Download as pdf or txt
Download as pdf or txt
You are on page 1of 40

Blockchain and Banking How

Technological Innovations Are Shaping


the Banking Industry Pierluigi Martino
Visit to download the full and correct content document:
https://textbookfull.com/product/blockchain-and-banking-how-technological-innovation
s-are-shaping-the-banking-industry-pierluigi-martino/
More products digital (pdf, epub, mobi) instant
download maybe you interests ...

Blockchain and Banking How Technological Innovations


Are Shaping the Banking Industry Pierluigi Martino

https://textbookfull.com/product/blockchain-and-banking-how-
technological-innovations-are-shaping-the-banking-industry-
pierluigi-martino-2/

Blockchain and Banking How Technological Innovations


Are Shaping the Banking Industry Martino Pierluigi

https://textbookfull.com/product/blockchain-and-banking-how-
technological-innovations-are-shaping-the-banking-industry-
martino-pierluigi/

Blockchain and Banking How Technological Innovations


Are Shaping the Banking Industry 1st Edition Martino

https://textbookfull.com/product/blockchain-and-banking-how-
technological-innovations-are-shaping-the-banking-industry-1st-
edition-martino/

The Digital Banking Revolution How Fintech Companies


Are Transforming the Retail Banking Industry Through
Disruptive Financial Innovation Luigi Wewege

https://textbookfull.com/product/the-digital-banking-revolution-
how-fintech-companies-are-transforming-the-retail-banking-
industry-through-disruptive-financial-innovation-luigi-wewege/
Banking and Financial Markets: How Banks and Financial
Technology Are Reshaping Financial Markets Andrada
Bilan

https://textbookfull.com/product/banking-and-financial-markets-
how-banks-and-financial-technology-are-reshaping-financial-
markets-andrada-bilan/

Income Diversification in the Chinese Banking Industry


Challenges and Opportunities Zhixian Qu

https://textbookfull.com/product/income-diversification-in-the-
chinese-banking-industry-challenges-and-opportunities-zhixian-qu/

Investment Banking Explained : An Insider's Guide to


the Industry, Second Edition Michel Fleuriet

https://textbookfull.com/product/investment-banking-explained-an-
insiders-guide-to-the-industry-second-edition-michel-fleuriet/

Frontier Topics in Banking: Investigating New Trends


and Recent Developments in the Financial Industry
Elisabetta Gualandri

https://textbookfull.com/product/frontier-topics-in-banking-
investigating-new-trends-and-recent-developments-in-the-
financial-industry-elisabetta-gualandri/

Global Issues in Banking and Finance: 4th International


Conference on Banking and Finance Perspectives Nesrin
Ozatac

https://textbookfull.com/product/global-issues-in-banking-and-
finance-4th-international-conference-on-banking-and-finance-
perspectives-nesrin-ozatac/
Blockchain and Banking
How Technological
Innovations Are Shaping
the Banking Industry

Pierluigi Martino
Blockchain and Banking
Pierluigi Martino

Blockchain
and Banking
How Technological Innovations Are Shaping
the Banking Industry
Pierluigi Martino
Department of Economics and Management
University of Pisa
Pisa, Italy

ISBN 978-3-030-70969-3 ISBN 978-3-030-70970-9 (eBook)


https://doi.org/10.1007/978-3-030-70970-9

© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer
Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the
Publisher, whether the whole or part of the material is concerned, specifically the rights
of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on
microfilms or in any other physical way, and transmission or information storage and
retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology
now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc.
in this publication does not imply, even in the absence of a specific statement, that such
names are exempt from the relevant protective laws and regulations and therefore free for
general use.
The publisher, the authors and the editors are safe to assume that the advice and informa-
tion in this book are believed to be true and accurate at the date of publication. Neither
the publisher nor the authors or the editors give a warranty, expressed or implied, with
respect to the material contained herein or for any errors or omissions that may have been
made. The publisher remains neutral with regard to jurisdictional claims in published maps
and institutional affiliations.

Cover illustration: © Melisa Hasan

This Palgrave Pivot imprint is published by the registered company Springer Nature
Switzerland AG
The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland
Contents

1 Introduction: The Rise of Fintech 1


References 6
2 Blockchain Technology: Key Features and Main
Applications 9
2.1 Introduction 9
2.2 The Fundamentals of Blockchain Technology 10
2.3 Blockchain Types and Classifications 17
2.4 Blockchain Applications 20
References 27
3 Blockchain Technology and the Banking Industry 33
3.1 Introduction 33
3.2 Blockchain as a Potential Risk for Banks 34
3.3 Blockchain and Banking Efficiency 38
3.4 Blockchain as a Source for New Products and Services 46
3.5 Blockchain and Financial Inclusion 47
3.6 Conclusions 48
References 49
4 Blockchain and Banking Business Models 53
4.1 Introduction 53
4.2 Technological Development and Business Model
Innovation 54

v
vi CONTENTS

4.3 Blockchain and Innovation in the Banking Business


Models 55
4.4 Banks’ Approach to Blockchain’s Challenges 64
4.5 Conclusions 66
References 67
5 Regulation of Blockchain Technology: An Overview 71
5.1 Introduction 71
5.2 Regulatory Issues and Cryptocurrencies 72
5.3 Regulation of Cryptocurrencies 73
5.4 Regulatory Issues and Blockchain’s Distributed Ledger
Technology 84
5.5 Regulators’ Approach to the Adoption of Blockchain
Technology 84
5.6 Conclusions 92
References 94
6 Final Remarks 99
References 103

