فكر مدرسة الباوهاوس في استحداث نسجيات يدوية كمكملات للتصميم الداخلي للمنزل المعاصر

‫ﻓﻜﺮ ﻣﺪﺭﺳﺔ ﺍﻟﺒﺎﻭﻫﺎﻭﺱ ﻭﺍﻹﻓﺎﺩﺓ ﻣﻨﻪ ﰲ ﺍﺳﺘﺤﺪﺍﺙ ﻧﺴﺠﻴﺎﺕ ﻳﺪﻭﻳﺔ‬
‫ﻛﻤﻜﻼﺕ ﻟﻠﺘﺼﻤﻴﻢ ﺍﻟﺪﺍﺧﻠﻲ ﻟﻠﻤﻨﺰﻝ ﺍﳌﻌﺎﺻﺮ‬

‫ ‬
‫ ‬
‫‪< <]‚Âc‬‬
‫‪@ @÷@ïÇbjÛa@‡¼c@âbèíŠ@O@†NâNc‬‬ ‫‪@ @òíbnÓ@ê‡jÇ@ïãbç@O@†@Nc‬‬

‫ذא و אאً ذ‪#$‬א "‪%‬א & אא‬
‫אא_"! א ‬ ‫אא_"! א ‬
‫‪@ @‡îÇ@‡¼c@ð‡¼@ñë‹ß@O@âNâ‬‬
‫א& سא & אא ‬
‫אא_"! د!ط ‬
‫@ @‬
‫@ @‬
‫@ @‬
‫@ @‬
‫@ @‬
‫@ @‬
‫@ @‬
‫@ @‬
‫‪@ @ñŠì—ä¾a@òÈßbu@M@òîÇìäÛa@òîiÛa@tì¢@òÜª‬‬
‫‪RPQX@ìîÛìí@M@HUQI@†‡Ç‬‬
‫‪ &!*+,‬א‪#‬و‪/‬وسوא‪,.‬د!‪0-‬א‪&2‬א‪&5%3 41‬و‪7%6+75‬א&א‪ 89‬‬
‫‪١٣٢‬‬
‫;‪1:‬אא–&د‪٢٠١٨5–٥١‬‬
‫ﻓﻜﺮ ﻣﺪﺭﺳﺔ ﺍﻟﺒﺎﻭﻫﺎﻭﺱ ﻭﺍﻹﻓﺎﺩﺓ ﻣﻨﻪ ﰲ ﺍﺳﺘﺤﺪﺍﺙ ﻧﺴﺠﻴﺎﺕ ﻳﺪﻭﻳﺔ‬

