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Andrea Vedaldi
Horst Bischof
Thomas Brox
Jan-Michael Frahm (Eds.)
LNCS 12358
Computer Vision –
ECCV 2020
16th European Conference
Glasgow, UK, August 23–28, 2020
Proceedings, Part XIII
Lecture Notes in Computer Science 12358
Founding Editors
Gerhard Goos
Karlsruhe Institute of Technology, Karlsruhe, Germany
Juris Hartmanis
Cornell University, Ithaca, NY, USA
Editorial Board Members

Elisa Bertino
Purdue University, West Lafayette, IN, USA
Wen Gao
Peking University, Beijing, China
Bernhard Steffen
TU Dortmund University, Dortmund, Germany
Gerhard Woeginger
RWTH Aachen, Aachen, Germany
Moti Yung
Columbia University, New York, NY, USA
More information about this subseries at http://www.springer.com/series/7412
Andrea Vedaldi Horst Bischof
• •
Thomas Brox Jan-Michael Frahm (Eds.)

•
Computer Vision –
ECCV 2020
16th European Conference
Glasgow, UK, August 23–28, 2020
Proceedings, Part XIII
123
Editors
Andrea Vedaldi Horst Bischof
University of Oxford Graz University of Technology
Oxford, UK Graz, Austria
Thomas Brox Jan-Michael Frahm
University of Freiburg University of North Carolina at Chapel Hill
Freiburg im Breisgau, Germany Chapel Hill, NC, USA
ISSN 0302-9743 ISSN 1611-3349 (electronic)

Lecture Notes in Computer Science
ISBN 978-3-030-58600-3 ISBN 978-3-030-58601-0 (eBook)
https://doi.org/10.1007/978-3-030-58601-0
LNCS Sublibrary: SL6 – Image Processing, Computer Vision, Pattern Recognition, and Graphics
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Foreword
Hosting the European Conference on Computer Vision (ECCV 2020) was certainly an
exciting journey. From the 2016 plan to hold it at the Edinburgh International
Conference Centre (hosting 1,800 delegates) to the 2018 plan to hold it at Glasgow’s
Scottish Exhibition Centre (up to 6,000 delegates), we finally ended with moving
online because of the COVID-19 outbreak. While possibly having fewer delegates than
expected because of the online format, ECCV 2020 still had over 3,100 registered
participants.
Although online, the conference delivered most of the activities expected at a
face-to-face conference: peer-reviewed papers, industrial exhibitors, demonstrations,
and messaging between delegates. In addition to the main technical sessions, the
conference included a strong program of satellite events with 16 tutorials and 44
workshops.
Furthermore, the online conference format enabled new conference features. Every
paper had an associated teaser video and a longer full presentation video. Along with
the papers and slides from the videos, all these materials were available the week before
the conference. This allowed delegates to become familiar with the paper content and
be ready for the live interaction with the authors during the conference week. The live
event consisted of brief presentations by the oral and spotlight authors and industrial
sponsors. Question and answer sessions for all papers were timed to occur twice so
delegates from around the world had convenient access to the authors.
As with ECCV 2018, authors’ draft versions of the papers appeared online with
open access, now on both the Computer Vision Foundation (CVF) and the European
Computer Vision Association (ECVA) websites. An archival publication arrangement
was put in place with the cooperation of Springer. SpringerLink hosts the final version
of the papers with further improvements, such as activating reference links and sup-
plementary materials. These two approaches benefit all potential readers: a version
available freely for all researchers, and an authoritative and citable version with
additional benefits for SpringerLink subscribers. We thank Alfred Hofmann and
Aliaksandr Birukou from Springer for helping to negotiate this agreement, which we
expect will continue for future versions of ECCV.
August 2020 Vittorio Ferrari

Bob Fisher
Cordelia Schmid
Emanuele Trucco
Preface
Welcome to the proceedings of the European Conference on Computer Vision (ECCV

2020). This is a unique edition of ECCV in many ways. Due to the COVID-19
pandemic, this is the first time the conference was held online, in a virtual format. This
was also the first time the conference relied exclusively on the Open Review platform
to manage the review process. Despite these challenges ECCV is thriving. The con-
ference received 5,150 valid paper submissions, of which 1,360 were accepted for
publication (27%) and, of those, 160 were presented as spotlights (3%) and 104 as orals
(2%). This amounts to more than twice the number of submissions to ECCV 2018
(2,439). Furthermore, CVPR, the largest conference on computer vision, received
5,850 submissions this year, meaning that ECCV is now 87% the size of CVPR in
terms of submissions. By comparison, in 2018 the size of ECCV was only 73% of
CVPR.
The review model was similar to previous editions of ECCV; in particular, it was
double blind in the sense that the authors did not know the name of the reviewers and
vice versa. Furthermore, each conference submission was held confidentially, and was
only publicly revealed if and once accepted for publication. Each paper received at least
three reviews, totalling more than 15,000 reviews. Handling the review process at this
scale was a significant challenge. In order to ensure that each submission received as
fair and high-quality reviews as possible, we recruited 2,830 reviewers (a 130%
increase with reference to 2018) and 207 area chairs (a 60% increase). The area chairs
were selected based on their technical expertise and reputation, largely among people
that served as area chair in previous top computer vision and machine learning con-
ferences (ECCV, ICCV, CVPR, NeurIPS, etc.). Reviewers were similarly invited from
previous conferences. We also encouraged experienced area chairs to suggest addi-
tional chairs and reviewers in the initial phase of recruiting.
Despite doubling the number of submissions, the reviewer load was slightly reduced
from 2018, from a maximum of 8 papers down to 7 (with some reviewers offering to
handle 6 papers plus an emergency review). The area chair load increased slightly,
from 18 papers on average to 22 papers on average.
Conflicts of interest between authors, area chairs, and reviewers were handled lar-
gely automatically by the Open Review platform via their curated list of user profiles.
Many authors submitting to ECCV already had a profile in Open Review. We set a
paper registration deadline one week before the paper submission deadline in order to
encourage all missing authors to register and create their Open Review profiles well on
time (in practice, we allowed authors to create/change papers arbitrarily until the
submission deadline). Except for minor issues with users creating duplicate profiles,
this allowed us to easily and quickly identify institutional conflicts, and avoid them,
while matching papers to area chairs and reviewers.
Papers were matched to area chairs based on: an affinity score computed by the
Open Review platform, which is based on paper titles and abstracts, and an affinity
viii Preface
score computed by the Toronto Paper Matching System (TPMS), which is based on the
paper’s full text, the area chair bids for individual papers, load balancing, and conflict
avoidance. Open Review provides the program chairs a convenient web interface to
experiment with different configurations of the matching algorithm. The chosen con-
figuration resulted in about 50% of the assigned papers to be highly ranked by the area
chair bids, and 50% to be ranked in the middle, with very few low bids assigned.
Assignments to reviewers were similar, with two differences. First, there was a
maximum of 7 papers assigned to each reviewer. Second, area chairs recommended up
to seven reviewers per paper, providing another highly-weighed term to the affinity
scores used for matching.
The assignment of papers to area chairs was smooth. However, it was more difficult
to find suitable reviewers for all papers. Having a ratio of 5.6 papers per reviewer with a
maximum load of 7 (due to emergency reviewer commitment), which did not allow for
much wiggle room in order to also satisfy conflict and expertise constraints. We
received some complaints from reviewers who did not feel qualified to review specific
papers and we reassigned them wherever possible. However, the large scale of the
conference, the many constraints, and the fact that a large fraction of such complaints
arrived very late in the review process made this process very difficult and not all
complaints could be addressed.
Reviewers had six weeks to complete their assignments. Possibly due to COVID-19
or the fact that the NeurIPS deadline was moved closer to the review deadline, a record
30% of the reviews were still missing after the deadline. By comparison, ECCV 2018
experienced only 10% missing reviews at this stage of the process. In the subsequent
week, area chairs chased the missing reviews intensely, found replacement reviewers in
their own team, and managed to reach 10% missing reviews. Eventually, we could
provide almost all reviews (more than 99.9%) with a delay of only a couple of days on
the initial schedule by a significant use of emergency reviews. If this trend is confirmed,
it might be a major challenge to run a smooth review process in future editions of
ECCV. The community must reconsider prioritization of the time spent on paper
writing (the number of submissions increased a lot despite COVID-19) and time spent
on paper reviewing (the number of reviews delivered in time decreased a lot pre-
sumably due to COVID-19 or NeurIPS deadline). With this imbalance the peer-review
system that ensures the quality of our top conferences may break soon.
Reviewers submitted their reviews independently. In the reviews, they had the
opportunity to ask questions to the authors to be addressed in the rebuttal. However,
reviewers were told not to request any significant new experiment. Using the Open
Review interface, authors could provide an answer to each individual review, but were
also allowed to cross-reference reviews and responses in their answers. Rather than
PDF files, we allowed the use of formatted text for the rebuttal. The rebuttal and initial
reviews were then made visible to all reviewers and the primary area chair for a given
paper. The area chair encouraged and moderated the reviewer discussion. During the
discussions, reviewers were invited to reach a consensus and possibly adjust their
ratings as a result of the discussion and of the evidence in the rebuttal.
After the discussion period ended, most reviewers entered a final rating and rec-
ommendation, although in many cases this did not differ from their initial recom-
mendation. Based on the updated reviews and discussion, the primary area chair then
Preface ix
made a preliminary decision to accept or reject the paper and wrote a justification for it
(meta-review). Except for cases where the outcome of this process was absolutely clear
(as indicated by the three reviewers and primary area chairs all recommending clear
rejection), the decision was then examined and potentially challenged by a secondary
area chair. This led to further discussion and overturning a small number of preliminary
decisions. Needless to say, there was no in-person area chair meeting, which would
have been impossible due to COVID-19.
Area chairs were invited to observe the consensus of the reviewers whenever
possible and use extreme caution in overturning a clear consensus to accept or reject a
paper. If an area chair still decided to do so, she/he was asked to clearly justify it in the
meta-review and to explicitly obtain the agreement of the secondary area chair. In
practice, very few papers were rejected after being confidently accepted by the
reviewers.
This was the first time Open Review was used as the main platform to run ECCV. In
2018, the program chairs used CMT3 for the user-facing interface and Open Review
internally, for matching and conflict resolution. Since it is clearly preferable to only use
a single platform, this year we switched to using Open Review in full. The experience
was largely positive. The platform is highly-configurable, scalable, and open source.
Being written in Python, it is easy to write scripts to extract data programmatically. The
paper matching and conflict resolution algorithms and interfaces are top-notch, also due
to the excellent author profiles in the platform. Naturally, there were a few kinks along
the way due to the fact that the ECCV Open Review configuration was created from
scratch for this event and it differs in substantial ways from many other Open Review
conferences. However, the Open Review development and support team did a fantastic
job in helping us to get the configuration right and to address issues in a timely manner
as they unavoidably occurred. We cannot thank them enough for the tremendous effort
they put into this project.
Finally, we would like to thank everyone involved in making ECCV 2020 possible
in these very strange and difficult times. This starts with our authors, followed by the
area chairs and reviewers, who ran the review process at an unprecedented scale. The
whole Open Review team (and in particular Melisa Bok, Mohit Unyal, Carlos
Mondragon Chapa, and Celeste Martinez Gomez) worked incredibly hard for the entire
duration of the process. We would also like to thank René Vidal for contributing to the
adoption of Open Review. Our thanks also go to Laurent Charling for TPMS and to the
program chairs of ICML, ICLR, and NeurIPS for cross checking double submissions.
We thank the website chair, Giovanni Farinella, and the CPI team (in particular Ashley
Cook, Miriam Verdon, Nicola McGrane, and Sharon Kerr) for promptly adding
material to the website as needed in the various phases of the process. Finally, we thank
the publication chairs, Albert Ali Salah, Hamdi Dibeklioglu, Metehan Doyran, Henry
Howard-Jenkins, Victor Prisacariu, Siyu Tang, and Gul Varol, who managed to
compile these substantial proceedings in an exceedingly compressed schedule. We
express our thanks to the ECVA team, in particular Kristina Scherbaum for allowing
open access of the proceedings. We thank Alfred Hofmann from Springer who again
x Preface
serve as the publisher. Finally, we thank the other chairs of ECCV 2020, including in
particular the general chairs for very useful feedback with the handling of the program.
August 2020 Andrea Vedaldi

Horst Bischof
Thomas Brox
Jan-Michael Frahm
Organization
General Chairs
Vittorio Ferrari Google Research, Switzerland
Bob Fisher University of Edinburgh, UK
Cordelia Schmid Google and Inria, France
Emanuele Trucco University of Dundee, UK
Program Chairs
Andrea Vedaldi University of Oxford, UK
Horst Bischof Graz University of Technology, Austria
Thomas Brox University of Freiburg, Germany
Jan-Michael Frahm University of North Carolina, USA
Industrial Liaison Chairs

Jim Ashe University of Edinburgh, UK
Helmut Grabner Zurich University of Applied Sciences, Switzerland
Diane Larlus NAVER LABS Europe, France
Cristian Novotny University of Edinburgh, UK
Local Arrangement Chairs

Yvan Petillot Heriot-Watt University, UK
Paul Siebert University of Glasgow, UK
Academic Demonstration Chair

Thomas Mensink Google Research and University of Amsterdam,
The Netherlands
Poster Chair
Stephen Mckenna University of Dundee, UK
Technology Chair
Gerardo Aragon Camarasa University of Glasgow, UK
xii Organization
Tutorial Chairs
Carlo Colombo University of Florence, Italy
Sotirios Tsaftaris University of Edinburgh, UK
Publication Chairs
Albert Ali Salah Utrecht University, The Netherlands
Hamdi Dibeklioglu Bilkent University, Turkey
Metehan Doyran Utrecht University, The Netherlands
Henry Howard-Jenkins University of Oxford, UK
Victor Adrian Prisacariu University of Oxford, UK
Siyu Tang ETH Zurich, Switzerland
Gul Varol University of Oxford, UK
Website Chair
Giovanni Maria Farinella University of Catania, Italy
Workshops Chairs
Adrien Bartoli University of Clermont Auvergne, France
Andrea Fusiello University of Udine, Italy
Area Chairs
Lourdes Agapito University College London, UK
Zeynep Akata University of Tübingen, Germany
Karteek Alahari Inria, France
Antonis Argyros University of Crete, Greece
Hossein Azizpour KTH Royal Institute of Technology, Sweden
Joao P. Barreto Universidade de Coimbra, Portugal
Alexander C. Berg University of North Carolina at Chapel Hill, USA
Matthew B. Blaschko KU Leuven, Belgium
Lubomir D. Bourdev WaveOne, Inc., USA
Edmond Boyer Inria, France
Yuri Boykov University of Waterloo, Canada
Gabriel Brostow University College London, UK
Michael S. Brown National University of Singapore, Singapore
Jianfei Cai Monash University, Australia
Barbara Caputo Politecnico di Torino, Italy
Ayan Chakrabarti Washington University, St. Louis, USA
Tat-Jen Cham Nanyang Technological University, Singapore
Manmohan Chandraker University of California, San Diego, USA
Rama Chellappa Johns Hopkins University, USA
Liang-Chieh Chen Google, USA
Organization xiii
Yung-Yu Chuang National Taiwan University, Taiwan

Ondrej Chum Czech Technical University in Prague, Czech Republic
Brian Clipp Kitware, USA
John Collomosse University of Surrey and Adobe Research, UK
Jason J. Corso University of Michigan, USA
David J. Crandall Indiana University, USA
Daniel Cremers University of California, Los Angeles, USA
Fabio Cuzzolin Oxford Brookes University, UK
Jifeng Dai SenseTime, SAR China
Kostas Daniilidis University of Pennsylvania, USA
Andrew Davison Imperial College London, UK
Alessio Del Bue Fondazione Istituto Italiano di Tecnologia, Italy
Jia Deng Princeton University, USA
Alexey Dosovitskiy Google, Germany
Matthijs Douze Facebook, France
Enrique Dunn Stevens Institute of Technology, USA
Irfan Essa Georgia Institute of Technology and Google, USA
Giovanni Maria Farinella University of Catania, Italy
Ryan Farrell Brigham Young University, USA
Paolo Favaro University of Bern, Switzerland
Rogerio Feris International Business Machines, USA
Cornelia Fermuller University of Maryland, College Park, USA
David J. Fleet Vector Institute, Canada
Friedrich Fraundorfer DLR, Austria
Mario Fritz CISPA Helmholtz Center for Information Security,
Germany
Pascal Fua EPFL (Swiss Federal Institute of Technology
Lausanne), Switzerland
Yasutaka Furukawa Simon Fraser University, Canada
Li Fuxin Oregon State University, USA
Efstratios Gavves University of Amsterdam, The Netherlands
Peter Vincent Gehler Amazon, USA
Theo Gevers University of Amsterdam, The Netherlands
Ross Girshick Facebook AI Research, USA
Boqing Gong Google, USA
Stephen Gould Australian National University, Australia
Jinwei Gu SenseTime Research, USA
Abhinav Gupta Facebook, USA
Bohyung Han Seoul National University, South Korea
Bharath Hariharan Cornell University, USA
Tal Hassner Facebook AI Research, USA
Xuming He Australian National University, Australia
Joao F. Henriques University of Oxford, UK
Adrian Hilton University of Surrey, UK
Minh Hoai Stony Brooks, State University of New York, USA
Derek Hoiem University of Illinois Urbana-Champaign, USA
xiv Organization
Timothy Hospedales University of Edinburgh and Samsung, UK

