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Book Barry Manilow Anthologypdf Compress
Book Barry Manilow Anthologypdf Compress
BY ALBUM
230 BARRYMANILOW (1989) 302 SING IN' WITH THE BIG BANDS
(1994)
232 KeepEach Other Warm
304 Singin' with the Big Bands
239 PleaseDon't Be Scared
310 Where Doesthe Time Go?
BARRYMANILOW I
First of all, can we discuss the album cover? No that someone would record my songs. I did this for
wonder no one bought it! I look like the Mona Lisa! years. I got rejected eve1y time. I was turned down
more times than Susan Lucci!
This was the album I never wanted to make. You
see, all I ever wanted to do was to write music. I Finally, I ran out of money and had to sing my own
never even thought about singing. That was for demos. But soon after I sent out a demo of "Sweet
other people to do. I'd hire singers to make demos Life," I got offered a record contract! As a singer!
of my songs and I'd send the tapes around hoping I was sure they had the wrong guy.
7
I Am YourChild
Music by BARRY MANILOW
Lyric by MARTY PANZER
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what - ev er I know, I learn from
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I am your child._ And I am your chance._
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will come from me. To - mor row is
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won by win - ning me what- ev er I
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10
Could It Be Magic
Inspired by "Prelude in C Minor" by F. Chopin
Music by BARRY MANILOW
Lyric by ADRIENNE ANDERSON
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International Copyright Secured All Rights Reserved
11
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(1., 3.) Come, come, come in - to_ my_ arms.
(2., 4.) Now, now, now and hold_ on_ fast.
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Let me know_ the won - der of all_ of you._
Could this be __ the mag - ic at last?
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Sweet Life
Music and Lyric by
BARRY MANILOW
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19
BARRYMANILOW II
This is when it all began for me.
You see, I was this obnoxious young guy who just When I finished making that second album, I went
believed in what he did. You gotta do that. I've right back on the road. My small band and me
said this before: Nobody knows what you want playing clubs and driving in the Volkswagen again.
except you-and nobody will be as sorry as you if But the difference in this tour was that I had a
you don't get it. brand new single record that Clive Davis had
Even though no one had bought that first album, found for me. It was called "Mandy."
during my first tour the audiences were fantastic. I'll never forget trying to sing the little ballads that
They were so warm, so supportive. I'd never felt meant so much to me over the noise of the
anything like it. Eventually I got a call from my Daiquiri blender. But when I sang "Mandy," the
record company-I think they gave in just to shut waitresses stopped serving. I could tell something
me up! They wanted me to do another album. It important was about to happen that would change
was a miracle! my life. I could feel it.
21
Mandy
Lyric by SCOTTENGLISH
Music by RICHARD KERR
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morn-ing. Just an - oth - er day,_
stand- ing on the edge of time,_
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-- I've walked a - way when love was mine._
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Copyright© 1971 by Graphle Music Ltd. and Screen Gems-EMI Music Inc.
All Rights for Graphle Music Ltd. Administered in the U.S. and Canada by Morris Music, Inc.
International Copyright Secured All Rights Reserved
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26
It's a Miracle
Music by BARRY MANILOW
Lyric by MARTY PANZER
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Youwould-n't be-lieve---where I been;( /
I nev - er knew you --- looked so good. w 10 w110 who)
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27
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_ the same) The peo - ple, they all ___ look the same/ yes the same) on - ly the names _
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29
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(who who who) (who) (who who who)
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dan - cin' in ___ the streets; there's gon-na be dan - cin'in ___ the streets,
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33
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Tryin' to Get the Feeling Again
Words and Music by
DAVID POMERANZ
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39
BandstandBoogie
from the Television Series AMERICAN BANDSTAND
Special Lyric by BARRY MANILOW and BRUCE SUSSMAN
Music by CHARLES ALBERTINE
Fast Swing
3
A6
e
We're go - in' hop - pin', (Hopi) we're go - in' hop - pin' to - day, where things are
swing - in', (Swing!) we're gon - na swing in the crowd, and we'll be
pop - pin' (Popi) the Phil - a - del • phi• a way; we're gon • na drop in (Drop!) on all the
cling - in' (Cling!) and float • in' high on a cloud, the phones are ring • in' (Ring!) my mom and
on
I'm
the
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Band
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my A • mer i • can
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on A - mer - i -can Band stand._ We're go - in' hop - pin', we're go - in'
love A - mer - i-can
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43
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Hey!_ It's Mis - ter Dick Clark; what a place you've got
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45
Stroll on A• mer • • can, Lin dy Hop and Slop, it's A mer • • can
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I Write the Songs
Music and Lyric by
BRUCEJOHNSTON
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56
• ••
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in the cit y's lights_ and things don't seem_ so bad.
