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All Things Ancient Rome
All Things Ancient Rome
An Encyclopedia of the Roman World
Volume 1: A–L
Anne Leen
BLOOMSBURY ACADEMIC
Bloomsbury Publishing Inc
1385 Broadway, New York, NY 10018, USA
50 Bedford Square, London, WC1B 3DP, UK
29 Earlsfort Terrace, Dublin 2, Ireland
VOLUME 1
Guide to Related Topics xi
Preface xv
Acknowledgments xix
Introduction xxi
Timeline xxvii
Entries A–L
Abortion 1
Abstract Gods 5
Actium 9
Adoption 12
Aeneas 14
Agriculture 20
Alba Longa 24
Amphitheater 27
Aqueduct 30
Arch 33
Army 36
Art and Architecture 43
Ascanius 47
Asia Minor 51
Assemblies (Comitia) 54
vi Contents
Astrology 57
Athletics 59
Basilica 63
Baths 66
Bilingualism 70
Bridges 73
Britain (Brittania) 76
Building Programs 81
Calendar 87
Campania 91
Campus Martius 94
Cannae 98
Capua 101
Carthage 104
Chariot Racing 108
Childhood 111
Christianity 114
Circus 120
Citizenship 123
City Planning 126
Coins and Coinage 129
Colonization 133
Column 136
Cosmetics and Perfumes 139
Crime and Punishment 142
Cumae 145
Cursus Honorum 148
Death and Afterlife 151
Dido 154
Disease and Medicine 158
Dress 163
Contents vii
Education 167
Educators 171
Egypt 174
Emperor and Empress 179
Empire 187
Encyclopedias 193
Epicureanism 198
Ethos 201
Etruscans 204
Family 207
Festivals and Holidays 211
Food and Drink 214
Forum 218
Freedmen and Freedwomen 221
Funerary Monuments 225
Furniture 228
Games (Ludi) 231
Gardens (Horti) 234
Gates 239
Gaul (Gallia) 243
Gender and Sexuality 249
Gladiators 252
Glass 256
Graffiti 259
Greece 261
Herculaneum 265
Housing 268
Hygiene and Sanitation 273
Imperial Cult 277
Inscriptions 280
Italy 283
viii Contents
Janus 287
Jewelry and Gems 289
Juno 292
Jupiter 295
Lares and Penates 299
Latin Language 302
Latin Literature 306
Law 315
Literary Criticism 321
Lucretia 325
VOLUME 2
Guide to Related Topics xi
Entries M–Z
Magic 329
Magna Graecia 332
Manuscript Studies 334
Marriage 339
Mars 343
Medieval Latin 345
Mediterranean Sea 349
Minerva 351
Mines 353
Monarchy 356
Mosaics 360
Music 363
Mystery Religions 366
Mythology 372
Names 377
Native Italian Gods 382
Contents ix
Slavery 515
Spain (Hispania) 521
Status 524
Stoicism 529
Taxation and Finance 535
Technology and Engineering 538
Temple 542
Theater 545
Trade and Commerce 548
Tribes 552
Triumph 555
Troy 559
Venus 563
Vesuvius 565
Votive Offerings 568
Wall Painting 571
Walls 574
Warfare 578
Wealth and Poverty 581
Women 585
Work 592
CITY PLANNING
Amphitheater Funerary Monuments
Aqueduct Gardens (Horti)
Arch Gates
Basilica Hygiene and Sanitation
Baths Roads
Bridges Technology and Engineering
Building Programs Temple
City Planning Theater
Forum Walls
DAILY LIFE
Abortion Athletics
Agriculture Baths
Astrology Bilingualism
xii Guide to Related Topics
EDUCATION
Education Philosophy
Educators Pythagoreanism
Encyclopedias Rhetoric and Oratory
Epicureanism Second Sophistic
The New Academy Stoicism
Philhellenism
ENTERTAINMENT
Amphitheater Games (Ludi)
Athletics Gladiators
Chariot Racing Music
Circus Theater
Festivals and Holidays
MYTH
Aeneas Minerva
Ascanius Mystery Religions
Dido Mythology
Juno Native Italian Gods
Jupiter Non-Italian Gods
Lucretia Romulus and Remus
Mars Venus
PHILOSOPHY
Christianity Philosophy
Epicureanism Pythagoreanism
Ethos Stoicism
The New Academy
PLACES
Actium Italy
Alba Longa Magna Graecia
Asia Minor Mediterranean Sea
Britain (Brittania) Numidia
Campania Oplontis
Campus Martius Ostia
Cannae Palatine Hill
Capua Pompeii
Carthage Provinces
Colonization Rome
Cumae Sicily
Etruscans Spain (Hispania)
Gaul (Gallia) Troy
Greece Vesuvius
Herculaneum
xiv Guide to Related Topics
POLITICAL ORGANIZATION
Army Patronage
Assemblies (Comitia) Political Offices
Citizenship Provinces
Cursus Honorum Republic
Emperor and Empress Senate
Empire Slavery
Freedmen and Freedwomen Status
Monarchy Tribes
Patricians and Plebeians
RELIGION
Abstract Gods Paganism
Christianity Priesthoods
Death and Afterlife Prodigies and Portents
Imperial Cult Religion
Lares and Penates Sibylline Oracles
Mystery Religions Triumph
Native Italian Gods Votive Offerings
Non-Italian Gods
SOCIAL ORGANIZATION
Adoption Patricians and Plebeians
Army Patronage
Childhood Rape
Family Slavery
Freedmen and Freedwomen Status
Gender and Sexuality Wealth and Poverty
Marriage Women
Names
Preface
All Things Ancient Rome deals with the social and cultural history of one of the
great civilizations of Western European antiquity. The book follows the origins of
Rome in the eighth century BCE to the founding of the city in 753 BCE through
the establishment of the Roman Republic in 509–27 BCE and the rise (and some
say fall) of the Roman Empire in 27 BCE–476 CE. The work’s geographic scope
covers a vast territory that centered on the Mediterranean Sea—the body of water
the Romans called Mare Nostrum (“Our Sea”)—and ranged across the continents
of Europe, Asia, and Africa.
