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Una limosna por el Amor de Dios
(El ultimo tremolo)

Music by Augustin Barrios Mangorè

Edited by
Richard D. Stover

Elab. Mysescore 3 - Gianfranco Atzei

2
Una limosna por el Amor de Dios
(El ultimo tremolo)
Autore: Augustin Barrios Mangorè Edited: Richard D. Stover
a tempo

 4                      
a m i a m i

 3    
 = 60 Andantino

         1  
p
     Ritard.  p
1 3 1
4

simile                  
                 
 
  2 4                3
   
          1      
   
4

     
           
               
 0              
        0   
 3  
7

1
2  0 1  
4

1  

2 3

            V - - - - - - - - - - -- - - -   
                
 4                              
 
  2 3          1  
9

     
      III - - - -- - - - --     - - - -- - -    
3 3
4

                 
III

                                      
          
     
12
4

       
2 3 2

                 
2

           
 4               0                             
III - - - - - - - -

    2      
15

  
  1 
2 3

   - - - --    
IV - -- - - --        
IX


    
                
                      
             
4


18

    
4

                 
3
4

           
ritard. . . . . . . . . . . . . . . . . . . . . .

   
                       0     
      2    
21

    

Elab. Mysescore 3 - Gianfranco Atzei

                  3
           
                                1              
         3  2  2 3  
24

          
1

IX - - - - - - - - - -          
3

 
       1              1     4       3       
   2

  1    
27


   X - - - - --       III - - - - - -
3 2

V- - - - - 
   
4

4           
  3    2          
              
   1     
29

    
3

   
     1  
2

   
2

   
4

 
2
6

            2      2         2  
  3  3    1
  
31

 0
4


3


           
3

   
5 3

          
 2   4       2       1        
  
 3
33


2


3 3 3

      II- - - - -- -          
                 
5

                       0      0              
  3     4 2     2   2  
35

       
   
4

 - - - - - - -     VII - - --   VI - - - 

     
                  4                      
VII

     3  
          1   
  
4
38

   2  3
  VII - - -    VII - - -- -          
5 3

                 
    4                       

   3   2     3         
41

2      
                  
4 3 2

             
                          4             
  0  2    
    2    
 1  
44

   

3 2

4 4
5

Elab. Mysescore 3 - Gianfranco Atzei

4      --- 
XII
     
                       
 1
  2 
   1
  0  2
47

 
3

 
      X- - - - - - -- - - -    
4 3 4
5

                       
   3   1
3 3
 1
  
4


49

 
1

           
 
           
5

                  2
     1    1  

 2 


 
2


51 2 4

 - - -- - - -           II- - - - - - - -    
                 
2
VII

   
 1    3       4 1  3            2              
  4    1 1  2 1  3  4   1 1 
53

1  2  2     
   - - - -- -          

                    
IV

 
 0         4     4             4          4
  1          2 
56


2   1   3
   
3

 - - - - - - - -    
1

 
                     
IX

4
 
        4  2  
       3 1 
4

2
59

1
 
0


1 3

    IV - - -
2

         VII - - -- -       
      
4

       
2


            4        4  2    3               
  1  2 3
3
4

 1 3
61


3 2

  1 
2 3 4 2

    
2

 - - - -- -   V- - - -  
       
1

     
5
6
IV

 
 0         4     4              4          4  
  1   2
1  
64

     
2      
   
2
3 3 3

       
1

  
1

       
VI - - - - - II - - - - - - - II - - - -

 3         4     4           4      0            
   2  2    
3
67

  1    3  
2
 1
 1  
Elab. Mysescore 3 - Gianfranco Atzei
                                    5
  4         4     0             0            
      3  1   4  
70

        
1
 
2
 2
    2


        
  
                   
VII - - - - -

     4  3     
IV - - - - -

         4     4

  1   1  2    2  
73

   3  
 2 1 

           
                       
IX - - - - - -

 3   2     3 
    1 

76 4 4


2

   rallentando
1

3
4

     
4                    

   
  3
  1
78

    
2
 


rit.
5 6

Elab. Mysescore 3 - Gianfranco Atzei