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Reality's Slip of The Tongue - On The Relationship Between Concept and Reality - A. Sollie
Reality's Slip of The Tongue - On The Relationship Between Concept and Reality - A. Sollie
Arthur Sollie
Summary: Regardless of the type of theory or knowledge praxis one engages in, the
question of the relation between theory and practice or theory and reality arises as a
problematic one. To address this issue, this article explores the limits of the nominalist
argument that views concepts as post res labels attached to concrete objects. Among other
things, the reality to which the number zero (as a concept) corresponds constitutes a major
difficulty for nominalism. Based on this difficulty, the article elaborates another
epistemological view, a specific kind of rationalism or dialectical materialism that can be
found in the work of Sigmund Freud and Jacques Lacan. This dialectical materialism
emphasizes the specific ability of concepts to mark and realize negative features in reality,
making it possible to effect changes in it. In this sense, both the question of the relation of
theory to reality and that of change in psychoanalytic practice can be viewed from a
different angle than that of a simple one-to-one correspondence. To put this view to the test,
the article explores the extent to which it can get a grip on some of the slippery fundamental
concepts of psychoanalysis, such as the unconscious and sexuality.
Introduction
What then, is the purpose of theory? This question becomes all the
more tangible when it does not simply concern the systematization of
practical techniques. At first glance theory appears to be just something
too much, an unnecessary production of intellectualistic self-
gratification that distracts us from what really matters. Opening a book
on ‘high theory’ might well reinforce that idea, leading to the question
of what it has to do with concrete clinical practice, in particular when
one stumbles upon Lacan's formulas, ‘mathemes’, topologies, optical
diagrams, mathematical and logical derivations. Such experiences can
provoke a desire to return to the ‘real’ of the concrete clinic and to
discard unnecessary conceptual load. As early as his first seminar,
Lacan emphasizes this gap: “There is, without doubt, a world of
difference between what we actually do in this sort of den where the
patient talks to us and where, from time to time, we talk to him–and the
theoretical account that we give of it” (Lacan, 1991a, p. 15).
the theoretical account that we give of it. But this is only a first truth,
which only has significance in so far as it may be reversed, and at
the same time mean – just as close.” (Lacan, 1991a, p. 17).
The gap between concepts and (clinical) reality might therefore itself
contain the key to the problem it raises. Let us therefore examine what,
exactly, is at stake here. The gap between signifier and signified,
between words and things, between concepts and reality, rests on an
elementary fact. Namely that a word is not the thing it names. A word
represents a thing, it is present ‘in name of’ a thing, but it is not itself
this thing. The distance between the two renders language into a means,
an instrument, a way of talking about the thing, to talk about it from a
distance, that is to say, without its presence. We can only represent its
presence. The word indeed takes away from the thing the concrete time
and space in which it occurs. A word names something and forms an
obstacle to it, because ‘it is only about words’. When representing
something by means of its name, one ‘loses’ its reality. Words are
therefore double – they are a means by which I can conceptualize
clinical reality or tackle my psychological difficulties in therapy, but by
naming this reality or these difficulties, I’m presenting something else
(words, names, concepts) instead of the reality I was meant to treat.
Words therefore frustrate our treatments of reality. Which is why one
often attempts to downgrade words and concepts and tends to prefer to
deal with things immediately. We can recognize such downgrading
when something is said to be ‘too theoretical’, i.e. when one wants
‘practical’ techniques, ‘real’ solutions, ‘clinical’ material. The former
is said only to refer to general ideas, while the latter at least refers too
something ‘real’.
1. “… according to it [idealism], we are only supposed to know the real from representations, it
is clear that this position, from a certain schema is irrefutable, can all the same be refuted once
one does not make of the representation the pure and simple reflection of the real.” (Lacan, 1968-
69, XVIII 1)
REALITY'S SLIP OF THE TONGUE 503
The nominalist ‘danger’ resides in the fact that besides its idea about
the relation between words and reality, it also implies a ‘program’: the
only ‘non-ideological’ way of dealing with representations is to connect
every word to a the pre-existing thing it is supposed to correspond to.