Index 105
List of Figures

Fig. 2.1 Example of a blockchain 12


Fig. 4.1 The business model canvas (Osterwalder and Pigneur 2010) 56
Fig. 4.2 Status of adoption of blockchain’s distributed ledger
technology by EU banks (Source Own processing
of data from the EBA’s [2019] risk assessment report
of the European banking system) 65

vii
CHAPTER 1

Introduction: The Rise of Fintech

Abstract Advances in telecommunications and information technology


have had a significant impact on the banking industry over the past
few years. The rise of the financial technology (fintech) sector has also
played an important role, with new technologies like blockchain having
the potential to change the whole banking industry in faster and more
disruptive ways than ever before. This chapter outlines the context of this
study, presents the book’s structure and objective and highlights the main
themes of all the other chapters.

Keywords Technological innovations · Fintech · Blockchain


technology · Banking

The banking industry has undergone considerable changes over the past
few decades, especially because of the boom in technology that has
resulted from advances in telecommunications and information tech-
nology (IT). These advances have transformed banking products, services
and processes (Berger 2003; Frame and White 2014; Frame et al. 2018).
Faster computing and the widespread adoption of the Internet have
produced a more efficient payment system with new payment tools and
banking services (e.g. automated teller machines (ATMs), credit cards,
electronic payments, Internet banking, etc.), while advances in IT (both

© The Author(s), under exclusive license to Springer Nature 1


Switzerland AG 2021
P. Martino, Blockchain and Banking,
https://doi.org/10.1007/978-3-030-70970-9_1
2 P. MARTINO

hardware and software) have led to more efficient and sophisticated ways
for banks to leverage vast quantities of consumer and company data.
Nevertheless, as (ECB 2019) notes, we are entering a new digital
age with technologies that have the potential to change the whole
banking industry in faster and more disruptive ways than ever before. In
particular, recent technological developments have brought about finan-
cial technology (fintech) sector, which covers digital innovations and
technology-enabled business model innovations in the financial arena
(Philippon 2016; He et al. 2017; Frame et al. 2018).
According to the Financial Stability Board’s (FSB) (2017) working
definition of fintech, it is a “technologically enabled financial innovation
that could result in new business models, applications, processes or prod-
ucts with an associated material effect on financial markets and institutions
and the provision of financial services”. Examples of such innovations
include distributed ledger technologies (DLTs), digital currencies, new
digital advisory and trading systems, artificial intelligence and machine
learning, peer-to-peer lending, equity crowdfunding and so on. According
to Philippon (2016, p. 2), “such innovations can disrupt existing industry
structures and blur industry boundaries, facilitate strategic disintermedi-
ation, revolutionise how existing firms create and deliver products and
services, provide new gateways for entrepreneurship, democratize access
to financial services, but also create significant privacy, regulatory and
law enforcement challenges”. The European Banking Authority (EBA)
(2017) also underscores the potential for these new technological inno-
vations and points out that they may create many benefits for consumers
and organisations, including access to credit, improved comparability
of products, access to a wider product range, availability of up-to-date
information, tailored product offerings, reduced costs and consumer
convenience. Thus, these innovations may contribute to a decline in costs,
a reduction in information asymmetry and an increase in efficiency and
competition and provide broader access to financial services by developing
new ways to obtain funds. At the same time, however, these technologies
can also pose new risks to the financial system, which policymakers, regu-
lators and supervisors should consider to ensure the financial stability,
safety and soundness of financial institutions, as well as consumer and
investor protection.
Given the potential of fintech technologies and products, the industry
has evolved significantly over the past few years and experienced a massive
year of investment in 2018, with total global investment (across venture
1 INTRODUCTION: THE RISE OF FINTECH 3

capital (VC), private equity (PE) and mergers and acquisitions (M&A)),
more than doubling from $54.4 billion in 2017 to $141.0 billion in 2018
(KPMG 2020). This rise was driven mainly by the United States, Europe
and Asia, as reported in KPMG’s report (2020) on global investment
trends in the fintech sector. The positive trend also continued in 2019,
with global investment hitting $135.7 billion, a slight drop from the
2018 results, but still more than double any year before 2018, thereby
highlighting the strength of the global fintech market.
An innovation that is central to the current fintech space is blockchain
technology (Guo and Liang 2016; Philippon 2016; Iansiti and Lakhani
2017; Frame et al. 2018), the distributed ledger technology behind
Bitcoin (and other cryptocurrencies). It represents a key investment area
of fintech (KPMG 2020).
Blockchain has widely been acknowledged as a disruptive technology
and a key source of future financial market innovation (Lewis et al.
2017) that could revolutionise our society and the new world economy
(McKinsey 2016; Peters and Panayi 2016; Ross 2017). Born as the tech-
nology underlying Bitcoin (Nakamoto 2008) to record cryptocurrencies
transactions, blockchain has become a technology that can facilitate the
process of recording any transaction type and track the movement of any
asset, thus finding applications in multiple areas (Ulieru 2016; Iansiti and
Lakhani 2017; Yermack 2017; Tapscott and Tapscott 2017).
Although the initial scepticism about blockchain’s original idea, i.e.
blockchain used to launch cryptocurrencies, several financial institutions
(including banks, insurers, etc.) around the world have focused on the
DLT behind blockchain (i.e. blockchain without cryptocurrencies) over
the past few years to examine how it may affect most of their business.
Particularly for the banking industry, the reason for the growing interest
in blockchain technology is its potential to create new opportunities for
banks and because it poses new threats to their business (Buitenhek
2016; McDonald et al. 2016; Peters and Panayi 2016; Holotiuk et al.
2017; Lindman et al. 2017; Martino 2019). Many scholars and practi-
tioners (Buitenhek 2016; Guo and Liang 2016; Peters and Panayi 2016)
suggest that some of the problems linked to activities in financial services
(e.g. the rising cost of operations, efficiency bottlenecks, transaction lags,
fraud and operational risks) can be solved by applying blockchain’s DLT.
In particular, by enabling smart contracts, maintaining immutable logs
of transactions and facilitating the real-time execution of transactions,
blockchain can be used to change how banks provide financial services
4 P. MARTINO

