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An Introduction to Chinese Philosophy
Second Edition
KARYN L. LAI
University of New South Wales, Australia
University Printing House, Cambridge CB2 8BS, United Kingdom
One Liberty Plaza, 20th Floor, New York, NY 10006, USA
477 Williamstown Road, Port Melbourne, VIC 3207, Australia
314-321, 3rd Floor, Plot 3, Splendor Forum, Jasola District Centre, New Delhi - 110025, India
79 Anson Road, #06-04/06, Singapore 079906
Preface page ix
Chronology xi
1 Chinese Philosophy 1
Thinkers, Texts and Traditions 2
Features of Chinese Philosophy 6
Self-Cultivation 6
Relationships and Contexts 9
Harmony 11
Change 13
Thinking Philosophically 16
Suggestions for Further Reading 19
v
vi Contents
Glossary 305
Bibliography 321
Index 349
Preface
ix
x Preface
extended Bibliography is included at the end of the book. Two separate lists,
Primary Texts (listed alphabetically by title) and Secondary Sources (listed
alphabetically by author), provide more extensive reading suggestions. Ref-
erences to primary texts follow this format: Graham, Chuang-Tzu, 2001; and
secondary sources are listed in this way: Fingarette, 1983. The Glossary at the
end of the book is set out in three sections, comprising texts and sections of
texts, names and proper nouns and concepts and themes. The lists are
alphabetically arranged in Pinyin transliteration, and, where possible, an
English translation is provided.
Finally, it is advisable to read the chapters in the order in which they
appear, as each chapter builds upon the preceding ones. Chapter 1 is import-
ant as it presents key themes and argumentative methods in Chinese phil-
osophy, developed in subsequent chapters. Readers might find it beneficial to
revisit some of the discussions in Chapter 1 at appropriate points.
Chronology
xi
xii Chronology
Over the last two decades, interest in Chinese philosophy has grown signifi-
cantly among Anglophone scholars, students and interested lay public: more
excellent translations of original texts have been produced; scholarly jour-
nals highlighting the field established; successful international conferences
organised; and monographs and anthologies published. The field has
broadened in its engagement across disciplinary boundaries, in studies that
bring together philosophical perspectives with historical, archaeological,
religious or anthropological approaches. Just as important, dialogue across
Western and Chinese philosophical traditions is burgeoning, fuelled in part
by the conviction that Chinese philosophy can make significant and insight-
ful contributions to contemporary debates.
An Introduction to Chinese Philosophy examines major philosophical con-
cepts, themes and texts in early Chinese philosophy, paying special attention
to the period between the fifth and the second centuries BCE, the earliest
time from which we have a substantial collection of texts expressing a
plethora of views. We may think of this period as one where we begin to
see the origins of Chinese philosophy. The extant texts from this period
incorporate key elements of philosophy: presentation of and reflection on
worldviews, unmasking of assumptions, argumentation and justification of
ideas and debates on values and ideals. The primary aim of this book is to
introduce a representative overview of key philosophical ideas and debates
proposed by thinkers of the time and which continue to be relevant today.
Some attempt is made to compare the features of Chinese philosophy with
parallel aspects of Western philosophy. However, the aim of such compari-
sons is to elucidate the characteristics of Chinese philosophy rather than to
present and account for differences in the two fields.
This book is introductory in a few ways. First, it covers representative ideas,
themes and debates so that these fundamental aspects of Chinese philosophy
1
2 An Introduction to Chinese Philosophy
may inform further investigations into more complex and lesser-known areas.
Second, it seeks to capture the spirit of the classical Chinese texts, but it
cannot replace close reading of these texts. Good translations are available of
many texts and recommendations are included in the list of suggested read-
ings at the end of each chapter. If it is not possible to read more complete
translations of the texts, readers should at least obtain a reliable compendium
of primary sources such as William Theodore de Bary and Irene Bloom’s
Sources of Chinese Tradition (vol. 1: 1999). Finally, the discussions here focus on
the foundational elements of Chinese philosophy, that is, from a period where
there is a reasonable volume of texts up to and including ideas from Chinese
Buddhism. Buddhist ideas and practices were introduced into China in the
first century CE and Buddhism was established only from the sixth century as
a distinctive tradition (i.e. different from its Indian origins and not simply
fitted within what the Chinese traditions had to offer). Therefore, it is import-
ant to include it in this introduction to the field, especially as it shaped the
subsequent development of Chinese intellectual history.
The book attempts to achieve a balance between articulating the general
spirit and approach of Chinese philosophy as a disciplinary field and identifying
the more distinctive features of each of the traditions within the field. Confu-
cian, Mohist, Daoist, Legalist and Buddhist traditions feature in our discussions.
It will also examine parallels and divergences across traditions, at times
focusing on disagreements between certain representative figures. Understand-
ing the disagreements is at least as important as recognising the distinctive
ideas of each tradition; this approach draws attention to both contrasts and
common elements of those traditions as they evolved alongside others.