In so doing they sweep the disturbing tension between word and thing
under the rug. The nominalist program seeks to erase this tension by
substituting words with their signification, with their ‘real’ referent. In
doing this, it aims to reduce the linguistic system into a system of one-
to-one relations between signs and their real equivalents.2
2. For Lacan, a word, a signifier is not determined by a preceding signification or referent but
the other way around. It is the singular tension that arises with the emergence of a specific
signifier which calls for resolving the tension by finding its correspondent signification. To
nuance things, the specified tension emerges because a specific signifier is at once just one
signifier among others and a singular point which opposes itself to all other signifiers. A signifier,
so to say, internally excludes itself from other signifiers – it is at once identical to and different
from other signifiers. The emergence of a signifier therefore coincides with the emergence of a
split between itself and what is called its signified. Indeed, a signifier would be none if it would
simply be identical to itself, it includes others which together ‘are’ not the signifier, but rather
are what the signifier ‘is not’. Without the negative reference to other signifiers, any
determination of a signifier’s signified would be impossible. But because of this essential
coincidence of identity and difference, a fully determined signified does not annihilate the split,
the cut between signifier and signified. Consequently, a third, the referent, ‘signification’ or the
thing comes into play, not, to finally resolve the tension between signifier and signified (which
would amount to nominalism), but simply as something which manifests its split. We will come
back to this further on.
504 ARTHUR SOLLIE
3. Lacan elaborates this point from the Fregeian concepts of sense and reference: “It is then
through the mediation of the relationship of the signifier to the referent that we see the signifier
emerge. There are no valid instances of meaning which do not make a circuit, a detour, by way
of some referent. The bar, therefore, is not as has been said, in commenting on me, the simple
existence, fallen from heaven in a way, of the obstacle, here entified. It is first of all a question
mark about the return circuit. But it is not simply that. It is this other effect of the signifier by
means of which the signifier only represents the subject, and a little earlier I wanted to incarnate
the subject in what I called sense, where he vanishes as subject. Well that’s it. At the level of the
bar an effect of sense is produced, and what I started from today in my example, is there to show
you how much the effect of the signified can be bent to every sense, if we do not have the referent
at the beginning, but that the effect of sense is something different.” (Lacan, 1964-65, p. 10)
REALITY'S SLIP OF THE TONGUE 505
to this word?’, the search for the specific meaning in reality is opened
up. Therefore, for Lacan, the non-correspondence between the name
and its counterpart is not merely an obstacle to finding a counterpart in
reality but its condition. Furthermore, the non-correspondence makes a
real disturbance, a disturbance in reality appear.4
Nothing’s name
5. This is in reference to the title of Kaplan’s (2000) book The Nothing That Is, A Natural History
of Zero.
510 ARTHUR SOLLIE
That conceptual ruptures are possible does not mean that what is real
is simply illusory, historicist or relative, reducing every real to ‘what
the symbolic field considers to be reality’.
On the contrary, such a rupture confronts us to something real. A
real from which the fantasy of ‘naturality’ tries to escape. What is more,
the liberating potential of concepts are not in spite of but because of
their ‘alienating’, ‘abstracting’ and ‘limiting’ character. The experience
of language cutting us of from ‘natural reality’ works as a proof that
concepts can be perfect weapons to mark a cut from the imaginary
presupposition of a natural, ‘holistic’ real. Only the inertia of an abstract
empty element can force a rupture from the concrete, thereby realizing
a cut which was retroactively always already operative within the
concrete.
6. The specific way in which it is excluded is discussed in Miller (1966) and Badiou (1968).
512 ARTHUR SOLLIE
The title and what the guard says are twice the same, but the title
functions as a master signifier within a master's discourse, while the
guard takes the place of the analyst. Here, the master signifier produces
a separation proper to analytical discourse. As a title, it compels the
hysterical museum visitor to find the corresponding partner of the title
between the ‘possible depicted objects’ in the painting. When this fails,
and he asks his question with the intention of finding out where he can
find Lenin in the painting anyway (metonymic repetition), ‘Lenin in
Warsaw’ becomes the actual ‘absent partner’ opened up by the surplus
of representation proper to the painting’s title. It manifests the
difference between the external title and the internal ‘painted content’
7. “Begriff evokes grasping because it is from running after the grasp of an object of our desire
that we have formed the Begriff. And everyone knows that everything that we want to possess
for desire, and not for the satisfaction of a need, flees us and slips away from us.” (Lacan, 1961-
62, XXI, 230)
REALITY'S SLIP OF THE TONGUE 513
itself within the real ‘issue’ the painting is about, thereby changing our
idea of what a painting can be/is.