‫ﻛﻤﻜﻼﺕ ﻟﻠﺘﺼﻤﻴﻢ ﺍﻟﺪﺍﺧﻠﻲ ﻟﻠﻤﻨﺰﻝ ﺍﳌﻌﺎﺻﺮ‬
‫‬
‫**‬
‫‪ / ..‬‬ ‫*‬
‫‪ / .‬‬
‫***‬
‫‪ ! / .‬‬
‫ﺍﳌﻠﺨﺺ‬
‫‪C‬جא‪ 4.‬ندא ‪DEً7‬א‪ F.‬س‪#G H‬ط !‪IJK‬وא‪P/&5 K-E LM74‬אא‪ O‬‬
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‫!‪،SW‬و‪P/XYG‬אא‪& !%H;V,*+‬د!‪;S‬ل!‪%67+‬א‪7‬א&א‪V9‬‬
‫‪[7‬لא ‪*Z‬א‪\IGV‬و_‪K‬א^لא‪],#‬א وא `‪ 4‬ن‪V,‬نوא‪ K&F‬‬
‫و& د‪G a‬ع א*א‪ %c‬א&א‪&J 9‬ود א ‪ F‬دא‪ e9‬א[ل א ‪ *Z‬א‪d ! ]d‬‬
‫‪ًf‬א‪ FED‬س!‪& S+ 5T‬مא‪hG .‬و&مא ‪P،‬א‪-iE‬א‪jEDER2#‬د ‪k‬א^ل‬
‫א‪ $EV,Y‬א‪.‬د!‪ &!*+,T‬א‪#‬و‪/‬وس‪،‬وא‪GV‬م &و א ‪l‬א وא‪Y‬‬
‫‪Xm‬א ‪ K%F‬‬
‫و‪7 P‬ل ‪&mn ,‬אمא א&و‪ a‬و‪ 7 %67+7 SYG‬א&א‪V9‬‬
‫!‪ ep‬و‪ &F‬א_‪ o‬אو ‪,*F *G‬ن‪ E‬אو *‪ V‬و‪ T! /]c‬א‪ %67+‬א‪&s V‬م א‪*cH‬אض א^‪G‬‬
‫‪[7‬لא ‪ K*Z‬‬
‫ﻣﻘﺪﻣﺔ‪:‬‬
‫]‪ ux uw8uIv‬א‪&u‬م!‪eup‬א‪u‬نא‪a*u9y‬א‪ u #$Ku!%]udGzu‬‬
‫‪E‬ن‪T,‬א ‪ u5‬‬
‫א ‪8uu2*uu‬א‪ uuI‬א ‪euu00*uu‬א{‪&uuE|uu2%Huu‬א‪%‬א‪uu‬نא‪V+Ouu‬א ‪*uuZ‬א‪}Puu‬‬
‫‪8&7 5‬א‪Ru2#‬وא‪uZ\u5*3‬لא‪|u2&u5&" u/u!euD‬א‪u‬אزن‪0‬א‪&u.‬אعא‪uu‬‬
‫א وא ‪ K‬‬
‫‪WuI4EP‬א &‪Tu!&u5‬א‪&u‬א سא‪ u‬א^&‪0 up5‬א ‪* u‬א^‪*uDu‬د‪eu ,‬دאل‪8u‬‬
‫‪eG‬אن!‪ًu !L*uK‬א‪L5uu/Tu‬و!‪6u9Tu!-uG#I‬ل‪uG%u/iE‬א‪&u‬א سא‪ u‬‬
‫ذא و אאًאא_"! א ‬