and, consequently, offer potential advantages (in terms of cost, speed


and data integrity) over traditional methods of proving ownership. In
turn, this may enhance traditional financial institutions’ competitive edge
(McKinsey 2016; KPMG 2017; Yermack 2017). Several of the world’s
biggest banks are looking for opportunities in this area (i.e. blockchain’s
DLT) by investing in and researching innovative blockchain applica-
tions. However, other studies (McDonald et al. 2016; Holotiuk et al.
2017) regard blockchain—particularly blockchain used to launch cryp-
tocurrencies—as a new competitor that can threaten banks’ business.
According to these studies, blockchain technology and cryptocurren-
cies may allow consumers and suppliers to connect directly and form
online networks, thus removing the need for “middlemen” like a bank
(Holotiuk et al. 2017) and potentially undermining banks’ traditional
role in verifying and enabling transactions such as payments. Moreover,
blockchain may provide new gateways for entrepreneurship by making it
possible for (especially fintech) start-ups to provide banking services at
lower costs (Philippon 2016; Tapscott and Tapscott 2017). This means
that blockchain can increase competition in the industry and potentially
undermine banks’ profitability (Yeoh 2017).
Thus, existing literature suggests that blockchain may present new
challenges and not only create opportunities for but also pose threats
to banks. This is pushing banks to rethink their operations, business
models and strategies. However, relevant literature is in still its infancy,
and we have no clear understanding of blockchain technology’s poten-
tial implications for banks (Zhao et al. 2016). This book expands
the literature on blockchain technology in banking by providing new
insights into the developments, trends and challenges of blockchain in the
banking industry. Building on the results of a previous study I conducted
(Martino 2019), this book aims to shed more light on the implications of
blockchain technology for banks, exploring the potential impact on tradi-
tional banking business models. To this end, the book is structured as
follows.
Chapter 2 provides an overview of blockchain technology and high-
lights its key features, benefits and disadvantages. It also examines the
different types of blockchain (i.e. private vs public blockchains), as well as
their evolution (i.e. blockchain 1.0 vs blockchain 2.0 onwards). Finally,
the chapter discusses the topic of cryptocurrencies and smart contracts,
which are the two main applications of blockchain technology.
1 INTRODUCTION: THE RISE OF FINTECH 5

Chapter 3 explores the potential implications of blockchain technology


for the banking industry. This chapter builds on the results of a previous
study I conducted,1 which used qualitative-based interviews with three
professional bankers from different European banks that are dealing with
the challenges of blockchain, and discusses the advantages and risks that
blockchain technology can hold for banks. It also identifies the main
banking areas that can be affected by adopting this technology.
Chapter 4 explores the potential impact of blockchain’s DLT on
traditional banking business models. Building on the Business Model
Canvas framework developed by Osterwalder and Pigneur (2010), this
chapter discusses how blockchain technology can affect all the elements
of a bank’s business model, namely how banks generate profits, which
customers they serve, which distribution channels they use and so on.
Moreover, the chapter provides an overview of the current status of banks’
adoption of the technology and highlights their approach to handling the
challenges of blockchain.
Finally, Chapter 5 addresses regulatory issues for blockchain tech-
nology, given the crucial role of regulation in the development of this
technology. In particular, the chapter outlines regulatory responses to
blockchain around the world, with a specific focus on how US and
EU authorities are tackling the key risks (e.g. privacy issues, financial
crime, hacking, etc.) associated with this new technology. The chapter
makes a distinction between the regulatory issues that derive from banks
applying the DLT of blockchain when providing their services and the
use of blockchain to launch cryptocurrencies, as they have very different
implications.
The final section (Final remarks) provides a concluding discussion of
the study by highlighting the main findings.

