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Cultures of Change in Contemporary
Zimbabwe
This book investigates how culture reflects change in Zimbabwe, focusing pre-
dominantly on Mnangagwa’s 2017 coup, but also uncovering deeper roots for
how renewal and transition are conceived in the country.
Since Emmerson Mnangagwa ousted Robert Mugabe in 2017, he has been
keen to define his “Second Republic” or “New Dispensation” with a rhetoric
of change and a rejection of past political and economic cultures. This multi-
and inter-disciplinary volume looks to the (social) media, language/discourse,
theatre, images, political speeches and literary fiction and non-fiction to see
how they have reflected on this time of unprecedented upheaval. The book
argues that themes of self-renewal stretch right back to the formative years of
the ZANU PF, and that despite the longevity of Mugabe’s tenure, the latest
transition can be seen as part of a complex and protracted layering of post-
colonial social, economic and political changes.
Providing an innovative investigation of how political change in Zimbabwe
is reflected on in cultural texts and products, this book will be of interest to
researchers across African history, literature, politics, culture and post-colonial
studies.
Edited by
Oliver Nyambi, Tendai Mangena
and Gibson Ncube
First published 2022
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
605 Third Avenue, New York, NY 10158
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2022 selection and editorial matter, Oliver Nyambi, Tendai Mangena and
Gibson Ncube; individual chapters, the contributors
The right of Oliver Nyambi, Tendai Mangena and Gibson Ncube to be identified
as the authors of the editorial material, and of the authors for their individual
chapters, has been asserted in accordance with sections 77 and 78 of the Copyright,
Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised
in any form or by any electronic, mechanical, or other means, now known or
hereafter invented, including photocopying and recording, or in any information
storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks,
and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book
ISBN: 978-1-032-04026-4 (hbk)
ISBN: 978-1-032-04027-1 (pbk)
ISBN: 978-1-003-19027-1 (ebk)
DOI: 10.4324/9781003190271
Typeset in Bembo
by Newgen Publishing UK
Contents
Acknowledgements viii
About the editors ix
List of contributors xi
PART I
Spectacles of change in the Second Republic 17
1 The patriotic present: The urgency of now in Zimbabwe’s
“New Dispensation” 19
C U T H B E T H TAGWI RE I
PART II
Tropes of ambivalent “transitions” 119
7 “We must aspire to be a clean nation”: Ambivalences of
transition in “New Dispensation” metaphors of dirt 121
TE N DAI M A NGE NA
PART III
Dis/continuing political cultures 185
11 Narrativising dis/continuities in ZANU PF
intra-power politics 187
TE RRE N C E MUSANGA
Index 251
Acknowledgements
Oliver, Tendai and Gibson would like to express thanks to each other for cur-
ating this volume on the urgent subject of cultures of change in post-colonial
Zimbabwe, especially in the post-Mugabe era. We also appreciate how we have
established links with Zimbabwean scholars, within and outside the country, on
this book project.
Our greatest appreciation goes to all the contributors, for their enthusiasm
and energy. Without them, this project would not have seen the light of day.
We also want to take this opportunity to thank the many reviewers for their
immense contribution to the success of the project.Their incisive questions and
probing comments helped in shaping the focus and rigour of all the chapters
in this volume.
We want to thank Leanne Hinves, Helena Hurd and Rosie Anderson of
Routledge for their professionalism and keen interest in African Studies.
Oliver Nyambi appreciates the generous funding received as part of his
fellowship of the Alexander von Humboldt Foundation in Germany from May
2018 to August 2021. He wishes to thank his host at Bayreuth University Susan
Arndt and the Bayreuth Academy of Advanced African Studies for availing a
conducive and productive space for thinking and writing. Nyambi also acknow-
ledges the support received from his department, faculty and research office at
the University of the Free State in South Africa, particularly Kudzai Ngara, Iri
Manase, Helene Strauss, Heidi Hudson, Corli Witthuhn and many others. He
also thanks colleagues as well as the team supporting him in the Department
of Higher Education’s Future Professors Programme, South Africa –Jackie du
Toit, Neil Roos, Sibusiso Moyo (not the Zimbabwean coup announcer), Zinia
Bunyula, Jonathan Jansen and Chantelle Wyley.