‫*‬
‫ذ‪#$‬א "‪%‬א & אאאא_"! א ‬

‫**‬
‫א& سא & אאאא_"! د!ط‬

‫***‬
‫‪١٣٣‬‬
‫ ‬
‫‪ &!*+,‬א‪#‬و‪/‬وسوא‪,.‬د!‪0-‬א‪&2‬א‪&5%3 41‬و‪7%6+75‬א&א‪ 89‬‬
‫وא ‪zu‬و! ‪&uu EWuu‬א‪8u S‬א ‪&uu‬دوא‪06uu 9H‬א ‪%uul‬א ‪ouu #uu‬א ‪eu 7‬א ‪uu‬و! ‪LPuu /Tuu‬‬
‫א ‪%l‬ن‪ #G*5‬א ‪e7‬אد&و ‪L‬א‪e#V Y‬א‪p‬ل&!‪4‬م ‪\j83 4e7‬‬
‫‪ed5H‬دو ‪L‬א‪n,8Y‬نא‪o8O‬א ‪8‬و"&‪|2‬و‪Y‬و‪ u !&/‬و‪LPu/‬א‪\ujX uY‬ن‬
‫‪uu5*/Yuu5c8uuauuIG‬وא‪uuY‬وא ‪LPuu/0uu‬א^‪uu Guu‬א^‪0uu‬א‪& ul‬و‪8uu&uu5‬‬
‫ذ‪7/‬א‪e!+‬א وא‪ K7l‬‬
‫‪ &! WSiE P‬א‪#‬و‪/‬وس ‪P/ & Bauhaus‬א א‪ LiH‬א‪V &5 }P‬‬
‫א‪ e!+‬א وא ‪j. W RF‬د ‪ 6‬א‪ e+O‬وא‪ Y‬و א‪ e+O‬وאد و‪5‬‬
‫\ א‪4.‬ج‪ 8 5 P ،‬א‪&2. R2#‬א‪&5 %3 4 1‬و‪ 7 %67+7 5‬א&א‪V9‬‬
‫‪[7‬ل א ‪+ SYG *Z‬ل & ‪+G‬ن !‪ & ! e7 1w 67+‬و !& و و‪o_E &F‬‬
‫و א‪ 0 eZ‬א‪ W#‬و * !‪*! K‬א א!‪ %‬وא‪ %‬א‪o6G z‬م !‪ K‬א‪ Y‬א ‬
‫ ‪e7‬א ‪83‬א&و}‪ K‬‬
‫و‪P/ 0‬א א‪n, $.‬ن !& א‪#‬و‪/‬وس ‪*+, W‬א ‪E ً5* ً&/‬د !‪4, -‬א‬
‫א‪#‬و‪/‬وس ‪4E 0‬ج ‪ 7‬و‪jE‬د ‪ 6‬א‪+y‬ل א& א‪ w6p‬א‪ y‬א‪ – Rp‬א*‪– K‬‬
‫א&א * א‪ \4" D‬א‪&m‬אم א‪y‬אن א‪ w6p‬א‪ y‬א‪ *y‬وא‪ *Zy‬وא‪y‬ز ق و!‪ SGO‬و‪SG6‬‬
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‫ﻣﺸﻜﻠﺔ ﺍﻟﺒﺤﺚ‪:‬‬
‫‪E‬ن ‪G‬ع א*‪ %c‬א&א‪&J 9‬ود א ‪ F‬دא‪ e9‬א[ل א ‪ًf ed ! ]c e+O *Z‬‬
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‫‪&5 %3 4‬و‪ 7 %67+7 SYG T+ 5‬א&א‪[7 V9‬ل א ‪G R: *Z‬د} &و ‪/‬‬
‫א‪ 7 6‬א‪ \4l‬א‪ 87l‬وא‪ 8Y‬و‪&s‬م א‪*cy‬אض א^‪ 8 8 G‬א[ل ‪ً, ً FE‬‬
‫‪ ًf‬وو‪ l ! V, 1&2 ! }* e+O ًY‬א*א‪ %c‬א&ود א ‪ F‬دא‪ e9‬א[ل‬
‫א ‪*Z‬و‪+O!cZT+‬א‪69T!R2#‬ل‪P/‬אא ‪M‬ل‪ K‬‬
‫‪T+X‬א‪.‬د!‪ &!*+,T‬א‪#‬و‪/‬وس‪&2EV,‬א‪&5%3 41‬و‪%67+75‬‬
‫‪7‬א&א‪[789‬لא ‪*Z‬؟ ‬
‫ﺃﻫﺪﺍﻑ ﺍﻟﺒﺤﺚ ‪:‬‬
‫‪&S5‬א‪R2#‬א‪ WD‬‬
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‫& א‪#‬و‪/‬وس‪K‬‬
‫‪jE K٢‬د ‪F‬ل*א‪%c‬א&א‪&J9‬ودא ‪F‬دא‪e9‬א[لא ‪5*Z‬د‪a‬א‪T! D‬‬
‫‪KhG .S+ 5‬‬
‫‪١٣٤‬‬
‫;‪1:‬אא–&د‪٢٠١٨5–٥١‬‬