Gang Hua Wormpex AI Research, USA
Slobodan Ilic Siemens AG, Germany
Hiroshi Ishikawa Waseda University, Japan
Jiaya Jia The Chinese University of Hong Kong, SAR China
Hailin Jin Adobe Research, USA
Justin Johnson University of Michigan, USA
Frederic Jurie University of Caen Normandie, France
Fredrik Kahl Chalmers University, Sweden
Sing Bing Kang Zillow, USA
Gunhee Kim Seoul National University, South Korea
Junmo Kim Korea Advanced Institute of Science and Technology,
South Korea
Tae-Kyun Kim Imperial College London, UK
Ron Kimmel Technion-Israel Institute of Technology, Israel
Alexander Kirillov Facebook AI Research, USA
Kris Kitani Carnegie Mellon University, USA
Iasonas Kokkinos Ariel AI, UK
Vladlen Koltun Intel Labs, USA
Nikos Komodakis Ecole des Ponts ParisTech, France
Piotr Koniusz Australian National University, Australia
M. Pawan Kumar University of Oxford, UK
Kyros Kutulakos University of Toronto, Canada
Christoph Lampert IST Austria, Austria
Ivan Laptev Inria, France
Diane Larlus NAVER LABS Europe, France
Laura Leal-Taixe Technical University Munich, Germany
Honglak Lee Google and University of Michigan, USA
Joon-Young Lee Adobe Research, USA
Kyoung Mu Lee Seoul National University, South Korea
Seungyong Lee POSTECH, South Korea
Yong Jae Lee University of California, Davis, USA
Bastian Leibe RWTH Aachen University, Germany
Victor Lempitsky Samsung, Russia
Ales Leonardis University of Birmingham, UK
Marius Leordeanu Institute of Mathematics of the Romanian Academy,
Romania
Vincent Lepetit ENPC ParisTech, France
Hongdong Li The Australian National University, Australia
Xi Li Zhejiang University, China
Yin Li University of Wisconsin-Madison, USA
Zicheng Liao Zhejiang University, China
Jongwoo Lim Hanyang University, South Korea
Stephen Lin Microsoft Research Asia, China
Yen-Yu Lin National Chiao Tung University, Taiwan, China
Zhe Lin Adobe Research, USA
Organization xv
Haibin Ling Stony Brooks, State University of New York, USA

Jiaying Liu Peking University, China
Ming-Yu Liu NVIDIA, USA
Si Liu Beihang University, China
Xiaoming Liu Michigan State University, USA
Huchuan Lu Dalian University of Technology, China
Simon Lucey Carnegie Mellon University, USA
Jiebo Luo University of Rochester, USA
Julien Mairal Inria, France
Michael Maire University of Chicago, USA
Subhransu Maji University of Massachusetts, Amherst, USA
Yasushi Makihara Osaka University, Japan
Jiri Matas Czech Technical University in Prague, Czech Republic
Yasuyuki Matsushita Osaka University, Japan
Philippos Mordohai Stevens Institute of Technology, USA
Vittorio Murino University of Verona, Italy
Naila Murray NAVER LABS Europe, France
Hajime Nagahara Osaka University, Japan
P. J. Narayanan International Institute of Information Technology
(IIIT), Hyderabad, India
Nassir Navab Technical University of Munich, Germany
Natalia Neverova Facebook AI Research, France
Matthias Niessner Technical University of Munich, Germany
Jean-Marc Odobez Idiap Research Institute and Swiss Federal Institute
of Technology Lausanne, Switzerland
Francesca Odone Università di Genova, Italy
Takeshi Oishi The University of Tokyo, Tokyo Institute
of Technology, Japan
Vicente Ordonez University of Virginia, USA
Manohar Paluri Facebook AI Research, USA
Maja Pantic Imperial College London, UK
In Kyu Park Inha University, South Korea
Ioannis Patras Queen Mary University of London, UK
Patrick Perez Valeo, France
Bryan A. Plummer Boston University, USA
Thomas Pock Graz University of Technology, Austria
Marc Pollefeys ETH Zurich and Microsoft MR & AI Zurich Lab,
Switzerland
Jean Ponce Inria, France
Gerard Pons-Moll MPII, Saarland Informatics Campus, Germany
Jordi Pont-Tuset Google, Switzerland
James Matthew Rehg Georgia Institute of Technology, USA
Ian Reid University of Adelaide, Australia
Olaf Ronneberger DeepMind London, UK
Stefan Roth TU Darmstadt, Germany
Bryan Russell Adobe Research, USA
xvi Organization
Mathieu Salzmann EPFL, Switzerland

Dimitris Samaras Stony Brook University, USA
Imari Sato National Institute of Informatics (NII), Japan
Yoichi Sato The University of Tokyo, Japan
Torsten Sattler Czech Technical University in Prague, Czech Republic
Daniel Scharstein Middlebury College, USA
Bernt Schiele MPII, Saarland Informatics Campus, Germany
Julia A. Schnabel King’s College London, UK
Nicu Sebe University of Trento, Italy
Greg Shakhnarovich Toyota Technological Institute at Chicago, USA
Humphrey Shi University of Oregon, USA
Jianbo Shi University of Pennsylvania, USA
Jianping Shi SenseTime, China
Leonid Sigal University of British Columbia, Canada
Cees Snoek University of Amsterdam, The Netherlands
Richard Souvenir Temple University, USA
Hao Su University of California, San Diego, USA
Akihiro Sugimoto National Institute of Informatics (NII), Japan
Jian Sun Megvii Technology, China
Jian Sun Xi’an Jiaotong University, China
Chris Sweeney Facebook Reality Labs, USA
Yu-wing Tai Kuaishou Technology, China
Chi-Keung Tang The Hong Kong University of Science
and Technology, SAR China
Radu Timofte ETH Zurich, Switzerland
Sinisa Todorovic Oregon State University, USA
Giorgos Tolias Czech Technical University in Prague, Czech Republic
Carlo Tomasi Duke University, USA
Tatiana Tommasi Politecnico di Torino, Italy
Lorenzo Torresani Facebook AI Research and Dartmouth College, USA
Alexander Toshev Google, USA
Zhuowen Tu University of California, San Diego, USA
Tinne Tuytelaars KU Leuven, Belgium
Jasper Uijlings Google, Switzerland
Nuno Vasconcelos University of California, San Diego, USA
Olga Veksler University of Waterloo, Canada
Rene Vidal Johns Hopkins University, USA
Gang Wang Alibaba Group, China
Jingdong Wang Microsoft Research Asia, China
Yizhou Wang Peking University, China
Lior Wolf Facebook AI Research and Tel Aviv University, Israel
Jianxin Wu Nanjing University, China
Tao Xiang University of Surrey, UK
Saining Xie Facebook AI Research, USA
Ming-Hsuan Yang University of California at Merced and Google, USA
Ruigang Yang University of Kentucky, USA
Organization xvii
Kwang Moo Yi University of Victoria, Canada

Zhaozheng Yin Stony Brook, State University of New York, USA
Chang D. Yoo Korea Advanced Institute of Science and Technology,
South Korea
Shaodi You University of Amsterdam, The Netherlands
Jingyi Yu ShanghaiTech University, China
Stella Yu University of California, Berkeley, and ICSI, USA
Stefanos Zafeiriou Imperial College London, UK
Hongbin Zha Peking University, China
Tianzhu Zhang University of Science and Technology of China, China
Liang Zheng Australian National University, Australia
Todd E. Zickler Harvard University, USA
Andrew Zisserman University of Oxford, UK
Technical Program Committee
Sathyanarayanan Samuel Albanie Pablo Arbelaez

N. Aakur Shadi Albarqouni Shervin Ardeshir
Wael Abd Almgaeed Cenek Albl Sercan O. Arik
Abdelrahman Hassan Abu Alhaija Anil Armagan
Abdelhamed Daniel Aliaga Anurag Arnab
Abdullah Abuolaim Mohammad Chetan Arora
Supreeth Achar S. Aliakbarian Federica Arrigoni
Hanno Ackermann Rahaf Aljundi Mathieu Aubry
Ehsan Adeli Thiemo Alldieck Shai Avidan
Triantafyllos Afouras Jon Almazan Angelica I. Aviles-Rivero
Sameer Agarwal Jose M. Alvarez Yannis Avrithis
Aishwarya Agrawal Senjian An Ismail Ben Ayed
Harsh Agrawal Saket Anand Shekoofeh Azizi
Pulkit Agrawal Codruta Ancuti Ioan Andrei Bârsan
Antonio Agudo Cosmin Ancuti Artem Babenko
Eirikur Agustsson Peter Anderson Deepak Babu Sam
Karim Ahmed Juan Andrade-Cetto Seung-Hwan Baek
Byeongjoo Ahn Alexander Andreopoulos Seungryul Baek
Unaiza Ahsan Misha Andriluka Andrew D. Bagdanov
Thalaiyasingam Ajanthan Dragomir Anguelov Shai Bagon
Kenan E. Ak Rushil Anirudh Yuval Bahat
Emre Akbas Michel Antunes Junjie Bai
Naveed Akhtar Oisin Mac Aodha Song Bai
Derya Akkaynak Srikar Appalaraju Xiang Bai
Yagiz Aksoy Relja Arandjelovic Yalong Bai
Ziad Al-Halah Nikita Araslanov Yancheng Bai
Xavier Alameda-Pineda Andre Araujo Peter Bajcsy
Jean-Baptiste Alayrac Helder Araujo Slawomir Bak
xviii Organization
Mahsa Baktashmotlagh Florian Bernard Pradeep Buddharaju

Kavita Bala Stefano Berretti Uta Buechler
Yogesh Balaji Marcelo Bertalmio Mai Bui
Guha Balakrishnan Gedas Bertasius Tu Bui
V. N. Balasubramanian Cigdem Beyan Adrian Bulat
Federico Baldassarre Lucas Beyer Giedrius T. Burachas
Vassileios Balntas Vijayakumar Bhagavatula Elena Burceanu
Shurjo Banerjee Arjun Nitin Bhagoji Xavier P. Burgos-Artizzu
Aayush Bansal Apratim Bhattacharyya Kaylee Burns
Ankan Bansal Binod Bhattarai Andrei Bursuc
Jianmin Bao Sai Bi Benjamin Busam
Linchao Bao Jia-Wang Bian Wonmin Byeon
Wenbo Bao Simone Bianco Zoya Bylinskii
Yingze Bao Adel Bibi Sergi Caelles
Akash Bapat Tolga Birdal Jianrui Cai
Md Jawadul Hasan Bappy Tom Bishop Minjie Cai
Fabien Baradel Soma Biswas Yujun Cai
Lorenzo Baraldi Mårten Björkman Zhaowei Cai
Daniel Barath Volker Blanz Zhipeng Cai
Adrian Barbu Vishnu Boddeti Juan C. Caicedo
Kobus Barnard Navaneeth Bodla Simone Calderara
Nick Barnes Simion-Vlad Bogolin Necati Cihan Camgoz
Francisco Barranco Xavier Boix Dylan Campbell
Jonathan T. Barron Piotr Bojanowski Octavia Camps
Arslan Basharat Timo Bolkart Jiale Cao
Chaim Baskin Guido Borghi Kaidi Cao
Anil S. Baslamisli Larbi Boubchir Liangliang Cao
Jorge Batista Guillaume Bourmaud Xiangyong Cao
Kayhan Batmanghelich Adrien Bousseau Xiaochun Cao
Konstantinos Batsos Thierry Bouwmans Yang Cao
David Bau Richard Bowden Yu Cao
Luis Baumela Hakan Boyraz Yue Cao
Christoph Baur Mathieu Brédif Zhangjie Cao
Eduardo Samarth Brahmbhatt Luca Carlone
Bayro-Corrochano Steve Branson Mathilde Caron
Paul Beardsley Nikolas Brasch Dan Casas
Jan Bednavr’ik Biagio Brattoli Thomas J. Cashman
Oscar Beijbom Ernesto Brau Umberto Castellani
Philippe Bekaert Toby P. Breckon Lluis Castrejon
Esube Bekele Francois Bremond Jacopo Cavazza
Vasileios Belagiannis Jesus Briales Fabio Cermelli
Ohad Ben-Shahar Sofia Broomé Hakan Cevikalp
Abhijit Bendale Marcus A. Brubaker Menglei Chai
Róger Bermúdez-Chacón Luc Brun Ishani Chakraborty
Maxim Berman Silvia Bucci Rudrasis Chakraborty
Jesus Bermudez-cameo Shyamal Buch Antoni B. Chan
Organization xix
Kwok-Ping Chan Weifeng Chen Nam Ik Cho

Siddhartha Chandra Weikai Chen Tim Cho
Sharat Chandran Xi Chen Tae Eun Choe
Arjun Chandrasekaran Xiaohan Chen Chiho Choi
Angel X. Chang Xiaozhi Chen Edward Choi
Che-Han Chang Xilin Chen Inchang Choi
Hong Chang Xingyu Chen Jinsoo Choi
Hyun Sung Chang Xinlei Chen Jonghyun Choi
Hyung Jin Chang Xinyun Chen Jongwon Choi
Jianlong Chang Yi-Ting Chen Yukyung Choi
Ju Yong Chang Yilun Chen Hisham Cholakkal
Ming-Ching Chang Ying-Cong Chen Eunji Chong
Simyung Chang Yinpeng Chen Jaegul Choo
Xiaojun Chang Yiran Chen Christopher Choy
Yu-Wei Chao Yu Chen Hang Chu
Devendra S. Chaplot Yu-Sheng Chen Peng Chu
Arslan Chaudhry Yuhua Chen Wen-Sheng Chu
Rizwan A. Chaudhry Yun-Chun Chen Albert Chung
Can Chen Yunpeng Chen Joon Son Chung
Chang Chen Yuntao Chen Hai Ci
Chao Chen Zhuoyuan Chen Safa Cicek
Chen Chen Zitian Chen Ramazan G. Cinbis
Chu-Song Chen Anchieh Cheng Arridhana Ciptadi
Dapeng Chen Bowen Cheng Javier Civera
Dong Chen Erkang Cheng James J. Clark
Dongdong Chen Gong Cheng Ronald Clark
Guanying Chen Guangliang Cheng Felipe Codevilla
Hongge Chen Jingchun Cheng Michael Cogswell
Hsin-yi Chen Jun Cheng Andrea Cohen
Huaijin Chen Li Cheng Maxwell D. Collins
Hwann-Tzong Chen Ming-Ming Cheng Carlo Colombo
Jianbo Chen Yu Cheng Yang Cong
Jianhui Chen Ziang Cheng Adria R. Continente
Jiansheng Chen Anoop Cherian Marcella Cornia
Jiaxin Chen Dmitry Chetverikov John Richard Corring
Jie Chen Ngai-man Cheung Darren Cosker
Jun-Cheng Chen William Cheung Dragos Costea
Kan Chen Ajad Chhatkuli Garrison W. Cottrell
Kevin Chen Naoki Chiba Florent Couzinie-Devy
Lin Chen Benjamin Chidester Marco Cristani
Long Chen Han-pang Chiu Ioana Croitoru
Min-Hung Chen Mang Tik Chiu James L. Crowley
Qifeng Chen Wei-Chen Chiu Jiequan Cui
Shi Chen Donghyeon Cho Zhaopeng Cui
Shixing Chen Hojin Cho Ross Cutler
Tianshui Chen Minsu Cho Antonio D’Innocente
xx Organization
Rozenn Dahyot Mingyu Ding Jan Ernst

Bo Dai Xinghao Ding Sergio Escalera
Dengxin Dai Zhengming Ding Francisco Escolano
Hang Dai Robert DiPietro Victor Escorcia
Longquan Dai Cosimo Distante Carlos Esteves
Shuyang Dai Ajay Divakaran Francisco J. Estrada
Xiyang Dai Mandar Dixit Bin Fan
Yuchao Dai Abdelaziz Djelouah Chenyou Fan
Adrian V. Dalca Thanh-Toan Do Deng-Ping Fan
Dima Damen Jose Dolz Haoqi Fan
Bharath B. Damodaran Bo Dong Hehe Fan
Kristin Dana Chao Dong Heng Fan
Martin Danelljan Jiangxin Dong Kai Fan
Zheng Dang Weiming Dong Lijie Fan
Zachary Alan Daniels Weisheng Dong Linxi Fan
Donald G. Dansereau Xingping Dong Quanfu Fan
Abhishek Das Xuanyi Dong Shaojing Fan
Samyak Datta Yinpeng Dong Xiaochuan Fan
Achal Dave Gianfranco Doretto Xin Fan
Titas De Hazel Doughty Yuchen Fan
Rodrigo de Bem Hassen Drira Sean Fanello
Teo de Campos Bertram Drost Hao-Shu Fang
Raoul de Charette Dawei Du Haoyang Fang
Shalini De Mello Ye Duan Kuan Fang
Joseph DeGol Yueqi Duan Yi Fang
Herve Delingette Abhimanyu Dubey Yuming Fang
Haowen Deng Anastasia Dubrovina Azade Farshad
Jiankang Deng Stefan Duffner Alireza Fathi
Weijian Deng Chi Nhan Duong Raanan Fattal
Zhiwei Deng Thibaut Durand Joao Fayad
Joachim Denzler Zoran Duric Xiaohan Fei
Konstantinos G. Derpanis Iulia Duta Christoph Feichtenhofer
Aditya Deshpande Debidatta Dwibedi Michael Felsberg
Frederic Devernay Benjamin Eckart Chen Feng
Somdip Dey Marc Eder Jiashi Feng
Arturo Deza Marzieh Edraki Junyi Feng
Abhinav Dhall Alexei A. Efros Mengyang Feng
Helisa Dhamo Kiana Ehsani Qianli Feng
Vikas Dhiman Hazm Kemal Ekenel Zhenhua Feng
Fillipe Dias Moreira James H. Elder Michele Fenzi
de Souza Mohamed Elgharib Andras Ferencz
Ali Diba Shireen Elhabian Martin Fergie
Ferran Diego Ehsan Elhamifar Basura Fernando
Guiguang Ding Mohamed Elhoseiny Ethan Fetaya
Henghui Ding Ian Endres Michael Firman
Jian Ding N. Benjamin Erichson John W. Fisher
Organization xxi
Matthew Fisher Jin Gao Dong Gong