Gibson Ncube would like to thank the Stellenbosch Institute for Advanced
Study for facilitating an overseas residence at the National Humanities Center
(USA). It is during this stay that he joined Oliver and Tendai in crafting the idea
of this volume.
Tendai Mangena acknowledges funding from Fulbright which enabled her
to work on this project as a Fulbright Scholar at the University of California,
Riverside, USA.
About the editors
Therefore, in a sense, ZANU PF’s phases of “renewal” date back to its forma-
tive years as a breakaway “rebel”, liberation party protesting Joshua Nkomo’s
struggle tactics as leader of ZAPU.
After the split from ZAPU, ZANU “cleverly and instrumentally used par-
ticular events not only to popularize itself, but also to claim to be the sole initi-
ator of the liberation struggle” (Ndlovu-Gatsheni, 2012, p. 5). Ndlovu-Gatsheni
illustrates how
the Chinhoyi Battle of 1966 (in which seven ZANLA cadres were killed by
Rhodesian forces) was celebrated annually as Chimurenga Day, marking the
beginning of the armed liberation struggle … and was used ideologically …
to claim the position of the initiator of the armed struggle ahead of the ZAPU
and its armed wing, the Zimbabwe People’s Revolutionary Army (ZIPRA).
(Ndlovu-Gatsheni, 2012, p. 5)
However, the struggle to attain and maintain hegemony has not always
been successful for the ruling party. According to Ndlovu-Gatsheni, ZANU/
ZANU-PF “has never at any time been a monolithic political formation free
from intraparty dissensions, conflicts, and crisis” (Ndlovu-Gatsheni, 2012, p. 6).
Introduction 7
The “little unity of a hegemonic sort” (Moore, 2008, p. 32) goes beyond the for-
mation of ZANU out of ZAPU to incorporate how Robert Mugabe became
the leader of the former liberation movement.
Ndabaningi Sithole was the first president of ZANU in 1963, but Mugabe
whisked away the leadership from him in what was interpreted as a “coup in
prison” (Moore, 2005, p. 176). In the words of Moore:
Mugabe usurped power within his party in 1963, yet in the context of the
recent coup that put Mnangagwa into power, the usurpation was at the national
government as well as party level.
According to Mazarire, “since the ‘reconstruction’ of the party under Robert
Mugabe after the Chimoio congress of 1977, ZANU has tended to expunge
from its past figures who disagreed with the leadership’s hegemonic trajectory”
(Mazarire, 2017, p. 83). Here we invoke two deaths that could be considered as
central to the politics of “succession” in ZANU during the liberation struggle
and prior to independence. The then chairman of ZANU, Herbert Chitepo was
assassinated in Lusaka in 1975. Josiah Tongogara, the popular ZANLA commander,
was killed in a car accident in Mozambique in December 1979, on the eve of
Zimbabwe’s independence. Both deaths “remain subject to the fiercest contro-
versies” and “are mired in rumours of ZANU power struggles” (Fontein, 2018,
p. 52). Tongogara was implicated in Chitepo’s death. Significantly, for our discus-
sion in this section is how Mugabe is rumoured to have had a hand in both deaths.
According to Fontein,“it is often rumoured that Mugabe is haunted by Tongogara’s
ghost, implying that he had a hand in the guerrilla commander’s death” (Fontein,
2018, p. 52). In his interpretation of Luise White’s book The assassination of Herbert
Chitepo:Texts and politics in Zimbabwe (2003), Rotberg talks about the hint
that Mugabe was behind not only Chitepo’s assassination but also the death
of Tongogara, thus enabling Mugabe to assume full control of Zimbabwe’s
move to independence in 1980. The argument is built on guilt by associ-
ation: Since Mugabe, while in power after 1980, is known to have had his
own Central Intelligence Organization eliminate, maim, and intimidate
opponents, rivals, and suspected dissidents, surely his ruthlessness in power
implies that he clawed his way to ZANU dominance over Chitepo and
Tongogara as he did over Sithole.
(Rotberg, 2004, p. 599)
8 Oliver Nyambi et al.
What can be gleaned from these accusations is the fact that in nationalist circles,
Mugabe was suspected to be disposed to get into and hold onto power. This
determination to hold onto power played out throughout his reign over ZANU
PF and the country often as an “obstacle to change” (Ranger, 1980, p. 71).