One can consider this view, in which words do not merely name
corresponding realities (nominalism), but also realize a gap, to be
Lacan's epistemological approach underlying his theoretical
elucubrations. Lacan himself recognizes this stance in Freud’s work.
Lacan at times refers to this position as ‘dialectical materialism’ (see
quote above), as well as ‘realism’ and ‘rationalism’8, as opposed to
nominalism, idealism, and empiricism. At first glance, rationalism
might seem like a problematic term to refer to the epistemology of
psychoanalysis. Is psychoanalysis not precisely about the fact that we
do not always make rational decisions, that our reason cannot control
our primordial unconscious urges? Is the unconscious not precisely
something that escapes the rationalizing tendencies of the Ego? This
would precisely be a nominalist view, which fundamentally considers
our reason to be limited but at the same time cannot but consider the
reality escaping our reason as an inaccessible beyond.
8. Miller (2011, p. 20) argues that Lacan never abandoned Hegel's adage “what is real is rational
and what is rational is real.” Lacan of course substitutes the rational with the symbolic.
514 ARTHUR SOLLIE
The pleasure principle and the reality principle both state that
subjective productions aim to dissolve the troublesome tension between
(the representation of a) desire and its corresponding reality. The
dissolution of that tension is how Freud conceptualizes the stimulus of
pleasure. Freud, on the other hand, notes that this model is not
foolproof. He begins his text with a number of subjective productions
that precisely repeat the tension one is ‘officially’ trying to erase (the
re-experiences in post-traumatic stress, for example). At the same time,
Freud is faced with a theoretical problem. The pleasure and reality
principles can only be absolutely general if there is a tension. This
means that the principles can only be general if they do not conclusively
resolve the disturbing tension, since that would make them redundant.
The ever-recurring tension is thus not only an external disturbance of
the workings of the pleasure principle (and the reality principle), but
also the very condition for pleasure. This is a theoretical contradiction.
However, at the same time Lacan notices, this theoretical contradiction
is not merely an error, it is the point at which Freud’s ‘clinical problem’
(the repetition rather than the resolution of the tension between desire
and reality) is at work in the deadlocks of the process of writing his text.
Lacan says:
Lacan reads the clue to what death drive is about, not simply in
Freud’s clinical experience or in empirical reality, but in what happens
at the place of a repetitive failure in his conceptualization (which is the
reason why Lacan does not try to find Freud’s secrets in the
corresponding reality of his speculative examples, but rather in the
irresolvable urge of his writing). The repeated failures demonstrate a
surplus which leads Freud to a conceptual separation by naming it
‘death drive’. This points towards some kind of reality beyond the
shackles of the reality principle. It is therefore crucial to understand the
symbolic operationality of the repeated failure itself as the reality – or
rather the real – to which the concept of death drive corresponds. The
conceptual invention of ‘death drive’ marks a shift between the
debilitating repetition and the liberating opening up due to its naming.
By naming the repetition which haunts both theoretical work and
clinical experience, one marks an impossibility (the real) that structures
them both. We cannot access this real when we are too immersed in the
everyday automaticity of the pleasure – and for that matter, reality –
principle because this automaticity is part of the problem we are stuck
with. The conceptual invention of the death drive momentously puts
Freud’s theoretical attempts and the clinical inconsistencies he notices
on the same level. In this precise sense, for Lacan the real emerges from
conceptualization and speech productions of analysands in
psychoanalysis in the same way.9
9. Note his saying during his seminar: “This [in the analyst’s discourse] S One, S1, is precisely
what I’m trying to produce for you, here, in so far as I am speaking. As I have said several times,
it is in this respect that I am in the place of the analysand, and this is instructive.” (Lacan, 2018,
p. 98)
516 ARTHUR SOLLIE
like this, on the real. … what is at stake is to mark off the fact that
our discourse, our scientific discourse, only finds the real in that it
depends on the function of the semblance” (Lacan 2006a, p. 28).
10. “In the case of the decoding method everything depends on the trustworthiness of the ‘key’
– the dream-book, and of this we have no guarantee” (Freud, 1971, p. 100).