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62
THIS ONE'SFORYOU
This album had some great songs on it. .. great
songs-bad hair!
My favorite song on this album is one I never
thought would become popular. It was never
released as a single record and was never played
on the pop radio, but I got more letters about this
song than any of the hits.
It's called "All the Time" and it's about feeling like
a misfit when you're young. When the public
responded so positively, it was very gratifying. It
showed me that misfits aren't misfits around other
misfits and that no one is really alone.
Always remember you're unique-just like
everyone else!
63
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67
Daybreak
Music by BARRY MANILOW
Lyric by ADRIENNE ANDERSON
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you see it all comes a - round,_ The feel- ing's ev - 'ry - where, We've been
.-----3-
Copyright© 1976 by Careers-BMG Music Publishing, Inc. and Open Curtain Publishing
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
Eb
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All the 'l'ime Music by BARRY MANILOW
Lyric by MARTY PANZER
Slowly
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ev - 'ry moth- er's son was go - in' off to war,_They had to lift their spir- its high_
plink - in' and the plunk- in' drove 'em up the wall,..Then they would dance and drink their gin,_
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for Un- cle Srun, moth - er - hood and ap - ple pie._ In
And when the fuzz buz_2;ed, they'd join in._ So
:::>
Copyright© 1976 by Careers-BMG Music Publishing, Inc. and Appoggiatura Music, Inc.
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
75
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stead of spend - in' mon ey - that they did n•t - have __ In
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Do you love him as much as J__ love her? And will that love be
And if I hold you for the sake of all_those times love made us lose our
IC>1976 IRVING MUSIC, INC. (BMI) and RONDOR MUSIC (LONDON) LTD. (PRS)
All Rights for RONDOR MUSIC (LONDON) LTD. Administered by IRVING MUSIC, INC. in the U.S. and Canada
All Rights Reserved Used by Permission
81
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when old feel - ings start to stir. __ Looks Like We
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ittE[_£
1. Last
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2. Time in New Eng- land ___ took me a - way to
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back in the cit - y where_ noth - ing is __ clear._ But
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hold-ing you, bring- ing us __
And tell me,
a sto- ry __ whose end must
© 1975, 1976 EMI UNART CATALOG INC. and PIANO PICKER MUSIC
All Rights Controlled by EMI UNART CATALOG INC. (Publishing) and WARNER BROS. PUBLICATIONS U.S. INC. (Print)
All Rights Reserved Used by Permission
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88
89
BARRYMANILOW LIVE
This was my only #l album. We recorded most of it
at the Uris Theater (which is now called the Gershwin
Theater) in my hometown of New York City.
:u
su □
90
Slow ballad
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It's not the worst_ you know._ We've come through all __
Who says_ they can't_ come true?_ To - night's an - oth -
but think_ how wise_ we'll grow_ There's more you know,_
07 C9
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the rest. We'll get through this._ We've made_ mis - takes_
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To Coda-$-
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Lay Me Down
Words and Music by
LARRYWEISS
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dust on my pi an 0 and
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pie - ture in my wal - let and some pie - tures ___ in my mind;
lis - ten to my sto - ry, 'cause I have - n't told it all.
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have n't slept_ a wink. So I read your good bye let -
nev er thought_ I'd find. And it's rain ing like_ a Mon
turned to me __ and called. When they asked,_ "How_ ya do -
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ter to the face in - side_ my drink.
day, and the world seems_ so un - kind,_ so
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I could have crum - bled like_ a wall,_ so
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to sea. __ Heav-en, if you're read - y, shine your
r---3--7
97
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(take 2nd ending) Slower
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98
99
EVEN NOW
This album was a milestone in my career with I myself had experienced pain like that so I could
songs on it that I'm very proud of. It was relate, and after the song came out I realized that
nominated for a Grammy. (I lost.) It was many people could, but Marty, being the brilliant
nominated for an American Music Award. (I lost.) lyricist that he is, was able to put his pain into
But don't feel sony for me, I met a very good words.
therapist because of this. And he says, "Another ten
Writing "Copacabana" with Bruce Sussman and
years I'll finally stop the crying." (Kidding!