1 Martino, P. (2019). Blockchain technology: Challenges and opportunities for


banks. International Journal of Financial Innovation in Banking, 2(4), 314–333.
https://dx.doi.org/10.1504/IJFIB.2019.104535. Inderscience Enterprises Ltd. retains
the copyright of the original article.
6 P. MARTINO

References
Berger, A. N. (2003). The economic effects of technological progress: Evidence
from the banking industry. Journal of Money, Credit and Banking, 35(2),
141–176.
Buitenhek, M. (2016). Understanding and applying blockchain technology in
banking: Evolution or revolution? Journal of Digital Banking, 1(2), 111–119.
EBA. (2017). Discussion paper on the EBA’s approach to financial technology
(FinTech). Available at: https://eba.europa.eu/sites/default/documents/
files/documents/10180/1919160/7a1b9cda-10ad-4315-91ce-d798230eb
d84/EBA%20Discussion%20Paper%20on%20Fintech%20%28EBA-DP-2017-
02%29.pdf.
ECB. (2019). Lending and payment systems in upheaval: The fintech challenge.
Speech by Yves Mersch, Member of the Executive Board of the ECB, at
the 3rd annual Conference on Fintech and Digital Innovation, 26 February
2019, Brussels. Available at: https://www.ecb.europa.eu/press/key/date/
2019/html/ecb.sp190226~d98d307ad4.en.html.
Frame, W. S., & White, L. J. (2014). Technological change, financial innovation,
and diffusion in banking. In A. N. Berger, P. Molyneux & J. O. S. Wilson
(Eds.), The oxford handbook of banking, second edition (pp. 1–5). Oxford
University press.
Frame, W. S., Wall, L. D., & White, L. J. (2018). Technological change and
financial innovation in banking: Some implications for fintech. Federal Reserve
Bank of Atlanta, Working paper series. Available at: https://www.frbatlanta.
org/-/media/documents/research/publications/wp/2018/11-technolog
ical-change-and-financial-innovation-in-banking-some-implications-for-fin
tech-2018-10-02.pdf.
FSB. (2017). Financial stability implications from FinTech. Supervisory and regu-
latory issues that merit authorities’ Attention, 27 June 2017. Available at:
https://www.fsb.org/wp-content/uploads/R270617.pdf.
Guo, Y., & Liang, C. (2016). Blockchain application and outlook in the banking
industry. Financial Innovation, 2(1), 24.
He, M. D., Leckow, M. R. B., Haksar, M. V., Griffoli, M. T. M., Jenkinson,
N., Kashima, M. M., … & Tourpe, H. (2017). Fintech and financial services:
Initial considerations. International Monetary Fund. Available at: https://
www.imf.org/en/Publications/Staff-Discussion-Notes/Issues/2017/06/
16/Fintech-and-Financial-Services-Initial-Considerations-44985.
Holotiuk, F., Pisani, F., & Moormann, J. (2017). The impact of blockchain
technology on business models in the payments industry. In Proceedings of
13th International Conference on Wirtschaftsinformatik, St. Gallen, 12–15
February, pp. 912–926.
Iansiti, M., & Lakhani, K. R. (2017). The truth about blockchain. Harvard
Business Review, 95(1), 119–127.
1 INTRODUCTION: THE RISE OF FINTECH 7

KPMG. (2017). Blockchain in financial services: A threat or an opportunity.


Available at: https://home.kpmg.com/ng/en/home/insights/2017/06/blo
ckchain-in-financial-services--athreat-or-an-opportunity.html.
KPMG. (2020). Pulse of Fintech H2 2019, February 2020. Available
at: https://assets.kpmg/content/dam/kpmg/xx/pdf/2020/02/pulse-of-fin
tech-h2-2019.pdf.
Lewis, R., McPartland, J., & Ranjan, R. (2017). Blockchain and financial
market innovation. Economic Perspectives, 41(7), 1–17, Federal Reserve Bank
of Chicago.
Lindman, J., Tuunainen, V. K., & Rossi, M. (2017). Opportunities and risks of
blockchain technologies—A research agenda. In Hawaii International Confer-
ence on System Sciences (HICSS). Available at: https://hdl.handle.net/
10125/41338.
MacDonald, T. J., Allen, D. W., & Potts, J. (2016). Blockchains and the bound-
aries of self-organized economies: Predictions for the future of banking.
Banking beyond banks and money (pp. 279–296). Cham: Springer.
Martino, P. (2019). Blockchain technology: Challenges and opportunities for
banks. International Journal of Financial Innovation in Banking, 2(4), 314–
333.
McKinsey & Company. (2016). How blockchains could change the world. Avail-
able at: https://www.mckinsey.com/industries/high-tech/our-insights/how-
blockchains-could-changethe-world.
Nakamoto, S. (2008). Bitcoin: A peer-to-peer electronic cash system. Available at:
https://bitcoin.org/bitcoin.pdf.
Osterwalder, A., & Pigneur, Y. (2010). Business model generation: A handbook
for visionaries, game changers, and challengers. John Wiley & Sons.
Peters, G. W., & Panayi, E. (2016). Understanding modern banking ledgers
through blockchain technologies: Future of transaction processing and smart
contracts on the internet of money. Banking beyond banks and money
(pp. 239–278). Cham: Springer.
Philippon, T. (2016). The fintech opportunity (No. w22476). National Bureau
of Economic Research working paper series. Available at: https://www.nber.
org/system/files/working_papers/w22476/w22476.pdf.
Ross, E. S. (2017). Nobody puts blockchain in a corner: The disruptive role of
blockchain technology in the financial services industry and current regulatory
issues. Catholic University Journal of Law and Technology, 25(2), 7.
Tapscott, A., & Tapscott, D. (2017). How blockchain is changing finance.
Harvard Business Review, 1(9), 2–5.
Ulieru, M. (2016). Blockchain 2.0 and beyond: Adhocracies. In Banking Beyond
Banks and Money (pp. 297–303). Cham: Springer.
Yeoh, P. (2017). Regulatory issues in blockchain technology. Journal of Financial
Regulation and Compliance, 25(2), 196–208.
8 P. MARTINO