The encyclopedia consists of two volumes of 156 alphabetically arranged
entries on diverse aspects of the Roman world. Military and political events and
the individuals that shaped them are neither privileged nor ignored, but they are
not the main interest; the focus is on society and culture. Readers will find entries
devoted to the daily lives, achievements, institutions, beliefs, values, and locales
of everyday Romans who had the babies, grew the crops, built the roads, and
manned the armies that made Roman imperial hegemony possible. Entries cover
topics readers should expect, like art and architecture, city planning, the army,
mythology, Pompeii, religion, and roads, and new and unanticipated items that
they will not find in short form elsewhere, such as disease and medicine, hygiene
and sanitation, pets, status, trade and commerce, and wealth and poverty. Inevita-
bly, readers will question my selection of certain topics and my omission of oth-
ers, and for that I assume full responsibility.
Eighty-seven sidebars accompany entries to expand on specialized topics,
including short biographies of select men and women, definitions of important
terms and concepts, and lists of rulers, events, and places. Thirty of these sidebars
include excerpts from primary Latin sources to give voice to ancient authorities.
At the end of each entry, readers will find a list of cross-references and a short
bibliography of relevant items for further reading. The “Guide to Related Topics”
organizes entries by theme for easy access. An alphabetical index at the back of
the second volume provides another way to search the text. The first volume con-
tains a detailed timeline. At the end of the second volume, readers will find twelve
primary source documents in English translation and a list of Greek and Roman
authors cited in the text, followed by a select general bibliography for further read-
ing and research. Maps and images in both volumes will help readers to visualize
and locate people, places, and things.
xvi Preface
which Roman civilization and its symbols of power have been appropriated or
vilified by later admirers or detractors. Those are important topics, but they lie
outside the scope of this work. But wherever appropriate, the book aims to address,
in a clear-eyed way, not only the glorious achievements of the Romans in law,
architecture, literature, and technology but also harsher aspects of their world,
such as slavery, poverty, food insecurity, and child labor. To the extent that they,
like us, were at once deeply accomplished and deeply flawed people, we are all
Romans.
Acknowledgments
No one writes a book alone. I have been extraordinarily fortunate to have had the
help and support of colleagues, friends, and family throughout the research and
writing process. For their expert advice with portions of the manuscript, I owe
gratitude to Ann Raia, Rich Letteri, and Gibson Smith. A special thanks goes to
Carris Campbell, my invaluable Furman University research assistant, who per-
formed exhaustive and extensive bibliographic research that I relied on through-
out. Mark Leen provided legal guidance. My editors at ABC-CLIO and at
Bloomsbury offered patience and expertise in equal measure and caught many
mistakes. Any remaining errors, omissions, or deficiencies are entirely my own.
I would like to dedicate this book to my father, Henry Moore Leen, departed
too soon, but thanks to whom I studied Latin.
Introduction
Ancient Rome (Roma in Latin), located on the Tiber River about fourteen miles
from the Tyrrhenian Sea, was the seat of power of Senatus Populusque Romanus,
the Senate and People of Rome, one of the most storied nations of the ancient
world. At the height of its hegemony, Roman civilization emanated from a small
city founded on the Palatine Hill in the eighth century BCE across the continents
of Europe, Asia, and Africa. Like that original urban community of Latins, Etrus-
cans, and Sabines, the Roman state grew into a global empire of multilingual
peoples, some brutally subjugated, others peacefully assimilated, but all united by
government, law, and the cultural fabric of Romanization. Rome dominated the
Mediterranean world for almost a thousand years until the end of its imperial sov-
ereignty, marked by the deposition of the last emperor in 476 CE.