Jack Feldman was great fun. And making the
Kidding!)
record was even more fun. But the first time I tried
I wrote the title song with my long time friend out the record at a disco, I watched as everyone
Marty Panzer. We've been friends forever. When I ran to the dance floor and danced and I knew that
was creating that album, I knew that he'd been we were on to something big!
going through a really rough breakup with
someone, but when he handed me the lyric for
"Even Now" it was the first time I realized how
painful it must have been for him.
100
EvenNow
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Now when there's some - one else who cares, when there's
Now when I know it was - n't right, and I've
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some-one home who's wait-ing just for me. E - ven Now think a - bout you as I'm
found a bet - ter life than what we had. E - ven Now wake up cry - ing in the
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climb - ing up the stairs, and I won - der what to do so she won't
mid - dle of the night, and I can't be - lieve it still could hurt so
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E - wn Now when have come so
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won -der why it's still so hard with-out you, E - ven
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through, I swear I think of you, and how wish you
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world has changed so much since you've been gone. E - ven Now I still re - mem-ber and the
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are, won - der why it's still so hard with-out you, E - ven Now when I come shin - ing
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104
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out You, I cant laugh_ and can't sing, I'm
you're glad, If you_ on - ly knew_ what I'm __ go - in' through,
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110
Copacabana
(At the Copa)
Music by BARRY MANILOW
Lyric by BRUCE SUSSMAN and JACK FELDMAN
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Her name was Lo - la;_ she was a show - girl_ with yel - low
Ri - co;_ he wore a dia - mond,_ he was es -
Lo - la;_ she was a show - girl,_ but that was
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' feath - ers in her hair and a dress cut down to there. She would Mer -
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thir - ty years a - go when they used to have a show. Now it's a
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Copyright© 1978 by Careers-BMG Music Publishing, Inc., Appoggiatura Music and Camp Songs
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
111
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en - gue_ and do the Cha - Cha,_ and while she tried to be a star, To - ny
fin - ished, _ he called her o - ver. _ But Ri - co went a bit too far, To - ny
Dis - co, __ but not for Lo - la. _ Still in the dress she used to wear, fad - ed
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al - ways tend - ed bar, a - cross the crowd - ed_ floor. They worked from
sailed a - cross the bar. And then the punch - es_ flew and chairs were
feath - ers in her hair, she sits there so re - fined and drinks her -
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love.
117
Music by RICHARDKERR
Words by WILL JENNINGS
Moderately slow
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hold you. So to - night I'll stir the fire you feel in - side
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All Rights for RONDOR MUSIC (LONDON) LTD. Administered by IRVING MUSIC, INC. in the U.S. and Canada
All Rights Reserved Used by Permission
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the feef - ing, so glad you 0 -· pened my door. Come with
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lov - ers can know. You're my song, __
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gain. Lav-in' so warm,_ mov-in' so right,_ dos-in' our eyes,- and
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feel - in' the light, We'll just go on burn - in' bright __ Some-where In The
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sleep - in'. And you'll smile when you dream a - bout the night,
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Lay - in' be - side_ you,
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Mu - sic too mag - ic to end, I'll play you
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The Night. ___________ _
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122
I Was a Fool
(To Let You Go)
Music by BARRY MANILOW
Lyric by MARTY PANZER
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Af - ter I've had ______ _ my last ci- gar - ette, when the night is as
the bar with the boys, though I can't stand the
with some-bod-y new and she knows what to
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black as the night's gon - na get, well, I'm still wide a - wake 'cause I still can't for -
drinks and I can't stand the noise, when I know I'll be back 'cause there's no oth - er
say, ah, but not what to do, then I know what I've lost and I know it's so
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Copyright© 1978 by Careers-BMG Music Publishing, Inc. and SwaneeBRAVO! Music
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
123
To Coda-$- I
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get I was a fool_ to let you go. __ And af - ter I've closed_
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true. I know I was a fool_
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127
ONE VOICE
What a photo! Another bad hair day. That's the
problem with having so many albums. You get to
see what you looked like!