Yermack, D. (2017). Corporate governance and blockchains. Review of Finance,


21(1), 7–31.
Zhao, J. L., Fan, S., & Yan, J. (2016). Overview of business innovations and
research opportunities in blockchain and introduction to the special issue.
Financial Innovation, 2, 28. Available at: https://doi.org/https://doi.org/
10.1186/s40854-016-0049-2.
CHAPTER 2

Blockchain Technology: Key Features


and Main Applications

Abstract This chapter provides a general overview of the fundamentals


of blockchain technology and how it works. The goal is to make it clear
why this technology is considered disruptive. In particular, the chapter
discusses the key features of blockchain technology and its various types
and categories; it also highlights their different characteristics, advantages
and risks. Moreover, it explores the two main applications of blockchain,
namely cryptocurrencies and smart contracts.

Keywords Blockchain · Distributed ledger technology ·


Cryptocurrencies · Smart contracts

2.1 Introduction
Many scholars and financial players agree that blockchain is a disrup-
tive technology and a key source of innovation in financial markets in
the future and that it could revolutionise our society and the new world
economy. Since its start as the technology underlying Bitcoin and its use
in recording cryptocurrency transactions, blockchain has become a tech-
nology that can both facilitate the process of recording any transaction
type and track the movement of any asset. Its application is widespread
and in different areas.

© The Author(s), under exclusive license to Springer Nature 9


Switzerland AG 2021
P. Martino, Blockchain and Banking,
https://doi.org/10.1007/978-3-030-70970-9_2
10 P. MARTINO

This chapter provides a general overview of the fundamentals of


blockchain technology and how it works. The goal is to make it clear
why this technology is considered disruptive. In particular, the chapter
discusses the key features of blockchain technology and its various types
and categories; it also highlights their different characteristics, advantages
and risks. Moreover, it explores the two main applications of blockchain,
namely cryptocurrencies and smart contracts.

2.2 The Fundamentals of Blockchain Technology


Blockchain is a digital, decentralised and distributed ledger that is
constantly updated. This technology makes it possible to record trans-
actions and track assets in a given network (Swan 2015; Crosby et al.
2016; Walport 2016). The word “blockchain” comes from the transac-
tions being grouped into “blocks” (as a data package), which are linked
to the blocks that precede them to form a chronological “chain” of
blocks. This blockchain provides a trail of the underlying transaction and,
thus, represents a complete ledger of the transaction history (Holotiuk
et al. 2017; Nofer et al. 2017). However, unlike traditional ledgers,
blockchain combines several computer technologies, including a digital
ledger, distributed data storage, point-to-point transmission, consensus
mechanisms and encryption algorithms (Guo and Liang 2016; Holotiuk
et al. 2017; Lewis et al. 2017), which offer potential advantages in terms
of cost, speed and data integrity. In particular, it is possible to iden-
tify some key features that underlie blockchain and make it a disruptive
technology (Bohme et al. 2015; Iansiti and Lakhani 2017; Tapscott and
Tapscott 2017; Zheng et al. 2017; Martino et al. 2019).
First, blockchain is a “distributed ledger” of a network’s participants,
and all the participants have permission to access it. “Distributed” means
that every participant can share a ledger that is updated every time a
transaction occurs and has simultaneous access to view the information1
(Natarajan et al. 2017). Thus, transparency is assured in blockchain as
the complete transaction history is stored by all the participants on a
network and is visible to anyone with access to the system (Fanning and

1 Basically, there is only one version of the ledger, and each network participant owns
a full and up-to-date copy of the entire ledger. As a result, every addition to the ledger
by a network participant is propagated to all nodes; upon validation, the new transaction
is added to all the relevant ledgers to ensure data consistency across the network.
22 P. MARTINO