Rome and its civilization are studied by scholars of antiquity termed classicists.
Classics or classical studies are heritage terms that refer to the academic investi-
gation of the history and culture of Greece and Rome from the Bronze Age to the
fifth century CE. Modern historians divide Roman history into three constitu-
tional periods, the Monarchy or Regal Period (753–509 BCE), the Roman Repub-
lic (509–27 BCE), and the Roman Empire (27 BCE–476 CE). The discipline of
Classics was founded by German scholars in the nineteenth century, who called it
altertumswissenschaft, the “science of antiquity,” a method of objective and sys-
tematic analysis of textual and physical remains. Classics comprises three areas:
history, the study of political, military, cultural, and social events and significant
individuals; philology, the study of language, literature, and the transmission of
texts; and archaeology, the study of the material remains and the physical culture
of past civilizations.
Classicists have traditionally shaped a continuous narrative of Roman history
around the three constitutional periods, taking the political and military ambi-
tions and achievements of the ruling classes of senators, generals, and emperors as
its theme, noting, not incorrectly, that the Roman constitution changed not by
peaceful transition but by force, and the expansion of the Empire followed. The
monarchy ended when kings were expelled, the Republic ended when a strong-
willed consul took sole power from the Senate and people, and the Empire ended
with its rout by invading tribes. Yet, that teleological narrative of political ascen-
dancy masks other ways of historicizing the nation and often erases the contribu-
tions and labor of ordinary men and women, immigrants, freedpersons, and slaves.
xxii Introduction
Sometimes referred to as “invisible Romans,” because they left little trace in the
literary or historical record, these individuals were fully visible to one another,
locked into the tight familial units, social patronage networks, and political and
economic communities that account equally well for the successful growth of the
Roman state from its earliest years and its longevity as a western Mediterranean
power.
Early Roman history, shrouded in prehistoric myth and legend, was shaped into
malleable and discretely instructive events by later writers, thinkers, and artists,
who embraced them as defining narratives of Roman cultural and political iden-
tity. Traditional tales of the city centered on two foundation stories, one about the
Trojan prince, Aeneas, son of the goddess Venus, who immigrated to the site of
Rome in the twelfth century BCE, and the other about the abandoned twins,
Romulus and Remus, sons of the god Mars and a royal Vestal Virgin; they founded
the city 400 years later, as chronicled by Virgil in Rome’s national epic, the Aeneid.
Myth and legend were valuable ideological and cultural touchstones: they pro-
vided an irrefutable ancient backstory to Rome and an Olympian lineage for its
people, who claimed to rule the world in war and peace by divine mandate.
Ancient writers and historians located the origin stories of traditional Roman
religious practices and cultural values in the regal period. Priestly colleges, divi-
nation rituals, and cults of state gods were a few of the institutions attributed to
the earliest kings and were maintained by later political leaders in the enduring
and deeply held belief that the success of the Roman state depended on the pax
deorum, the peaceful benevolence of the gods. Romans looked back on this time
Introduction xxiii
as the formative period of the national character, when their forebears lived by a
code of conduct known as the mos maiorum, the “customs of the ancestors,” the
traditional social norms and ethical virtues of pietas (“piety”), gravitas (“dig-
nity”), fides (“integrity”), castitas (“purity”), and especially virtus (“manliness”
or “moral excellence”).
Political and social institutions that structured Roman public life began to take
shape during the monarchic period. Chief among these were the Senate, an advi-
sory body of elder statesmen, and the two main social divisions of ancient and
wealthy patricians and equally old but less wealthy plebeians. The multigenera-
tional family headed by the paterfamilias was the defining social unit, organized
into the wealthy gentes (“clans”) that became the noble and powerful families of
the Republican period. From the beginnings of Roman life, there was conse-
quently little difference between political and social status. Patricians and plebe-
ians clashed with increasingly brutal Etruscan monarchs until 509 BCE, when the
people drove the last king into exile and established the Roman Republic—the res
publica, literally, the “public thing.”
The experience of monarchy left Romans with no desire to repeat it; the new
Republican leaders banished the political title rex (“king”) and attempted to design
a government with strong constitutional curbs to limit the ambition of powerful,
charismatic individuals. A pair of elected consuls took charge, aided by the Senate
and assemblies of the people, who voted on legislation. But despite repeated strug-
gles for power, the lower orders saw little improvement in their political or eco-
nomic status, although they bore the brunt of the duty to serve in the army, often
losing their property and livelihoods and amassing large debts. The seeds were
planted for civil unrest.
Despite its internal issues, Rome became a formidable international military
power. In the third century BCE, a series of wars in Italy with local tribes expanded
Rome’s territory and established it as an emerging power. After lengthy military
campaigns in the western and eastern Mediterranean, Roman hegemony reached
a new height in 146 BCE, when armies leveled the cities of Carthage and Corinth.