Boris Flach Jiyang Gao Ke Gong
Corneliu Florea Junbin Gao Mingming Gong
Wolfgang Foerstner Katelyn Gao Abel Gonzalez-Garcia
David Fofi Lin Gao Ariel Gordon
Gian Luca Foresti Mingfei Gao Daniel Gordon
Per-Erik Forssen Ruiqi Gao Paulo Gotardo
David Fouhey Ruohan Gao Venu Madhav Govindu
Katerina Fragkiadaki Shenghua Gao Ankit Goyal
Victor Fragoso Yuan Gao Priya Goyal
Jean-Sébastien Franco Yue Gao Raghav Goyal
Ohad Fried Noa Garcia Benjamin Graham
Iuri Frosio Alberto Garcia-Garcia Douglas Gray
Cheng-Yang Fu Guillermo Brent A. Griffin
Huazhu Fu Garcia-Hernando Etienne Grossmann
Jianlong Fu Jacob R. Gardner David Gu
Jingjing Fu Animesh Garg Jiayuan Gu
Xueyang Fu Kshitiz Garg Jiuxiang Gu
Yanwei Fu Rahul Garg Lin Gu
Ying Fu Ravi Garg Qiao Gu
Yun Fu Philip N. Garner Shuhang Gu
Olac Fuentes Kirill Gavrilyuk Jose J. Guerrero
Kent Fujiwara Paul Gay Paul Guerrero
Takuya Funatomi Shiming Ge Jie Gui
Christopher Funk Weifeng Ge Jean-Yves Guillemaut
Thomas Funkhouser Baris Gecer Riza Alp Guler
Antonino Furnari Xin Geng Erhan Gundogdu
Ryo Furukawa Kyle Genova Fatma Guney
Erik Gärtner Stamatios Georgoulis Guodong Guo
Raghudeep Gadde Bernard Ghanem Kaiwen Guo
Matheus Gadelha Michael Gharbi Qi Guo
Vandit Gajjar Kamran Ghasedi Sheng Guo
Trevor Gale Golnaz Ghiasi Shi Guo
Juergen Gall Arnab Ghosh Tiantong Guo
Mathias Gallardo Partha Ghosh Xiaojie Guo
Guillermo Gallego Silvio Giancola Yijie Guo
Orazio Gallo Andrew Gilbert Yiluan Guo
Chuang Gan Rohit Girdhar Yuanfang Guo
Zhe Gan Xavier Giro-i-Nieto Yulan Guo
Madan Ravi Ganesh Thomas Gittings Agrim Gupta
Aditya Ganeshan Ioannis Gkioulekas Ankush Gupta
Siddha Ganju Clement Godard Mohit Gupta
Bin-Bin Gao Vaibhava Goel Saurabh Gupta
Changxin Gao Bastian Goldluecke Tanmay Gupta
Feng Gao Lluis Gomez Danna Gurari
Hongchang Gao Nuno Gonçalves Abner Guzman-Rivera
xxii Organization
JunYoung Gwak Zhihai He Ronghang Hu

Michael Gygli Chinmay Hegde Xiaowei Hu
Jung-Woo Ha Janne Heikkila Yinlin Hu
Simon Hadfield Mattias P. Heinrich Yuan-Ting Hu
Isma Hadji Stéphane Herbin Zhe Hu
Bjoern Haefner Alexander Hermans Binh-Son Hua
Taeyoung Hahn Luis Herranz Yang Hua
Levente Hajder John R. Hershey Bingyao Huang
Peter Hall Aaron Hertzmann Di Huang
Emanuela Haller Roei Herzig Dong Huang
Stefan Haller Anders Heyden Fay Huang
Bumsub Ham Steven Hickson Haibin Huang
Abdullah Hamdi Otmar Hilliges Haozhi Huang
Dongyoon Han Tomas Hodan Heng Huang
Hu Han Judy Hoffman Huaibo Huang
Jungong Han Michael Hofmann Jia-Bin Huang
Junwei Han Yannick Hold-Geoffroy Jing Huang
Kai Han Namdar Homayounfar Jingwei Huang
Tian Han Sina Honari Kaizhu Huang
Xiaoguang Han Richang Hong Lei Huang
Xintong Han Seunghoon Hong Qiangui Huang
Yahong Han Xiaopeng Hong Qiaoying Huang
Ankur Handa Yi Hong Qingqiu Huang
Zekun Hao Hidekata Hontani Qixing Huang
Albert Haque Anthony Hoogs Shaoli Huang
Tatsuya Harada Yedid Hoshen Sheng Huang
Mehrtash Harandi Mir Rayat Imtiaz Hossain Siyuan Huang
Adam W. Harley Junhui Hou Weilin Huang
Mahmudul Hasan Le Hou Wenbing Huang
Atsushi Hashimoto Lu Hou Xiangru Huang
Ali Hatamizadeh Tingbo Hou Xun Huang
Munawar Hayat Wei-Lin Hsiao Yan Huang
Dongliang He Cheng-Chun Hsu Yifei Huang
Jingrui He Gee-Sern Jison Hsu Yue Huang
Junfeng He Kuang-jui Hsu Zhiwu Huang
Kaiming He Changbo Hu Zilong Huang
Kun He Di Hu Minyoung Huh
Lei He Guosheng Hu Zhuo Hui
Pan He Han Hu Matthias B. Hullin
Ran He Hao Hu Martin Humenberger
Shengfeng He Hexiang Hu Wei-Chih Hung
Tong He Hou-Ning Hu Zhouyuan Huo
Weipeng He Jie Hu Junhwa Hur
Xuming He Junlin Hu Noureldien Hussein
Yang He Nan Hu Jyh-Jing Hwang
Yihui He Ping Hu Seong Jae Hwang
Organization xxiii
Sung Ju Hwang Lai Jiang Christopher Kanan

Ichiro Ide Li Jiang Kenichi Kanatani
Ivo Ihrke Lu Jiang Angjoo Kanazawa
Daiki Ikami Ming Jiang Atsushi Kanehira
Satoshi Ikehata Peng Jiang Takuhiro Kaneko
Nazli Ikizler-Cinbis Shuqiang Jiang Asako Kanezaki
Sunghoon Im Wei Jiang Bingyi Kang
Yani Ioannou Xudong Jiang Di Kang
Radu Tudor Ionescu Zhuolin Jiang Sunghun Kang
Umar Iqbal Jianbo Jiao Zhao Kang
Go Irie Zequn Jie Vadim Kantorov
Ahmet Iscen Dakai Jin Abhishek Kar
Md Amirul Islam Kyong Hwan Jin Amlan Kar
Vamsi Ithapu Lianwen Jin Theofanis Karaletsos
Nathan Jacobs SouYoung Jin Leonid Karlinsky
Arpit Jain Xiaojie Jin Kevin Karsch
Himalaya Jain Xin Jin Angelos Katharopoulos
Suyog Jain Nebojsa Jojic Isinsu Katircioglu
Stuart James Alexis Joly Hiroharu Kato
Won-Dong Jang Michael Jeffrey Jones Zoltan Kato
Yunseok Jang Hanbyul Joo Dotan Kaufman
Ronnachai Jaroensri Jungseock Joo Jan Kautz
Dinesh Jayaraman Kyungdon Joo Rei Kawakami
Sadeep Jayasumana Ajjen Joshi Qiuhong Ke
Suren Jayasuriya Shantanu H. Joshi Wadim Kehl
Herve Jegou Da-Cheng Juan Petr Kellnhofer
Simon Jenni Marco Körner Aniruddha Kembhavi
Hae-Gon Jeon Kevin Köser Cem Keskin
Yunho Jeon Asim Kadav Margret Keuper
Koteswar R. Jerripothula Christine Kaeser-Chen Daniel Keysers
Hueihan Jhuang Kushal Kafle Ashkan Khakzar
I-hong Jhuo Dagmar Kainmueller Fahad Khan
Dinghuang Ji Ioannis A. Kakadiaris Naeemullah Khan
Hui Ji Zdenek Kalal Salman Khan
Jingwei Ji Nima Kalantari Siddhesh Khandelwal
Pan Ji Yannis Kalantidis Rawal Khirodkar
Yanli Ji Mahdi M. Kalayeh Anna Khoreva
Baoxiong Jia Anmol Kalia Tejas Khot
Kui Jia Sinan Kalkan Parmeshwar Khurd
Xu Jia Vicky Kalogeiton Hadi Kiapour
Chiyu Max Jiang Ashwin Kalyan Joe Kileel
Haiyong Jiang Joni-kristian Kamarainen Chanho Kim
Hao Jiang Gerda Kamberova Dahun Kim
Huaizu Jiang Chandra Kambhamettu Edward Kim
Huajie Jiang Martin Kampel Eunwoo Kim
Ke Jiang Meina Kan Han-ul Kim
xxiv Organization
Hansung Kim Adam Kortylewski Xiangyuan lan

Heewon Kim Jana Kosecka Xu Lan
Hyo Jin Kim Jean Kossaifi Charis Lanaras
Hyunwoo J. Kim Satwik Kottur Georg Langs
Jinkyu Kim Rigas Kouskouridas Oswald Lanz
Jiwon Kim Adriana Kovashka Dong Lao
Jongmin Kim Rama Kovvuri Yizhen Lao
Junsik Kim Adarsh Kowdle Agata Lapedriza
Junyeong Kim Jedrzej Kozerawski Gustav Larsson
Min H. Kim Mateusz Kozinski Viktor Larsson
Namil Kim Philipp Kraehenbuehl Katrin Lasinger
Pyojin Kim Gregory Kramida Christoph Lassner
Seon Joo Kim Josip Krapac Longin Jan Latecki
Seong Tae Kim Dmitry Kravchenko Stéphane Lathuilière
Seungryong Kim Ranjay Krishna Rynson Lau
Sungwoong Kim Pavel Krsek Hei Law
Tae Hyun Kim Alexander Krull Justin Lazarow
Vladimir Kim Jakob Kruse Svetlana Lazebnik
Won Hwa Kim Hiroyuki Kubo Hieu Le
Yonghyun Kim Hilde Kuehne Huu Le
Benjamin Kimia Jason Kuen Ngan Hoang Le
Akisato Kimura Andreas Kuhn Trung-Nghia Le
Pieter-Jan Kindermans Arjan Kuijper Vuong Le
Zsolt Kira Zuzana Kukelova Colin Lea
Itaru Kitahara Ajay Kumar Erik Learned-Miller
Hedvig Kjellstrom Amit Kumar Chen-Yu Lee
Jan Knopp Avinash Kumar Gim Hee Lee
Takumi Kobayashi Suryansh Kumar Hsin-Ying Lee
Erich Kobler Vijay Kumar Hyungtae Lee
Parker Koch Kaustav Kundu Jae-Han Lee
Reinhard Koch Weicheng Kuo Jimmy Addison Lee
Elyor Kodirov Nojun Kwak Joonseok Lee
Amir Kolaman Suha Kwak Kibok Lee
Nicholas Kolkin Junseok Kwon Kuang-Huei Lee
Dimitrios Kollias Nikolaos Kyriazis Kwonjoon Lee
Stefanos Kollias Zorah Lähner Minsik Lee
Soheil Kolouri Ankit Laddha Sang-chul Lee
Adams Wai-Kin Kong Florent Lafarge Seungkyu Lee
Naejin Kong Jean Lahoud Soochan Lee
Shu Kong Kevin Lai Stefan Lee
Tao Kong Shang-Hong Lai Taehee Lee
Yu Kong Wei-Sheng Lai Andreas Lehrmann
Yoshinori Konishi Yu-Kun Lai Jie Lei
Daniil Kononenko Iro Laina Peng Lei
Theodora Kontogianni Antony Lam Matthew Joseph Leotta
Simon Korman John Wheatley Lambert Wee Kheng Leow
Organization xxv
Gil Levi Sheng Li Renjie Liao

Evgeny Levinkov Shiwei Li Shengcai Liao
Aviad Levis Shuang Li Shuai Liao
Jose Lezama Siyang Li Yiyi Liao
Ang Li Stan Z. Li Ser-Nam Lim
Bin Li Tianye Li Chen-Hsuan Lin
Bing Li Wei Li Chung-Ching Lin
Boyi Li Weixin Li Dahua Lin
Changsheng Li Wen Li Ji Lin
Chao Li Wenbo Li Kevin Lin
Chen Li Xiaomeng Li Tianwei Lin
Cheng Li Xin Li Tsung-Yi Lin
Chenglong Li Xiu Li Tsung-Yu Lin
Chi Li Xuelong Li Wei-An Lin
Chun-Guang Li Xueting Li Weiyao Lin
Chun-Liang Li Yan Li Yen-Chen Lin
Chunyuan Li Yandong Li Yuewei Lin
Dong Li Yanghao Li David B. Lindell
Guanbin Li Yehao Li Drew Linsley
Hao Li Yi Li Krzysztof Lis
Haoxiang Li Yijun Li Roee Litman
Hongsheng Li Yikang LI Jim Little
Hongyang Li Yining Li An-An Liu
Houqiang Li Yongjie Li Bo Liu
Huibin Li Yu Li Buyu Liu
Jia Li Yu-Jhe Li Chao Liu
Jianan Li Yunpeng Li Chen Liu
Jianguo Li Yunsheng Li Cheng-lin Liu
Junnan Li Yunzhu Li Chenxi Liu
Junxuan Li Zhe Li Dong Liu
Kai Li Zhen Li Feng Liu
Ke Li Zhengqi Li Guilin Liu
Kejie Li Zhenyang Li Haomiao Liu
Kunpeng Li Zhuwen Li Heshan Liu
Lerenhan Li Dongze Lian Hong Liu
Li Erran Li Xiaochen Lian Ji Liu
Mengtian Li Zhouhui Lian Jingen Liu
Mu Li Chen Liang Jun Liu
Peihua Li Jie Liang Lanlan Liu
Peiyi Li Ming Liang Li Liu
Ping Li Paul Pu Liang Liu Liu
Qi Li Pengpeng Liang Mengyuan Liu
Qing Li Shu Liang Miaomiao Liu
Ruiyu Li Wei Liang Nian Liu
Ruoteng Li Jing Liao Ping Liu
Shaozi Li Minghui Liao Risheng Liu
xxvi Organization
Sheng Liu Yang Long K. T. Ma

Shu Liu Charles T. Loop Ke Ma
Shuaicheng Liu Antonio Lopez Lin Ma
Sifei Liu Roberto J. Lopez-Sastre Liqian Ma
Siqi Liu Javier Lorenzo-Navarro Shugao Ma
Siying Liu Manolis Lourakis Wei-Chiu Ma
Songtao Liu Boyu Lu Xiaojian Ma
Ting Liu Canyi Lu Xingjun Ma
Tongliang Liu Feng Lu Zhanyu Ma
Tyng-Luh Liu Guoyu Lu Zheng Ma
Wanquan Liu Hongtao Lu Radek Jakob Mackowiak
Wei Liu Jiajun Lu Ludovic Magerand
Weiyang Liu Jiasen Lu Shweta Mahajan
Weizhe Liu Jiwen Lu Siddharth Mahendran
Wenyu Liu Kaiyue Lu Long Mai
Wu Liu Le Lu Ameesh Makadia
Xialei Liu Shao-Ping Lu Oscar Mendez Maldonado
Xianglong Liu Shijian Lu Mateusz Malinowski
Xiaodong Liu Xiankai Lu Yury Malkov
Xiaofeng Liu Xin Lu Arun Mallya
Xihui Liu Yao Lu Dipu Manandhar
Xingyu Liu Yiping Lu Massimiliano Mancini
Xinwang Liu Yongxi Lu Fabian Manhardt
Xuanqing Liu Yongyi Lu Kevis-kokitsi Maninis
Xuebo Liu Zhiwu Lu Varun Manjunatha
Yang Liu Fujun Luan Junhua Mao
Yaojie Liu Benjamin E. Lundell Xudong Mao
Yebin Liu Hao Luo Alina Marcu
Yen-Cheng Liu Jian-Hao Luo Edgar Margffoy-Tuay
Yiming Liu Ruotian Luo Dmitrii Marin
Yu Liu Weixin Luo Manuel J. Marin-Jimenez
Yu-Shen Liu Wenhan Luo Kenneth Marino
Yufan Liu Wenjie Luo Niki Martinel
Yun Liu Yan Luo Julieta Martinez
Zheng Liu Zelun Luo Jonathan Masci
Zhijian Liu Zixin Luo Tomohiro Mashita
Zhuang Liu Khoa Luu Iacopo Masi
Zichuan Liu Zhaoyang Lv David Masip
Ziwei Liu Pengyuan Lyu Daniela Massiceti
Zongyi Liu Thomas Möllenhoff Stefan Mathe
Stephan Liwicki Matthias Müller Yusuke Matsui
Liliana Lo Presti Bingpeng Ma Tetsu Matsukawa
Chengjiang Long Chih-Yao Ma Iain A. Matthews
Fuchen Long Chongyang Ma Kevin James Matzen
Mingsheng Long Huimin Ma Bruce Allen Maxwell
Xiang Long Jiayi Ma Stephen Maybank
Organization xxvii
Helmut Mayer Pritish Mohapatra Lakshmanan Nataraj

