = ber picks on the boy. seemed a haem-less | little fuck GIA A Oo, but we unleashed a | fi = on GGnahed his eet and it the re-e85 nd y's, breast, GIA A how could 1 for-| ger? Ande hit mewitha [surprise ten. | My jaw eft hurtin’ DS. al Coda GIA A 00, dropped wide o-pen jist tke the dy, | oh, |like the day 1 heard @-Coda Am AnyG Dm DmyE Dac A Jer = e-my spoke in class t0- day + Bass: w! Bas Fig.2 Am Fmaj7 Dm DmyE_Dmy/F A : Jec = © - my spoke in lass | t0-a: Interlude Bass: w/ Has Fig. 1st? meas, 312 ines) Ne. ©, 0, 90, 00,| 20, 00, om om, | 0m 0m 00, 00, 00. Try wo forget this | try to crise | this (ty to for-got | this, Ty fo e-rase Chorus Am Fmaj7 fom the black board, this) c = 1 : os 7 : 8Am AnyG Jer + e-my spoke Dm DayE Day oy ae — rs ? 1 Ceo Am Fraj? DmyE Day Jer = ee ny spoke aa to- dy = ? Am AnyG Dm/E Soa os we alam ft 1 vt p Fs As Deeeony clas sre? fd tas Fe 3 say t Nyx vax L Peo | DES RE EE ot Interlude Bass: Bass Fig. 3 mes) FS Play 8 timesLivin’ on a Prayer Words and Music by Jon Bon Jovi, Desmond Child and Richie Sambora Key of Em Intro Moderately aa Play 8 times ee) Bassi. nd Bas Fig 1 ass: w/ Bass Fig. (ines) CE DE Em? | | Verse Bass w/ Bass Fig. 1(7 ines) Em? LTom-my used 0 work on the docks, union's been on strike, he’s 2.Tom-my’s got his six string in hock Now [he's hold = ing in, when he cE DE Em? down on his luck. It's tough, so tough. used to make it talk. So tough, mm, i's tough. — =—= = - coo Bass w Bass Fi. (Times) Gi - na works the din er all day. | | Work-ing for her man, she | Gi na dreams of running “a = way, | won she | eres inthe nigh, Tom-my whis CE DE Em7 7 | brings home her pay for | love, mm, foe tov ms ‘Baby, its 0 kK, some | = day" Pre-Chorus cs DS ES told on De E a3 3— = 57 I a3 5 re — i cs bs ES css ES Ds does-n't make a dif-Preneif we make it or oot, We've goteach oth - er and thats ator “GEESE Eee ‘Copyright £ 1986 UNIVERSAL - POLYGRAM INTERNATIONAL PUBLISHING, INC. BON JOV SONY AT MUSIC BUELISHING LLC ang AGGRESSIVE MUS ING Admrin’stered Wordwede by KOBALT SONG: AL Rgnts #Ds = =a a eS GS [| DS ES cs DS es = | oss + ; + = eget gf gg ell (alae —-———— cs ssw’ Base Fig. Em7 Ds i on a prayer. 5 5 58 | Coy CLE Ds 2. Gs cs ES on, we've got to Pte | = aooeno0s vee CP Cee ee tet Pre-Chorus css BS Ds CS bs fold on, read-y or not, you live forthe fight when it's all that you've go. a peeees eee Lo. Ht eg ee YZ Chorus Gi FS bbs EDS Fs Whoo, were half = way thee Whoa, liv = as Fi 2 in’ on prayer. En Bas Fig. Base: w Bass Fg 2 Gs Take my EDS hand FS BbS EDS and we'll make it, 1 swear. Whoa,Longview Words by Billie Joe Music by Green Day “Tue down 12 ste: Aloe woah) >-ab-Db-ch Key of E Taro Moderately fast (JJ= 42) NC. (Drums) 3 i EE tt Dm) () (o) end Bas Fig my AS Verse 1st & 2nd time, Rag: w/ Bas Fi 1 (3/4 ies) Srdtine, Bas w ss Fig 4 ims) (E) (D) (B) Lt aa = ond sed wach thee, bat thins on I amet eo fe Go ae | ote mea a TS sate fed wane ph, | tae to gues | (D) {E) (D) 1 ange the shan else ant fo ing | v Swe set! | dink Die co | pee eh ame (E) {D) {E) (D) «ta Tid = dle my) ands jerk [omy = | |e yrettesh test: [pcre ssueten tc =| oi Myon eT eft {E) (D) (E) Ym ick of a fhe same olds aah | vires in" doom fm te Summer et. | 1 shes he So] ou ent ae ee a "sa wen ae To Coda (D) (B) wim an = ced don, ee | omy eum ae a | ee yore ick = te “wna enn vale Weert acai feae ‘ss w/ Bas Fig. 2 (2 12 tes) B A E B eyes. Take me a wy | pr = a die | Tm so damn bored, | A E B rm wo iv’ bina and 1 smell ike shit | T Interlude A ES Neb) od ub Ie ) ro) A 8 tt £ { i ge Co Crt a A A A 7 Bridge E D 1 got 0 mo eo Has Fie 3 fend Bas Fy. 3 + —- Bae w/ Bas Fig 38 ie) E D E D Whee is my mo - ti - va- tion? [No time for |mo = i = wm = tion Interlude Bas Bas Fig 2(3 ine) E D B AE smok = ing my 8 aio = | iDS. al Coda NCD) cc) (0) nd Dass i “1h to Co CI Cet Coda Ds AS oy. 55 35 aaa ===) iia] a 7 + 7 7 7 7 7 7 Chorus Ts tie, as Bas Fe. 2 (me nme Ban w/ Bas Py 20 tne) B Aa E B | Take me a = wa |: Bie my lip and close oy fore frm THM fn A B © par a = dise | Ym so damn bored, | | © ae a> dise some “say eine al A E B A E Ym go iw sur fice, | a il int and tone th = ness | has f= fi | ‘Outro ase w Bass Fig. $l fade) E Repeat and fadeMan on the Moon Words and Music by William Berry, Peter Buck, Michael Mills and Michael Stipe Key of Intro Moderately c D c Bass Fig End Bas Fe ae 4 a Eo SSS TO I ToT LT ee Verse sw Bas Fig. 1 (534 ies) c D ic | eee rere (eee D e Aan = dy Kaut = an inthe | wres-al ing match Yeab, yeah, yeah, yeah, | Mo- © D c D c Mis-tor Fred Blas-sic in a | break - fast mess. Yeah, yeah, yeah, yeah c D c D c See you in heav-en if you | make the fst | Yea, yeah, yeah, yeah S Pre-Chorus Am G Now, An-dy, did youhear a bout this one? en ae FLT Am G Tell me, are you locked in the on El- Hey, An- dy, are you goof ~ ing (© 1992 NIGHT GARDEN MUSIC All Rights Administered in all Worlds, now known and neresfter devised, by WARNER-TAMERLANE PUBLISHING CORP. ow known and hereafter devised. by WAR oe