Although not every threat had been eliminated and both internal and external
conflict defined the remaining years of the Republic, the major foreign threats had
been neutralized.
During the period known as the late Roman Republic (133–27 BCE), political
and economic crises spurred increasingly violent struggles for power between
patricians and plebeians and within the senatorial class. Powerful individuals,
buoyed by cash, troops, and potent reputations, threatened what had become a
delicate balance of power in Rome. The Senate was unable or unwilling to address
the pressing needs of the people for debt relief, food security, and land grants.
Internal dissension broke out into civil war. With the victory of Octavian, the
adopted nephew of Julius Caesar, a different form of government arose whose
outward trappings recalled traditional Republican institutions but ultimately
proved a thin disguise for the new reality of one-man rule.
Octavian, who became the first emperor, Augustus (r. 27 BCE–14 CE), largely
shaped the government for the next 500 years, styling himself princeps (“first
man”) to distinguish his primary role in government and hide the extent of his
xxiv Introduction
power. He and his successors held the consulship and other formerly elective
offices, controlled foreign policy, administered provinces, and collected revenues.
As imperator, originally an honorific military title and now a personal praenomen,
the emperor was commander in chief of the Roman army, an institution that
became professionalized under the Empire, creating both a pathway to citizenship
for veterans and a means to power for future emperors who rose to the purple with
the support of their troops.
With a strong central bureaucracy in place, Augustus inaugurated an era of
prosperity known as the Pax Romana (“Roman Peace”) that would hold for two
centuries. Rulers exercised the famous Roman genius for political administration
and urban design by securing borders, planting colonies of citizens and veterans,
and continuing to organize provinces, which were territories outside of Italy under
Roman administrative and military control. Among the more famous were Gallia,
Hispania, Britannia, Aegyptus, and Judaea. Many provincial inhabitants enjoyed
full Roman citizenship (civitas), a right initially possessed by the original resi-
dents of Rome but then extended in the first century BCE to Rome’s Italian allies
and later by the Senate or emperor to friends and allies of the Roman state. In 212
CE, the emperor Caracalla (r. 198–217 CE) granted Roman citizenship to every
free person in the Empire. But regardless of their legal or social status, Romans in
Italy and the provinces guaranteed the success of the imperial project by estab-
lishing families, serving the state, and contributing labor.
Founded on a society of citizen farmers, Republican Rome built a strong econ-
omy in trade and commerce, creating a class of wealthy merchants. The peace and
prosperity of the Roman Empire expanded the opportunities for business and
industry, as more men and women, including former slaves, known as freedper-
sons, went to work to provide goods and services. Urbanization and an excellent
transportation network created robust regional economies. Land and sea routes
connected cities and ports to commercial centers throughout the Mediterranean.
Agriculture and viticulture were the economic mainstays, producing the cash
crops of grains, grapes, olives, and fruits. A growing industrial sector produced
pottery, textiles, and glass for export, in exchange for dyes, silks, oils, and other
high-end items from Greece, Africa, and Asia. Mining and shipping were lucra-
tive sources of investment and income. The trade in enslaved people was an active
industry throughout Roman history, as all sectors of the economy sought to profit
from the bodies and free labor of men, women, and children.
During the imperial period, while the senatorial classes in Rome bemoaned
their loss of power, the social and economic status of formerly marginal groups,
such as women and freedpersons, improved, as did the lives of provincial citizens.
Free women of all classes benefited from looser family control of marriage and
from legislation that rewarded procreation, earning the right to manage their own
financial affairs without male tutelage. Yet female domesticity was publicly cele-
brated, beginning with the empress Livia (58 BCE–29 CE), wife of Augustus,
whose portraits exemplified the aristocratic ideal of the Roman matrona, the mar-
ried woman. Ineligible for public office, freedmen found a role in public life by
serving in administrative positions and imperial priesthoods created by the emper-
ors exclusively for their class. Along with freedwomen, they often owned or ran
Introduction xxv
successful commercial enterprises that made them wealthy and visible, as they
actively participated in the public philanthropy that was historically the duty of
the upper classes. Municipal buildings, honorific statues and altars, and elaborate
funerary monuments rivaling the tombs of aristocrats now bore the names and
achievements of formerly enslaved individuals, inscribing their lives into the his-
torical record.
The money that poured into Rome from successful military campaigns, profit-
able businesses, and unpaid labor underwrote support for national art and culture.