Amir Mazaheri Pavlo Molchanov Neda Nategh
David McAllester Davide Moltisanti Nelson Isao Nauata
Steven McDonagh Pascal Monasse Fernando Navarro
Stephen J. Mckenna Mathew Monfort Shah Nawaz
Roey Mechrez Aron Monszpart Lukas Neumann
Prakhar Mehrotra Sean Moran Ram Nevatia
Christopher Mei Vlad I. Morariu Alejandro Newell
Xue Mei Francesc Moreno-Noguer Shawn Newsam
Paulo R. S. Mendonca Pietro Morerio Joe Yue-Hei Ng
Lili Meng Stylianos Moschoglou Trung Thanh Ngo
Zibo Meng Yael Moses Duc Thanh Nguyen
Thomas Mensink Roozbeh Mottaghi Lam M. Nguyen
Bjoern Menze Pierre Moulon Phuc Xuan Nguyen
Michele Merler Arsalan Mousavian Thuong Nguyen Canh
Kourosh Meshgi Yadong Mu Mihalis Nicolaou
Pascal Mettes Yasuhiro Mukaigawa Andrei Liviu Nicolicioiu
Christopher Metzler Lopamudra Mukherjee Xuecheng Nie
Liang Mi Yusuke Mukuta Michael Niemeyer
Qiguang Miao Ravi Teja Mullapudi Simon Niklaus
Xin Miao Mario Enrique Munich Christophoros Nikou
Tomer Michaeli Zachary Murez David Nilsson
Frank Michel Ana C. Murillo Jifeng Ning
Antoine Miech J. Krishna Murthy Yuval Nirkin
Krystian Mikolajczyk Damien Muselet Li Niu
Peyman Milanfar Armin Mustafa Yuzhen Niu
Ben Mildenhall Siva Karthik Mustikovela Zhenxing Niu
Gregor Miller Carlo Dal Mutto Shohei Nobuhara
Fausto Milletari Moin Nabi Nicoletta Noceti
Dongbo Min Varun K. Nagaraja Hyeonwoo Noh
Kyle Min Tushar Nagarajan Junhyug Noh
Pedro Miraldo Arsha Nagrani Mehdi Noroozi
Dmytro Mishkin Seungjun Nah Sotiris Nousias
Anand Mishra Nikhil Naik Valsamis Ntouskos
Ashish Mishra Yoshikatsu Nakajima Matthew O’Toole
Ishan Misra Yuta Nakashima Peter Ochs
Niluthpol C. Mithun Atsushi Nakazawa Ferda Ofli
Kaushik Mitra Seonghyeon Nam Seong Joon Oh
Niloy Mitra Vinay P. Namboodiri Seoung Wug Oh
Anton Mitrokhin Medhini Narasimhan Iason Oikonomidis
Ikuhisa Mitsugami Srinivasa Narasimhan Utkarsh Ojha
Anurag Mittal Sanath Narayan Takahiro Okabe
Kaichun Mo Erickson Rangel Takayuki Okatani
Zhipeng Mo Nascimento Fumio Okura
Davide Modolo Jacinto Nascimento Aude Oliva
Michael Moeller Tayyab Naseer Kyle Olszewski
xxviii Organization
Björn Ommer Nikolaos Passalis Daniel Pizarro

Mohamed Omran Vishal Patel Tobias Plötz
Elisabeta Oneata Viorica Patraucean Mirco Planamente
Michael Opitz Badri Narayana Patro Matteo Poggi
Jose Oramas Danda Pani Paudel Moacir A. Ponti
Tribhuvanesh Orekondy Sujoy Paul Parita Pooj
Shaul Oron Georgios Pavlakos Fatih Porikli
Sergio Orts-Escolano Ioannis Pavlidis Horst Possegger
Ivan Oseledets Vladimir Pavlovic Omid Poursaeed
Aljosa Osep Nick Pears Ameya Prabhu
Magnus Oskarsson Kim Steenstrup Pedersen Viraj Uday Prabhu
Anton Osokin Selen Pehlivan Dilip Prasad
Martin R. Oswald Shmuel Peleg Brian L. Price
Wanli Ouyang Chao Peng True Price
Andrew Owens Houwen Peng Maria Priisalu
Mete Ozay Wen-Hsiao Peng Veronique Prinet
Mustafa Ozuysal Xi Peng Victor Adrian Prisacariu
Eduardo Pérez-Pellitero Xiaojiang Peng Jan Prokaj
Gautam Pai Xingchao Peng Sergey Prokudin
Dipan Kumar Pal Yuxin Peng Nicolas Pugeault
P. H. Pamplona Savarese Federico Perazzi Xavier Puig
Jinshan Pan Juan Camilo Perez Albert Pumarola
Junting Pan Vishwanath Peri Pulak Purkait
Xingang Pan Federico Pernici Senthil Purushwalkam
Yingwei Pan Luca Del Pero Charles R. Qi
Yannis Panagakis Florent Perronnin Hang Qi
Rameswar Panda Stavros Petridis Haozhi Qi
Guan Pang Henning Petzka Lu Qi
Jiahao Pang Patrick Peursum Mengshi Qi
Jiangmiao Pang Michael Pfeiffer Siyuan Qi
Tianyu Pang Hanspeter Pfister Xiaojuan Qi
Sharath Pankanti Roman Pflugfelder Yuankai Qi
Nicolas Papadakis Minh Tri Pham Shengju Qian
Dim Papadopoulos Yongri Piao Xuelin Qian
George Papandreou David Picard Siyuan Qiao
Toufiq Parag Tomasz Pieciak Yu Qiao
Shaifali Parashar A. J. Piergiovanni Jie Qin
Sarah Parisot Andrea Pilzer Qiang Qiu
Eunhyeok Park Pedro O. Pinheiro Weichao Qiu
Hyun Soo Park Silvia Laura Pintea Zhaofan Qiu
Jaesik Park Lerrel Pinto Kha Gia Quach
Min-Gyu Park Axel Pinz Yuhui Quan
Taesung Park Robinson Piramuthu Yvain Queau
Alvaro Parra Fiora Pirri Julian Quiroga
C. Alejandro Parraga Leonid Pishchulin Faisal Qureshi
Despoina Paschalidou Francesco Pittaluga Mahdi Rad
Organization xxix
Filip Radenovic Zhou Ren Chris Russell

Petia Radeva Vijay Rengarajan Dan Ruta
Venkatesh Md A. Reza Jongbin Ryu
B. Radhakrishnan Farzaneh Rezaeianaran Ömer Sümer
Ilija Radosavovic Hamed R. Tavakoli Alexandre Sablayrolles
Noha Radwan Nicholas Rhinehart Faraz Saeedan
Rahul Raguram Helge Rhodin Ryusuke Sagawa
Tanzila Rahman Elisa Ricci Christos Sagonas
Amit Raj Alexander Richard Tonmoy Saikia
Ajit Rajwade Eitan Richardson Hideo Saito
Kandan Ramakrishnan Elad Richardson Kuniaki Saito
Santhosh Christian Richardt Shunsuke Saito
K. Ramakrishnan Stephan Richter Shunta Saito
Srikumar Ramalingam Gernot Riegler Ken Sakurada
Ravi Ramamoorthi Daniel Ritchie Joaquin Salas
Vasili Ramanishka Tobias Ritschel Fatemeh Sadat Saleh
Ramprasaath R. Selvaraju Samuel Rivera Mahdi Saleh
Francois Rameau Yong Man Ro Pouya Samangouei
Visvanathan Ramesh Richard Roberts Leo Sampaio
Santu Rana Joseph Robinson Ferraz Ribeiro
Rene Ranftl Ignacio Rocco Artsiom Olegovich
Anand Rangarajan Mrigank Rochan Sanakoyeu
Anurag Ranjan Emanuele Rodolà Enrique Sanchez
Viresh Ranjan Mikel D. Rodriguez Patsorn Sangkloy
Yongming Rao Giorgio Roffo Anush Sankaran
Carolina Raposo Grégory Rogez Aswin Sankaranarayanan
Vivek Rathod Gemma Roig Swami Sankaranarayanan
Sathya N. Ravi Javier Romero Rodrigo Santa Cruz
Avinash Ravichandran Xuejian Rong Amartya Sanyal
Tammy Riklin Raviv Yu Rong Archana Sapkota
Daniel Rebain Amir Rosenfeld Nikolaos Sarafianos
Sylvestre-Alvise Rebuffi Bodo Rosenhahn Jun Sato
N. Dinesh Reddy Guy Rosman Shin’ichi Satoh
Timo Rehfeld Arun Ross Hosnieh Sattar
Paolo Remagnino Paolo Rota Arman Savran
Konstantinos Rematas Peter M. Roth Manolis Savva
Edoardo Remelli Anastasios Roussos Alexander Sax
Dongwei Ren Anirban Roy Hanno Scharr
Haibing Ren Sebastien Roy Simone Schaub-Meyer
Jian Ren Aruni RoyChowdhury Konrad Schindler
Jimmy Ren Artem Rozantsev Dmitrij Schlesinger
Mengye Ren Ognjen Rudovic Uwe Schmidt
Weihong Ren Daniel Rueckert Dirk Schnieders
Wenqi Ren Adria Ruiz Björn Schuller
Zhile Ren Javier Ruiz-del-solar Samuel Schulter
Zhongzheng Ren Christian Rupprecht Idan Schwartz
xxx Organization
William Robson Schwartz Hailin Shi Roger

Alex Schwing Miaojing Shi D. Soberanis-Mukul
Sinisa Segvic Yemin Shi Kihyuk Sohn
Lorenzo Seidenari Zhenmei Shi Francesco Solera
Pradeep Sen Zhiyuan Shi Eric Sommerlade
Ozan Sener Kevin Jonathan Shih Sanghyun Son
Soumyadip Sengupta Shiliang Shiliang Byung Cheol Song
Arda Senocak Hyunjung Shim Chunfeng Song
Mojtaba Seyedhosseini Atsushi Shimada Dongjin Song
Shishir Shah Nobutaka Shimada Jiaming Song
Shital Shah Daeyun Shin Jie Song
Sohil Atul Shah Young Min Shin Jifei Song
Tamar Rott Shaham Koichi Shinoda Jingkuan Song
Huasong Shan Konstantin Shmelkov Mingli Song
Qi Shan Michael Zheng Shou Shiyu Song
Shiguang Shan Abhinav Shrivastava Shuran Song
Jing Shao Tianmin Shu Xiao Song
Roman Shapovalov Zhixin Shu Yafei Song
Gaurav Sharma Hong-Han Shuai Yale Song
Vivek Sharma Pushkar Shukla Yang Song
Viktoriia Sharmanska Christian Siagian Yi-Zhe Song
Dongyu She Mennatullah M. Siam Yibing Song
Sumit Shekhar Kaleem Siddiqi Humberto Sossa
Evan Shelhamer Karan Sikka Cesar de Souza
Chengyao Shen Jae-Young Sim Adrian Spurr
Chunhua Shen Christian Simon Srinath Sridhar
Falong Shen Martin Simonovsky Suraj Srinivas
Jie Shen Dheeraj Singaraju Pratul P. Srinivasan
Li Shen Bharat Singh Anuj Srivastava
Liyue Shen Gurkirt Singh Tania Stathaki
Shuhan Shen Krishna Kumar Singh Christopher Stauffer
Tianwei Shen Maneesh Kumar Singh Simon Stent
Wei Shen Richa Singh Rainer Stiefelhagen
William B. Shen Saurabh Singh Pierre Stock
Yantao Shen Suriya Singh Julian Straub
Ying Shen Vikas Singh Jonathan C. Stroud
Yiru Shen Sudipta N. Sinha Joerg Stueckler
Yujun Shen Vincent Sitzmann Jan Stuehmer
Yuming Shen Josef Sivic David Stutz
Zhiqiang Shen Gregory Slabaugh Chi Su
Ziyi Shen Miroslava Slavcheva Hang Su
Lu Sheng Ron Slossberg Jong-Chyi Su
Yu Sheng Brandon Smith Shuochen Su
Rakshith Shetty Kevin Smith Yu-Chuan Su
Baoguang Shi Vladimir Smutny Ramanathan Subramanian
Guangming Shi Noah Snavely Yusuke Sugano
Organization xxxi
Masanori Suganuma Xiaoyang Tan Andrea Torsello

Yumin Suh Kenichiro Tanaka Fabio Tosi
Mohammed Suhail Masayuki Tanaka Du Tran
Yao Sui Chang Tang Luan Tran
Heung-Il Suk Chengzhou Tang Ngoc-Trung Tran
Josephine Sullivan Danhang Tang Quan Hung Tran
Baochen Sun Ming Tang Truyen Tran
Chen Sun Peng Tang Rudolph Triebel
Chong Sun Qingming Tang Martin Trimmel
Deqing Sun Wei Tang Shashank Tripathi
Jin Sun Xu Tang Subarna Tripathi
Liang Sun Yansong Tang Leonardo Trujillo
Lin Sun Youbao Tang Eduard Trulls
Qianru Sun Yuxing Tang Tomasz Trzcinski
Shao-Hua Sun Zhiqiang Tang Sam Tsai
Shuyang Sun Tatsunori Taniai Yi-Hsuan Tsai
Weiwei Sun Junli Tao Hung-Yu Tseng
Wenxiu Sun Xin Tao Stavros Tsogkas
Xiaoshuai Sun Makarand Tapaswi Aggeliki Tsoli
Xiaoxiao Sun Jean-Philippe Tarel Devis Tuia
Xingyuan Sun Lyne Tchapmi Shubham Tulsiani
Yifan Sun Zachary Teed Sergey Tulyakov
Zhun Sun Bugra Tekin Frederick Tung
Sabine Susstrunk Damien Teney Tony Tung
David Suter Ayush Tewari Daniyar Turmukhambetov
Supasorn Suwajanakorn Christian Theobalt Ambrish Tyagi
Tomas Svoboda Christopher Thomas Radim Tylecek
Eran Swears Diego Thomas Christos Tzelepis
Paul Swoboda Jim Thomas Georgios Tzimiropoulos
Attila Szabo Rajat Mani Thomas Dimitrios Tzionas
Richard Szeliski Xinmei Tian Seiichi Uchida
Duy-Nguyen Ta Yapeng Tian Norimichi Ukita
Andrea Tagliasacchi Yingli Tian Dmitry Ulyanov
Yuichi Taguchi Yonglong Tian Martin Urschler
Ying Tai Zhi Tian Yoshitaka Ushiku
Keita Takahashi Zhuotao Tian Ben Usman
Kouske Takahashi Kinh Tieu Alexander Vakhitov
Jun Takamatsu Joseph Tighe Julien P. C. Valentin
Hugues Talbot Massimo Tistarelli Jack Valmadre
Toru Tamaki Matthew Toews Ernest Valveny
Chaowei Tan Carl Toft Joost van de Weijer
Fuwen Tan Pavel Tokmakov Jan van Gemert
Mingkui Tan Federico Tombari Koen Van Leemput
Mingxing Tan Chetan Tonde Gul Varol
Qingyang Tan Yan Tong Sebastiano Vascon
Robby T. Tan Alessio Tonioni M. Alex O. Vasilescu
xxxii Organization
Subeesh Vasu Hongxing Wang Tao Wang