Whilst it is possible to argue that “Mugabe was both a creation and beneficiary
of factionalism from the wider nationalist movement and within his party, both
before and after independence” (Hove, 2019, p. 201), in November 2017, he
was a victim of the same political culture of factionalism which he had overseen,
like a chess master, during his rule. In his first public statement after the coup in
2017, made in an interview with Sophie Mokoena of SABC, Mugabe said the
following about Mnangagwa’s presidency:
Crystallising the political life of the ruling party and the country around his
own life and person, Mugabe did not imagine or fathom ZANU PF and
Zimbabwe beyond him. Given such as state of affairs, he did not actively seek to
groom any potential successor. For example, in 2004, there was an attempt led
by then Information and Publicity Minister, Jonathan Moyo, to clandestinely
lobby ZANU PF provincial structures to have Emmerson Mnangagwa replace
Mugabe. Moyo was fired from his ministerial position and from the party
and Mnangagwa was relegated to marginal position in government. Mugabe
ensured that discussion of his succession did not see the light of day and if it did,
those involved were punished accordingly.
Despite his public announcements after his ouster that he was preparing
one of his trusted lieutenants and Defence Minister Sydney Sekeramayi to
10 Oliver Nyambi et al.
succeed him, the ways in which Mugabe ruthlessly descended on potential
successors, particularly his former deputies Joice Mujuru and Mnangagwa,
attests more to his desire to extend his rule for as long as possible.3 Discussion
of succession and imagining a Zimbabwe and ZANU PF beyond and without
Mugabe was rendered taboo. Mugabe thus presided, especially in the last half
of his presidency, over a ruling party and nation in which factions sought
to outwit each other, not just to replace and succeed him but often times
to please him. This engendered a culture and legacy of patronage in which
different individuals and factions sought to please Mugabe in exchange for
positions and protection. Mpondi (2015, p. 514) describes the functioning of
this system of patronage:
Chapter summaries
The volume is divided into three distinct, though neatly interrelated sections.
The first section entitled “Spectacles of change in the Second Republic”
examines diverse iterations of attempted change by the Mnangagwa regime.
The overarching focus in chapters in this section is on various forms of efforts
to depart from the ancien regime and how these, to date, have largely highlighted
more continuities instead of discontinuities between the First and Second
Republics. Chapters in this section grapple with what this dimension of change
means especially in the context of a spirited campaign by the Mnangagwa
regime to create, circulate and entrench notions of transition, newness and diffe-
rence from the “old” dispensation. In the opening chapter, Cuthbeth Tagwirei
coins the novel concept of “the patriotic present” which he uses to critically
engage the politics and political cultures of being (in) the “new” dispensation.
Ultimately,Tagwirei shows that “while distinguishable from it, the patriotic pre-
sent carries traces of the old, including the motivation to monopolise narratives
about Zimbabwe and entrench ZANU PF hegemony”. Tagwirei notes further
that regardless, the patriotic present’s methods are different: “it is decentralised,
fluid, expeditious, and always in the process of unfolding”. The second chapter
by Obert Bernard Mlambo and Ezra Chitando picks up on the historical and
political complexities of nationalist iconography through a focus on the presi-
dential scarf as an important iconographical element in the symbolism of the
new patriotism that the Second Republic sought to embody. Mlambo and
Chitando argue that the politically fetishist spectacle that is the presidential scarf
represents a not-so-new-national force which has sort to diffuse and disestab-
lish the stronghold that Mugabe had exercised on the political and nationalist
landscape of Zimbabwe. This chapter examines how the public spectacle of the
scarf locates itself within discourses of legitimacy that the Second Republic has
sort to foster.
The third chapter by Shepherd Mpofu deploys the concept of pol-
itical toxicity to theorise broadly the persistence of the First Republic in
destabilising the Second Republic’s framing and performances of newness
and difference. In this chapter, Mpofu explores the multifaceted and yet
often times conflicting concept of Mugabeism. He argues that Mugabeism
as a political philosophy and practice constitutes a malignant ideology and
concept of leadership that continues to haunt and materialise itself in the
12 Oliver Nyambi et al.
violent and militarised regime of Mnangagwa. Through an examination of
four central issues (violence, corruption, human rights abuses and leadership
failure), Mpofu highlights the importance of discerning that whilst the New
Dispensation has celebrated newness and departure from the First Republic,
its modus operandi is deeply engrained in Mugabeism and relies, for its hege-
monic efficiency, in the past.