Latin writers, stepping out of the shadows of Greek literature, found their voices
in the third century BCE. Latin literature, rooted in the classical rhetorical educa-
tion of the upper classes, reached its height within 200 years, producing an aston-
ishing output of prose and poetry that would set the aesthetic and formal standards
for Western literature. Roman architects and engineers created a monumental
imperial style by applying innovative engineering and technology to the borrowed
elements of the column, colonnade, and arch and boldly exploiting the vault and
dome to give visual expression to the might of the new world power. Aqueducts
carried water; baths provided hygiene and social culture; arenas, circuses, and
theaters fed the appetite for public spectacle; and triumphal arches and columns
celebrated the victories of generals and emperors. The plastic arts were dominated
by portrait and historic relief sculpture, although arguably the most distinctive
Roman artistic medium was Campanian wall painting, the frescoed depiction of
myth, landscape, and architecture that decorated the interiors of homes in Pom-
peii, Herculaneum, and other thriving cities along the Bay of Naples that was
buried by Vesuvius in 79 CE.
In the third century CE, political instability and economic crises again threat-
ened the Roman state. Competition for power, civil insurrection, and external
pressures culminated in decades of anarchy. In the fourth century CE, the able
administrators Diocletian (r. 284–305 CE) and Constantine (r. 306–337 CE), rul-
ing from capitals in Greece, stabilized the government, but enduring fractures and
fissures spelled the coming end of the Empire. In the fourth and fifth centuries
CE, Germanic peoples invaded the western provinces and Italy, sacked the city of
Rome, and deposed the last Roman emperor, Romulus Augustulus (r. 475–476
CE). Rome, long abandoned as a capital city, fell into ruins.
Timeline
CE
9 Defeat of Varus at Battle of Teutoburg Forest
14 Death and deification of Augustus
14–37 Tiberius; Sejanus made a praetorian prefect
19 Jews banished from Rome
21–22 Castra Praetoria built in Rome
27 Tiberius withdraws to Capreae (Capri)
31 Sejanus put to death
33 Crucifixion of Jesus (probable date)
37 Death of Tiberius
37–41 Gaius (Caligula)
41–54 Claudius
43 Invasion of Britain
46 Thrace made a province
47 Ludi Saeculares
49 Seneca made tutor of Nero
51 Burrus made praetorian prefect
54–68 Nero
54 Claudius deified
60 Neronia established; Boudicca’s rebellion
62 Death of Burrus; exile of Seneca
64 Great Fire of Rome; persecution of Christians;
Domus Aurea begun
65 Conspiracy of Piso; suicides of Seneca and Lucan
66 Suicide of Petronius; Temple of Janus closed
68 Murder of Nero
69 Civil war; “Year of the Four Emperors”: Galba,
Otho, Vitellius, and Vespasian
69–79 Vespasian
70 Destruction of the Temple at Jerusalem; restora-
tion of the Capitoline Temple begun
71 Astrologers and philosophers expelled from Rome
79–81 Titus
79 Eruption of Vesuvius; destruction of Pompeii and
Herculaneum
80 Fire in Rome; destruction of Capitoline Temple;
inauguration of Colosseum
81–96 Domitian
82 Dedication of the restored Capitoline Temple
Timeline xxxiii
Soranus, who advises women to withdraw slightly just before ejaculation so that
the semen is not planted too deeply into the uterus; afterward, they should squat,
sneeze, wash the vagina, and have a cold drink (Gynaecology 1.20.61). Pliny the
Elder (ca. 23–79 CE) anticipated Soranus when he wrote that a woman induced
abortion if she sneezed immediately after sex (Natural History 7.5).
Despite Soranus’s careful distinction between contraception, something that
did not let conception take place, and abortion, a destruction of what had been
conceived, writings on contraceptive pharmacology were not as clear-cut.
Although most of the medicines were plant-based, some worked either as contra-
ceptives or as early-stage abortifacients. They were administered in at least three
ways: as barriers applied around the outside of the uterus, as suppositories inserted
into the vagina to kill sperm, or as potions taken orally. Sponges soaked in vine-
gar, honey, olive oil, or cedar resin, often mixed with white lead or a compound of
wax, myrtle oil, and white lead, were applied to the opening of the womb as sper-
micides. Cold or astringent vaginal suppositories made from various barks and
fruit peels or flesh combined with gum and oil were thought to cause the uterus to
contract before coitus, preventing insemination, whereas hot mixtures expelled
the semen. A drink of honey water was believed to increase the effectiveness of
spermicides (Gynaecology 60–62).
Soranus placed the methods for deliberate miscarriage in the same category as
those for abortion. To induce miscarriage, he advised women to move around,
often violently; he recommended being shaken by draft animals but left the details
of this process unspecified. Women were to use diuretics; inject olive oil, alone or
with honey, iris oil, absinthium, and other herbs; take warm baths after a drink of
wine; and eat pungent foods. Failing that, they must apply strong poultices of
lupine, ox bile, and absinthium (Gynaecology 64). To plan for an abortion, the
patient was advised to take long baths, ingest little food or wine, and use softening
vaginal suppositories and then be bled until the uterus dilated and the fetus fell
out. To ensure this outcome, she must again be shaken by draft animals and use
softening vaginal suppositories. If the venesection failed, the woman was advised
to bathe, use vaginal suppositories, and limit food and water before applying an
abortive vaginal suppository. Various herbal mixtures were molded into lozenges
or mixed with wine, as drinks were recommended. Other medical authorities pre-
scribed plants from the genus Aristolochia, pomegranate skin, pennyroyal, wil-
low, and squirting cucumber, used either orally or as vaginal suppositories, to
induce abortion. Soranus alluded to but did not detail mechanical means by which
abortions were performed; he only urged that nothing too sharp-edged be used to
protect the womb (Gynaecology 65). Tertullian (ca. 160–ca. 240 CE), a Christian
theologian who was not a doctor, described surgical implements that were used in
a procedure similar to the modern dilation and curettage. One tool had a flexible
frame, ring-shaped blade, and a blunt or cover hook; another was a copper needle
or spike.