Mayank Vatsa Hua Wang Tianlu Wang
David Vazquez Jian Wang Tiantian Wang
Javier Vazquez-Corral Jingbo Wang Ting-chun Wang
Ashok Veeraraghavan Jinglu Wang Tingwu Wang
Erik Velasco-Salido Jingya Wang Wei Wang
Raviteja Vemulapalli Jinjun Wang Weiyue Wang
Jonathan Ventura Jinqiao Wang Wenguan Wang
Manisha Verma Jue Wang Wenlin Wang
Roberto Vezzani Ke Wang Wenqi Wang
Ruben Villegas Keze Wang Xiang Wang
Minh Vo Le Wang Xiaobo Wang
MinhDuc Vo Lei Wang Xiaofang Wang
Nam Vo Lezi Wang Xiaoling Wang
Michele Volpi Li Wang Xiaolong Wang
Riccardo Volpi Liang Wang Xiaosong Wang
Carl Vondrick Lijun Wang Xiaoyu Wang
Konstantinos Vougioukas Limin Wang Xin Eric Wang
Tuan-Hung Vu Linwei Wang Xinchao Wang
Sven Wachsmuth Lizhi Wang Xinggang Wang
Neal Wadhwa Mengjiao Wang Xintao Wang
Catherine Wah Mingzhe Wang Yali Wang
Jacob C. Walker Minsi Wang Yan Wang
Thomas S. A. Wallis Naiyan Wang Yang Wang
Chengde Wan Nannan Wang Yangang Wang
Jun Wan Ning Wang Yaxing Wang
Liang Wan Oliver Wang Yi Wang
Renjie Wan Pei Wang Yida Wang
Baoyuan Wang Peng Wang Yilin Wang
Boyu Wang Pichao Wang Yiming Wang
Cheng Wang Qi Wang Yisen Wang
Chu Wang Qian Wang Yongtao Wang
Chuan Wang Qiaosong Wang Yu-Xiong Wang
Chunyu Wang Qifei Wang Yue Wang
Dequan Wang Qilong Wang Yujiang Wang
Di Wang Qing Wang Yunbo Wang
Dilin Wang Qingzhong Wang Yunhe Wang
Dong Wang Quan Wang Zengmao Wang
Fang Wang Rui Wang Zhangyang Wang
Guanzhi Wang Ruiping Wang Zhaowen Wang
Guoyin Wang Ruixing Wang Zhe Wang
Hanzi Wang Shangfei Wang Zhecan Wang
Hao Wang Shenlong Wang Zheng Wang
He Wang Shiyao Wang Zhixiang Wang
Heng Wang Shuhui Wang Zilei Wang
Hongcheng Wang Song Wang Jianqiao Wangni
Organization xxxiii
Anne S. Wannenwetsch Jialin Wu Yang Xiao

Jan Dirk Wegner Jiaxiang Wu Cihang Xie
Scott Wehrwein Jiqing Wu Guosen Xie
Donglai Wei Jonathan Wu Jianwen Xie
Kaixuan Wei Lifang Wu Lingxi Xie
Longhui Wei Qi Wu Sirui Xie
Pengxu Wei Qiang Wu Weidi Xie
Ping Wei Ruizheng Wu Wenxuan Xie
Qi Wei Shangzhe Wu Xiaohua Xie
Shih-En Wei Shun-Cheng Wu Fuyong Xing
Xing Wei Tianfu Wu Jun Xing
Yunchao Wei Wayne Wu Junliang Xing
Zijun Wei Wenxuan Wu Bo Xiong
Jerod Weinman Xiao Wu Peixi Xiong
Michael Weinmann Xiaohe Wu Yu Xiong
Philippe Weinzaepfel Xinxiao Wu Yuanjun Xiong
Yair Weiss Yang Wu Zhiwei Xiong
Bihan Wen Yi Wu Chang Xu
Longyin Wen Yiming Wu Chenliang Xu
Wei Wen Ying Nian Wu Dan Xu
Junwu Weng Yue Wu Danfei Xu
Tsui-Wei Weng Zheng Wu Hang Xu
Xinshuo Weng Zhenyu Wu Hongteng Xu
Eric Wengrowski Zhirong Wu Huijuan Xu
Tomas Werner Zuxuan Wu Jingwei Xu
Gordon Wetzstein Stefanie Wuhrer Jun Xu
Tobias Weyand Jonas Wulff Kai Xu
Patrick Wieschollek Changqun Xia Mengmeng Xu
Maggie Wigness Fangting Xia Mingze Xu
Erik Wijmans Fei Xia Qianqian Xu
Richard Wildes Gui-Song Xia Ran Xu
Olivia Wiles Lu Xia Weijian Xu
Chris Williams Xide Xia Xiangyu Xu
Williem Williem Yin Xia Xiaogang Xu
Kyle Wilson Yingce Xia Xing Xu
Calden Wloka Yongqin Xian Xun Xu
Nicolai Wojke Lei Xiang Yanyu Xu
Christian Wolf Shiming Xiang Yichao Xu
Yongkang Wong Bin Xiao Yong Xu
Sanghyun Woo Fanyi Xiao Yongchao Xu
Scott Workman Guobao Xiao Yuanlu Xu
Baoyuan Wu Huaxin Xiao Zenglin Xu
Bichen Wu Taihong Xiao Zheng Xu
Chao-Yuan Wu Tete Xiao Chuhui Xue
Huikai Wu Tong Xiao Jia Xue
Jiajun Wu Wang Xiao Nan Xue
xxxiv Organization
Tianfan Xue Yanchao Yang Ke Yu

Xiangyang Xue Yee Hong Yang Lequan Yu
Abhay Yadav Yezhou Yang Ning Yu
Yasushi Yagi Zhenheng Yang Qian Yu
I. Zeki Yalniz Anbang Yao Ronald Yu
Kota Yamaguchi Angela Yao Ruichi Yu
Toshihiko Yamasaki Cong Yao Shoou-I Yu
Takayoshi Yamashita Jian Yao Tao Yu
Junchi Yan Li Yao Tianshu Yu
Ke Yan Ting Yao Xiang Yu
Qingan Yan Yao Yao Xin Yu
Sijie Yan Zhewei Yao Xiyu Yu
Xinchen Yan Chengxi Ye Youngjae Yu
Yan Yan Jianbo Ye Yu Yu
Yichao Yan Keren Ye Zhiding Yu
Zhicheng Yan Linwei Ye Chunfeng Yuan
Keiji Yanai Mang Ye Ganzhao Yuan
Bin Yang Mao Ye Jinwei Yuan
Ceyuan Yang Qi Ye Lu Yuan
Dawei Yang Qixiang Ye Quan Yuan
Dong Yang Mei-Chen Yeh Shanxin Yuan
Fan Yang Raymond Yeh Tongtong Yuan
Guandao Yang Yu-Ying Yeh Wenjia Yuan
Guorun Yang Sai-Kit Yeung Ye Yuan
Haichuan Yang Serena Yeung Yuan Yuan
Hao Yang Kwang Moo Yi Yuhui Yuan
Jianwei Yang Li Yi Huanjing Yue
Jiaolong Yang Renjiao Yi Xiangyu Yue
Jie Yang Alper Yilmaz Ersin Yumer
Jing Yang Junho Yim Sergey Zagoruyko
Kaiyu Yang Lijun Yin Egor Zakharov
Linjie Yang Weidong Yin Amir Zamir
Meng Yang Xi Yin Andrei Zanfir
Michael Ying Yang Zhichao Yin Mihai Zanfir
Nan Yang Tatsuya Yokota Pablo Zegers
Shuai Yang Ryo Yonetani Bernhard Zeisl
Shuo Yang Donggeun Yoo John S. Zelek
Tianyu Yang Jae Shin Yoon Niclas Zeller
Tien-Ju Yang Ju Hong Yoon Huayi Zeng
Tsun-Yi Yang Sung-eui Yoon Jiabei Zeng
Wei Yang Laurent Younes Wenjun Zeng
Wenhan Yang Changqian Yu Yu Zeng
Xiao Yang Fisher Yu Xiaohua Zhai
Xiaodong Yang Gang Yu Fangneng Zhan
Xin Yang Jiahui Yu Huangying Zhan
Yan Yang Kaicheng Yu Kun Zhan
Organization xxxv
Xiaohang Zhan Shuai Zhang Qijun Zhao

Baochang Zhang Songyang Zhang Rui Zhao
Bowen Zhang Tao Zhang Shenglin Zhao
Cecilia Zhang Ting Zhang Sicheng Zhao
Changqing Zhang Tong Zhang Tianyi Zhao
Chao Zhang Wayne Zhang Wenda Zhao
Chengquan Zhang Wei Zhang Xiangyun Zhao
Chi Zhang Weizhong Zhang Xin Zhao
Chongyang Zhang Wenwei Zhang Yang Zhao
Dingwen Zhang Xiangyu Zhang Yue Zhao
Dong Zhang Xiaolin Zhang Zhichen Zhao
Feihu Zhang Xiaopeng Zhang Zijing Zhao
Hang Zhang Xiaoqin Zhang Xiantong Zhen
Hanwang Zhang Xiuming Zhang Chuanxia Zheng
Hao Zhang Ya Zhang Feng Zheng
He Zhang Yang Zhang Haiyong Zheng
Hongguang Zhang Yimin Zhang Jia Zheng
Hua Zhang Yinda Zhang Kang Zheng
Ji Zhang Ying Zhang Shuai Kyle Zheng
Jianguo Zhang Yongfei Zhang Wei-Shi Zheng
Jianming Zhang Yu Zhang Yinqiang Zheng
Jiawei Zhang Yulun Zhang Zerong Zheng
Jie Zhang Yunhua Zhang Zhedong Zheng
Jing Zhang Yuting Zhang Zilong Zheng
Juyong Zhang Zhanpeng Zhang Bineng Zhong
Kai Zhang Zhao Zhang Fangwei Zhong
Kaipeng Zhang Zhaoxiang Zhang Guangyu Zhong
Ke Zhang Zhen Zhang Yiran Zhong
Le Zhang Zheng Zhang Yujie Zhong
Lei Zhang Zhifei Zhang Zhun Zhong
Li Zhang Zhijin Zhang Chunluan Zhou
Lihe Zhang Zhishuai Zhang Huiyu Zhou
Linguang Zhang Ziming Zhang Jiahuan Zhou
Lu Zhang Bo Zhao Jun Zhou
Mi Zhang Chen Zhao Lei Zhou
Mingda Zhang Fang Zhao Luowei Zhou
Peng Zhang Haiyu Zhao Luping Zhou
Pingping Zhang Han Zhao Mo Zhou
Qian Zhang Hang Zhao Ning Zhou
Qilin Zhang Hengshuang Zhao Pan Zhou
Quanshi Zhang Jian Zhao Peng Zhou
Richard Zhang Kai Zhao Qianyi Zhou
Rui Zhang Liang Zhao S. Kevin Zhou
Runze Zhang Long Zhao Sanping Zhou
Shengping Zhang Qian Zhao Wengang Zhou
Shifeng Zhang Qibin Zhao Xingyi Zhou
xxxvi Organization
Yanzhao Zhou Wei Zhu Christian Zimmermann

Yi Zhou Xiangyu Zhu Karel Zimmermann
Yin Zhou Xinge Zhu Larry Zitnick
Yipin Zhou Xizhou Zhu Mohammadreza
Yuyin Zhou Yanjun Zhu Zolfaghari
Zihan Zhou Yi Zhu Maria Zontak
Alex Zihao Zhu Yixin Zhu Daniel Zoran
Chenchen Zhu Yizhe Zhu Changqing Zou
Feng Zhu Yousong Zhu Chuhang Zou
Guangming Zhu Zhe Zhu Danping Zou
Ji Zhu Zhen Zhu Qi Zou
Jun-Yan Zhu Zheng Zhu Yang Zou
Lei Zhu Zhenyao Zhu Yuliang Zou
Linchao Zhu Zhihui Zhu Georgios Zoumpourlis
Rui Zhu Zhuotun Zhu Wangmeng Zuo
Shizhan Zhu Bingbing Zhuang Xinxin Zuo
Tyler Lixuan Zhu Wei Zhuo
Additional Reviewers
Victoria Fernandez Jonathan P. Crall Jaedong Hwang

Abrevaya Kenan Dai Andrey Ignatov
Maya Aghaei Lucas Deecke Muhammad
Allam Allam Karan Desai Abdullah Jamal
Christine Prithviraj Dhar Saumya Jetley
Allen-Blanchette Jing Dong Meiguang Jin
Nicolas Aziere Wei Dong Jeff Johnson
Assia Benbihi Turan Kaan Elgin Minsoo Kang
Neha Bhargava Francis Engelmann Saeed Khorram
Bharat Lal Bhatnagar Erik Englesson Mohammad Rami Koujan
Joanna Bitton Fartash Faghri Nilesh Kulkarni
Judy Borowski Zicong Fan Sudhakar Kumawat
Amine Bourki Yang Fu Abdelhak Lemkhenter
Romain Brégier Risheek Garrepalli Alexander Levine
Tali Brayer Yifan Ge Jiachen Li
Sebastian Bujwid Marco Godi Jing Li
Andrea Burns Helmut Grabner Jun Li
Yun-Hao Cao Shuxuan Guo Yi Li
Yuning Chai Jianfeng He Liang Liao
Xiaojun Chang Zhezhi He Ruochen Liao
Bo Chen Samitha Herath Tzu-Heng Lin
Shuo Chen Chih-Hui Ho Phillip Lippe
Zhixiang Chen Yicong Hong Bao-di Liu
Junsuk Choe Vincent Tao Hu Bo Liu
Hung-Kuo Chu Julio Hurtado Fangchen Liu
Organization xxxvii
Hanxiao Liu Ketul Shah Yunyang Xiong

Hongyu Liu Rajvi Shah An Xu
Huidong Liu Hengcan Shi Chi Xu
Miao Liu Xiangxi Shi Yinghao Xu
Xinxin Liu Yujiao Shi Fei Xue
Yongfei Liu William A. P. Smith Tingyun Yan
Yu-Lun Liu Guoxian Song Zike Yan
Amir Livne Robin Strudel Chao Yang
Tiange Luo Abby Stylianou Heran Yang
Wei Ma Xinwei Sun Ren Yang
Xiaoxuan Ma Reuben Tan Wenfei Yang
Ioannis Marras Qingyi Tao Xu Yang
Georg Martius Kedar S. Tatwawadi Rajeev Yasarla
Effrosyni Mavroudi Anh Tuan Tran Shaokai Ye
Tim Meinhardt Son Dinh Tran Yufei Ye
Givi Meishvili Eleni Triantafillou Kun Yi
Meng Meng Aristeidis Tsitiridis Haichao Yu
Zihang Meng Md Zasim Uddin Hanchao Yu
Zhongqi Miao Andrea Vedaldi Ruixuan Yu
Gyeongsik Moon Evangelos Ververas Liangzhe Yuan
Khoi Nguyen Vidit Vidit Chen-Lin Zhang
Yung-Kyun Noh Paul Voigtlaender Fandong Zhang
Antonio Norelli Bo Wan Tianyi Zhang
Jaeyoo Park Huanyu Wang Yang Zhang
Alexander Pashevich Huiyu Wang Yiyi Zhang
Mandela Patrick Junqiu Wang Yongshun Zhang
Mary Phuong Pengxiao Wang Yu Zhang
Bingqiao Qian Tai Wang Zhiwei Zhang
Yu Qiao Xinyao Wang Jiaojiao Zhao
Zhen Qiao Tomoki Watanabe Yipu Zhao
Sai Saketh Rambhatla Mark Weber Xingjian Zhen
Aniket Roy Xi Wei Haizhong Zheng
Amelie Royer Botong Wu Tiancheng Zhi
Parikshit Vishwas James Wu Chengju Zhou
Sakurikar Jiamin Wu Hao Zhou
Mark Sandler Rujie Wu Hao Zhu
Mert Bülent Sarıyıldız Yu Wu Alexander Zimin
Tanner Schmidt Rongchang Xie
Anshul B. Shah Wei Xiong
Contents – Part XIII
Fashion Captioning: Towards Generating Accurate Descriptions

with Semantic Rewards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Xuewen Yang, Heming Zhang, Di Jin, Yingru Liu, Chi-Hao Wu,
Jianchao Tan, Dongliang Xie, Jue Wang, and Xin Wang
Reducing Language Biases in Visual Question Answering

with Visually-Grounded Question Encoder . . . . . . . . . . . . . . . . . . . . . . . . . 18
Gouthaman KV and Anurag Mittal
Unsupervised Cross-Modal Alignment for Multi-person 3D

Pose Estimation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Jogendra Nath Kundu, Ambareesh Revanur, Govind Vitthal Waghmare,
Rahul Mysore Venkatesh, and R. Venkatesh Babu
Class-Incremental Domain Adaptation . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Jogendra Nath Kundu, Rahul Mysore Venkatesh, Naveen Venkat,
Ambareesh Revanur, and R. Venkatesh Babu
Anti-bandit Neural Architecture Search for Model Defense. . . . . . . . . . . . . . 70

Hanlin Chen, Baochang Zhang, Song Xue, Xuan Gong, Hong Liu,
Rongrong Ji, and David Doermann
Wavelet-Based Dual-Branch Network for Image Demoiréing . . . . . . . . . . . . 86

Lin Liu, Jianzhuang Liu, Shanxin Yuan, Gregory Slabaugh,
Aleš Leonardis, Wengang Zhou, and Qi Tian
Low Light Video Enhancement Using Synthetic Data Produced

with an Intermediate Domain Mapping . . . . . . . . . . . . . . . . . . . . . . . . . . . 103
Danai Triantafyllidou, Sean Moran, Steven McDonagh, Sarah Parisot,
and Gregory Slabaugh
Non-local Spatial Propagation Network for Depth Completion . . . . . . . . . . . 120