Prolonged unrest in China during the Spring and Autumn (Chunqiu) period
(722–476 BCE) and the Warring States (Zhanguo) period (475–221 BCE) brought
an end to the Zhou dynasty (1122–221 BCE). During this extended period of
turmoil, many men who had previously lived in privileged circumstances were
forced to seek alternative means of living. These men had views about the
causes of the unrest and proposed solutions for rectifying it. Confucius and
many of his followers, sometimes described as scholar-officials (shi), competed
with others for the ear of those in power (Hsu 1965: 34–7). The urgency of the
political and social unrest shaped the views of this period; many of the
Chinese Philosophy 3
The empire is in utter confusion, sagehood and excellence are not clarified, we
do not have the one Way and Power . . . There is an analogy in the ears, eyes,
nose and mouth; all have something they illuminate but they cannot
exchange their functions, just as the various specialities of the Hundred
Schools all have their strong points and at times turn out useful. However,
they are not inclusive, not comprehensive; these are men each of whom has
his own little corner. (chapter 33, trans. Graham, Chuang-Tzu, 2001: 275)
Scholars have adopted the phrase baijia zhi xue (“Hundred Schools of Learning”)
to characterise the diversity of ideas and the spirit of debate of the time (e.g.
Fung 1952: 132–69). The term “jia” (literally “house”; meaning “group”)
referred to the doctrinal groups the early thinkers were associated with. We
need to be wary of how the “groups” are classified. Approximately two centur-
ies after the Warring States period, Sima Tan (d. 110 BCE), a historian of the Han
court, categorised the different lines of thought into six groups, often translated
as the “six schools of thought.”1 This classification in the Shiji (Records of the
Grand Historian) proved to be extremely influential, dominating the study of
Chinese thought for centuries to come. The six groups (liu jia) were:
(1) Yin-Yang school: grounded in a belief in two major principles yin (female)
and yang (male) and applied in particular to cosmology;
(2) Ru school: the school of the literati, the scholars. Confucians were
included in this group;
(3) Mo school: the Mohist school, a close-knit organisation of soldiers and
craftsmen with strict discipline, founded by Mozi;
(4) Ming school: the Mingjia (Disputers concerned with names). Thinkers
categorised in this group discussed topics relating to the
correspondence between language and reality;
(5) Fa school: comprised by the Legalists, who emphasised penal law (fa) as a
primary instrument of social control;
1
Sima Tan had started on the project to compile a chronicle of Chinese history. He did not
complete the project, although his son, Sima Qian (c. 145 BCE–c.86 BCE) did. Entitled Shiji
(Records of the Grand Historian), the work covers over two thousand years of Chinese history
up until the rule of Emperor Wu (156–87 BCE) in the Han dynasty.
4 An Introduction to Chinese Philosophy
(6) Dao-De school: comprised by thinkers who emphasised the way (dao) and
power (de) in debates in metaphysics and political and social philosophy
as well as in practice. (Fung 1948: 30–1)
how should we think about what has been until now the basic categorisations
of “Confucianism” and “Daoism”? The ideas of lineages, traditions and
Chinese intellectual history more broadly must now be approached with
greater caution.
We should keep these cautionary notes in mind as we work through this
book. There are, however, a couple of caveats. For stylistic reasons, the
discussions in the book sometimes associate particular thinkers with specific
ideas. Readers should assume that phrases such as “Mencius believed that x”
indicate that the source of the idea is to be found in the Mencius, where
Mencius is sometimes presented as the spokesperson for the idea. There is no
suggestion that Mencius was without doubt the author of the text. Second, in
spite of the concerns about traditional categories such as “Confucianism”
and “Daoism,” the chapter divisions in the book are made primarily on the
basis of doctrinal affiliation, for reasons of accessibility. The discussions in
the chapters will indicate, where appropriate, gaps created by the use of
these categories, so that readers are aware of their limitations.
We turn our attention next to a number of prominent features of Chinese
philosophy.
Self-Cultivation
The early Chinese thinkers believed that the transformation of the self was
the answer to the unrest of the time. They discussed different methods of
self-cultivation (xiushen) in relation to their respective visions of ideal society.
The Confucians believed that cultivation involved discipline and rigour in
both reflection and practice. It was believed that, in the process of cultiva-
tion, a person would learn from the past, observe human behaviour, reflect
on his or her interactions with others and provide and gain mutual support
from those who are like-minded. These practices would enable him or her
gradually to develop an appreciation of relational attachment, obligations
and responsibilities that arise from his or her particular place or roles in
society; and understand the importance of taking a stance on matters,
whether in relation to one’s superior or against the sway of the common
people. There were differences among the various Confucian thinkers con-
cerning the resources that were available to humanity: were humans born
Chinese Philosophy 7
2
Mencius (a Confucian thinker) was a harsh critic of Yang Zhu, noting the latter’s unwill-
ingness to shoulder social and civic responsibilities. See the discussion in Graham 1989:
53–64.