just a few. It is worth noting that some of these new cryptocurren-


cies solve many problems inherent in Bitcoin, thus enabling significant
improvements and advancing the development of cryptocurrencies in
general (Martino et al. 2019).
The market for cryptocurrencies has grown massively since 2008 in
terms of the number of new currencies, as well as the consumer base and
the transaction frequency (Dyhrberg 2016). As reported in the Payment
Methods Report (2019) by the European Payments Council, the number
of payments made by using cryptocurrencies is constantly on the rise,
with several companies (Microsoft and Expedia, among others) accepting
Bitcoin and other cryptocurrencies, and others allowing customers to
make Bitcoin payments via crypto payment gateways such as BitPay. The
potential of cryptocurrencies, which can explain their current economic
value, is substantial and linked particularly to the fact that they may ease
financial transactions by providing more flexibility and speed in interna-
tional transfer than other currencies managed by banks (Dyhrberg 2016).
As the main determinant of the value of cryptocurrencies, literature points
to: the high speed and low cost of transactions because of the elimination
of intermediaries, for example; greater accessibility to everyone connected
to the Internet, which fosters financial inclusion for unbanked and under-
banked populations (the former are people without a bank account; the
latter are people with limited access to traditional banking services and
products); and greater privacy, which guarantees anonymity and security
when making payments (Richter et al. 2015; Jacobs 2018; Giudici et al.
2020).
However, there are several factors—including inefficiency in transac-
tions (technical/sscalability problems) and high volatility (Ciaian et al.
2016)—that currently limit the potential for broad adoption in day-to-
day payments (UBS 2018). Hence, cryptocurrencies have to compete
with other systems in terms of costs, speed and scalability. For example,
new transaction technologies (such as SEPA Instant Credit Transfer)
and fund transfer systems (such as Transferwise) make it possible to
reduce costs and time in money transfer (the Instant scheme allows pan-
European credit transfers, with the funds made available in less than 10
seconds). The security and privacy of cryptocurrencies have also been a
topic of discussion. With respect to security issues, cryptocurrencies may
be subject to theft and hacker attacks (e.g. if someone stole the user’s
private key and could then tamper with the user’s account). Regarding
privacy issues, Bohme et al. (2015) note that Bitcoin transactions are not
Another random document with
no related content on Scribd:
love a woman—so much, that I am happy to sacrifice the dearest
wish of my heart, because I think I will serve you better by leaving
you.”
He took her hand and held it between his two strong hands.
“Don’t you think,” she whispered, so that he had to bend closer to
hear what she said, “don’t you think I—I ought to be consulted?”
“You—you,” he cried in wonderment, “would you——”
She looked at him with a smile, and her eyes were radiant with
unspoken happiness.
“I want you, Jimmy,” she said. It was the first time she had called him
by name. “I want you, dear.”
His arms were about her, and her lips met his.
They did not hear the tinkle of the bell, but they heard the knock at
the door, and the girl slipped from his arms and was collecting the
tea-things when Angel walked in.
He looked at Jimmy inanely, fiddling with his watch chain, and he
looked at the girl.
“Awfully sorry to intrude again,” he said, “but I got a wire at the little
postoffice up the road telling me I needn’t take the case at
Newcastle, so I thought I’d come back and tell you, Jimmy, that I will
take what I might call a ‘cemetery drink’ with you to-night.”
“I am not going,” said Jimmy, recovering his calm.
“Not—not going?” said the astonished Angel.
“No,” said the girl, speaking over his shoulder, “I have persuaded him
to stay.”
“Ah, so I see!” said Angel, stooping to pick up two hairpins that lay
on the hearthrug.
THE END
A New and Deadly Force is Introduced
In A Plot to Destroy
London.

The Three Days’


Terror
By J. S. FLETCHER
It was impossible for Lord Grandminster, Prime Minister of
England, to believe, at first that London could be
destroyed in a terrible and unknown manner if the
fabulous sum of money, demanded by the men who
boasted they were the possessors of a new Force which
was mighty enough to wreck the world, was not delivered
before a set date. The ransom was not paid and the first
blow of “The Dictators” was struck. Charing Cross was
leveled to the ground in a manner that left no doubt of the
powers of the pitiless, unknown Dictators. Three days of
looting and terror followed in the city; days filled with
maddening suspense for the ministry that had disregarded
the ultimatum—a suspense that was only ended when the
steamer Malvolio was sunk in the North Sea.

OTHER BOOKS
BY J. S. FLETCHER
THE BARTENSTEIN MYSTERY
THE DOUBLE CHANCE

A. L. BURT COMPANY
Publishers · New York
The Newest Books in Popular
Copyright Fiction
Only Books of Superior Merit and Popularity Are
Published in This List
BARBERRY BUSH. By Kathleen Norris.
The absorbing story of a woman who is deserted by
her temperamental artist-husband, and the manner
in which she finally attains happiness.
THE HIDDEN KINGDOM. By Francis Beeding.
Three Secret Service agents travel from Spain to
Mongolia to block a conspiracy, gigantic, terrible,
involving the fate of the world.
THE GENTLE GRAFTER. By O. Henry.
Delightfully humorous tales, notable for their lively
portraiture of character, of confidence men and their
methods.
THE HOUSE OF HAPPINESS AND OTHER STORIES.
By Ethel M. Dell.
The romantic story of an elopement and the
inevitable tragedy that follows the selfish act of an
unruly, head-strong girl.
FLAMINGO. By Mary Borden.
The vast, animated, mechanical chaos of human life
in a great city is magnificently recorded in this
dynamic novel of New York.
THE HOTEL. By Elizabeth Bowen.
A sincere and modern story dealing with the lives
and love affairs of a group of people in a Continental
hotel.
CURSED BE THE TREASURE. By H. B. Drake.
Buried gold, a mad captain and smugglers are found
in this adventurous novel of pluck and daring.
ALL AT SEA. By Carolyn Wells.
Following the clue of the French dolls, Fleming
Stone sounds fathoms deep to the heart of a murder
mystery.
THE THREE DAYS’ TERROR. By J. S. Fletcher.
Warned by the unknown “Dictators,” masters of a
new destructive Force, that London was to be
destroyed, the inhabitants of the City fled. Three
days of terror followed.
OVER THE BOAT-SIDE. By Mathilde Eiker.
A supremely realistic and ironic tale of tangled
modern marriages and a woman who threw family
traditions “Over the Boat-Side.”
WILD-HORSE RANCH. By Reginald C. Barker.
The Arizona desert and the Painted Canyon country
furnish the background for this exciting Western tale
of outlaws, rustlers and mystery.
ANGEL ESQUIRE. By Edgar Wallace.
A superlatively good mystery story based on a
puzzling cryptogram, which held the key to a fortune.
THE BLACK JOKER. By Isabel Ostrander.
The strange behavior of a pack of cards and a series
of terrifying events feature this tale of a girl’s
mysterious adventures.
THE HOUSE OF SIN. By Allen Upward.
Dr. Tarleton, the famous Home Office poison expert,
unravels a complicated web of mystery and intrigue
and traps a murderer.
UP THE RITO. By Jarvis Hall.
An invigorating novel of New Mexico and an old
Indian legend that points the way to a lost gold mine.
NICK OF THE WOODS. By Robert Montgomery Bird.
A romantic tale of the early Kentucky settlers; of
soldiers, renegades and Indian fighting on the Old
Frontier.
For sale by most booksellers at the popular price. Published by