Jinsun Park, Kyungdon Joo, Zhe Hu, Chi-Kuei Liu, and In So Kweon
DanbooRegion: An Illustration Region Dataset . . . . . . . . . . . . . . . . . . . . . . 137

Lvmin Zhang, Yi Ji, and Chunping Liu
Event Enhanced High-Quality Image Recovery . . . . . . . . . . . . . . . . . . . . . . 155

Bishan Wang, Jingwei He, Lei Yu, Gui-Song Xia, and Wen Yang
PackDet: Packed Long-Head Object Detector . . . . . . . . . . . . . . . . . . . . . . . 172

Kun Ding, Guojin He, Huxiang Gu, Zisha Zhong, Shiming Xiang,
and Chunhong Pan
xl Contents – Part XIII
A Generic Graph-Based Neural Architecture Encoding Scheme

for Predictor-Based NAS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Xuefei Ning, Yin Zheng, Tianchen Zhao, Yu Wang, and Huazhong Yang
Learning Semantic Neural Tree for Human Parsing . . . . . . . . . . . . . . . . . . . 205

Ruyi Ji, Dawei Du, Libo Zhang, Longyin Wen, Yanjun Wu, Chen Zhao,
Feiyue Huang, and Siwei Lyu
Sketching Image Gist: Human-Mimetic Hierarchical Scene

Graph Generation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Wenbin Wang, Ruiping Wang, Shiguang Shan, and Xilin Chen
Burst Denoising via Temporally Shifted Wavelet Transforms . . . . . . . . . . . . 240

Xuejian Rong, Denis Demandolx, Kevin Matzen, Priyam Chatterjee,
and Yingli Tian
JSSR: A Joint Synthesis, Segmentation, and Registration System for 3D

Multi-modal Image Alignment of Large-Scale Pathological CT Scans . . . . . . 257
Fengze Liu, Jinzheng Cai, Yuankai Huo, Chi-Tung Cheng, Ashwin Raju,
Dakai Jin, Jing Xiao, Alan Yuille, Le Lu, ChienHung Liao,
and Adam P. Harrison
SimAug: Learning Robust Representations from Simulation

for Trajectory Prediction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Junwei Liang, Lu Jiang, and Alexander Hauptmann
ScribbleBox: Interactive Annotation Framework for Video

Object Segmentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293
Bowen Chen, Huan Ling, Xiaohui Zeng, Jun Gao, Ziyue Xu,
and Sanja Fidler
Rethinking Pseudo-LiDAR Representation . . . . . . . . . . . . . . . . . . . . . . . . . 311

Xinzhu Ma, Shinan Liu, Zhiyi Xia, Hongwen Zhang, Xingyu Zeng,
and Wanli Ouyang
Deep Multi Depth Panoramas for View Synthesis . . . . . . . . . . . . . . . . . . . . 328

Kai-En Lin, Zexiang Xu, Ben Mildenhall, Pratul P. Srinivasan,
Yannick Hold-Geoffroy, Stephen DiVerdi, Qi Sun, Kalyan Sunkavalli,
and Ravi Ramamoorthi
MINI-Net: Multiple Instance Ranking Network for Video Highlight

Detection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 345
Fa-Ting Hong, Xuanteng Huang, Wei-Hong Li, and Wei-Shi Zheng
ContactPose: A Dataset of Grasps with Object Contact and Hand Pose . . . . . 361
Samarth Brahmbhatt, Chengcheng Tang, Christopher D. Twigg,
Charles C. Kemp, and James Hays
Contents – Part XIII xli
API-Net: Robust Generative Classifier via a Single Discriminator . . . . . . . . . 379

Xinshuai Dong, Hong Liu, Rongrong Ji, Liujuan Cao, Qixiang Ye,
Jianzhuang Liu, and Qi Tian
Bias-Based Universal Adversarial Patch Attack for Automatic Check-Out . . . 395

Aishan Liu, Jiakai Wang, Xianglong Liu, Bowen Cao, Chongzhi Zhang,
and Hang Yu
Imbalanced Continual Learning with Partitioning Reservoir Sampling . . . . . . 411

Chris Dongjoo Kim, Jinseo Jeong, and Gunhee Kim
Guided Collaborative Training for Pixel-Wise Semi-Supervised Learning . . . . 429

Zhanghan Ke, Di Qiu, Kaican Li, Qiong Yan, and Rynson W. H. Lau
Stacking Networks Dynamically for Image Restoration Based

on the Plug-and-Play Framework . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
Haixin Wang, Tianhao Zhang, Muzhi Yu, Jinan Sun, Wei Ye,
Chen Wang, and Shikun Zhang
Efficient Transfer Learning via Joint Adaptation of Network Architecture

and Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 463
Ming Sun, Haoxuan Dou, and Junjie Yan
Spatial Attention Pyramid Network for Unsupervised Domain Adaptation . . . 481

Congcong Li, Dawei Du, Libo Zhang, Longyin Wen, Tiejian Luo,
Yanjun Wu, and Pengfei Zhu
GSIR: Generalizable 3D Shape Interpretation and Reconstruction . . . . . . . . . 498

Jianren Wang and Zhaoyuan Fang
Weakly Supervised 3D Object Detection from Lidar Point Cloud . . . . . . . . . 515

Qinghao Meng, Wenguan Wang, Tianfei Zhou, Jianbing Shen,
Luc Van Gool, and Dengxin Dai
Two-Phase Pseudo Label Densification for Self-training Based

Domain Adaptation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 532
Inkyu Shin, Sanghyun Woo, Fei Pan, and In So Kweon
Adaptive Offline Quintuplet Loss for Image-Text Matching . . . . . . . . . . . . . 549

Tianlang Chen, Jiajun Deng, and Jiebo Luo
Learning Object Placement by Inpainting for Compositional

Data Augmentation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 566
Lingzhi Zhang, Tarmily Wen, Jie Min, Jiancong Wang, David Han,
and Jianbo Shi
xlii Contents – Part XIII
Deep Vectorization of Technical Drawings . . . . . . . . . . . . . . . . . . . . . . . . . 582

Vage Egiazarian, Oleg Voynov, Alexey Artemov, Denis Volkhonskiy,
Aleksandr Safin, Maria Taktasheva, Denis Zorin, and Evgeny Burnaev
CAD-Deform: Deformable Fitting of CAD Models to 3D Scans . . . . . . . . . . 599

Vladislav Ishimtsev, Alexey Bokhovkin, Alexey Artemov, Savva Ignatyev,
Matthias Niessner, Denis Zorin, and Evgeny Burnaev
An Image Enhancing Pattern-Based Sparsity for Real-Time Inference

on Mobile Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 629
Xiaolong Ma, Wei Niu, Tianyun Zhang, Sijia Liu, Sheng Lin, Hongjia Li,
Wujie Wen, Xiang Chen, Jian Tang, Kaisheng Ma, Bin Ren,
and Yanzhi Wang
AutoTrajectory: Label-Free Trajectory Extraction and Prediction

from Videos Using Dynamic Points. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 646
Yuexin Ma, Xinge Zhu, Xinjing Cheng, Ruigang Yang, Jiming Liu,
and Dinesh Manocha
Multi-agent Embodied Question Answering in Interactive Environments . . . . 663

Sinan Tan, Weilai Xiang, Huaping Liu, Di Guo, and Fuchun Sun
Conditional Sequential Modulation for Efficient Global Image Retouching . . . 679

Jingwen He, Yihao Liu, Yu Qiao, and Chao Dong
Segmenting Transparent Objects in the Wild . . . . . . . . . . . . . . . . . . . . . . . 696

Enze Xie, Wenjia Wang, Wenhai Wang, Mingyu Ding, Chunhua Shen,
and Ping Luo
Length-Controllable Image Captioning . . . . . . . . . . . . . . . . . . . . . . . . . . . . 712

Chaorui Deng, Ning Ding, Mingkui Tan, and Qi Wu
Few-Shot Semantic Segmentation with Democratic Attention Networks . . . . . 730

Haochen Wang, Xudong Zhang, Yutao Hu, Yandan Yang, Xianbin Cao,
and Xiantong Zhen
Defocus Blur Detection via Depth Distillation. . . . . . . . . . . . . . . . . . . . . . . 747

Xiaodong Cun and Chi-Man Pun
Motion Guided 3D Pose Estimation from Videos . . . . . . . . . . . . . . . . . . . . 764

Jingbo Wang, Sijie Yan, Yuanjun Xiong, and Dahua Lin
Reflection Separation via Multi-bounce Polarization State Tracing. . . . . . . . . 781

Rui Li, Simeng Qiu, Guangming Zang, and Wolfgang Heidrich
Author Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 797

Fashion Captioning: Towards Generating
Accurate Descriptions with Semantic
Rewards
XuewenYang1(B) , Heming Zhang2 , Di Jin3 , Yingru Liu1 , Chi-Hao Wu2 ,

Jianchao Tan4 , Dongliang Xie5 , Jue Wang6 , and Xin Wang1
1
Stony Brook University, Stony Brook, USA
xuewen.yang@stonybrook.edu
2
USC,Los Angeles, USA
3
MIT, Cambridge, USA
4
Kwai Inc., Washington, USA
5
BUPT, Beijing, China
6
Megvii, Beijing, China
Abstract. Generating accurate descriptions for online fashion items is

important not only for enhancing customers’ shopping experiences, but
also for the increase of online sales. Besides the need of correctly present-
ing the attributes of items, the expressions in an enchanting style could
better attract customer interests. The goal of this work is to develop a
novel learning framework for accurate and expressive fashion captioning.
Different from popular work on image captioning, it is hard to identify
and describe the rich attributes of fashion items. We seed the description
of an item by first identifying its attributes, and introduce attribute-level
semantic (ALS) reward and sentence-level semantic (SLS) reward as
metrics to improve the quality of text descriptions. We further integrate
the training of our model with maximum likelihood estimation (MLE),
attribute embedding, and Reinforcement Learning (RL). To facilitate
the learning, we build a new FAshion CAptioning Dataset (FACAD),
which contains 993K images and 130K corresponding enchanting and
diverse descriptions. Experiments on FACAD demonstrate the effec-
tiveness of our model (Code and data: https://github.com/xuewyang/
Fashion Captioning).
Keywords: Fashion · Captioning · Reinforcement Learning ·

Semantics
1 Introduction
Motivated by the quick global growth of the fashion industry, which is worth tril-
lions of dollars, extensive efforts have been devoted to fashion related research
over the last few years. Those research directions include clothing attribute
Electronic supplementary material The online version of this chapter (https://
doi.org/10.1007/978-3-030-58601-0 1) contains supplementary material, which is avail-
able to authorized users.
c Springer Nature Switzerland AG 2020
A. Vedaldi et al. (Eds.): ECCV 2020, LNCS 12358, pp. 1–17, 2020.
https://doi.org/10.1007/978-3-030-58601-0_1
2 X. Yang et al.
prediction and landmark detection [24,36], fashion recommendation [40], item

retrieval [23,37], clothing parsing [7,14], and outfit recommendation [5,11,25].
Accurate and enchanting descriptions of clothes on shopping websites can
help customers without fashion knowledge to better understand the features
(attributes, style, functionality, benefits to buy, etc.) of the items and increase
online sales by enticing more customers. However, manually writing the descrip-
tions is a non-trivial and highly expensive task. Thus, the automatic generation
of descriptions is in urgent need. Since there exist no studies on generating fash-
ion related descriptions, in this paper, we propose specific schemes on Fashion
Captioning. Our design is built upon our newly created FAshion CAptioning
Dataset (FACAD), the first fashion captioning dataset consisting of over 993K
images and 130K descriptions with massive attributes and categories. Compared
with general image captioning datasets (e.g. MS COCO [4]), the descriptions of
fashion items have three unique features (as can be seen from Fig. 1), which
makes the automatic generation of captions a challenging task. First, fashion
captioning needs to describe the fine-grained attributes of a single item, while
image captioning generally narrates the objects and their relations in the image
(e.g., a person in a dress). Second, the expressions to describe the clothes tend to
be long so as to present the rich attributes of fashion items. The average length
of captions in FACAD is 21 words while a sentence in the MS COCO caption
dataset contains 10.4 words in average. Third, FACAD has a more enchanting
expression style than MS COCO to arouse greater customer interests. Sentences
like “pearly”, “so-simple yet so-chic”, “retro flair” are more attractive than the
plain or “undecorated” MS COCO descriptions.
Fig. 1. An example for Fashion Captioning. The images are of different perspec-
tives, colors and scenarios (shop-street). Other information contained include a title, a
description (caption) from a fashion expert, the color info and the meta info. Words in
color denotes the attributes used in sentence.
The image captioning problem has been widely studied and achieved great
progress in recent years. An encoder-decoder paradigm is generally followed
with a deep convolutional neural network (CNN) to encode the input images
and a Long Short Term Memory (LSTM) decoder to generate the descrip-
tions [2,15,17,18,39]. The encoder-decoder model is trained via maximum likeli-
hood estimation (MLE), which aims to maximize the likelihood of the next word
given the previous words. However, MLE-based methods will cause the model
to generate “unmatched” descriptions for the fashion items, where sentences
cannot precisely describe the attributes of items. This is due to two reasons.
Fashion Captioning 3
First, MLE treats the attribute and non-attribute words equally. Attribute words
are not emphasized and directly optimized in the training process, however, they
are more important and should be considered as the key parts in the evaluation.
Second, MLE maximizes its objective word-by-word without considering the
global semantic meaning of the sentence. This shortcoming may lead to gener-
ating a caption that wrongly describes the category of the item.
To generate better descriptions for fashion items, we propose two seman-
tic rewards as the objective to optimize and train our model using Reinforce-
ment Learning (RL). Specifically, we propose an attribute-level semantic (ALS)
reward with an attribute-matching algorithm to measure the consistency level of
attributes between the generated sentences and ground-truth. By incorporating
the semantic metric of attributes into our objective, we increase the quality of
sentence generation from the semantic perspective. As a second procedure, we
propose a sentence-level semantic (SLS) reward to capture the semantic mean-
ing of the whole sentence. Given a text classifier pretrained on the sentence
category classification task, the high level features of the generated description,
i.e., the category feature, should stay the same as the ground-truth sentence.
In this paper, we use the output probability of the generated sentence as the
groundtruth category as the SLS reward. Since both ALS reward and SLS reward
are non-differentiable, we seek RL to optimize them.
In addition, to guarantee that the image features extracted from the CNN
encoder are meaningful and correct, we design a visual attribute predictor to
make sure that the predicted attributes match the ground-truth ones. Then
attributes extracted are used as the condition in the LSTM decoder to produce
the words of description. This work has three main contributions.
1. We build a large-scale fashion captioning dataset FACAD of over 993K images
which are comprehensively annotated with categories, attributes and descrip-
tions. To the best of our knowledge, it is the first fashion captioning dataset
available. We expect that this dataset will greatly benefit the research com-
munity, in not only developing various fashion related algorithms and appli-
cations, but also helping visual language related studies.
2. We introduce two novel rewards (ALS and SLS) into the Reinforcement Learn-
ing framework to capture the semantics at both the attribute level and the
sentence level to largely increase the accuracy of fashion captioning.
3. We introduce a visual attribute predictor to better capture the attributes of
the image. The generated description seeded on the attribute information can
more accurately describe the item.
2 Related Work
Fashion Studies. Most of the fashion related studies [5,7,23,24,33,36,40]
involve images. For outfit recommendation, Cucurull et al. [5] used a graph con-
volutional neural network to model the relations between items in a outfit set,
while Vasileva et al. [33] used a triplet-net to integrate the type information into
the recommendation. Wang et al. [36] used an attentive fashion grammar net-
work for landmark detection and clothing category classification. Yu et al. [40]
4 X. Yang et al.
introduced the aesthetic information, which is highly relevant with user pref-
erence, into clothing recommending systems. Text information has also been
exploited. Han et al. [11] used title features to regularize the image features
learned. Similar techniques were used in [33]. But no previous studies focus on
fashion captioning.
Image Captioning. Image captioning helps machine understand visual infor-

mation and express it in natural language, and has attracted increasingly inter-
ests in computer vision. State-of-the-art approaches [2,15,17,39] mainly use
encoder-decoder frameworks with attention to generate captions for images. Xu
et al. [39] developed soft and hard attention mechanisms to focus on different
regions in the image when generating different words. Johnson et al. [17] pro-
posed a fully convolutional localization network to generate dense regions of
interest and use the generated regions to generate captions. Similarly, Anderson
et al. [2] and Ma et al. [26] used an object detector like Faster R-CNN [29] or
Mask R-CNN [12] to extract regions of interests over which an attention mech-
anism is defined. Regardless of the methods used, image captioning generally
describes the contents based on the relative positions and relations of objects in
an image. Fashion Captioning, however, needs to describe the implicit attributes
of the item which cannot be easily localized by object detectors.
Recently, policy-gradient methods for Reinforcement Learning (RL) have
been utilized to train deep end-to-end systems directly on non-differentiable
metrics [38]. Commonly the output of the inference is applied to normalize the
rewards of RL. Ren et al. [30] introduced a decision-making framework utilizing
a policy network and a value network to collaboratively generate captions with
reward driven by visual-semantic embedding. Rennie et al. [31] used self-critical
sequence training for image captioning. The reward is provided using CIDEr [35]
metric. Gao et al. [8] extended [31] by running a n-step self-critical training. The
specific metrics used in RL approach are hard to generalize to other applications,
and optimizing specific metrics often impact other metrics severely. However, the
semantic rewards we introduce are general and effective in improving the quality
of caption generation.
3 The FAshion CAptioning Dataset