8 An Introduction to Chinese Philosophy
according to the situation, or they might take into account the particular
people one happens to be interacting with. This may help explain why not
many of the thinkers justified their claims primarily through the use of
principles. Here, the suggestion is not that these thinkers did not consider
theoretical or conceptual issues; there was much speculative thought,
including the contemplation of logical puzzles (especially by the Mingjia),
as well as the use of metaphors, analogies and suggestive imagery. Nor was it
the case, more specifically, that ethical principles did not figure in their
thinking about moral issues. Rather, their discussions tend to focus on
concrete events, and it could be that Immanuel Kant, having noticed this
feature of their discussions, disparaged them as mere “examples”:
Kant’s observations (that the Confucian texts offer many examples) are right,
although his conclusion is questionable. He assumes that there is only one
approach to moral deliberation, which necessarily begins with the determin-
ation of “an idea of the good.” For the early Chinese thinkers, the differences
from one situation to another mattered, and the examples demonstrated a
range of possible and alternative ways to handle a situation. Familiarity with
existing norms and possibilities, understanding limits and constraints and
practising one’s responses in different situations – elements of cultivation –
helped a person to understand the alternatives available to him or her in
light of his or her capabilities. From this point of view, simply to know moral
principles or even to be committed to them was practically inert. As the Mozi
tells us, even if a blind person can articulate the difference between black
and white, he does not know black, because he cannot select black objects
from white ones.
3
Helmuth von Glasenapp, Kant und die Religionen des Osten. Beihefte zum Jahrbuch der
Albertus-Universität, Königsberg/Pr. (Kitzingen-Main: Holzner Verlag, 1954), pp. 104,
translated by Julia Ching (1978: 169). Ching focuses on fundamental differences in the
structures and dynamics of early Chinese philosophy and Kantian philosophy.
Chinese Philosophy 9
Harmony
Harmony and stability were critical issues for the early thinkers in China.
The period of the “Hundred Schools” was one of great upheaval. Thinkers
deliberated on the institutions, methods and processes that could help
establish a more stable and peaceful existence. The Confucian vision of an
ideal society saw good relationships as fundamental to social stability. The
family was a microcosm of the state, the latter being sustained by edifying
human relationships, with institutions established according to the
wisdom of a benevolent (ren) sage king. The Mohists disagreed with the
Confucian vision. They argued that, from the state’s point of view, it was
necessary to engender inclusive concern of each person for everyone else.
The Confucian approach, which advocated the cultivation of special rela-
tionships, was effectively a system that fostered particular loyalties.
According to the Mohists, the outcome of the Confucian plan, writ large,
is war between families and states. The Mohists were convinced that the
means to achieve harmony was through standardisation. They believed
that it was important to have standards (fa) in order to ensure consistency
in the way people were treated. In other words, standards were important
institutions that contributed to sociopolitical stability. Legalists shared
these views about standards, although they had very different ideas about
their purpose and implementation. While the Mohists sought to “standard-
ise” or normalise altruism, Legalists devised penal law as the standard with
which to control the people. Their ultimate concern was to maintain the
power of the ruler. Uniformity was also important in the project of the
Mingjia, who believed that the root cause of unrest lay in the lack of clarity
in the connections between words and what they denoted, bringing about
confusion and disagreement. As a result, they sought to establish consistent
connections between words and their referents.
12 An Introduction to Chinese Philosophy
Among the early thinkers, the Daoists stand apart in their hesitancy about
social order and uniformity. Daoist philosophy embraces multiplicity and
plurality, drawing examples from entities, beings and events in the natural
world, to cast doubt on anthropocentric and reductive interpretations of life
and world. The Daoist texts dwell on the chaotic unpredictability in natural
events; these occurrences defy attempts by humans to classify, control and
manipulate them. The Zhuangzi even celebrates the messy cacophony of
differences between individual views. Daoist philosophy upholds a different
conception of harmony from the other traditions that seek to establish
standards. It does not believe that the elimination of differences is a pre-
requisite for harmony. According to the Daoist picture, attempts by other
thinkers to systematise and unify difference actually caused fragmentation
and dislocation. Daoist philosophy in fact overturns conventional expect-
ations about harmony. To borrow another metaphor from music, the har-
mony sought by thinkers intent on standardising aspects of life is, in effect, a
performance in unison; we see this in the Mohist and Legalist proposals for
conformity. The Confucian picture is more nuanced. It takes into account
some individual differences in its idea of reciprocity in roles and relation-
ships. Even so, Daoist harmony stands out because it encourages plurality,
enjoying the harmonies produced by different voices. This offers a robust
account of variations within the whole.
There is another way in which harmony is expressed in the Chinese
traditions. This concerns how individuals bring together different elements
or domains in their lives to achieve a satisfying equilibrium. In the Analects,
equanimity is an enviable feature of the life of the exemplary person, in
contrast to one who is often in a quandary. The Zhuangzi’s skill masters
embody a similar composure in their actions, sometimes seemingly to a
degree of recklessness, as in the case of the diver who jumped into the
cascades. Chinese Buddhist thought offers a more developed account of
harmony in the life of the individual. The Buddhist argument is one that
first unsettles, with its emphasis that conventional life is illusory. A few of
the Chinese Buddhist schools (such as the San Lun and Tian Tai schools)
developed a distinctive middle-path approach that bridged the gap between
life as it is known and life as it should be. Harmony is found neither in the
illusory nor in the enlightened, but in the space between the two. Within
this space, equilibrium is achieved not by bringing together elements of
illusory and enlightened lives, but in rejecting each of them.