‫‪,, K٣‬ق"&‪;V,\5*3&5‬لא ‪%3‬א&و‪&2EV& G5‬א‪F1‬لو‪%dZ‬‬
‫‪%67+&5&"+OG‬א‪7‬א&א‪[7V9‬لא ‪K*Z‬‬
‫ﺃﻫﻤﻴﺔ ﺍﻟﺒﺤﺚ‪:‬‬
‫‪&5&T+‬א‪7/‬א‪V,R2#‬אطא‪ W‬‬
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‫‪Z9‬و‪;V,‬لאא! ً‬
‫‪ h*$ K٢‬א &‪ T! &5‬א&א‪ e9‬وא^ل א‪ +O‬א‪ S25 *+#‬א א&و‪SY a‬‬
‫‪7e7+7‬א&א‪[7V9‬لא ‪K*Z‬‬
‫ﻓﺮﻭﺽ ﺍﻟﺒﺤﺚ ‪:‬‬
‫‪G‬ضא‪pF#‬ن‪ W‬‬
‫‪ jE 6 /‬א‪,.‬د !‪ &! *+, T‬א‪#‬و‪/‬وس و‪&2E‬א‪&5 %3 4 1‬و‪5‬‬
‫‪7%67+7‬א&א‪[7V9‬لא ‪ K*Z‬‬
‫ﺣﺪﻭﺩ ﺍﻟﺒﺤﺚ ‪:‬‬
‫‪*5‬א‪ WVR2#‬‬
‫• א א ‪&5%3 4W83‬و‪5‬و‪ "ep!Y‬א–! –*‪ K*G–8‬‬
‫• א‪%77‬א ‪ &!*+,o_V,w&2 !%77GW!&m‬א‪#‬و‪/‬وس ‬
‫• א‪ y‬א‪ W 8#I‬אא\ א ‪ 3‬א‪ – I #‬د – !د– ‪ %G‬ز‪W ep! ,*9‬‬
‫! ‬
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‫ﻣﻨﻬﺞ ﺍﻟﺒﺤﺚ ‪:‬‬
‫• و ً‬
‫‪WH‬א‪ S‬א‪VZ‬א‪ $`V2‬א*‪Ka‬‬
‫• ‪Wً uu u4w‬א ‪ Suuu‬א‪ uuu $`Vuuu #5*3‬א ‪FVuuu 7‬א‪uu u*3‬א‪uu up2#‬א‪P‬א‪Eu u G‬وذ‪|uu u2uu u‬‬
‫א&א*"!‪T‬א‪KR2#‬‬
‫ﺃﻭﻻ‪:‬ﺍﻹﻃﺎﺭ ﺍﻟﻨﻈﺮﻯ ‪:‬‬
‫‪ K١‬د א‪O4‬و‪*+,‬وא‪&/‬אو!‪#‬د!& א‪#‬و‪/‬وس‪K‬‬
‫‪ K٢‬א‪ #H‬א‪%‬אא"\!*א‪V,SG‬א ‪%3‬א&و‪K5‬‬
‫‪ K٣‬א‪7‬א&א‪V9‬وא^&א‪Kw‬‬
‫‪*! K٤‬א‪&EeF‬אدא ‪e7‬א ‪7e7+7V3‬א&א‪KV9‬‬
‫‪١٣٥‬‬
‫ ‬
89‫א&א‬7%6+75‫&و‬5%3 41‫&א‬2‫א‬0-!‫د‬,.‫وسوא‬/‫و‬#‫*!& א‬+,
: ‫ ﺍﻻﻃﺎﺭ ﺍﻟﻌﻤﻠﻰ‬:‫ﺛﺎﻧﻴﺎ‬
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uu u 7Duu u 7l‫وא‬VYuu u ‫\א‬uu u 4l‫|א‬u u u2uu u ‫א‬3 u u u‫*قא‬uu u I‫א‬Kuu u ! 6uu u 5
KV3 ‫א‬
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K*Z ‫[لא‬7V9‫א&א‬7
KR2#Z‫א‬#I‫א‬%‫א‬o‫`"*א‬e‫ *ضو‬K٣
K%ZG‫ و‬4T!pF#‫א‬EWZG!‫ א *אض‬K٤
@ @@Z@szjÛa@paë†c
S‫א*אدא^ل‬Y‫ א‬#$\ F%/8 ‫א‬
@ @Photoshop@wßbã‹i@Z@ïÛŁa@kbä
@ @Z@‘ëbçëbjÛa@ñd“ã
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T4 &!T #VS,،‫وس‬/‫و‬#‫ א‬a‫ אא‬I‫وא‬T![‫א‬e#Gz‫&א‬5&l‫}א‬
*‫א وא‬34/}‫א&و‬T‫نא*قאوא‬T!5*+,%‫ ذא‬7 ‫وא‬7‫وא‬
١
K? ?a*9y‫א&א‬0&F‫وא‬e! [{‫]א‬cI ‫א&وא‬0e7 ‫א‬
‫وא‬F} 7 ‫&א‬58W ، 7 ‫وא‬7‫ وא‬T4 &! ‫وس‬/‫و‬#‫ א‬G‫و‬