We introduce a new dataset - FAshion CAptioning Dataset (FACAD) - to study
captioning for fashion items. In this section, we will describe how FACAD is
built and what are its special properties.
3.1 Data Collection, Labeling and Pre-Processing

We mainly crawl fashion images with detailed information using Google Chrome,
which can be exploited for the fashion captioning task. Each clothing item has
on average 6–7 images of various colors and poses. The resolution of the images
is 1560 × 2392, much higher than other fashion datasets.
Another random document with
no related content on Scribd:
attention out of the corner of his eye. It was his cousin Hugo,
climbing down from the dickey.
"A very nice run," said Hugo with satisfaction. "I should say we made
pretty good time."
He radiated kindliness and satisfaction with all created things. That
John was looking at him in rather a peculiar way, and apparently
trying to say something, he did not seem to notice.
"A little refreshment would be delightful," he observed. "Dusty work,
sitting in dickeys. By the way, I got on to Pat on the 'phone before we
left, and there's no need to hurry. She's dining out and going to a
theatre to-night."
"What!" cried John, in agony.
"It's all right. Don't get the wind up. She's meeting us at eleven-
fifteen at the Mustard Spoon. I'll come on there from the fight and
we'll have a nice home evening. I'm still a member, so I'll sign you in.
And, what's more, if all goes well at the Albert Hall and Cyril
Warburton is half the man I think he is and I can get some sporting
stranger to bet the other way at reasonable odds, I'll pay the bill."
"You're very kind!"
"I try to be, John," said Hugo modestly. "I try to be. I don't think we
ought to leave it all to the Boy Scouts."
CHAPTER IV
I
A man whose uncle jerks him away from London as if he were
picking a winkle out of its shell with a pin and keeps him for months
and months immured in the heart of Worcestershire must inevitably
lose touch with the swiftly-changing kaleidoscope of metropolitan
night-life. Nothing in a big city fluctuates more rapidly than the status
of its supper-dancing clubs; and Hugo, had he still been a lad-about-
town in good standing, would have been aware that recently the
Mustard Spoon had gone down a good deal in the social scale.
Society had migrated to other, newer institutions, leaving it to
become the haunt of the lesser ornaments of the stage and the
Portuguese, the Argentines and the Greeks.
To John Carroll, however, as he stood waiting in the lobby, the place
seemed sufficiently gay and glittering. Nearly a year had passed
since his last visit to London: and the Mustard Spoon rather
impressed him. An unseen orchestra was playing with extraordinary
vigour, and from time to time ornate persons of both sexes drifted
past him into the brightly lighted supper room. Where an established
connoisseur of night clubs would have pursed his lips and shaken
his head, John was conscious only of feeling decidedly uplifted and
exhilarated.
But then he was going to see Pat again, and that was enough to
stimulate any man.
She arrived unexpectedly, at a moment when he had taken his eye
off the door to direct it in mild astonishment at a lady in an orange
dress who, doubtless with the best motives, had dyed her hair
crimson and was wearing a black-rimmed monocle. So absorbed
was he with this spectacle that he did not see her enter, and was
only made aware of her presence when there spoke from behind him
a clear little voice which, even when it was laughing at you, always
seemed to have in it something of the song of larks on summer
mornings and winds whispering across the fields in spring.
"Hullo, Johnnie."
The hair, scarlet though it was, lost its power to attract. The appeal of
the monocle waned. John spun round.
"Pat!"
She was looking lovelier than ever. That was the thing that first
presented itself to John's notice. If anybody had told him that Pat
could possibly be prettier than the image of her which he had been
carrying about with him all these months, he would not have believed
him. But so it was. Some sort of a female with plucked eyebrows and
a painted face had just come in, and she might have been put there
expressly for purposes of comparison. She made Pat seem so
healthy, so wholesome, such a thing of the open air and the clean
sunshine, so pre-eminently fit. She looked as if she had spent her
time at Le Touquet playing thirty-six holes of golf a day.
"Pat!" cried John, and something seemed to catch at his throat.
There was a mist in front of his eyes. His heart was thumping madly.
She extended her hand composedly. In her this meeting after long
separation had apparently stirred no depths. Her demeanour was
friendly, but matter-of-fact.
"Well, Johnnie. How nice to see you again. You're looking very
brown and rural. Where's Hugo?"
It takes two to hoist a conversation to an emotional peak. John
choked, and became calmer.
"He'll be here soon, I expect," he said.
Pat laughed indulgently.
"Hugo'll be late for his own funeral—if he ever gets to it. He said
eleven-fifteen and it's twenty-five to twelve. Have you got a table?"
"Not yet."
"Why not?"
"I'm not a member," said John, and saw in her eyes the scorn which
women reserve for male friends and relations who show themselves
wanting in enterprise. "You have to be a member," he said, chafing
under the look.
"I don't," said Pat with decision. "If you think I'm going to wait all night
for old Hugo in a small lobby with six draughts whizzing through it,
correct that impression. Go and find the head waiter and get a table
while I leave my cloak. Back in a minute."
John's emotions as he approached the head waiter rather resembled
those with which years ago he had once walked up to a bull in a
field, Pat having requested him to do so because she wanted to
know if bulls in fields really are fierce or if the artists who depict them
in comic papers are simply trying to be funny. He felt embarrassed
and diffident. The head waiter was a large, stout, smooth-faced man
who would have been better for a couple of weeks at Healthward Ho,
and he gave the impression of having disliked John from the start.
John said it was a nice evening. The head waiter did not seem to
believe him.
"Has—er—has Mr. Carmody booked a table?" asked John.
"No, monsieur."
"I'm meeting him here to-night."
The head waiter appeared uninterested. He began to talk to an
underling in rapid French. John, feeling more than ever an intruder,
took advantage of a lull in the conversation to make another attempt.
"I wonder.... Perhaps.... Can you give me a table?"
Most of the head waiter's eyes were concealed by the upper strata of
his cheeks, but there was enough of them left visible to allow him to
look at John as if he were something unpleasant that had come to
light in a portion of salad.
"Monsieur is a member?"
"Er—no."
"If you will please wait in the lobby, thank you."
"But I was wondering...."
"If you will wait in the lobby, please," said the head waiter, and,
dismissing John from the scheme of things, became gruesomely
obsequious to an elderly man with diamond studs, no hair, an
authoritative manner, and a lady in pink. He waddled before them
into the supper room, and Pat reappeared.
"Got that table?"
"I'm afraid not. He says...."
"Oh, Johnnie, you are maddening. Why are you so helpless?"
Women are unjust in these matters. When a man comes into a night
club of which he is not a member and asks for a table he feels that
he is butting in, and naturally is not at his best. This is not
helplessness, it is fineness of soul. But women won't see that.
"I'm awfully sorry."
The head waiter had returned, and was either doing sums or drawing
caricatures on a large pad chained to a desk. He seemed so much
the artist absorbed in his work that John would not have dreamed of
venturing to interrupt him. Pat had no such delicacy.
"I want a table, please," said Pat.
"Madame is a member?"
"A table, please. A nice, large one. I like plenty of room. And when
Mr. Carmody arrives tell him that Miss Wyvern and Mr. Carroll are
inside."
"Very good, madame. Certainly, madame. This way, madame."
Just as simple as that! John, making a physically impressive but
spiritually negligible tail to the procession, wondered, as he crossed
the polished floor, how Pat did these things. It was not as if she were
one of those massive, imperious women whom you would naturally
expect to quell head waiters with a glance. She was no Cleopatra,
no Catherine of Russia—just a slim, slight girl with a tip-tilted nose.
And yet she had taken this formidable magnifico in her stride, kicked
him lightly in the face, and passed on. He sat down, thrilled with a
worshipping admiration.
Pat, as always happened after one of her little spurts of irritability,
was apologetic.
"Sorry I bit your head off, Johnnie," she said. "It was a shame, after
you had come all this way just to see an old friend. But it makes me
so angry when you're meek and sheep-y and let people trample on
you. Still I suppose it's not your fault." She smiled across at him.
"You always were a slow, good-natured old thing, weren't you, like
one of those big dogs that come and bump their head on your lap
and snuffle. Poor old Johnnie!"
John felt depressed. The picture she had conjured up was not a
flattering one; and, as for this "Poor Old Johnnie!" stuff, it struck just
the note he most wanted to avoid. If one thing is certain in the
relations of the sexes, it is that the Poor Old Johnnies of this world
get nowhere. But before he could put any of these feelings into
words Pat had changed the subject.
"Johnnie," she said, "what's all this trouble between your uncle and
Father? I had a letter from Father a couple of weeks ago, and as far
as I could make out Mr. Carmody seems to have been trying to
murder him. What's it all about?"
Not so eloquently, nor with such a wealth of imagery as Colonel
Wyvern had employed in sketching out the details of the affair of the
dynamite outrage for the benefit of Chas. Bywater, Chemist, John
answered the question.
"Good heavens!" said Pat.
"I—I hope...." said John.
"What do you hope?"
"Well, I—I hope it's not going to make any difference?"
"Difference? How do you mean?"
"Between us. Between you and me, Pat."
"What sort of difference?"
John had his cue.
"Pat, darling, in all these years we've known one another haven't you
ever guessed that I've been falling more and more in love with you
every minute? I can't remember a time when I didn't love you. I loved
you as a kid in short skirts and a blue jersey. I loved you when you
came back from that school of yours, looking like a princess. And I
love you now more than I have ever loved you. I worship you, Pat
darling. You're the whole world to me, just the one thing that matters
the least little bit. And don't you try to start laughing at me again now,
because I've made up my mind that, whatever else you laugh at,
you've got to take me seriously. I may have been Poor Old Johnnie
in the past, but the time has come when you've got to forget all that. I
mean business. You're going to marry me, and the sooner you make
up your mind to it, the better."
That was what John had intended to say. What he actually did say
was something briefer and altogether less effective.
"Oh, I don't know," said John.
"Do you mean you're afraid I'm going to stop being friends with you
just because my father and your uncle have had a quarrel?"
"Yes," said John. It was not quite all he had meant, but it gave the
general idea.
"What a weird notion! After all these years? Good heavens, no. I'm
much too fond of you, Johnnie."
Once more John had his cue. And this time he was determined that
he would not neglect it. He stiffened his courage. He cleared his
throat. He clutched the tablecloth.
"Pat...."
"Oh, there's Hugo at last," she said, looking past him. "And about
time. I'm starving. Hullo! Who are the people he's got with him? Do
you know them?"
John heaved a silent sigh. Yes, he could have counted on Hugo
arriving at just this moment. He turned, and perceived that
unnecessary young man crossing the floor. With him were a middle-
aged man and a younger and extremely dashing-looking girl. They
were complete strangers to John.
II
Hugo pranced buoyantly up to the table, looking like the Laughing
Cavalier, clean-shaved.
He was wearing the unmistakable air of a man who has been to a
welter-weight boxing contest at the Albert Hall and backed the
winner.
"Hullo, Pat," he said jovially. "Hullo, John. Sorry I'm late. Mitt—if that
is the word I want—my dear old friend ... I've forgotten your name,"
he added, turning to his companion.
"Molloy, brother. Thomas G. Molloy."
Hugo's dear old friend spoke in a deep, rich voice, well in keeping
with his appearance. He was a fine, handsome, open-faced person
in the early forties, with grizzled hair that swept in a wave off a
massive forehead. His nationality was plainly American, and his
aspect vaguely senatorial.
"Molloy," said Hugo, "Thomas G. and daughter. This is Miss Wyvern.
And this is my cousin, Mr. Carroll. And now," said Hugo, relieved at
having finished with the introductions, "let's try to get a bit of supper."
The service at the Mustard Spoon is not what it was; but by the
simple process of clutching at the coat tails of a passing waiter and
holding him till he consented to talk business Hugo contrived to get
fairly rapid action. Then, after an interval of the rather difficult
conversation which usually marks the first stages of this sort of party,
the orchestra burst into a sudden torrent of what it evidently mistook
for music and Thomas G. Molloy rose and led Miss Molloy out on to
the floor. He danced a little stiffly, but he knew how to give the elbow
and he appeared, as the crowd engulfed him, to be holding his own.
"Who are your friends, Hugo?" asked Pat.
"Thos. G...."
"Yes, I know. But who are they?"
"Well, there," said Hugo, "you rather have me. I sat next to Thos. at
the fight, and I rather took to the fellow. He seemed to me a man full
of noble qualities, including a looney idea that Eustace Rodd was
some good as a boxer. He actually offered to give me three to one,
and I cleaned up substantially at the end of the seventh round. After
that, I naturally couldn't very well get out of giving the man supper.
And as he had promised to take his daughter out to-night, I said
bring her along. You don't mind?"
"Of course not. Though it would have been cosier, just we three."
"Quite true. But never forget that, if it had not been for this Thos.,
you would not be getting the jolly good supper which I have now
ample funds to supply. You may look on Thos. as practically the
Founder of the Feast." He cast a wary eye at his cousin, who was
leaning back in his chair with the abstracted look of one in deep
thought. "Has old John said anything to you yet?"
"John? What do you mean? What about?"
"Oh, things in general. Come and dance this. I want to have a very
earnest word with you, young Pat. Big things are in the wind."
"You're very mysterious."
"Ah!" said Hugo.
Left alone at the table with nothing to entertain him but his thoughts,
John came almost immediately to the conclusion that his first verdict
on the Mustard Spoon had been an erroneous one. Looking at it
superficially, he had mistaken it for rather an attractive place: but
now, with maturer judgment, he saw it for what it was—a blot on a
great city. It was places like the Mustard Spoon that made a man
despair of progress. He disliked the clientèle. He disliked the head
waiter. He disliked the orchestra. The clientèle was flashy and
offensive and, as regarded the male element of it, far too given to the
use of hair oil. The head waiter was a fat parasite who needed
kicking. And, as for Ben Baermann's Collegiate Buddies, he resented
the fact that they were being paid for making the sort of noises which
he, when a small boy, had produced—for fun and with no thought of
sordid gain—on a comb with a bit of tissue paper over it.
He was brooding on the scene in much the same spirit of captious
criticism as that in which Lot had once regarded the Cities of the
Plain, when the Collegiate Buddies suddenly suspended their
cacophony, and he saw Pat and Hugo coming back to the table.
But the Buddies had only been crouching, the better to spring. A
moment later they were at it again, and Pat, pausing, looked
expectantly at Hugo.
Hugo shook his head.
"I've just seen Ronnie Fish up in the balcony," he said. "I positively
must go and confer with him. I have urgent matters to discuss with
the old leper. Sit down and talk to John. You've got lots to talk about.
See you anon. And, if there's anything you want, order it, paying no
attention whatever to the prices in the right-hand column. Thanks to
Thos., I'm made of money to-night."
Hugo melted away: Pat sat down: and John, with another abrupt
change of mood, decided that he had misjudged the Mustard Spoon.
A very jolly little place, when you looked at it in the proper spirit. Nice
people, a distinctly lovable head waiter, and as attractive a lot of
musicians as he remembered ever to have seen. He turned to Pat,
to seek her confirmation of these views, and, meeting her gaze,
experienced a rather severe shock. Her eyes seemed to have frozen
over. They were cold and hard. Taken in conjunction with the fact
that her nose turned up a little at the end, they gave her face a
scornful and contemptuous look.
"Hullo!" he said, alarmed. "What's the matter?"
"Nothing."
"Why are you looking like that?"
"Like what?"
"Well...."
John had little ability as a word painter. He could not on the spur of
the moment give anything in the nature of detailed description of the
way Pat was looking. He only knew he did not like it.
"I suppose you expected me to look at you 'with eyes overrunning
with laughter'?"
"Eh?"
"'Archly the maiden smiled, and with eyes overrunning with laughter
said in a tremulous voice, "Why don't you speak for yourself,
John?"'"
"I don't know what you're talking about."
"Don't you know The Courtship of Miles Standish? I thought that
must have been where you got the idea. I had to learn chunks of it at
school, and even at that tender age I always thought Miles Standish
a perfect goop. 'If the great captain of Plymouth is so very eager to
wed me, Why does he not come himself and take the trouble to woo
me? If I am not worth the wooing, I surely am not worth the winning.'
And yards more of it. I knew it by heart once. Well, what I want to
know is, do you expect my answer direct, or would you prefer that I
communicated with your agent?"
"I don't understand."
"Don't you? No? Really?"
"Pat, what's the matter?"
"Oh, nothing much. When we were dancing just now, Hugo proposed
to me."
A cold hand clutched at John's heart. He had not a high opinion of
his cousin's fascinations, but the thought of anybody but himself
proposing to Pat was a revolting one.
"Oh, did he?'
"Yes, he did. For you."
"For me? How do you mean, for me?"
"I'm telling you. He asked me to marry you. And very eloquent he
was, too. All the people who heard him—and there must have been
dozens who did—were much impressed."
She stopped: and, as far as such a thing is possible at the Mustard
Spoon when Baermann's Collegiate Buddies are giving an encore of
"My Sweetie Is A Wow," there was silence. Emotion of one sort or
another had deprived Pat of words: and, as for John, he was feeling
as if he could never speak again.
He had flushed a dusky red, and his collar had suddenly become so
tight that he had all the sensations of a man who is being garrotted.
And so powerfully had the shock of this fearful revelation affected his
mind that his only coherent thought was a desire to follow Hugo up
to the balcony, tear him limb from limb, and scatter the fragments
onto the tables below.
Pat was the first to find speech. She spoke quickly, stormily.
"I can't understand you, Johnnie. You never used to be such a
jellyfish. You did have a mind of your own once. But now ... I believe
it's living at Rudge all the time that has done it. You've got lazy and
flabby. It's turned you into a vegetable. You just loaf about and go on
and on, year after year, having your three fat meals a day and your
comfortable rooms and your hot-water bottle at night...."
"I don't!" cried John, stung by this monstrous charge from the coma
which was gripping him.
"Well, bed socks, then," amended Pat. "You've just let yourself be
cosseted and pampered and kept in comfort till the You that used to
be there has withered away and you've gone blah. My dear, good
Johnnie," said Pat vehemently, riding over his attempt at speech and
glaring at him above a small, perky nose whose tip had begun to
quiver even as it had always done when she lost her temper as a
child. "My poor, idiotic, flabby, fat-headed Johnnie, do you seriously
expect a girl to want to marry a man who hasn't the common,
elementary pluck to propose to her for himself and has to get
someone else to do it for him?"
"I didn't!"
"You did."
"I tell you I did not."
"You mean you never asked Hugo to sound me out?"
"Of course not. Hugo is a meddling, officious idiot, and if I'd got him
here now, I'd wring his neck."
He scowled up at the balcony. Hugo, who happened to be looking
down at the moment, beamed encouragingly and waved a friendly
hand as if to assure his cousin that he was with him in spirit. Silence,
tempered by the low wailing of the Buddy in charge of the
saxophone and the unpleasant howling of his college friends, who
had just begun to sing the chorus, fell once more.
"This opens up a new line of thought," said Pat at length. "Our Miss
Wyvern appears to have got the wires crossed," she looked at him
meditatively. "It's funny. Hugo seemed so convinced about the way
you felt."
John's collar tightened up another half inch, but he managed to get
his vocal chords working.
"He was quite right about the way I felt."
"You mean.... Really?"
"Yes."
"You mean you're ... fond of me?"
"Yes."
"But, Johnnie!"
"Damn it, are you blind?" cried John, savage from shame and the
agony of harrowed feelings, not to mention a collar which appeared
to have been made for a man half his size. "Can't you see? Don't
you know I've always loved you? Yes, even when you were a kid."
"But, Johnnie, Johnnie, Johnnie!" Distress was making Pat's silver
voice almost squeaky. "You can't have done. I was a horrible kid. I
did nothing but bully you from morning till night."
"I liked it."
"But how can you want me to marry you? We know each other too
well. I've always looked on you as a sort of brother."
There are words in the language which are like a knell. Keats
considered "forlorn" one of them. John Carroll was of opinion that
"brother" was a second.
"Oh, I know. I was a fool. I knew you would simply laugh at me."
Pat's eyes were misty. The tip of her nose no longer quivered, but
now it was her mouth that did so. She reached out across the table
and her hand rested on his for a brief instant.
"I'm not laughing at you, Johnnie, you—you chump. What would I
want to laugh at you for? I'm much nearer crying. I'd do anything in
the world rather than hurt you. You must know that. You're the
dearest old thing that ever lived. There's no one on earth I'm fonder
of." She paused. "But this ... it—it simply isn't on the board."
She was looking at him, furtively, taking advantage of the fact that
his face was turned away and his eyes fixed on the broad, swallow-
tailed back of Mr. Ben Baermann. It was odd, she felt, all very odd. If
she had been asked to describe the sort of man whom one of these
days she hoped to marry, the description, curiously enough, would
not have been at all unlike dear old Johnnie. He had the right clean,
fit look—she knew she could never give a thought to anything but an
outdoor man—and the straightness and honesty and kindliness
which she had come, after moving for some years in a world where
they were rare, to look upon as the highest of masculine qualities.
Nobody could have been farther than John from the little, black-
moustached dancing-man type which was her particular aversion,
and yet ... well, the idea of becoming his wife was just simply too
absurd and that was all there was to it.
But why? What, then, was wrong with Johnnie? Simply, she felt, the
fact that he was Johnnie. Marriage, as she had always envisaged it,
was an adventure. Poor cosy, solid old Johnnie would have to
display quite another side of himself, if such a side existed, before
she could regard it as an adventure to marry him.
"That man," said John, indicating Mr. Baermann, "looks like a Jewish
black beetle."
Pat was relieved. If by this remark he was indicating that he wished
the recent episode to be taken as concluded, she was very willing to
oblige him.
"Doesn't he?" she said. "I don't know where they can have dug him
up from. The last time I was here, a year ago, they had another
band, a much better one. I think this place has gone down. I don't
like the look of some of these people. What do you think of Hugo's
friends?"
"They seem all right." John cast a moody eye at Miss Molloy, a
prismatic vision seen fitfully through the crowd. She was laughing,
and showing in the process teeth of a flashing whiteness. "The girl's
the prettiest girl I've seen for a long time."
Pat gave an imperceptible start. She was suddenly aware of a
feeling which was remarkably like uneasiness. It lurked at the back
of her consciousness like a small formless cloud.
"Oh!" she said.
Yes, the feeling was uneasiness. Any other man who at such a
moment had said those words she would have suspected of a desire
to pique her, to stir her interest by a rather obviously assumed
admiration of another. But not John. He was much too honest. If
Johnnie said a thing, he meant it.
A quick flicker of concern passed through Pat. She was always
candid with herself, and she knew quite well that, though she did not
want to marry him, she regarded John as essentially a piece of
personal property. If he had fallen in love with her, that was, of
course, a pity: but it would, she realized, be considerably more of a
pity if he ever fell in love with someone else. A Johnnie gone out of
her life and assimilated into that of another girl would leave a frightful
gap. The Mustard Spoon was one of those stuffy, overheated places,
but, as she meditated upon this possibility, Pat shivered.
"Oh!" she said.
The music stopped. The floor emptied. Mr. Molloy and his daughter
returned to the table. Hugo remained up in the gallery, in earnest
conversation with his old friend, Mr. Fish.
III
Ronald Overbury Fish was a pink-faced young man of small stature
and extraordinary solemnity. He had been at school with Hugo and
also at the university. Eton was entitled to point with pride at both of
them, and only had itself to blame if it failed to do so. The same
remark applies to Trinity College, Cambridge. From earliest days
Hugo had always entertained for R. O. Fish an intense and lively
admiration, and the thought of being compelled to let his old friend
down in this matter of the Hot Spot was doing much to mar an
otherwise jovial evening.
"I'm most frightfully sorry, Ronnie, old thing," he said immediately the
first greetings were over. "I sounded the aged relative this afternoon
about that business, and there's nothing doing."
"No hope?"
"None."
Ronnie Fish surveyed the dancers below with a grave eye. He
removed the stub of his cigarette from its eleven-inch holder, and
recharged that impressive instrument.
"Did you reason with the old pest?"
"You can't reason with my uncle Lester."
"I could," said Mr. Fish.
Hugo did not doubt this. Ronnie, in his opinion, was capable of any
feat.
"Yes, but the only trouble is," he explained, "you would have to do it
at long range. I asked if I might invite you down to Rudge and he
would have none of it."
Ronnie Fish relapsed into silence. It seemed to Hugo, watching him,
that that great brain was busy, but upon what train of thought he
could not conjecture.
"Who are those people you're with?" he asked at length.
"The big chap with the fair hair is my cousin John. The girl in green is
Pat Wyvern. She lives near us."
"And the others? Who's the stately looking bird with the brushed-
back hair who has every appearance of being just about to address
a gathering of constituents on some important point of policy?"
"That's a fellow named Molloy. Thos. G. I met him at the fight. He's
an American."
"He looks prosperous."
"He is not so prosperous, though, as he was before the fight started.
I took thirty quid off him."
"Your uncle, from what you have told me, is pretty keen on rich men,
isn't he?"
"All over them."
"Then the thing's simple," said Ronnie Fish. "Invite this Mulcahy or
whatever his name is to Rudge, and invite me at the same time.
You'll find that in the ecstasy of getting a millionaire on the premises
your uncle will forget to make a fuss about my coming. And once I
am in I can talk this business over with him. I'll guarantee that if I can
get an uninterrupted half hour with the old boy I can easily make him
see the light."
A rush of admiration for his friend's outstanding brain held Hugo
silent for a moment. The bold simplicity of the move thrilled him.
"What it amounts to," continued Ronnie Fish, "is that your uncle is
endeavouring to do you out of a vast fortune. I tell you, the Hot Spot
is going to be a gold mine. To all practical intents and purposes he is
just as good as trying to take thousands of pounds out of your
pocket. I shall point this out to him, and I shall be surprised if I can't
put the thing through. When would you like me to come down?"
"Ronnie," said Hugo, "this is absolute genius." He hesitated. He had
no wish to discourage his friend, but he desired to be fair and above-
board. "There's just one thing. Would you have any objection to
performing at the village concert?"
"I should enjoy it."
"They're sure to rope you in. I thought you and I might do the Quarrel
Scene from Julius Cæsar again."
"Excellent."
"And this time," said Hugo generously, "you can be Brutus."
"No, no," said Ronnie, moved.
"Yes, yes."
"Very well. Then fix things up with this American bloke, and leave the
rest to me. Shall I like your uncle?"
"No," said Hugo confidently.
"Ah well," said Mr. Fish equably, "I don't for a moment suppose he'll
like me."
IV
The respite afforded to their patrons' ear drums by the sudden
cessation of activity on the part of the Buddies proved of brief
duration. Men like these ex-collegians, who have really got the
saxophone virus into their systems, seldom have long lucid intervals
between the attacks. Very soon they were at it again, and Mr. Molloy,
rising, led Pat gallantly out onto the floor. His daughter, following
them with a bright eye as she busied herself with a lip stick, laughed
amusedly.
"She little knows!"
John, like Pat a short while before, had fallen into a train of thought.
From this he now woke with a start to the realization that he was
alone with this girl and presumably expected by her to make some
effort at being entertaining.
"I beg your pardon?" he said.
Even had he been less preoccupied, he would have found small
pleasure in this tête-à-tête. Miss Molloy—her father addressed her
as Dolly—belonged to the type of girl in whose society a diffident
man is seldom completely at ease. There hung about her like an
aura a sort of hard glitter. Her challenging eyes were of a bright
hazel—beautiful but intimidating. She looked supremely sure of
herself.
"I was saying," she explained, "that your Girl Friend little knows what
she has taken on, going out to step with Soapy."
"Soapy?"
It seemed to John that his companion had momentarily the
appearance of being a little confused.
"My father, I mean," she said quickly. "I call him Soapy."
"Oh?" said John. He supposed the practice of calling a father by a
nickname in preference to the more old-fashioned style of address
was the latest fad of the Modern Girl.
"Soapy," said Miss Molloy, developing her theme, "is full of Sex
Appeal, but he has two left feet." She emitted another little gurgle of
laughter. "There! Would you just look at him now!"
John was sorry to appear dull, but, eyeing Mr. Molloy as requested,
he could not see that he was doing anything wrong. On the contrary,
for one past his first youth, the man seemed to him enviably efficient.
"I'm afraid I don't know anything about dancing," he said
apologetically.
"At that, you're ahead of Soapy. He doesn't even suspect anything.
Whenever I get into the ring with him and come out alive I reckon
I've broke even. It isn't so much his dancing on my feet that I mind—
it's the way he jumps on and off that slays me. Don't you ever hoof?"
"Oh, yes. Sometimes. A little."
"Well, come and do your stuff, then. I can't sit still while they're
playing that thing."
John rose reluctantly. Their brief conversation had made it clear to
him that in the matter of dancing this was a girl of high ideals, and he
feared he was about to disappoint her. If she regarded with derision
a quite adequate performer like Mr. Molloy, she was obviously no
partner for himself. But there was no means of avoiding the ordeal.
He backed her out into mid-stream, hoping for the best.
Providence was in a kindly mood. By now the floor had become so
congested that skill was at a discount. Even the sallow youths with
the marcelled hair and the india-rubber legs were finding little scope
to do anything but shuffle. This suited John's individual style. He, too,
shuffled: and, playing for safety, found that he was getting along
better than he could have expected. His tension relaxed, and he
became conversational.
"Do you often come to this place?" he asked, resting his partner
against the slim back of one of the marcelled-hair brigade who, like
himself, had been held up in the traffic block.
"I've never been here before. And it'll be a long time before I come
again. A more gosh-awful aggregation of yells for help, than this
gang of whippets," said Miss Molloy, surveying the company with a
critical eye, "I've never seen. Look at that dame with the eyeglass."
"Rather weird," agreed John.
"A cry for succour," said Miss Molloy severely. "And why, when you
can buy insecticide at any drug store, people let these boys with the
shiny hair go around loose beats me."
John began to warm to this girl. At first, he had feared that he and
she could have little in common. But this remark told him that on
certain subjects, at any rate, they saw eye to eye. He, too, had felt
an idle wonder that somebody did not do something about these
youths.
The Buddies had stopped playing: and John, glowing with the
strange new spirit of confidence which had come to him, clapped
loudly for an encore.
But the Buddies were not responsive. Hitherto, a mere tapping of the
palms had been enough to urge them to renewed epileptic spasms;