Abortion was a medical procedure in ancient Rome and was not subject to
Roman law for much of Roman history; there is no evidence for laws against
abortion in the monarchy or during the Roman Republic. During the Republic
and Empire, abortion was common enough to be mentioned in the literary
Abortion 3
and horrible poisons (dira venena) of abortion, using poetic rather than medical
vocabulary to reference the common methods of inducing abortion with surgical
instruments or drugs. Death was not too extreme a punishment for her (Amores
2.14.27–28). Whether the reader of this work of playful erotic elegy was meant to
take such reproach seriously or not did not negate the social attitudes that entitled
Ovid to level it, nor did Ovid, like Seneca, interrogate the reasons his mistress
chose to end her pregnancy.
Given the absence of women’s voices from the extant medical, literary, and
legal sources written by elite males, their decisions to elect abortions beyond the
general reasons of family size, issue of adultery, or personal appearance are left
unexplained, as were such determining factors as income and access, with some
limited exceptions. The social satirist Juvenal (ca. 60–second century CE), writ-
ing a century after Ovid, recognized the resources available to the rich who found
themselves electing abortion. Impoverished sex workers, he bitterly noted, were
compelled to endure dangerous pregnancies, births, and child-rearing that
deprived them of income, but the wealthy woman eliminated the problem by
resorting to drugs and the assistance of skilled practitioners (Satire 6.592–600). It
is also unclear how much access girls and women had to basic information about
menstruation, sex, fertility, and reproductive options. Professional midwives
attended many births, but they left no written evidence of the range of services
they provided nor histories of their experiences. Mothers and, in the case of the
wealthy, slaves and doctors were other sources of advice and expertise, but even
wealthy women suffered in a culture that did not educate them about their own
bodies. Pliny the Younger (ca. 61–ca. 113 CE), a very rich man, attributes his
young wife’s miscarriage to her youth and inexperience; she did not even know
she was pregnant and apparently had no one to advise her of such (Epistle 8.10.1).
See also: Disease and Medicine; Family; Law; Marriage; Women
Further Reading
Kapparis, Konstantinos. 2002. Abortion in the Ancient World. London: Duckworth.
King, Helen. 1996. “Contraception.” In The Oxford Classical Dictionary, edited by Simon
Hornblower and Anthony Spawforth, 385. Oxford: Oxford University Press.
Lefkowitz, Mary R., and Maureen B. Fant. 2016. Women’s Life in Greece and Rome: A
Sourcebook in Translation. 4th ed. Baltimore: Johns Hopkins University Press.
Riddle, John M. 1992. Contraception and Abortion from the Ancient World to the Renais-
sance. Cambridge, MA: Harvard University Press.
Sallares, J. Robert. 1996. “Abortion.” In The Oxford Classical Dictionary, edited by Simon
Hornblower and Athony Spawforth, 1. Oxford: Oxford University Press.
Seneca (Minor). 1997. Seneca: Dialogues and Letters. Edited and translated by C. D. N.
Costa. London: Penguin Books.
Abstract Gods
Abstract gods—that is, gods that expressed qualities or values and were not
necessarily represented in human form—played a significant role in the political and
cultural life of the Roman people. Abstract gods embodied forces, functions, and
values that represented Roman society’s most profound beliefs and aspirations
and became integral to the public expression of Roman political ideology.
The inclination to perceive a deity in the abstract grew in part out of the nature
of Roman religious experience, for which the world was rich in deities, with a god
or gods for every object and activity. Belief in these formless gods was rooted in
animism, the conviction that natural phenomena such as woods, trees, rivers,
mountains, and so forth were alive, possessed souls, and exercised numen, or
divine power, within highly specific spheres of influence. Although sometimes
personified, these gods were not individuated, that is, endowed with personalities,
characteristics, and relationships that lent themselves to myth, although it is
entirely possible that a fully anthropomorphized Olympian god like Venus or
Mars originated as an abstract fertility force. That process would have taken time.