A. L. BURT COMPANY, 114-120 EAST 23d ST.,


NEW YORK
TRANSCRIBER’S NOTES:
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been
standardized.
Archaic or variant spelling has been retained.
*** END OF THE PROJECT GUTENBERG EBOOK ANGEL
ESQUIRE ***

Updated editions will replace the previous one—the old editions


will be renamed.

Creating the works from print editions not protected by U.S.


copyright law means that no one owns a United States copyright
in these works, so the Foundation (and you!) can copy and
distribute it in the United States without permission and without
paying copyright royalties. Special rules, set forth in the General
Terms of Use part of this license, apply to copying and
distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if
you charge for an eBook, except by following the terms of the
trademark license, including paying royalties for use of the
Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such
as creation of derivative works, reports, performances and
research. Project Gutenberg eBooks may be modified and
printed and given away—you may do practically ANYTHING in
the United States with eBooks not protected by U.S. copyright
law. Redistribution is subject to the trademark license, especially
commercial redistribution.

START: FULL LICENSE


THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the


free distribution of electronic works, by using or distributing this
work (or any other work associated in any way with the phrase
“Project Gutenberg”), you agree to comply with all the terms of
the Full Project Gutenberg™ License available with this file or
online at www.gutenberg.org/license.

Section 1. General Terms of Use and


Redistributing Project Gutenberg™
electronic works
1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand,
agree to and accept all the terms of this license and intellectual
property (trademark/copyright) agreement. If you do not agree to
abide by all the terms of this agreement, you must cease using
and return or destroy all copies of Project Gutenberg™
electronic works in your possession. If you paid a fee for
obtaining a copy of or access to a Project Gutenberg™
electronic work and you do not agree to be bound by the terms
of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only


be used on or associated in any way with an electronic work by
people who agree to be bound by the terms of this agreement.
There are a few things that you can do with most Project
Gutenberg™ electronic works even without complying with the
full terms of this agreement. See paragraph 1.C below. There
are a lot of things you can do with Project Gutenberg™
electronic works if you follow the terms of this agreement and
help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the
collection of Project Gutenberg™ electronic works. Nearly all the
individual works in the collection are in the public domain in the
United States. If an individual work is unprotected by copyright
law in the United States and you are located in the United
States, we do not claim a right to prevent you from copying,
distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project
Gutenberg are removed. Of course, we hope that you will
support the Project Gutenberg™ mission of promoting free
access to electronic works by freely sharing Project
Gutenberg™ works in compliance with the terms of this
agreement for keeping the Project Gutenberg™ name
associated with the work. You can easily comply with the terms
of this agreement by keeping this work in the same format with
its attached full Project Gutenberg™ License when you share it
without charge with others.

1.D. The copyright laws of the place where you are located also
govern what you can do with this work. Copyright laws in most
countries are in a constant state of change. If you are outside
the United States, check the laws of your country in addition to
the terms of this agreement before downloading, copying,
displaying, performing, distributing or creating derivative works
based on this work or any other Project Gutenberg™ work. The
Foundation makes no representations concerning the copyright
status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project


Gutenberg:

1.E.1. The following sentence, with active links to, or other


immediate access to, the full Project Gutenberg™ License must
appear prominently whenever any copy of a Project
Gutenberg™ work (any work on which the phrase “Project
Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed,
viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United


States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it
away or re-use it under the terms of the Project Gutenberg
License included with this eBook or online at
www.gutenberg.org. If you are not located in the United
States, you will have to check the laws of the country where
you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is


derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to
anyone in the United States without paying any fees or charges.
If you are redistributing or providing access to a work with the
phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of
paragraphs 1.E.1 through 1.E.7 or obtain permission for the use
of the work and the Project Gutenberg™ trademark as set forth
in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is


posted with the permission of the copyright holder, your use and
distribution must comply with both paragraphs 1.E.1 through
1.E.7 and any additional terms imposed by the copyright holder.
Additional terms will be linked to the Project Gutenberg™
License for all works posted with the permission of the copyright
holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project


Gutenberg™ License terms from this work, or any files
containing a part of this work or any other work associated with
Project Gutenberg™.
1.E.5. Do not copy, display, perform, distribute or redistribute
this electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1
with active links or immediate access to the full terms of the
Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form,
including any word processing or hypertext form. However, if
you provide access to or distribute copies of a Project
Gutenberg™ work in a format other than “Plain Vanilla ASCII” or
other format used in the official version posted on the official
Project Gutenberg™ website (www.gutenberg.org), you must, at
no additional cost, fee or expense to the user, provide a copy, a
means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project
Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,


performing, copying or distributing any Project Gutenberg™
works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or


providing access to or distributing Project Gutenberg™
electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg™ works calculated using the
method you already use to calculate your applicable taxes. The
fee is owed to the owner of the Project Gutenberg™ trademark,
but he has agreed to donate royalties under this paragraph to
the Project Gutenberg Literary Archive Foundation. Royalty
payments must be paid within 60 days following each date on
which you prepare (or are legally required to prepare) your
periodic tax returns. Royalty payments should be clearly marked
as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information
about donations to the Project Gutenberg Literary Archive
Foundation.”