One Voice
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133
I Don't Want to Walk Without You from the Paramount Picture SWEATER GIRL
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asked me out_ a hun-dred times or more, but all I say_ is:
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"Leave me in the gloom," and here I stay_ with - in my lone - ly room. 'Cause,
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Copyright© 1941 (Renewed 1968) by Paramount Music Corporation
International Copyright Secured All Rights Reserved
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Ships
Music and Lyric by
Slowly, with expression IAN HUNTER
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dogs played a - round on the sand. __ _ Win - ter cold cut the air, hang- in'
oth er that rides far be - hind. __ _ And it seems you and I are like
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I said,"Love's eas - ier when it's far a - way." We sat 'n' watched a dis - tant
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146
BARRY
Originally, "I Made It Through the Rain" was
written solely by a talented British songwriter
named Gerard Kenny. In his version, the song was
about a songwriter who "made it through the rain
and kept my songs protected." I certainly could
relate to that feeling, but I thought the masses
wouldn't. So I called in my collaborators Bruce
Sussman and Jack Feldman and we made it a little
more universal.
Warm Ballad
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We dream-ers have our ways of fac - in' rain - y days._ And some-how we sur - vive
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IF I SHOULDLOVEAGAIN
This is one of the most romantic albums I ever did. I wrote "If I Should Love Again" in Atlantic City on
When you listened to this album, after the last song a spinet piano facing the ocean. I think the drama
you had to have a cigarette! But I never looked like of the ocean definitely impacted my songwriting.
that album cover! They gave me curly hair and a
"Somewhere Down the Road," written by Cynthia
Roman nose! I look like the Jewish Fabio!
Weil and Tom Snow, is one of my favorite songs
It seemed that everybody was feeling romantic ever. The lyrics and melody are perfection. I am so
that year. Such romantic couples. Regis & Kathie proud to have been the one to introduce this song.
Lee found each other. Baskin & Robbins, Crabtree
& Evelyn! All my fans were getting married
or proposing to me. I was feeling it too. It was a
fine time.
154
If I ShouldLoveAgain
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No Other Love
Music by BARRY MANILOW
Lyric by BARRY MANILOW and ADRIENNE ANDERSON
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Copyright© 1981 Sony/ATV Songs LLC, Mann & Weil Songs, Inc. and Snow Music
All Rights on behalf of Sony/ATV Songs LLCand Mann & Weil Songs, Inc. Administered by Sony/ATVMusic Publishing, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved
173
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HERECOMESTHE NIGHT
This album was a powerful one. It had many "Memory," written by the talented Sir Andrew
aggressive songs on it. "Some Kind of Friend" was Lloyd-Webber for his musical Cats was a real
one of the few techno records I ever made and I challenge because of its huge vocal range.
loved writing the song with Adrienne Anderson Audiences adore "Memory." It's another standard
and recording the track. I'm very proud of helping to introduce.
Memory
from CATS
Music by ANDREW LLOYD WEBBER
Text by TREVOR NUNN after T.S. ELIOT
Am
Freely m
Mid night._ Not a sound from the pave ment. __ Has the moon lost her
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mem 'ry? ___ She is smil -ing a lo~ In the lamp light the wi - thercd leaves col -
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feet ___ _ And the wind _________ _ to moan.
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'ry. ___ All a-lone in the moon light __ I can smile at the old days __ _ was beau - ti-ful
-------
then. _____ _ re - mem - ber the time I knew what hap - pi - ness was, __ Let the
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Some - one mut - ters_ and a street lamp gut - ters_ and soon it will be
,27
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Day light._·__ l must wait for the sun rise,___ l must think of a
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new life ___ And I must-n't give in. When the dawn comes to - night will be
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And a new day
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out ends of smok y days the stale cold smell_
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183
SomeKind of Friend
Music by BARRY MANILOW
Lyric by ADRIENNE ANDERSON
Briskly
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saw you at the Beech - wood Ca - fe. You looked at me and then you
When I ran in - to you the oth - er day, you smiled at me but you had
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International Copyright Secured All Rights Reserved
Gm7 Am7 CID
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looked a - way._/
That was some kind, some_ kind of friend you turned_
noth - ing to say. \
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said you had plac es that
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Tell me, why'd you do what
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some_ kind of friend you turned _ out to be.
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worn - an like you can't get e- nough, got your Mas - e ra ti built _ for two. __
nev - er should have let you get to me, nev - er should have let you bring me down. __
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Paradise Cafe
Music by BARRY MANILOW
Lyric by BRUCE SUSSMAN and JACK FELDMAN
Moderately slow
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mood is al - ways right ev - 'ry night __ at the Par - a - dise ___ Ca -
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All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
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hide ___ the world a - way. No head-lines,_ no dead- lines,_ we'll
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same old_ bro-ken keys don't play._ But no one _ seems to mind it
get the _ love you al - most had._ But if you_ must re-mem-ber
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OIJl~l~~L
MOTIO~ l)ICTU~E
SOUNC>T"24.Cl'\
A.Ll3UM.