11. For example, Freud writes about the slip of the tongue: “we have so far paid no attention
whatever to the product of the slip considered by itself, without reference to its origin. If we
REALITY'S SLIP OF THE TONGUE 517
The concept of the unconscious is what marks this surplus, the leap
in causality to which the subject is subjected. The unconscious and the
subject are therefore concepts that manifest the realization of the
difference between the signifier (‘ça pense’) and reality (‘ça pense’) as
a surplus in the reality that signifiers are ‘meant to’ merely represent.
The signifier is here not simply knowledge, but a failure of knowledge
that cannot remain silent, a non-knowledge that corresponds to some
not fully realized reality. This non-knowledge disturbs mental life in a
fleeting way and which only its conceptual marking by the concept of
the unconscious can get hold off.
decide to do so, we are bound in the end to find the courage to say that in a few examples what
results from the slip of the tongue has a sense of its own. What do we mean by ‘has a sense’?
That the product of the slip of the tongue may perhaps itself have a right to be regarded as a
completely valid psychical act, pursuing an aim of its own, as a statement with a content and
significance. So far we have always spoken of ‘parapraxes [faulty acts]’, but it seems now as
though sometimes the faulty act was itself quite a normal act, which merely took the place of the
other act which was the one expected or intended.” (Freud, 1981b, p. 35)
12. “Indeed, what became apparent at first to Freud, to the discoverers, to those who made the
first steps, and what still becomes apparent to anyone in analysis who spends some time
observing what truly belongs to the order to the unconscious, is that it is neither being, nor non-
being, but the unrealized.” (Lacan, 1998, pp. 29-30)
518 ARTHUR SOLLIE
rather with the conventional nature of moral laws. For Freud, however,
this embarrassment does not simply serve to cover up something
morally indecent but reveals something fundamental about both (adult)
sexuality and knowledge acquisition in general14. The insistence of a
source of truth in spite of the overall error, that is how, according to
Freud, infantile theory formations correspond to theories about the most
unfathomable problems of the universe. Freud clarifies this point by
stating that:
14. For an excellent elaboration of this point, see the book of Alenka Zupančič (2018): What IS
Sex?.
15. Recall Lacan’s saying that: “For the moment, I am not fucking, I am talking to you. Well! I
can have exactly the same satisfaction as if I were fucking.” (Quoted in Zupančič, 2018, p. IX)
16. Note the subtitle of Lacan’s (2006) Seminar XX: ‘on female sexuality and the limits of love
and knowledge’.
520 ARTHUR SOLLIE
Lacan ‘marks’ this shift by writing that “one cannot write the sexual
relationship” (Lacan, 2018, p. 20). And this is not simply the case
because representation/formalization fails to represent reality, but
because, as the infantile theories of sexuality show us, the ‘real’ that the
theories try to account for (the real of sexuality) already appears at the
place of their failed attempt. Nominalism’s fear of error – to paraphrase
Hegel – therefore appears to be rather a fear of truth. Indeed, one cannot
write the relationship, but one can write its impossibility.17 This, then,
is how Freud’s ‘rationalist’ position translates for Lacan into a method
of profound ‘formalization’: “The real can only be inscribed on the
basis of an impasse of formalization” (Lacan, 2006b, p. 93). Lacan,
therefore, like Freud, is not left open-mouthed before the ‘ineffable
enigma of sexuality’, before something knowledge cannot ever reach
but marks it as the realization of an impossible point in knowledge,
which, in its ‘realization’ gives sexuality its ‘real’ or ‘sexual’ character.
17. These are the stakes for Lacan (2018, p. 20): “Last year, I took the step of announcing to you
that this non-relation, if I can put it like that, needs to be written. It needs to be written at any
cost. I mean that the other relation needs to be written, the one that blocks the possibility of
writing the first one.”
REALITY'S SLIP OF THE TONGUE 521
Conclusion
We began the article with the problem of the gap between theory and
practice, which we restated as the gap between words and reality. A
nominalist position holds that language lacks. It warns you of the
danger of abstract and universal theories, concepts and categories
blinding you to singular reality or clinical concreteness. The oft-heard
adage to let go of theory in the clinic definitely contains a valuable
stance, but it might also serve to suggest that it is possible to step outside
the distorting characteristics of concepts and general words towards a
reality beyond them. This elevates reality to an ideal beyond the limits
of language.
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