P Design’s

Silhouette
A testimony as specific as possible about life and
death—man’s best friends—while still speaking unerringly about our big quest(ion)
icturing

THIS PILE, AND NOW HOLD IN MY HAND;

Grand
AS TO PUT
IT SO THERE IS
NOT ONE TINY, LYING
BIT—TRUTH AS REMORSELESS
AS IF SPOKEN BY GHOSTS, WHO
ALREADY WITNESSED IT—HERE, I’LL
DEAL YOU IN: THE TRUTH IS SHIFTING,
AND THE COMPOSITION IS VAGUE.
LIKE SAND IN THE DESSERT.
ASKING, “WHAT IS OUR
ONTOLOGICAL TRUTH?”
TRUTH,

IS AKIN TO WHILE

DEAL YOU IN: THE TRUTH IS SHIFTING,

IS IT PART OF THE DUNE UNDERFOOT,

IN THE
THIS PIECE OF SAND,

ALREADY WITNESSED IT—HERE, I’LL

SUNSET

AND THE COMPOSITION IS VAGUE.

ORANGE SEA
UP ONE GRAIN, AND SAY, “DOES

AS IF SPOKEN BY GHOSTS, WHO

OF THE SAHARA, YOU

BIT—TRUTH AS REMORSELESS
LOOK TO THE HORIZON, PICK

LOOK TO THE HORIZON, PICK

SPECIFICALLY, OR MAYBE IT’S

LIKE SAND IN THE DESSERT.

UP ONE GRAIN, AND SAY, “DOES
THIS PIECE OF SAND, I CHOSE FROM
MORE ACCURATELY THAT

ONTOLOGICAL TRUTH?”
ASKING, “WHAT IS OUR
THIS PILE, AND NOW HOLD IN MY HAND;
OF THE SAHARA, YOU

NOT ONE TINY, LYING

IS IT PART OF THE DUNE UNDERFOOT,
SPECIFICALLY, OR MAYBE IT’S
IS AKIN TO WHILE
MORE ACCURATELY THAT

IT SO THERE IS
I CHOSE FROM

ONE, SINCE IT
ONE, SINCE IT

ORANGE SEA

IS AS WELL
IS AS WELL

AS TO PUT
QUITE

TRUTH,
HERE?”

SUNSET

NEAR
IN THE
QUITE
NEAR

TO
HERE?”
TO