FROMTHECBSTELEVISION
MOVIE
C01)4.C4.134~4.
BASEDON THESONG "COPACABANA(ATTHECOPA)"
MUSICf5f BARRY
MANILOW
LYRIC
f5f BRUCE /IND ~ FELDMAN
SUSSIVJIN
STARRING
ANETTE
O'TOOLEAND JOE BOLOGNAASRICO CASTELLI
ORIGINAL
SONGSCORESYBAARY
MANILO\/1(
BRUCE
SUSSMAN
/IND JACKFELDMAN
=cirn BYWoRiSHUSSEINl?.fPWB'/.l'IMESUPTON"°'"°',croev BOBGOODWIN ~av GR0\11:R
ME MUSC
S<WMSf!> BYARTIE
lll./Tl.ER
o,,cuJM,,iooucoo DICKClPJlK />NODi>NP>'IJLSON
dick.ciark cinema p1oductlons.inc, In 0$$0cio11on
wtth STILETTO.
Ud.
203
BARRYMANILOW IN
"COPACABANA:'
Composing the song score to Copacabana, the
movie, was great fun. Bruce Sussman, Jack
Feldman and I wrote it while I was on tour. Some
of the songs were written on pianos in hotel
ballrooms.
fflffl a
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want-ed, one real man want - ed, one mis - ter rough and tough, who'll
D7 C#7 F#m
ill m ii
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Man _____ _ want - ed,
F#m D#m7~5
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a - bout this much a - cross and
Copyright© 1985 by Careers-BMG Music Publishing, Inc. and Appoggiatura Music, Inc.
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
205
D7 C#7#5 F#m F#7
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fy. (In writ-ing!) want-ed, no Pe - ter Pan want- ed.
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want-ed, one han - dy man want- ed,
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Man _____ _ want - ed, one strut - tin' Stan want - ed,
207
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Ex - tra strength and stam - i - na de - si - red; if you think you've got e-nough to qual - i -
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Sweet Heaven
(I'm in Love Again)
Music by BARRY MANILOW
n
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Lyric by BRUCE SUSSMAN and JACK FELDMAN
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Copyright© 1985 by Careers-BMG Music Publishlng, Inc., Appoggiatura Music and Camp Songs Music
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
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Copyright O 1985 by Careers-BMG Music Publishing, Inc., Appoggiatura Music, Inc., camp Songs Music and Artie Butler Music
All Rights for Appoggiatura Music, Inc. and Camp Songs Music Administered by careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
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SWING STREET
I really loved this one. It had great guest artists like
Stan Getz and Gerry Mulligan, and it was the start
of my collaboration with my co-producer and
talented friend, Eddie Arkin.
BrooklynBlues
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See I flew in from the West Coast just the oth - er day._
When you're grow- in' up in Brook - lyn the Bridge is like a friend._
Now I've got my - self some mon - ey a man - sion in Bel - aire._
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Yes I've spent a lot of mon - ey and I've been most ev - 'ry-where._
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231
BARRYMANILOW
with terminal illnesses, who've lost loved ones,
who are going through divorces or bankruptcy.
These letters are filled with courage and
inspiration. I remembered those letters during the
making of this album, because as I began to record
this album my mother was diagnosed with cancer.
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Copyright© 1983 by Sutton Place Songs, Inc. and Tyrell Mann Music Corporation
All Rights for Sutton PlaceSongs, Inc. Administered by Wixen Music Publishing, Inc.
International Copyright Secured All Rights Reserved
Dm Dm/C Bb(add9) F(add9)/A
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night time lasts __ too long. Now you and I have lived out
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245
BARRY MANILOW
GREATESTHITS VOLUME III
Two of my favorites were included on this Greatest
Hits Volume III. "Ready to Take a Chance Again"
was a song I recorded and sang for the film Foul
Play. I loved arranging and producing the song.
The film producers told me that the song was
going to be played over Goldie Hawn's character
driving her Volkswagen up the Pacific Coast
Highway. Very early in the song the camera was
going to pull back very slowly to reveal the car and
the ocean. So when we got to the chorus, I slowed
down the tempo and sang, "Aaaaand I'mmmm
Ready to Take a Chance Again ... " When I saw the
film, it worked great!
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I thought I'd leave you with a let - ter or a fi - er - y speech, like when an
We let the past_ slip a - way and put the fu - ture on hold; ___ now the
* Verse I is sung one octave lower than written pitch. Verse 2 is sung at written pitch.
