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11p - Max Scheler's Phenomenology of Shame
11p - Max Scheler's Phenomenology of Shame
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und Dasein." in Phaenomenologica, Vol. 32, p. 62, 1969, Nijhoff, The Hague.
2 Max Scheler. Schriften aus dem Nachlass (hereafter Nachlass), Vol. 10 of the
Collected Edition, p. 388.
3 Cf. Max Scheler: Vom Ewigen im Menschen, Vol. 5 of the Collected Edition,
1954, p. 167.
361
8 Ibid., p. 98.
the genesisof sexual drive and is not reducibleto it. The priorityof the
sense of shame over sexual drive appears to be the central phenomeno-
logical insight thus far. It is precisely from the vantage point of this
prioritythat Schelerdeals with Freud'sviews on shame. Schelerdeclares
that "shame" - according to Freud - appears to be nothing but one
means toward the achievementof the ongoing process of repression
(Verdringung). The technique of psychoanalysis should attempt to
elucidate this repression by neutralisingthe effect of shame, i.e., by
revealingthe masks with which "shame"disguisesour factual life. This
interpretationof "shame,"Scheler concludes, is the inevitableoutcome
of Freud's assumptionthat libido comprises the actual and real sub-
stance of human life.12 But things stand differently for Scheler. The
sense of shame,remarksScheler,mighthave a twofold functionregarding
sensual images and sexual representations.It can prevent the initial
originationof these images and fantasies, or else it can try to repress
those which have alreadybeen originated.In the first instance
shame is no repressive force as Freud mistakenly assumes.... Shame thus
spares repression. It is not that the original and pure function of shame con-
sisits in a reacting with feeling versus something presently given. (vorhanden
Gegebenes). Rather it consists in the prefeeling (VorgefUhl) of something
oncoming ... What in the second case ... is used to lead to a repression ...
is not at all the genuine sense of shame (echte Scham), but only fear and
dread with regard to possible social consequences... 3
PARVIS EMAD.
DE PAUL UNIVERSITY.
ACKN OWLEDGEMENT
I wish to thank Miss Carol Sikora for her stylistic suggestions.