8Ew، ١٩٣٢‫ م‬VFE‫ و‬5‫د‬F DEW4RF ١٩٢٥ VF ١٩١٦‫م‬0*,&0E‫"*وس‬
0 %H‫و‬J T! &7 ! Z K 5‫ אز‬%I ‫ א‬e# T! Wc RF ١٩٣٣ ‫ م‬VF *
W4z‫אא‬XY‫وא‬e7 ‫وא‬8‫&א‬.‫א‬T‫א‬6‫د‬j.T5*O ‫*وא‬OK‫א‬4*‫א‬
K‫א‬S‫א‬34eO%o&
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K?٢?
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@ @Z‘ëbçëbjÜÛ@ð‹ØÐÛa@ñb¤⁄a
o#‫ و א‬7 ‫ א‬/ !‫و‬E bau ‫و‬F 8‫و‬y‫ א‬7 K7i 4 7 ‫وس‬/‫و‬#‫א‬
‫]ن‬c ، 7 ‫ א‬W ¢ S |I5 ,*F‫ و‬، W#‫ א[ل |وא‬/ !‫و‬E HausK ‫وس‬/F 4p‫وא‬
، 8 ‫*} א‬+‫ א‬T+‫ אد} و‬-4y ‫ ؛‬o#‫ א‬7 0 W 8^‫א א‬
1
-Elaine s.hochman: Bauhaus -1997: crucible of modernism from international - P.10 .
2
-Michael siebenbrodt&lutzschobe-2012 : Bauhaus1919-1933-Parkston international-
London -p.34
١٣٦
‫;‪1:‬אא–&د‪٢٠١٨5–٥١‬‬
‫‪ 7 ,‬وא‪8/o#‬א‪+e+K!l‬لאن‪،‬و‪[!e‬ل‪،-#FZ/‬و‪P‬אא ‬
‫‪ &¤‬ن ‪ 84,‬א‪#‬و‪/‬وس & &وא ‪*_ 8‬و ‪jE‬د אא‪ |,‬وא‪ &F‬א‪ T‬وא ‪ ،‬א‪T‬‬
‫وא^ א! ‪ ،‬א‪ T‬ودوא‪ %‬א^ و" ‪ e‬א ‪ 8/ 7‬אאم وא !‪ e‬א‪ 8y‬א‪e K7j }P‬‬
‫‪+‬لאن‪ K‬‬
‫و& و_ ‪ W‬א‪#‬و‪/‬وس *א;‪ *I l S‬א‪ 8 ¥‬א^ ‪ ،‬و& ‪F‬ول ‪#G‬ع‬
‫!& א‪#‬و‪/‬وس & א‪ 3‬אن وא א‪ ، ¥‬وذ ‪j.‬د א^ل א‪ +O‬א‪z‬‬
‫‪ *G‬אن א‪ 7l‬وא‪ %‬א&و‪ 5‬وא‪ %77‬א ‪ P ،‬א‪ &! WI‬‬
‫א‪#‬و‪/‬وس ن ‪ *G‬אא‪ eZ‬א"د אن א‪ +O‬א‪ m‬و!‪ %#I‬א{‪ 0 K7‬א^‬
‫א! ‪ ،‬و& ‪ | %3! %*SY‬א‪ KI‬א‪ 87l‬وא‪69 T! 8Y‬ل א‪ 8E eZ‬א ‪%6‬‬
‫א^א‪e+O‬وא‪Y‬وאאد?‪ K?١‬‬
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1
Frank whitford -1992: the Bauhaus masters student by themselve -oclopus limited-London
- p.58
2
-Hans mariawingler- 1969 : the Bauhaus weiner Dessau berlin Chicago- the mit press -
London- p63
١٣٨
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K?١?+5*!y‫א‬
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1
-Hans mariawingler- 1969 :Ibid-p.23
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K٦٣،‫ ص‬J³ !" J‫ אא‬J O!]c‫د א‬- J‫وس‬/‫و‬#‫א‬
١٣٩