Copyright© 1981 by Edward B. Marks Music Company
International Copyright Secured All Rights Reserved
Used by Permission
247
F6 F
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dy - ing for hours__ tryin' to fill up all the holes with some
dream-ing for - ev er, hop - ing some-thing would e - ven - tual - ly come. _
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I'd like to know why you gave up and you threw it a - way; I'd like to
I saw your eyes in the dark, I felt your kiss on my lips, I traced your
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write it all down; if I could on - ly find a voice, I would speak._ Oh, it's
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there in my eyes;_ oh, can't you see me to-night? Come on and look at me and read 'em and weep._
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there in me eyes __ and com - ing straight from my heart; it's run - ning
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259
"-UU
BECAUSE
IT'SCHRISTMAS
This is a wonderful Christmas album. So many I loved recording the album. Especially singing
people love it. They tell me that they start playing "Jingle Bells" in August! The title song is one I'm
it in July! especially proud of.
261
BecauseIt's Christmas
(For All the Children)
Music by BARRY MANILOW
Lyric by BRUCE SUSSMAN and JACK FELDMAN
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All Rights Administered by Careers-BMG Music Publishing, Inc.
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International Copyright Secured All Rights Reserved
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sky be-cause_ it's Christ - mas, be-cause it's Christ - mas.
share it's
263
Christ- mas for now _ and for ev - er for all _ of the chil - dren and for the
me
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266
267
JOHNNYMERCER/
BARRYMANILOWSONGS
When Johnny Mercer died, his widow Ginger to these beautiful lyrics came so quickly, I
tracked me down and offered me a stack of his sometimes think that Johnny was watching me
lyrics that she had found that no one had ever put write and giving me a little nudge now and again.
music to. I still have the manila envelope they I hope he would approve.
were in.
The album was a wonderful experience, thanks to
Over the years I've put music to most of those the talented musicians and my co-producer Eddie
lyrics and these two songs, along with "When Arkin. But having Nancy Wilson record the entire
October Goes" off 2:00 A.M. Paradise Cafe, are the collection was one of the highlights of my career.
three I'm proudest of. The writing of the melodies
268
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we walked to - geth er to the top of_ the
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272
Just Remember
Music by BARRY MANILOW
Very slowly, freely Lyric by JOHNNY MERCER
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276
THE COMPLETECOLLECTION
AND THEN SOME ...
This album had 70 songs on it. It included a It was a true retrospective of my twenty some-odd
60-page booklet, an hour-long video, a Popeils years making records and it was a humbling
Pocket Fisherman, a Salad Shooter and a Flow Bee! experience helping to put it together.
It included everything but my bar mitzvah speech.
"Let Freedom Ring" is a song we wrote for the
I'm told it gave a lot of happiness to a lot
Constitution's 100th anniversary. I sang it again at
of people. I'm told it gave a lot of hernias to
President Clinton's Inauguration. It's a stirring song
many others!
and I love singing it.
277
The Best of Me
Words and Music by DAVID FOSTER,
JEREMY LUBBOCK and RICHARD MARX
Moderately in 2
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© 1983 FOSTERFREESMUSIC,INC. (BMI), NEROPUB MUSIC (BMI), HOLLYSONGS(BMI) and SECURITYHOGG MUSIC (ASCAP)
All Rights Reserved
278
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290
THUMBELINA
This song score was filled with wonderful songs. The songs, "Let Me Be Your Wings" and "Soon" are
Bruce Sussman, Jack Feldman and I had a ball songs I'm especially proud of.
writing for these adorable animated characters.
When the movie came out it was a real thrill for all
Guided by the talented animator Don Bluth, we
of us to watch these songs being sung by these
found ourselves lost in the world of little
characters while children in the audience cheered
Thumbelina and all of her adventures.
and laughed. I was very big with the under-five-
year-old crowd that year!
291
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Copyright© 1995 by Careers-BMG Music Publishing, Inc., Appoggiatura Music and Camp Songs Music
All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
292
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293
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your wings. Leave be - hind_ the world_
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Music by BARRY MANILOW
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International Copyright Secured All Rights Reserved
299
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sing -
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All Rights Administered by Careers-BMG Music Publishing, Inc.
International Copyright Secured All Rights Reserved
305
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turn
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back
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hear - ing me sing - in' with the
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tell him,
him,
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go __ on and do your thing." !
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Par - a - mount in __ for - ty - three_ and I'd sing.
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8
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