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‘That man was made to mourn.’ The title and refrain of ‘A
Dirge’ by Burns.
10. ‘Between the acting,’ etc. Julius Cæsar, Act II. Sc. 1.
With Atlantean shoulders,’ etc. Paradise Lost, II. 306.
11. ‘Grinned horrible,’ etc. Ibid. II. 846.
‘Like two clouds,’ etc. Cf. Ibid. II. 714–716.
12. Jackson. Presumably John Jackson (1769–1845), the well-
known pugilist (retired 1803), known as ‘Gentleman
Jackson.’
Note. Scroggins. Jack Scroggins, another well-known
prizefighter.
Note. ‘In doleful dumps,’ etc. Chevy-Chace, st. 50.
13. Procul este profani. Æneid, VI. 258.
14. Ned Turner. Ned Turner (1791–1826), the conqueror of
Scroggins.
Broughton and George Stevenson. Jack Broughton’s (1704–
1789) fight with George Stevenson ‘The Coachman,’ took
place, not in 1770, but in 1741.
MERRY ENGLAND
First republished in Sketches and Essays.
16. ‘I have been merry,’ etc. Cf. 2 Henry IV., Act V. Sc. 3.
‘He chirped over his cups.’ Rabelais. See vol. I. (The Round
Table), p. 52.
‘There were pippins,’ etc. Sir Hugh Evans in The Merry
Wives of Windsor, Act I. Sc. 2.
‘Continents,’ etc. Hobbes, Human Nature (Works, ed.
Molesworth, IV. 50).
‘They ... amused themselves,’ etc. Cf. vol. I. (The Round
Table), note to p. 100.
‘Eat,’ etc. S. Luke XII. 19.
17. ‘Hair-breadth ‘scapes.’ Othello, Act I. Sc. 3.
Old Lord’s cricket-ground. Hazlitt refers to the original
‘Lord’s,’ established about 1782 by Thomas Lord, on the
site now occupied by Dorset Square, where the game
continued to be played till 1810. The present ‘Lord’s,’ dates
from 1814.
18. ‘A cry more tuneable,’ etc. Cf. A Midsummer Night’s Dream,
Act IV. Sc. 1.
Note. ‘The gentle and free passage of arms at Ashby.’
Described by Scott in Ivanhoe, chap. viii.
19. ‘Brothers of the angle.’ The Compleat Angler, part I. chap. i.
‘The Cockney character,’ etc. This sentence was omitted in
Sketches and Essays.
20. ‘Book of Sports.’ James I.’s declaration (1618) authorising
certain forms of recreation after divine service on Sundays.
The declaration was republished by Charles I. in 1633.
‘And e’en on Sunday,’ etc. Burns, Tam O’Shanter.
Gilray’s shop-window. Miss Humphrey’s shop, 29 St.
James’s Street, where James Gilray (1757–1815), the
caricaturist, spent the last years of his life, and where his
works were on view. Sketches and Essays prints ‘Fore’s
shop-window.’
22. ‘Merry and wise.’ ’Tis good to be merry and wise,’ a
frequently quoted old proverb.
‘That under Heav’n,’ etc. The Faerie Queene, I. vii. 32. Cf. also
Marlowe’s Tamburlaine the Great, Part II. Act IV. Sc. 4.
24. Nell, etc. Nell in The Devil to Pay; Little Pickle in The Spoil’d
Child, a part created by Mrs. Jordan, March 22, 1790;
Lingo in The Agreeable Surprise; Nipperkin in Sprigs of
Laurel, a part created by Munden, May 11, 1793; old
Dornton in The Road to Ruin; Ranger in The Suspicious
Husband; the Copper Captain in Rule a Wife and Have a
Wife, one of Lewis’s great parts; Filch in The Beggar’s
Opera; Hodge in Love in a Village; Flora in The Wonder;
Lady Grace in The Provoked Husband.
‘Tut!’ etc. Cf. Cymbeline, Act III. Sc. 4.
‘What’s our Britain,’ etc. Ibid.
25. As I write this, etc. See vol. IX. (Notes of a Journey through
France and Italy), pp. 281 et seq.
‘And gaudy butterflies,’ etc. Cf. Gay, The Beggar’s Opera, Act
I. Sc. 1.
PAG
E
‘An infinite deal of nothing.’ The Merchant of Venice, Act I.
38. Sc. 1.
39. ‘The wish,’ etc. 2 Henry IV., Act IV. Sc. 5.
40. ‘Bestow his tediousness.’ Cf. Much Ado About Nothing, Act III.
Sc. 5.