In Chapter 4, Nkululeko Sibanda pursues what he calls “theatres of state
terror” and its associated culture and traditions of violence in the Second
Republic as a politico-cultural inheritance from what Mpofu in Chapter 3 calls
“Mugabeism”. Sibanda reads the “theatre” of power and powerlessness in the
“staging” of public demonstrations that took place in August 2018 in which
members of the opposition, civic societies organisations as well as ordinary citi-
zens were ruthlessly suppressed by the military and some killed. This macabre
theatre and spectacle of violence, Sibanda contends, has served to illustrate the
need to understand ZANU PF hegemony across the dispensations as produced
and sustained by an entrenched system that thrives on violence.
In Chapter 5, Irikidzayi Manase examines media framings of the death and
burial of Robert Mugabe as a potential site to understand the cultural yet
political nuances of transition. Manase fleshes out Mpofu’s observation that
“Robert Mugabe, even at death, remained one of the most complex characters
in global and Zimbabwean politics” by tracing sites of legitimation and de-
legitimation in various controversial processes and discourses of his death and
burial. The chapter engages questions of Mugabe’s national heroism and how
Mugabe’s eventual burial at his rural home in Zvimba, instead of the monu-
mental National Heroes Acre shrine in the capital city Harare, is illustrative of
instabilities and the impermanence of loyalties in ZANU PF. Manase argues
that even in death, Mugabe’s was still a potential impediment to the entrench-
ment of impressions of newness “hence the ruling elite’s fight to take control
over his body and the meanings and political capital it held”. Manase views
the death and burial of Mugabe as theatres in which the aesthetic and discur-
sive effect of media texts are central to the political (re)generation of popular
imaginaries of Mugabe’s bygone power and the charting of an embryonic New
Dispensation ethics of power. The first section of the volume is concluded by
Oliver Nyambi’s chapter, “The spectre of Mugabe: land, change and discursive
politics of dispensations in Zimbabwe”, which focuses on land and land reforms
as sites to understand the complicated project of the Mnangagwa regime to
construct and perform change and difference. Through an analysis of the state’s
emergent land discourse, Nyambi argues that the Mnangagwa regime has
operationalised discourse to grapple with the political yet moral conundrum
of negotiating Mugabe’s radically racialised land discourse. Nyambi views this
new, racially toned down land discourse as part of the new leadership’s broader
discursive process of self-re-invention to reinforce the regime’s impressions
of its new, markets-respecting neo-liberal economics. For Nyambi, however,
this new discourse of land is hamstrung by the New Dispensation’s incapacity,
Introduction 13
inability and sometimes convenient unwillingness to totally disengage from
Mugabeism’s nativist definitions of belonging and citizenship.
The chapters in the second section, “Tropes of ambivalent ‘transitions’”,
pursue some of the eminent cultural modes of transiting used by the Mnangagwa
regime, showing how the transition has been messy in many ways to such an
extent that sometimes the boundaries between the old and the purported new
are overwhelmingly blurred. Tendai Mangena’s chapter on the ambivalences of
the metaphors of dirt in the New Dispensation opens this section. The chapter
highlights the subject of corruption which Mpofu’s chapter listed as one of
the toxic cultures underpinning the political patronage system associated with
Mugabeism. The chapter focuses on how the trope of “dirt” can be used as
a prism of examining the psycho-social framing of newness and difference
from Mugabe’s Zimbabwe. By evoking a mission to clean the country, literally
through a National Cleaning Campaign and figuratively through a symbolic
“sanitisation” of governance, Mnangagwa has attempted to forge a new culture
of responsibility. The chapter contents that there is no ostensible transitioning
from “dirt” to “cleanliness” but rather an extension of and coexistence with
“dirtiness” in the New Dispensation. What links Mangena’s chapter to the
next is how she interprets Mnangagwa’s (in)famous declaration “let bygones
be bygones” as reflecting a consistent motif of difference (from Mugabe) in
his self-re-invention as an agent of change. Mangena argues that, through that
statement, Mnangagwa invites the nation to edit his political history in a way
that naturalises his claimed disconnection with aspects of Mugabe’s ruinous
rule. Similarly, Ncube, in Chapter 8, shows the manner in which through the
phrase “let bygones be bygones” Mnangagwa enforces collective amnesia to
forget the Gukurahundi –the massacre of over 20 000 civilians (see Gusha,
2019) by the national army in the Midlands and Matabeleland provinces in
the early to late 1980s. Through an analysis of Novuyo Rosa Tshuma’s novel,
House of stone (2018), Ncube argues that literary texts open up new spaces of
remembering and conversation on what Zimbabweans have been forced to
forget. Ncube shows that there is an uneasy attempt to deal decisively with
Gukurahundi.