• You provide a full refund of any money paid by a user who


notifies you in writing (or by e-mail) within 30 days of receipt that
s/he does not agree to the terms of the full Project Gutenberg™
License. You must require such a user to return or destroy all
copies of the works possessed in a physical medium and
discontinue all use of and all access to other copies of Project
Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of


any money paid for a work or a replacement copy, if a defect in
the electronic work is discovered and reported to you within 90
days of receipt of the work.

• You comply with all other terms of this agreement for free
distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project


Gutenberg™ electronic work or group of works on different
terms than are set forth in this agreement, you must obtain
permission in writing from the Project Gutenberg Literary
Archive Foundation, the manager of the Project Gutenberg™
trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend


considerable effort to identify, do copyright research on,
transcribe and proofread works not protected by U.S. copyright
law in creating the Project Gutenberg™ collection. Despite
these efforts, Project Gutenberg™ electronic works, and the
medium on which they may be stored, may contain “Defects,”
such as, but not limited to, incomplete, inaccurate or corrupt
data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other
medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES -


Except for the “Right of Replacement or Refund” described in
paragraph 1.F.3, the Project Gutenberg Literary Archive
Foundation, the owner of the Project Gutenberg™ trademark,
and any other party distributing a Project Gutenberg™ electronic
work under this agreement, disclaim all liability to you for
damages, costs and expenses, including legal fees. YOU
AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE,
STRICT LIABILITY, BREACH OF WARRANTY OR BREACH
OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH
1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER
THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF
THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If


you discover a defect in this electronic work within 90 days of
receiving it, you can receive a refund of the money (if any) you
paid for it by sending a written explanation to the person you
received the work from. If you received the work on a physical
medium, you must return the medium with your written
explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu
of a refund. If you received the work electronically, the person or
entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund.
If the second copy is also defective, you may demand a refund
in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set


forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’,
WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS
OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR
ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied


warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this
agreement violates the law of the state applicable to this
agreement, the agreement shall be interpreted to make the
maximum disclaimer or limitation permitted by the applicable
state law. The invalidity or unenforceability of any provision of
this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the


Foundation, the trademark owner, any agent or employee of the
Foundation, anyone providing copies of Project Gutenberg™
electronic works in accordance with this agreement, and any
volunteers associated with the production, promotion and
distribution of Project Gutenberg™ electronic works, harmless
from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project
Gutenberg™ work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg™ work, and (c) any Defect
you cause.

Section 2. Information about the Mission of


Project Gutenberg™
Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new
computers. It exists because of the efforts of hundreds of
volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the


assistance they need are critical to reaching Project
Gutenberg™’s goals and ensuring that the Project Gutenberg™
collection will remain freely available for generations to come. In
2001, the Project Gutenberg Literary Archive Foundation was
created to provide a secure and permanent future for Project
Gutenberg™ and future generations. To learn more about the
Project Gutenberg Literary Archive Foundation and how your
efforts and donations can help, see Sections 3 and 4 and the
Foundation information page at www.gutenberg.org.

Section 3. Information about the Project


Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-
profit 501(c)(3) educational corporation organized under the
laws of the state of Mississippi and granted tax exempt status by
the Internal Revenue Service. The Foundation’s EIN or federal
tax identification number is 64-6221541. Contributions to the
Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and
your state’s laws.

The Foundation’s business office is located at 809 North 1500


West, Salt Lake City, UT 84116, (801) 596-1887. Email contact
links and up to date contact information can be found at the
Foundation’s website and official page at
www.gutenberg.org/contact

Section 4. Information about Donations to


the Project Gutenberg Literary Archive
Foundation
Project Gutenberg™ depends upon and cannot survive without
widespread public support and donations to carry out its mission
of increasing the number of public domain and licensed works
that can be freely distributed in machine-readable form
accessible by the widest array of equipment including outdated
equipment. Many small donations ($1 to $5,000) are particularly
important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws


regulating charities and charitable donations in all 50 states of
the United States. Compliance requirements are not uniform
and it takes a considerable effort, much paperwork and many
fees to meet and keep up with these requirements. We do not
solicit donations in locations where we have not received written
confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states


where we have not met the solicitation requirements, we know
of no prohibition against accepting unsolicited donations from
donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot


make any statements concerning tax treatment of donations
received from outside the United States. U.S. laws alone swamp
our small staff.

Please check the Project Gutenberg web pages for current


donation methods and addresses. Donations are accepted in a
number of other ways including checks, online payments and
credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About Project


Gutenberg™ electronic works
Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could
be freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose
network of volunteer support.

Project Gutenberg™ eBooks are often created from several


printed editions, all of which are confirmed as not protected by
copyright in the U.S. unless a copyright notice is included. Thus,
we do not necessarily keep eBooks in compliance with any
particular paper edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,


including how to make donations to the Project Gutenberg
Literary Archive Foundation, how to help produce our new
eBooks, and how to subscribe to our email newsletter to hear
about new eBooks.

You might also like