41. ‘Treatise on Horsemanship.’ The Duke of Newcastle (1592–
1676), husband of Lamb’s favourite (see ante, note to p.
37), wrote two works on horsemanship, (i) La Methode et
Invention Nouvelle de dresser les Chevaux (Antwerp,
1657), and (ii) A New Method and Extraordinary
Invention to Dress Horses, etc. (1667). Hazlitt probably
refers to the first, which was published in English with 43
plates in vol. I. of A General System of Horsemanship
(1743).
‘A question,’ etc. 1 Henry IV., Act II. Sc. 4.
‘The act’ [art], etc. Henry V., Act I. Sc. 1.
42. ‘The feast of reason,’ etc. Pope, Imitations of Horace, Satire I.
l. 128.
‘Catch glimpses,’ etc. Cf. Wordsworth’s sonnet ‘The world is
too much with us,’ etc.
43. ‘Face to face,’ etc. Cf. 1 Corinthians xiii. 12.
‘With jealous leer malign.’ Paradise Lost, IV. 503.
‘Best can feel them,’ etc. ‘He best can paint them who shall
feel them most.’ Pope, Eloisa to Abelard, 366.
The Roxburgh Club. Founded in 1812 to celebrate the sale of
the third Duke of Roxburgh’s great library.
‘With sparkling eyes,’ etc. Cf. Watts, Hymns and Spiritual
Songs, Book II. Hymn 65.
44. ‘Pure in the last recesses,’ etc. Cf. Dryden, Translations from
Persius, Sat. II. l. 133.
‘Or write,’ etc. Cf. Pope, Epilogue to the Satires, I. 137.
45. ‘Held on their way,’ etc. See vol. IV. (Reply to Malthus), note
to p. 42.
‘The labour’ etc. Macbeth, Act II. Sc. 3.
46. ‘From every work,’ etc. The Faerie Queen, I. iv. 20.
Otium cum dignitate. Cicero, Pro P. Sestio, c. 45.
N——. Probably Northcote.
A celebrated critic. ? Jeffrey, whom Hazlitt had visited at
Craigcrook.
47. ‘That there are powers,’ etc. Wordsworth, Expostulation and
Reply, 21–24.
50. ‘A man’s mind,’ etc. Cf. Antony and Cleopatra, III. 13.
The Letter to Sir William Wyndham. Published by Mallet in
1753.
Lord Bolingbroke had, it seems, etc. This cannot be true,
though Chatham’s admiration of Bolingbroke’s eloquence is
well known.
‘As if a man,’ etc. Coriolanus, v. 3.
ON A SUN-DIAL
First republished in Sketches and Essays, where it is said to have
been written in Italy in 1825.
51. ‘To carve out dials,’ etc. 3 Henry VI., Act II. Sc. 5.
52. ‘Morals on the time.’ Cf. As You Like it, Act II. Sc. 7.
54. ‘How sweet the moonlight,’ etc. The Merchant of Venice, Act
V. Sc. 1.
60. ‘To gild refined gold,’ etc. King John, Act IV. Sc. 2.
‘Faultless monsters.’ John Sheffield, Duke of Buckingham,
Essay on Poetry.
61. The grand Cyruses, the Artamenes. Mlle. de Scudéry’s
Artamène ou le Grand Cyrus was published in 10 vols.,
1649–53.
Oroondates. In La Calprenède’s Cassandra.
‘Mistress’ eyebrow.’ As You Like It, Act II. Sc. 7.
62. ‘Be mine,’ etc. Gray, Letters (ed. Tovey), I. 97.
‘The Princess of Cleves.’ By Madame de la Fayette (1678).
The Duke de Nemours. In La Princesse de Clèves.
‘Ugly all over,’ etc. See vol. II. (Life of Holcroft), note to p.
130.
64. Narcissa and Emily Gauntlet. Narcissa in Roderick Random;
Emily Gauntlet in Peregrine Pickle; Winifred Jenkins in
Humphry Clinker.
‘Her heroes,’ etc. Cf. ‘Most women have no characters at all.’
Pope, Moral Essays, II. 2.
Theodore, Valancourt. Theodore in The Romance of the
Forest; Valancourt in The Mysteries of Udolpho.
65. Miss Milner. Miss Milner and Dorriforth in A Simple Story
(1791); Lord Norwynne in Nature and Art (1796).
67. ‘All germins,’ etc. King Lear, Act III. Sc. 2.
‘Tears such as angels shed [weep].’ Paradise Lost, I. 620.
THE SHYNESS OF SCHOLARS
Republished in Literary Remains.