Chinese Philosophy 13
Change
introspective about its project, methods and applications. The text and
commentaries are discussed in greater detail in Chapter 9, with particular
focus on the development of Chinese philosophy during the Han period. It is
important here to highlight some of the Yijing’s themes for two reasons:
these themes are manifest more broadly across the range of Chinese philo-
sophical views, and they help to bring out what is distinctive in Chinese
philosophy, especially in its thinking about change. The six features dis-
cussed here are mirrored in Chapter 9.
4
Their philosophy is discussed in Chapter 6.
16 An Introduction to Chinese Philosophy
Thinking Philosophically
history, argued that this context of plurality, and its implications, should not
go unnoticed:
5
There is some debate, however, regarding the organisation at Jixia. Some scholars, such
as David Nivison, believe that Jixia was an institution (1999: 769–70). They also hold
that many influential thinkers including Xunzi (310?–219? BCE) and Shen Dao (350?–
275 BCE) were at this Academy. Nivison also notes that the scholars at the Academy
were forbidden to take on political roles; they held only advisory capacities. However,
Nathan Sivin argues that evidence on Jixia as a formally organised academy is very thin
(1995b: 19–26).
18 An Introduction to Chinese Philosophy
6
This may be attributed to lack of interest in metaphysical issues, namely, those matters
pertaining to an underlying truth or reality. Alternatively, the reason may be an epi-
stemological one, that even if there were an underlying reality, it is impossible to know
what it is like.
Chinese Philosophy 19
de Bary, Theodore, and Bloom, Irene (eds.) (1999) Sources of Chinese Tradition: From
Earliest Times to 1600, vol. 1, 2nd edn., New York: Columbia University Press.
Defoort, Carine (2001) “Is There Such a Thing as Chinese Philosophy? Arguments
of an Implicit Debate,” Philosophy East and West, 51.3: 393–413.
Denecke, Wiebke (2011) The Dynamics of Masters Literature: Early Chinese Thought
from Confucius to Han Feizi, Harvard-Yenching Institute Monograph Series 74.
Cambridge, MA: Harvard University Press.
Fang, Thomé H. (1981) Chinese Philosophy: Its Spirit and Its Development, 2nd edn.,
Taipei: Linking Publishing.
Fung, Yu-Lan (1947) The Spirit of Chinese Philosophy, trans. E. R. Hughes, London:
Routledge and Kegan Paul.
Hsu, Cho-Yun (1999) “The Spring and Autumn Period,” in Michael Loewe and
Edward Shaughnessy (eds.), The Cambridge History of Ancient China: From the
Origins of Civilization to 221 B.C., Cambridge: Cambridge University Press,
pp. 545–86.
Nivison, David (1999) “The Classical Philosophical Writings,” in Michael Loewe
and Edward Shaughnessy (eds.), The Cambridge History of Ancient China: From
the Origins of Civilization to 221 B.C., Cambridge: Cambridge University Press,
pp. 745–812.
Shaughnessy, Edward L. (2006) Rewriting Early Chinese Texts, Albany: State Univer-
sity of New York Press.
Twitchett, Denis, and Loewe, Michael (eds.) (1986) The Cambridge History of China,
vol. 1: The Ch’in and Han Empires, 221 B.C.–A.D. 220, Cambridge: Cambridge
University Press.
2 Confucius and the Analects
1
Details of Confucius’ life are patchy, as the key sources date from a period sometime after
his death. Refer to the discussions by Eno (2014) and Riegel (2013).
2
The social mobility of a group of scholar-officials, the shi, rapidly increased during the
Warring States period. Particularly during 512–464 BCE, the shi, having established
themselves in their learning, began to play more active roles than rulers (Hsu 1965: 8).
It has been suggested that Confucius and many of his pupils belonged to this shi class (Hsu
1965: 34–7). Competition between the many warring states necessitated the selection of
capable functionaries by those in power (Hsu 1999: 572–83).
20
Confucius and the Analects 21
Textual The key text for Confucius’ ideas is The Analects of Confucius (Lunyu).
matters The text comprises conversations Confucius was meant to have
had with his followers. The extant text provides an unreliable
picture of Confucius as it was compiled during the Western Han
(206 BCE–9 CE), at least two and a half centuries after Confucius’
death.3 More recently, two unearthed versions of the text, believed
to pre-date the received version, have received some scholarly
attention.4 In spite of the evidence that suggests multiple versions
of the Analects were in circulation around the Western Han period,
some scholars have attempted to date the received text’s sections.5
How might the text be read? The 499 short passages in the Analects
are not systematically organised and repetitions and
inconsistencies are common. Because the extant text is composite,
it is not surprising to find that a term or concept may have several
different meanings in its conversations. The reader will not find
clearly articulated doctrines or justified points of view, even
though it is sometimes possible to construct a plausible account of
3
The extant text is based on He Yan’s (195–249) Collected Explanations of the Analects. He
Yan’s version draws in large part from an earlier version of the text, edited by Zhang Yu
(d. 5 BCE) during a time when there were three recensions of the text: the Gu Lun, Qi Lun
and the Lu Lun (Makeham 2003a: 363–77).