During the early centuries of the Roman Republic, religion developed under the
influence of native Italian, Etruscan, and Greek beliefs and rituals, and new deities
were introduced, some in human form and others as abstractions. They were wor-
shipped in cults alongside—and sometimes together with—the civic gods vener-
ated by the Romans. Their names were often feminine, a practice deriving in part
from the gendered nature of the Latin language in which abstract common nouns
also tend to be feminine. These deities were as ubiquitous as the state gods,
appearing either as names or personifications on coins that circulated widely
throughout the Empire, in sculptures in forums and towns, at dedicated temples,
and on altars, arches, and columns in municipalities and provinces, serving as a
form of mass communication of Roman ideology and values. Among the most
important of these abstract gods were Concordia, Fides, Fortuna/Fors, Honos,
Spes, Victoria, and Virtus.
CONCORDIA
Concordia, or Harmony, was a goddess to whom several temples were dedicated
at Rome, usually after periods of social and political unrest. The oldest was founded
by Marcus Furius Camillus (ca. 445–365 BCE) after a round of civil strife between
patricians and plebeians ended in 367 BCE. It was rebuilt late in the second cen-
tury CE and then once again in 10 CE when the emperor Tiberius (r. 14–37 CE)
rededicated it as Concordia Augusta. In the late Republic, the orator and statesman
6 Abstract Gods
FIDES
Fides, or Faith, represented
the Roman values of good faith,
integrity, honor, and trust
between individuals, friends, and
states. According to legend,
Numa Pompilius (r. 715–673 B
CE), the second king of Rome,
established the cult, making
Fides one of the oldest of the
abstract deities. In 254 BCE,
Romans built a temple to Fides
on the Capitoline Hill near the
Temple of Jupiter Capitolinus.
Fides was represented as a
woman wearing an olive or lau-
rel wreath and carrying either
sheaves of wheat or a basket of
fruit or other food items.
This bronze statuette of Fortuna dates from the
first century BCE to the first century CE. Large
FORTUNA/FORS
numbers of such statues have been found,
suggesting the popularity of the goddess of luck Fortuna, also Fors, was the
or chance, whose cult offered luck in politics togoddess of chance or luck; in
men and in fertility and conception to women. Greek, she was Tyche. The cult
(The Metropolitan Museum of Art, New York, of Fortuna offered luck in politi-
Purchase, 1896) cal achievement to men and in
fertility and procreation to
women. Several cults celebrated the Fortuna that won battles or wars. While
important in Italian and Roman religion, Fortuna was not an archaic goddess, as
evidenced by the oldest calendars. The legendary king Servius Tullius (r. 579–534
BCE) is credited with introducing her cults to Rome. Her earliest temples stood on
Abstract Gods 7
the right bank of the Tiber River and in the Forum Boarium, where her cult was
combined with that of Mater Matuta, the goddess of the dawn worshipped by
women. Two togas covered her cult statue. Outside Rome, oracles of Fortuna
existed at Antium and Praeneste, where she was worshipped as Fortuna Primige-
nia (“Firstborn”). At the end of the third century BCE, Romans adopted Fortuna
Primigenia as Fortuna Publica Populi Romani (“Official Good Luck of the Roman
People”) in a shrine on the Quirinal Hill.
HONOS
Honos was the Latin word for honor or respect earned by rank or status, a mark
of distinction awarded to gods or men, and, in a highly specialized sense, a public
office earned by appointment or vote. In a religious sense, Honos captured all that
but particularly recognized military distinction and its reward, embodied in Vir-
tus, with whom it was joined in a cult. Marcus Claudius Marcellus (ca. 270–208
BCE) vowed a temple to the cult after his capture of Syracuse in 212 BCE, and
Gaius Marius (ca. 157–86 BCE) built a second temple after the Cimbric War (113–
101 BCE). Honos was personified as a male god clad in armor with a cornucopia
in his left hand and a spear in his right. Sometimes he stood on a globe. Worship-
pers venerated Honos with uncovered heads.
SPES
Spes, or Hope, was originally a nature goddess worshipped in Rome as the per-
sonification of hope, with particular reference to the safety of children, as early as
the fifth century BCE. Aulus Atilius Calatinus (d. 216 BCE) built a temple to Spes
in the Forum Holitorium in the third century BCE. The Augustan imperial family
adopted the goddess as Spes Augusta, whose cult was concerned with the impe-
rial succession, hoping to ensure a smooth dynastic from one generation to the
next, with the promise of future achievement and success. Spes was depicted as a
young woman wearing a long robe whose hem she lifted by the left hand while
carrying a flower in the right.
VICTORIA
Victoria, or Victory, derived from the Greek goddess Nike, the symbol of mili-
tary success, and was worshipped by the Roman legions. Victoria was associated
in a cult with Jupiter, Mars, and other state gods. Her temple, built in 294 BCE,
stood on a slope of the Palatine Hill. In 193 BCE, an aedicula, or small shrine, was
added. In 29 BCE, Augustus (r. 27 BCE–14 CE) erected an altar to Victoria in the
Senate house that attributed the final victory over Antony and Cleopatra in the
Battle of Actium in 31 BCE to himself, but the altar later became famous as a
symbol of paganism when it was repeatedly removed by Christians and replaced
by pagans in the fourth century CE. Victoria was depicted as a young woman,
sometimes winged, standing either on or near a chariot.