‫‪ &!*+,‬א‪#‬و‪/‬وسوא‪,.‬د!‪0-‬א‪&2‬א‪&5%3 41‬و‪7%6+75‬א&א‪ 89‬‬
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‫‪١‬‬
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@ @@Z@òîjäuþa@Éua‹¾a@Z@Wbîãbq
18. Elaine s.hochman: Bauhaus -1997: crucible of modernism from international .
19. Frank whitford -1992: the Bauhaus masters student by themselve -oclopus
limited-London .
20. Hans mariawingler- 1969 : the Bauhaus weiner Dessau berlin Chicago- the mit
press – London.
21. Michael siebenbrodt&lutzschobe-2012 : Bauhaus1919-1933-Parkston
international-London .
١٥٧

89‫א&א‬7%6+75‫&و‬5%3 41‫&א‬2‫א‬0-!‫د‬,.‫وسوא‬/‫و‬#‫*!& א‬+,
The Bauhaus school thought and benefited from the development of handwoven
textiles
textiles as a specialty for the interior design of the contemporary home
Abstract
The study deals with the study of the thought of the Bauhaus school
in terms of its objectives, principles, importance, philosophy, and how to
employ this thought in various fields, including the field of interior design
supplements for the contemporary home, which require the development of
appropriate solutions to provide pleasure and benefit to the human being in
one
The diversity of interior space spaces within the contemporary
house, which has not been exploited aesthetically, has led to a sense of
discomfort and lack of benefit. The research aimed to find some functional
solutions within the framework of the Bauhaus school thought
And to carry out works of art using handwoven fabrics and to use
them as supplements for interior design such as light, curtain or chair, and
other supplements that serve the life purpose of the contemporary home.
١٥٨

فكر مدرسة الباوهاوس في استحداث نسجيات يدوية كمكملات للتصميم الداخلي للمنزل المعاصر

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فكر مدرسة الباوهاوس في استحداث نسجيات يدوية كمكملات للتصميم الداخلي للمنزل المعاصر

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‫ﻓﻜﺮ ﻣﺪﺭﺳﺔ ﺍﻟﺒﺎﻭﻫﺎﻭﺱ ﻭﺍﻹﻓﺎﺩﺓ ﻣﻨﻪ ﰲ ﺍﺳﺘﺤﺪﺍﺙ ﻧﺴﺠﻴﺎﺕ ﻳﺪﻭﻳﺔ‬

‫ﻛﻤﻜﻼﺕ ﻟﻠﺘﺼﻤﻴﻢ ﺍﻟﺪﺍﺧﻠﻲ ﻟﻠﻤﻨﺰﻝ ﺍﳌﻌﺎﺻﺮ‬

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‫ﻓﻜﺮ ﻣﺪﺭﺳﺔ ﺍﻟﺒﺎﻭﻫﺎﻭﺱ ﻭﺍﻹﻓﺎﺩﺓ ﻣﻨﻪ ﰲ ﺍﺳﺘﺤﺪﺍﺙ ﻧﺴﺠﻴﺎﺕ ﻳﺪﻭﻳﺔ‬

‫ذא و אאًאא_"! א ‬

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فكر مدرسة الباوهاوس في استحداث نسجيات يدوية كمكملات للتصميم الداخلي للمنزل المعاصر

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فكر مدرسة الباوهاوس في استحداث نسجيات يدوية كمكملات للتصميم الداخلي للمنزل المعاصر

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فكر مدرسة الباوهاوس في استحداث نسجيات يدوية كمكملات للتصميم الداخلي للمنزل المعاصر

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‫ﻓﻜﺮ ﻣﺪﺭﺳﺔ ﺍﻟﺒﺎﻭﻫﺎﻭﺱ ﻭﺍﻹﻓﺎﺩﺓ ﻣﻨﻪ ﰲ ﺍﺳﺘﺤﺪﺍﺙ ﻧﺴﺠﻴﺎﺕ ﻳﺪﻭﻳﺔ‬