4
In 1973, a collection of bamboo slips, including sections of what is believed to be the
earliest known version of the Analects, was unearthed in Dingzhou, Hebei Province. The
tomb was believed to have been sealed at around 55 BCE. The tomb’s contents, including
the Dingzhou Analects, have been bedevilled by a series of unfortunate events including a
tomb robbery and fire that destroyed many of the bamboo slips, and an earthquake in
1976 that caused further damage. Scholarly attention on the Dingzhou Analects has been
somewhat limited because of the damaged slips, together with other reasons (van Els
2009). The other discovery, the P’yŏngyang Analects (also known as Lelang Analects), is
thought to have been roughly contemporaneous with the Dingzhou Analects. The former
was discovered in a tomb in the early 1990s in North Korea (Csikszentmihalyi and Kim
2014: 32).
5
Refer to Csikszentmihalyi and Kim 2014 for a discussion of the formulation and circula-
tion of different versions of the text during the Han period. On the issue of dating the
sections of the Analects, the most prominent study is by Brooks and Brooks (Original
Analects, 1998), who align sections of the text with certain events in the lives of the early
Confucian followers.
22 An Introduction to Chinese Philosophy
The Governor of She in conversation with Confucius said, “In our village there
is someone called ‘True Person.’ When his father took a sheep on the sly, he
reported him to the authorities.”
Confucius replied, “Those who are true in my village conduct themselves
differently. A father covers for his son, and a son covers for his father. And
being true lies in this.” (trans. Ames and Rosemont, Analects, 1998: 166–7)
Some are surprised that Confucius, known widely as the founder of Confu-
cian ethics, could make such immoral prescriptions as lying or, worse still,
encourage nepotism. But if we continue to reflect on this conversation, there
are more questions we want to ask. These include, What were the
punishments, if any, for theft? What was the worth of a sheep? How was
the neighbour affected? What are the consequences for the child, if he were
to reveal his father’s theft and, alternatively, if he doesn’t? The situation of
this child is a uniquely difficult one and presents no easy solution whether in
Confucius’ time or ours. We may simply decide that it is morally unaccept-
able at any place and time to recommend covering up, or we might focus on
Confucius and the Analects 23
Ren: Humaneness
6
Wing-tsit Chan presents a comprehensive discussion of the pre-Confucian usage of ren
(1955: 295–319).
24 An Introduction to Chinese Philosophy
Ren is “to love all humanity” (ai ren), says Confucius in 12:22 (adapted from
the translation by Legge, Chinese Classics, 1991, vol. 1: 261). This anecdote
identifies ren with a general, indiscriminating love. However, in 4:3, it is said
that “only the man of ren knows to like and dislike others” (trans. author),
which suggests that the person of ren is discriminating in his assessment of
others. How is it possible both to “love” all humanity and yet to dislike some
people? Analects 4:3 uses the phrase “hao ren” which means to like someone
rather than to love them (ai ren). We should also keep in mind that the
phrase “to love all humanity” in 12:22 was typically used in relation to those
in positions of power, suggesting a ruler’s general concern for all his people.
Hence, “to love all humanity” is not to demonstrate attentiveness marked by
affection. It is possible both to hold a general concern for the populace and,
at the same time, to exercise one’s judgment about individuals. In 17:24,
Confucius is explicit about the kinds of people he dislikes, including slander-
ers and gossip-mongers. This is consistent with the importance of “knowing
men” (zhiren), also described in 12:22; it was critical for those in positions of
power to understand individuals well so as to employ them optimally in
office (see also 20:3).
7
Wing-tsit Chan suggests that Confucius was the first to have conceived of ren as the
general virtue (1975: 107).
Confucius and the Analects 25
Someone said, “To repay ill will with goodwill – what do you think of that?”
The Master said, “And what will you repay goodwill with? Rather repay ill
will with uprightness, and goodwill with goodwill.” (14:34; trans. author)
The golden rule takes the morally aware person as its starting point. It
operates on the assumption that there is general agreement between people
about their desires and interests. The Analects presents a version of the
golden rule: “do not do to others what you do not wish to be done to
yourself” (12:2; 15:24). This negative formulation of the golden rule is
sometimes dubbed the “silver rule” because it is seen to promote a more
passive approach. On this view, the silver rule requires not good or moral
actions but only ones that do not bring about harm (Allinson 1985). Con-
ceptually, the silver rule highlights the nature of relationships in Confu-
cian thought. It requires each person to exercise moral imagination, not
necessarily to put themselves in the other’s shoes, but by imagining that
the other is like them in what they seek to avoid. The silver rule is not as
“passive” as it seems; it requires a person not to impose what is undesirable
upon someone else. This, in turn, involves close scrutiny of one’s own
actions and their potential impact on others.
In the Analects, the term shu, translated as reciprocity or mutuality, accen-
tuates the give-and-take in relationships (15:24). Relationships often involve
26 An Introduction to Chinese Philosophy
power and hierarchy, but the focus here is on the responsibility of the self
not to exploit the other. Therefore, close examination of one’s deeds is
required on a daily basis (1:4), placing the onus of responsibility on the self.