8 Abstract Gods
VIRTUS
Virtus, or virtue, was the quality of moral perfection or virtuousness, the most
important ethical value in the Roman canon. Etymologically, it derived from vir,
Latin for “man,” and literally denoted the quality of being a man, especially the
attributes closely associated with ideal manhood, such as bravery and steadfast-
ness, especially as these were displayed in war. But women possessed virtus also,
and in its broader moral sense, it signified the goodness and excellence of charac-
ter, mind, or spirit of either gender. Virtus was worshipped in Rome together with
Honos in temples erected by victorious generals in the third and second centuries
BCE. Virtus was represented as either a woman or a young or old man wearing a
cape and holding a javelin.
See also: Mythology; Native Italian Gods; Paganism; Religion; Rome
Further Reading
Altheim, Franz. 1938. A History of Roman Religion. London: Methuen & Co.
Beard, Mary, John North, and Simon Price. 1998. Religions of Rome. Vol. 1, A History;
Vol. 2, A Sourcebook. New York: Cambridge University Press.
Dumézil, Georges, and Philip Krapp. 1966. Archaic Roman Religion. Vol. 2. Chicago:
University of Chicago Press.
Ely, Talfourd. 2003. The Gods of Greece and Rome. Mineola, NY: Dover Publications.
Glare, P. G. W., ed. 2006. Oxford Latin Dictionary. Oxford: Clarendon Press.
Hornblower, Simon, Antony Spawforth, and Esther Eidinow, eds. 2012. The Oxford Clas-
sical Dictionary. 4th ed. Oxford: Oxford University Press.
Another random document with
no related content on Scribd:
Mutta hyvä, että ovat edes kourat tallella, niillä kelpaa yrittää
eteenpäin. Ja Taavetti yritti.
— Ei lasketa.
Oli siinä rahaa, oli totta toisen kerran! Taavetti ei kuitenkaan jäänyt
lepäilemään laakereilleen, vaan suunnitteli uusia matkoja.
*****
Mutta ei se ollut tämä valokuvaaminen, joka antoi Taavetti Särkälle
hänen oikean yhä vieläkin käytännössä olevan ammatillisen
arvonimensä. Kohtalo oli näet määrännyt, että hänelle oli kuuluva
vielä jalompi ammatti.
Mutta kellosta tuli pätö kalu, ja sanoma levisi pian kautta kylien
mainiosta kellonkorjaajasta. Työtä tuli tulvimalla, ja työ tekijänsä
neuvoo.
*****
Viime kesänä minä kävin samassa saaressa. Töllin sijalla oli nyt
kuoppa, jossa kalastajat olivat pitäneet yötuliaan. Sen asukkaat
olivat muutamia vuosia sitten muuttaneet toiseen maakuoppaan,
jossa ei ole takkaa nurkassa.
ISÄ JA POIKA
Mutta tuo käärö, tuo säkki tuossa »rilloilla», oli kerran ollut terve
mies, ja poikakin oli leikkinyt, nauranut ja laulanutkin lasten tavallisia
lirityksiä. Siitä on kyllä kauan, ehkä viisitoista vuotta, eikä poika
muista mitään sellaisesta ajasta, mutta ukko muistaa, vaikka hän ei
mielellään kerro. Tietääpä sen pitäjäkin.
Sanalla sanoen: hänessä ei ollut mitään muuta vikaa kuin että hän
oli hullu. No, siinäkin kyllä on vikaa kerrakseen, jos hullu on
raivopää, mutta Iisakki ei kuulunut riehaantuneen koskaan. Hän oli
aina ollut hiljainen ja säyseä.
Hän oli jo ikäpuoli mies silloin, kun minä hänet ensi kerran näin.
Joku varotti minua, poikasta, menemästä lähelle Iisakkia, koska hän
muka saattoi tehdä pahaa. Ihmisillä on nyt kerta kaikkiaan sellainen
käsitys, että kaikki hullut tekevät pahaa. Mutta äitini, joka
erinomaisesti tuli toimeen hoitolan hullujen kanssa, sanoi, että Iisakki
on peräti siivo mies, kun vain kukaan ei härnää häntä. Minä taas
näin pojanvekarain juoksentelevan hänen ympärillään rallattaen:
Ylen oli eukko ruikuttanut, että kun saisi edes kerran tuoreesta
kalasta keiton, niin ehkä tästä vielä kuontuisi jalkeille. Iisakki oli
aikansa kuunnellut sitä voivottelua, ja lopulta se oli käynyt niin
luonnolle, että oli lähtenyt vieraita verkkoja kokemaan.