68. ‘And of his port,’ etc. The Canterbury Tales. The Prologue,
69.
‘If you have not seen,’ etc. Cf. As You Like It, Act III. Sc. 2.
70. ‘Fools rush in,’ etc. Pope, An Essay on Criticism, III. 625.
71. ‘In peace,’ etc. Henry V., Act III. Sc. 1.
72. ‘Gods of his idolatry.’ Cf. Romeo and Juliet, Act II. Sc. 2.
73. ‘Will not have,’ etc. Cf. Coriolanus, Act II. Sc. 2.
‘Vix ea nostra voco.’ Ovid, Metam. XIII. 141.
75. ‘Scholar’s melancholy.’ As You Like It, Act IV. Sc. 1.
‘He held,’ etc. Cf. Gray’s Elegy, Stanza III., which Hazlitt
seems to have had in mind.
‘From humble porter [port],’ etc. Townley, High Life Below
Stairs, II. 1.
76. ‘Modest as morning,’ etc. Troilus and Cressida, Act I. Sc. 3.
‘Deprived of its natural patrons,’ etc. Cf. Burke, Reflections
on the Revolution in France (Select Works, ed. Payne, II.
93).
THE MAIN-CHANCE
Published in Literary Remains with omissions and a few
additions. The additions are printed in the text within square
brackets. In other respects the Essay is printed verbatim from the
Magazine.
PAG
E ‘Sound significant.’ Hazlitt was perhaps thinking of Milton’s
96. words, ‘the sound symphonious.’ Paradise Lost, VII. 558.
‘These needs,’ etc. Hamlet, Act I. Sc. 5.
99. ‘Nihil humani,’ etc. Terence, Heauton-Timoroumenos, I. 1.
‘Greater love,’ etc. Cf. St. John XV. 13.
102. ‘Letting I should not,’ etc. Cf. Macbeth, Act I. Sc. 7.
104. ‘Throw honour,’ etc. Cf. Ibid. Act V. Sc. 3.
104. Very’s. A well-known restaurant in Paris. Cf. Moore’s The
Fudge Family in Paris, Letter III.
The Count de Stutt-Tracy. See Vol. VII. (The Plain Speaker),
p. 323 and note.
105. ‘This one entire,’ etc. Othello, Act V. Sc. 2.
‘Precious jewel,’ etc. Cf. Ibid. Act III. Sc. 3.
‘Plain truth,’ etc. Cf. Pope, Imitations of Horace, Epistles, I. 6,
l. 3.
C. D. See post, note to p. 119.
‘I shall be ever,’ etc. Cf. Garrick’s verses in reply to Dr. John
Hill. They are quoted in Doran’s Annals of the English
Stage, II. 326.
106. ‘No more of that,’ etc. 1 Henry IV., Act II. Sc. 4.
108. ‘Come, but no farther,’ Job xxxviii. 11.
112. ‘Come, let me clutch thee.’ Macbeth, Act II. Sc. 1.
113. ‘And coming events,’ etc. Campbell, Lochiel’s Warning.
115. ‘Made and moulded of things past.’ Troilus and Cressida, Act
III. Sc. 3.
‘Thou art to continue,’ etc. Measure for Measure, Act II. Sc. 1.
‘Here and hereafter,’ etc. Byron, Sardanapalus, Act IV. Sc. 1.
116. ‘I do not think,’ etc. See vol. VII. (Essay on the Principles of
Human Action), pp. 430–3.
119. J. D. Mr. W. C. Hazlitt, in his edition of Sketches and Essays,
states that on a folio leaf in his possession, the initials are J.
L. and C. L., and that Lamb and his brother are evidently
the persons intended. If that be so, A. and C. can hardly be
Landor and Medwin. Possibly A. represents Ayrton and
Captain C. Captain Burney, but all the initials are merely
matter for conjecture, and it is extremely unlikely that the
dialogue ever took place in anything like its present form.
‘This is the strangest tale,’ etc. 1 Henry IV., Act V. Sc. 4.
THE FREE ADMISSION
Now republished for the first time. See Mr. W. C. Hazlitt’s
Memoirs, etc., I. xxx.
PAG
E ‘The body of this death.’ Romans vii. 24.
125. ‘Cooped and cabined in.’ Cf. Macbeth, Act III. Sc. 4.
‘Moralise our complaints,’ etc. Cf. As You Like It, Act II. Sc. 1.
‘They have drugged,’ etc. Cf. Macbeth, Act II. Sc. 2.
‘Puzzling o’er the doubt.’ Cf. Cowper, The Needless Alarm,
77–78.