In 4:15, shu is also accorded fundamental significance, this time in conjunc-
tion with another concept, zhong:
The Master said, “Zeng, my friend! My way (dao 道) is bound together with one
continuous strand.” . . .
Master Zeng said, “The way of the Master is doing one’s utmost (zhong 忠)
and putting oneself in the other’s place (shu 恕), nothing more.” (trans. Ames
and Rosemont, Analects, 1998: 92)
This interpretation takes filial piety and, by extension, other familial ties as a
primary fact of human existence. Alternatively, “root” may indicate that the
family context is the initial environment for moral development. Within this
environment, one learns to empathise, negotiate, love, care for, gain sym-
pathy, express regret, balance competing loyalties and prioritise obligations
(4:18). The skills learnt in the family environment are vital for a person’s
interactions with others in later life.
These two meanings of the “root” of ren – the first emphasising feelings
for others, and the second, family context – are not mutually exclusive. Basic
feelings such as affection are a central part of human life. They are estab-
lished, in the first instance, in the bond between parent and child. Ideally,
family contexts are positive and nurturing, giving children emotional stabil-
ity and confidence. If the Analects is correct that family relationships play a
dominant role in one’s formative years – that they shape the person in many
important and subtle ways – we should examine the text to uncover its
reflections on the place of primary relationships in moral life.
The Analects offers many examples of how ren is manifest in the life of the
Confucian paradigmatic individual. For example, it is associated with five
attitudes: deference, tolerance, making good on one’s word, diligence and
generosity (17:6). It is realised in both domestic and public contexts (13:19).
One’s commitment to ren is not simply a commitment to see things a
particular way. It is realised only in practice, especially in one’s interaction
with others. Therefore, a person must learn broadly, from a range of sources,
so as to familiarise oneself with possibilities for action in different contexts
(19:6; see also 2:11). The exercise of practical wisdom involves drawing on
ideas and experiences (of others’ and one’s own) in order to enlighten one’s
own situation, and to apply these reflections to one’s actions. The person of
ren is confident in his interactions:
The Master said, “A wise person (zhi) is not perplexed (huo); a ren-person is not
anxious (you); a courageous person is not timid.” (9:29; trans. author)
describes the enviable disposition of the man of ren: “His easeful life is more a
matter of attitude and confidence in his ability to deal with difficult and
varying situations, rather than an exemplification of his infallible judgement
and authority” (Cua 1971: 47). Ren is practically oriented; the primary ques-
tion in the Analects concerns how it is optimally realised in a person’s actions
and undertakings (Lai 2012). We now turn to explore another major term in
the Analects, li (behavioural propriety) before investigating its connections
with ren in practice.
The Master said, “Lead the people with administrative injunctions (zheng 政)
and keep them orderly with penal law (xing 刑), and they will avoid
punishments but will be without a sense of shame. Lead them with excellence
(de 德) and keep them orderly through observing ritual propriety (li 禮) and
they will develop a sense of shame, and moreover, will order themselves.”
(trans. Ames and Rosemont, Analects, 1998: 76)
This passage draws a sharp contrast between li, and punishments as instru-
ments with which to regulate behaviour. It is undesirable for people simply
to comply with regulations in order to avoid punishment. The culture of
punishments made people “clever” and glib in order to evade punishment.9
In contrast, Confucian li is not concerned with avoidance but seeks to
incorporate moral reasons in action (1:3; 4:24; 14:20; 14:27). Added to these
concerns was the issue of penal law being overly general, universalising over
persons and situations.10
8
Yi figures in a few conversations in the Analects. However, it has a number of different
meanings in the conversations in this text. The term has more developed and defined
meanings in the Mencius and Xunzi. We will devote more attention to yi in the following
chapter, when we discuss those two texts.
9
Hansen convincingly juxtaposes punishment as self-preserving, against li as other-regarding.
Hansen provides an insightful analysis of the role of words in litigation (1992: 64–5).
10
The theme that relational attachment must be recognised in legal institutions has
persisted through Chinese history, even up until the Ming (1368–1644) and Qin
(1644–1911) dynasties; some scholars dub this phenomenon the “Confucianisation of
law.” Refer to Ch’u (1965: 267–79).
30 An Introduction to Chinese Philosophy
The Master said, “Surely when one says ‘The rites, the rites,’ it is not enough
merely to mean presents of jade and silk. Surely when one says ‘Music, music,’
it is not enough merely to mean bells and drums.” (trans. Lau, Confucius,
1979a: 145)
The presentation of gifts – even expensive ones such as jade and silk – is an
act devoid of significance if it is not accompanied by the appropriate under-
lying emotions. The analogy with music is informative too: clanging bells
and beating drums do not constitute music. Meaningful performances of
music are always accompanied by appropriate emotions. Here, the emotion
and its correct or optimal expression are irreducible, each to the other. Both
are critical: the expression is the manifestation of the emotion, and emotions
unexpressed are not realised. But what is the place of emotions in the
Analects? Are they a component of ren?
Many of the passages in the Analects suggest a deep connection between ren
and li: one’s concern for humanity, ren, must be expressed intelligibly in lived
contexts. In the words of Tu Weiming, Confucian self-cultivation is about
“Learning to be Human” (1985: 51–66). Here, it is important to reflect on the
normative force of li: might li stifle individuality, or might it inhibit emotions?