The other two chapters in this section also deal with literary form.
Muchativugwa Liberty Hove in Chapter 9, through an analysis of selected
texts, questions whether the installation of Mnangagwa initiated any new
authenticities or is simply attempting to erase Mugabe’s (in)famous legacy. The
closing chapter in the section by Thamsanqa Moyo and Esther Mavengano
offers a (re)reading of George Orwell’s classical novel Animal farm. In this
chapter Moyo and Mavengano draw fascinating comparisons between the
political satire offered by the novel and the events that have taken place in
Zimbabwe leading to and following the 2017 political transition. Drawing
on Henri Lefebvre’s concept of space as reflective of power, they argue that
the patterns represented in Animal farm reproduce the standstill transition over
which Mnangagwa presides.
14 Oliver Nyambi et al.
The ultimate section of the volume, “Dis/continuing political cultures”,
is composed of four chapters which zero in on how efforts by the New
Dispensation to usher in newness in the political landscape of Zimbabwe has
to some extent involved replicating previous political cultures and legacies.
Terrence Musanga’s chapter, “Narrativising dis/ continuities in ZANU PF
intra-power politics”, opens the section and examines how the concepts of
New Dispensation and Second Republic are fraught in moral ambivalences
traceable to the indispensability of what Mpofu (in Chapter 3) calls Zanuism.
Musanga explores how, in history, cultures and traditions of becoming and being
ZANU PF throw into disarray the Mnangagwa regime’s attempts and capacity
to reimagine itself outside Mugabeism. In Chapter 12, Mickias Musiyiwa looks
to Shona folk cosmology and the concept of “ngozi” (haunting spirit) to argue
that the ineffectiveness by the New Dispensation to transition to some form of
newness lies in its failure to deal with diverse avenging and unappeased spirits
that have haunted the nation’s psyche. Musiyiwa suggests, through a lens of
Shona causality, that a transition is possible only if the New Dispensation deals
with the countless unappeased ngozi (haunting spirit) so as to foster sustainable
ways of redressing the nation’s present challenges.
The penultimate chapter, by Edmore Dube, interrogates the enduring
vicious culture of keeping the opposition in court and how its political
dynamics complicate discourses of positive transitions. Dube argues that there
is undeniably no difference between the old regime and the New Dispensation
in that the opposition continues to be rigged in numerous court cases. This
has had the effect of incapacitating and enfeebling the opposition movements.
In the volume’s last chapter, “Auxillia Mnangagwa’s ‘Amaihood’ and the cul-
tural politics of the Zimbabwean First Lady in the ‘New Dispensation’”, Umali
Saidi examines how first ladies Grace Mugabe and Auxillia Mnangagwa are an
important site of thinking through the political transition necessitated by the
November 2017 “coup”. Saidi argues that Mnangagwa’s wife sets out to frame
herself as different from Mugabe’s wife. Saidi wonders if there is indeed any
difference between the two women especially in thinking through their agency
and independence outside the influence wielded by their powerful husbands.
Notes
1 Operation Restore Legacy was the military’s code name for the 2017 coup.With this
code name, the military sought to project its power grab as a corrective intervention
to save ZANU PF and the nation from what Major General Sibusiso Moyo, in a
broadcast speech, called “criminals around [Mugabe] who are committing crimes …
that are causing social and economic suffering”.
2 The statement was made by Retired Lieutenant General Sibusiso Moyo in his
announcement of Operation Restore Legacy on 15 November 2017.
3 Just like Mnangagwa in 2017, Joice Mujuru was fired from her positions as Mugabe’s
deputy in ZANU PF and government and haunted out of the ruling party in 2014.
In both instances, Mugabe’s wife Grace Mugabe played a major role in establishing
what she framed as “sinister” plots to succeed Mugabe.
Introduction 15
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Part I
Introduction
Over the past three decades, history was a defining feature of Zimbabwe.
Colonial injustices and the liberation struggle, which resulted in the end of
white minority rule, served as the standard by which Zimbabwe was defined.