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Ebook Computer Vision Eccv 2020 16Th European Conference Glasgow Uk August 23 28 2020 Proceedings Part Xiii Andrea Vedaldi Online PDF All Chapter

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Computer Vision ECCV 2020 16th

European Conference Glasgow UK

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 16th European Conference

Computer Vision ECCV 2020 Workshops Glasgow UK August

Editorial Board Members

Thomas Brox Jan-Michael Frahm (Eds.)

ISSN 0302-9743 ISSN 1611-3349 (electronic)

© Springer Nature Switzerland AG 2020

August 2020 Vittorio Ferrari

Welcome to the proceedings of the European Conference on Computer Vision (ECCV

August 2020 Andrea Vedaldi

Industrial Liaison Chairs

Local Arrangement Chairs

Academic Demonstration Chair

Yung-Yu Chuang National Taiwan University, Taiwan

Timothy Hospedales University of Edinburgh and Samsung, UK

Haibin Ling Stony Brooks, State University of New York, USA

Mathieu Salzmann EPFL, Switzerland

Kwang Moo Yi University of Victoria, Canada

Technical Program Committee

Sathyanarayanan Samuel Albanie Pablo Arbelaez

Mahsa Baktashmotlagh Florian Bernard Pradeep Buddharaju

Kwok-Ping Chan Weifeng Chen Nam Ik Cho

Rozenn Dahyot Mingyu Ding Jan Ernst

Matthew Fisher Jin Gao Dong Gong

JunYoung Gwak Zhihai He Ronghang Hu

Sung Ju Hwang Lai Jiang Christopher Kanan

Hansung Kim Adam Kortylewski Xiangyuan lan

Gil Levi Sheng Li Renjie Liao

Sheng Liu Yang Long K. T. Ma

Helmut Mayer Pritish Mohapatra Lakshmanan Nataraj

Björn Ommer Nikolaos Passalis Daniel Pizarro

Filip Radenovic Zhou Ren Chris Russell

William Robson Schwartz Hailin Shi Roger

Masanori Suganuma Xiaoyang Tan Andrea Torsello

Subeesh Vasu Hongxing Wang Tao Wang

Anne S. Wannenwetsch Jialin Wu Yang Xiao

Tianfan Xue Yanchao Yang Ke Yu

Xiaohang Zhan Shuai Zhang Qijun Zhao

Yanzhao Zhou Wei Zhu Christian Zimmermann

Victoria Fernandez Jonathan P. Crall Jaedong Hwang

Hanxiao Liu Ketul Shah Yunyang Xiong

Fashion Captioning: Towards Generating Accurate Descriptions

Reducing Language Biases in Visual Question Answering

Unsupervised Cross-Modal Alignment for Multi-person 3D

Class-Incremental Domain Adaptation . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53

Anti-bandit Neural Architecture Search for Model Defense. . . . . . . . . . . . . . 70

Wavelet-Based Dual-Branch Network for Image Demoiréing . . . . . . . . . . . . 86

Low Light Video Enhancement Using Synthetic Data Produced

Non-local Spatial Propagation Network for Depth Completion . . . . . . . . . . . 120

DanbooRegion: An Illustration Region Dataset . . . . . . . . . . . . . . . . . . . . . . 137

Event Enhanced High-Quality Image Recovery . . . . . . . . . . . . . . . . . . . . . . 155

PackDet: Packed Long-Head Object Detector . . . . . . . . . . . . . . . . . . . . . . . 172

A Generic Graph-Based Neural Architecture Encoding Scheme

Learning Semantic Neural Tree for Human Parsing . . . . . . . . . . . . . . . . . . . 205

Sketching Image Gist: Human-Mimetic Hierarchical Scene

Burst Denoising via Temporally Shifted Wavelet Transforms . . . . . . . . . . . . 240