Is there room in Confucian philosophy for the individual to challenge the status
quo? This depends in part on how the relation between ren and li is understood,
and which of the two concepts is thought to have precedence.
Ren and Li
The conversations in the Analects are divided on the relative priority of ren
and li. Those associated with the disciples Zi You and Zi Xia seem to empha-
sise the greater significance of li, while those involving Zeng Zi, Zi Zhang and
Yan Hui show a greater commitment to ren (Schwartz 1985: 130–4). This
disagreement was later characterised as the “nei-wai” (inner-outer) debate.
Within this debate, the “nei” position refers to the internal, perhaps innate,
moral sense of humanity as the core idea of ren. By contrast, the “wai” stance
centres on the spirit of li, the externally imposed, socially constructed norms
Another random document with
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In studying the work of a young etcher—and Mr. Webster is still
young as an etcher—it is almost always possible to trace certain
influences which, quite legitimately, have acted upon his choice of
subject and his technique. In one of his first etchings, The Court,
Bourron, the Whistler influence is frankly apparent. Les
Blanchisseuses is in no sense an imitative plate, but I should have
said it was the work of a man who knew Whistler’s Unsafe Tenement
by heart. And there comes in the critic’s danger of leaping to rash
conclusions, for Mr. Webster tells me he never saw that print by
Whistler till long after his etching was made. For the Meryon
influence, which is clearly apparent in much of his work, Mr. Webster
makes no apology. Nor need he do so; for if he reminds us, here a
little of Whistler, there a little of Meryon, there is always a large
measure of himself besides. The true artist lights his torch from that
of his predecessors: it is his business to carry on great traditions. “I
have done my best simply to learn from him, not to steal” —that is
Mr. Webster’s own expressive way of putting it.
Webster. Notre Dame des Andelys
“The ordinary observer will delight in Notre Dame des Andelys
for its beautiful rendering of a noble fragment of architecture.
Those who have real knowledge of etching will appreciate it
still more for its clever biting and for its subtle delicacy of line
so cunningly used for the indication of stone, glass, and
woodwork with their different surfaces and textures.”
Martin Hardie.
Size of the original etching, 11 × 7⅛ inches
Webster. Porte des Marmousets, St. Ouen, Rouen
“Gothic canopies and tracery are drawn with loving care in
the Porte des Marmousets, St. Ouen, Rouen, but here again
it is the mystery of shadow in the deep porch that supplies
the true theme.” Martin Hardie.
Size of the original etching, 10⅛ × 7 inches
Mr. Webster has not learned from Meryon at the cost of his own
individuality, and one reason for the freshness that characterizes his
work is that he is one of those who like to transfer their first
impressions of nature direct to the plate in the open air. With very
few exceptions, that is how his etchings have been made. A certain
amount of work is necessarily done afterward in the retirement of the
studio, but the straightforward method of rendering nature gives a
vividness and spontaneity that careful work from intermediate
studies in pencil or color can rarely produce. This spontaneity is the
very essence of good etching, for with etching, as with water-color,
its highest charm is inevitably troubled by mechanical labor; it is
essentially a method of which one feels that “if ’twere done, ’twere
well done quickly.” The etcher should no more be able to stay the
quick gliding of his needle in the middle of a line than the skater to
stand still upon the outside edge. And I think that the etcher who
works straight from nature is more apt to search out the notes and
accents of character and to seize upon those structural lines which
are a fundamental necessity to his work.
Another chief excellence in Mr. Webster’s work lies in the fact that
from the first he has been his own printer. He is no believer in the
principle followed by many other etchers of biting their plate and
leaving it to some one “with the palm of a duchess” to do the rest.
Patient acquisition of craftsmanship is bound to tell, for the paid
printer, be he never so skilled, cannot hope to understand an artist’s
intentions quite so well as the artist himself. Mr. Webster, however,
has no need of any artifice; there is no trace in his etchings of the
meretricious printing which Whistler condemned as “treacly.” Light
and shade enter into charming alliance in his prints, but line is
always of the confederacy, and it is to purity of line that the shadows
which tell so strongly owe their strength. In the very depths of them
there is always a luminous gloom, never a trace of the harshness
and opacity that come from slurred workmanship and reliance upon
printer’s ink.
Perhaps I have said too much already, for Mr. Webster’s work is well
able to speak for itself. But there is one noteworthy feature, common
to all his plates, that claims attention, and that is his power of
rendering sunlight. If he loves dark and dingy thoroughfares with
dilapidated roofs and moldering plaster, it is for the sake of those
quaint shadows that peep from their recesses and climb the high
walls, and still more for the patches of brilliant, quivering sunlight to
which the shadows give so full a value. He seems to hear, like Corot,
the actual crash of the sun upon the wall—“l’éclat du soleil qui
frappe.”
Part II
It is difficult to clothe one’s speech in the detached terms of a
catalogue when writing of an artist whose work always kindles fresh
enthusiasm. And so I may perhaps be pardoned if, in adding
something to a previous essay upon the etchings of Herman A.