‫ﻛﻤﻜﻼﺕ ﻟﻠﺘﺼﻤﻴﻢ ﺍﻟﺪﺍﺧﻠﻲ ﻟﻠﻤﻨﺰﻝ ﺍﳌﻌﺎﺻﺮ‬

‫‪@ @÷@ïÇbjÛa@‡¼c@âbèíŠ@O@†NâNc‬‬ ‫‪@ @òíbnÓ@ê‡jÇ@ïãbç@O@†@Nc‬‬

‫ﻓﻜﺮ ﻣﺪﺭﺳﺔ ﺍﻟﺒﺎﻭﻫﺎﻭﺱ ﻭﺍﻹﻓﺎﺩﺓ ﻣﻨﻪ ﰲ ﺍﺳﺘﺤﺪﺍﺙ ﻧﺴﺠﻴﺎﺕ ﻳﺪﻭﻳﺔ‬

‫ذא  و  אאًאא_"! א ‬

‫ذ‪#$‬א "‪%‬א & אאאא_"! א ‬

‫א& سא & אאאא_"! د!ط‬

‫‪7T F81‬ن‪W١٩٧٩‬א‪Li‬א‪#‬و‪/‬وس‪0‬א‪W2‬و‪&E0L*w‬אد! אא‪ J-‬د א‪]c‬‬

‫‪ 1‬و‪&5‬א‪W٢٠٠٣ J45&7JT F‬א*"‪K‬א |‪ J‬ص‪K٦٤‬‬

4& !% 1‫&א‬2‫א‬0/*w‫وא{ و‬I ‫א‬e+O‫دא‬#‫א‬6 ‫א‬W٢٠٠٦ J&7J‫م‬6‫د‬7J‫م‬6 J1

K٣١٢‫ ص‬J*/‫א‬+! ‫א‬5*‫ אא‬JT5*O ‫א*نא‬0T‫א‬W٢٠٠١ J84 #‫دא‬7J1

‫‪ J٢ J1‬ز*‪5‬א*א‪+O!W١٩٨٧ J/‬א‪ J*!#+!–T‬א‪–*/‬ص‪٢٧‬‬

uu –uu‫א‬uu‫א‬uu+5 &uue9&uu7a ‫&א‬uul‫א‬Wuu2‫א‬%uufW٢٠٠٣ J&uu‫א‬YuuJT u‫&א‬uu# J1

#I‫אنא‬K‫ –א!§*א*א‬O!R: J|5 ‫وא‬7‫א א‬W١٩٩٠ J‫["د‬5[ ‫&א‬# J1

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‫‪@ @÷@ïÇbjÛa@‡¼c@âbèíŠ@O@†NâNc‬‬ ‫‪@ @òíbnÓ@ê‡jÇ@ïãbç@O@†@Nc‬‬

‫ذא و אאًאא_"! א ‬

‫ذ‪#$‬א "‪%‬א & אאאא_"! א ‬

‫א& سא & אאאא_"! د!ط‬

‫‪7T F81‬ن‪W١٩٧٩‬א‪Li‬א‪#‬و‪/‬وس‪0‬א‪W2‬و‪&E0L*w‬אد! אא‪ J-‬د א‪]c‬‬

‫‪ 1‬و‪&5‬א‪W٢٠٠٣ J45&7JT F‬א*"‪K‬א |‪ J‬ص‪K٦٤‬‬

4& !% 1‫&א‬2‫א‬0/*w‫وא{ و‬I ‫א‬e+O‫دא‬#‫א‬6 ‫א‬W٢٠٠٦ J&7J‫م‬6‫د‬7J‫م‬6 J1

K٣١٢‫ ص‬J/‫א‬+! ‫א‬5‫ אא‬JT5O ‫אنא‬0T‫א‬W٢٠٠١ J84 #‫دא‬7J1

‫‪ J٢ J1‬ز‪5‬אא‪+O!W١٩٨٧ J/‬א‪ J!#+!–T‬א‪–/‬ص‪٢٧‬‬

uu –uu‫א‬uu‫א‬uu+5 &uue9&uu7a ‫&א‬uul‫א‬Wuu2‫א‬%uufW٢٠٠٣ J&uu‫א‬YuuJT u‫&א‬uu# J1

#I‫אنא‬K‫ –א!§אא‬O!R: J|5 ‫وא‬7‫א א‬W١٩٩٠ J‫["د‬5[ ‫&א‬# J1