Robert Mugabe, leader of the Zimbabwe African National Union-Patriotic
Front (ZANU PF) and Zimbabwe since 1980, was a key figure around whom
Zimbabwe’s past was constructed and a narrative of nationhood described by
Ranger (2004) as “patriotic history” could be institutionalised. The forced
removal of Mugabe in November 2017 was accompanied by a reframing
which was marked by the separation of past and present. Zimbabwe, it was
announced, had entered a “New Dispensation” (sometimes referred to as the
Second Republic) whose key pledge was to break from the past of bad gov-
ernance, international isolation, corruption, economic decline and political
polarisation. A new discourse came to eclipse patriotic history. I call it the
patriotic present. While distinguishable from it, the patriotic present carries
traces of the old, including the motivation to monopolise narratives about
Zimbabwe and entrench ZANU PF dominance. Regardless, its methods are
different. It is decentralised, fluid, expeditious and always in the process of
unfolding. The chapter traces the shift from patriotic history to the patriotic
present and discusses the tenets of the latter in terms of its methods, signifi-
cance and future.
The phrase “New Dispensation” is used in this chapter in respect of the
government of President Mnangagwa’s self-referentiality. Contrary to what the
phrase suggests, patriotic history and the patriotic present do not represent
two discursive epochs with distinct propagators, forms, methods, media and
messages. There are of course significant differences and departures. However,
the central motif, “patriotism”, remains constantly narrow and partisan across
“dispensations”. State institutions, media, functions, policies and practices
remain the visible theatres where patriotism is rehearsed and enacted. A recent
addition is social media, in terms of how state actors and government supporters
have escalated their use of Twitter and Facebook in defence of the government’s
narrow and partisan version of patriotism. The instrument of social media is
DOI: 10.4324/9781003190271-3
20 Cuthbeth Tagwirei
therefore central to the expression of patriotism. Resultantly, most of the empir-
ical data, in the reflections of patriotism, is derived from social media content.
It will be noted that social media content resonates with state-controlled print
media’s framing of the Zimbabwe government under Emmerson Mnangagwa.
Purposively selected stories from the state- controlled newspapers, The
Herald and Chronicle, and tweets on the handles of government officials and
sympathisers are utilised to explain the patriotic present. Newspaper stories and
tweets published between November 2017 and December 2020 were chosen
for an expansive view of how the patriotic present has evolved during the first
three years of the New Dispensation. It is important to note that material on the
patriotic present is widely dispersed across different media, heterogenous, in a
flux and is constantly being produced.What the chapter hopes to do, by utilising
purposively selected content from both state-controlled newspapers and social
media, is register a coherence on the patriotic present while remaining cogni-
zant of its multiplicity and instability. Stories and tweets explicitly promoting or
defending the notion of a New Dispensation were selected as a way of deter-
mining their discrete and complementary contribution to the emergence and
sustenance of the patriotic present. Subsequent sections shed more light on the
attributes of these stories and tweets.
I urge you to leverage on new media platforms to protect and advance the
party’s values and programs as well as ICT for membership mobilisation. Isu
vadhara nana Mai Muchinguri vedu ava, hatizvigoni zvesocial media. Imi
zero renyu, tambai navo musocial media imomo. Musakundwa musocial
media. Pindai morakasha vanhu musocial media [Some of us are old; you are
still youthful and masters of technology. The new digital chatrooms are war
rooms. Jump in and hammer party enemies online. Don’t play second fiddle]
(Mwareya, 2019)
On 14 December 2018, four months after the elections, the president reiterated
the message by saying “Rakashanai pamasocial media. Imwi muchisimudzira
musangano wenyu” [Fight it out on social media while uplifting your party].
The New Dispensation openly launched Varakashi with a view to making
28 Cuthbeth Tagwirei
Zimbabweans monolithically patriotic. The idea of “fighting it out” on social
media was ideally a step in the right direction. A healthy contestation of ideas
on a public forum is the hallmark of any true democracy. However, as will be
shown, Varakashi seek a monologue and promote undemocratic tendencies in
their posts.
[We do not live] in the past.The past is gone.The past is dead […] If there is
anything we can learn from the past we will, but we say the past is gone.We
must live for the future. We must prepare for the future. We want a better
future than we lived in the past.
(Office of the President and Cabinet, 2018)