Webster, I venture to strike a more personal note.
Webster. Vieilles Maisons, Rue Hautefeuille, Paris
“He loves dark and dingy thoroughfares with dilapidated roofs
and moldering plaster, ... for the patches of brilliant, quivering
sunlight to which the shadows give so full a value.”
Martin Hardie.
Size of the original etching, 11¼ × 5⅞ inches
Among the new plates are four that deal with street scenes in the Alt
Stadt of Frankfort. Der Langer Franz, a view of the Rathaus tower
that took its nickname from a tall burgomaster of the town, is the
smallest of all, but a little gem, brilliant with light and rich in the
mystery of shadow. Then there are the Street of the Three Kings, the
Bendergasse, and Sixteenth-century Houses, all of them felicitous in
charm of theme, in play of light and shade, and in the suggestion of
life given by the animated figures. There are admirable figures again
in An Old Court, one of the plates that the collector of future days will
most desire to possess. There is less in it of obvious labor than in
the street scenes; the etcher has overcome a natural fear of blank
spaces; and his reticence and more summary execution have lent to
this plate much of the unconscious and unpremeditated charm that is
one of the finest qualities which an etching can possess.
Two etchings of old bridges over the Main at Frankfort must rank
among the best work that Webster has yet produced. One is a small
and spirited plate showing the tower of the cathedral and a row of
houses, most delicately drawn, rising with a beautiful sky-line above
the solid mass of the shadowed bridge with its heavy buttresses. The
other shows the old bridge that spans the Main between Frankfort
and Sachsenhausen. Legend tells that in compensation for finishing
the building within a certain time the architect made a vow to
sacrifice to the devil the first living being that crossed the bridge.
Then, when the fatal day arrived, he drove a cock across, and so
cheated the devil of his due. Much the same story of outwitting the
devil is told about the building of the cathedral at Aix-la-Chapelle.
Whether Webster ventured upon any compact I do not know; but this
plate, in its building, in its well-constructed composition, in its
splendid effect of brilliant sunshine, is one of the most successful
tasks he has ever accomplished. The group of figures on the near
bank, happily placed like those in Vermeer’s famous View of Delft,
adds no little to the charm of the scene. I would set this plate beside
Les Blanchisseuses and the Quai Montebello, which Mr. Wedmore
has found “modestly perfect,” as representing the very summit of
Webster’s art.
Webster. The Old Bridge, Frankfort
This old bridge spans the river Main between Frankfort and Sachsenhausen
“I would set this plate beside Les Blanchisseuses and Quai
Montebello, which Mr. Wedmore has found ‘modestly perfect,’
as representing the very summit of Webster’s art.” Martin
Hardie.
Size of the original etching, 5½ × 8½ inches
Webster. La Rue St. Jacques, Paris
“... One of the best etchings he has ever made.... It is not
merely fine in its pattern of light and shade, but it has a
direct force and simplification that are rich with promise for
the future.” Martin Hardie.
Size of the original etching, 8⅝ × 5⅞ inches
While he has surrendered for the time being to the charm of
Frankfort, Webster has not been unfaithful to the Paris of his early
love. Of Paris he might say, like Montaigne, “That city has ever had
my heart; and it has fallen out to me, as of excellent things, that the
more of other fine cities I have seen since, the more the beauty of
this gains on my affections. I love it tenderly, even with all its warts
and blemishes.” All the more for the warts and blemishes of its old
buildings Webster loves it, too; and while working on his Frankfort
plates he has completed another of La Rue St. Jacques, Paris,
which, I think, is one of the best etchings he has ever made. At
times, even in his Frankfort plates, one still feels that his superb
draughtsmanship and his love of detail—ce superflu, si nécessaire—
have led him to a uniformity of finish that is almost too “icily regular.”
I do not mean that Webster’s elaboration is the cold, almost
meaningless, elaboration of the line-engraver; nor do I forget that the
technique of Meryon, one of the greatest masters of etchings, was,
in Mr. Wedmore’s happy phrasing, “one of unfaltering firmness and
regularity, one of undeterred deliberation.” All the same, one wishes
that Meryon had done a few more things like the Rue des Mauvais
Garçons, and wishes that Webster also, in a similar way, were now
and then less sure of himself, were held sometimes by a trembling
hesitancy, or driven sometimes by the passion of the moment to
allow room for fortunate accident and rapid suggestion. For that
reason I welcome his Rue St. Jacques. It is not merely fine in its
pattern of light and shade, but it has a direct force and simplification
that are rich with promise for the future.
Since writing the above, I have seen working-proofs of two new
etchings of landscape. And here, too, there is high promise. They
show, at least, that Webster is not going to remain a man of one
subject; that he is opening his heart to the beauty and romance of
simple nature. He has sought his first themes in that pleasant
countryside where, between tall poplars, you get peeps of Château
Gaillard, nobly set upon its hill. In landscape, as in his architectural
work, Webster sets his theme upon the plate with fine skill of
arrangement and with exquisite draughtsmanship. These two plates,
Château Gaillard and La Route de Louviers, are exhilarating in their
feeling of sunshine, and they please by their absolute simplicity of