Professional Documents
Culture Documents
Self Defense: Week 1 Gerald Abella, LPT
Self Defense: Week 1 Gerald Abella, LPT
Self Defense: Week 1 Gerald Abella, LPT
WEEK 1
GERALD ABELLA, LPT
THE BRIEF HISTORY OF ARNIS
A fact emerging martial art in the Philippines today is Eskrima (arnis) a corruption of
karness, the colorful trappings worn by medieval soldiers.
How eskrima came to be is a long story that its roots in the Philippines past which it helps
enriched.
Eskrima was in early Philippines known as kali which historians suspect must have been
derived from tjakalele of Indonesia, a neighboring country south of the Philippines. Tjakalele is a
native Indonesian fencing whose techniques are closely similar to those of eskrima.
When Spain colonized the Philippines, kali was already a standard fighting art of the early
Filipinos. Native rulers like Lapu-Lapu of Mactan was a kali ex- pert, according to Magellan's
chronicler and historian, Pigafetta. Legend had it that Lapu-Lapu killed Magellan in al and with a
bladed weapon which kali practitianers used in pre-Spanish Philippines. Along with his bladed
weapon, which natives carried as a part of their habiliment was a short-pointed hardwood stick
hardened by fire treatment.
This stick must have been the forerunner of muton or baston now the standard fighting weapon
in Arnis, Spanish Conquistador, Miguel Lopez de Legaspi told of having witnessed a kali
exhibition in Abuyog, Leyte by Malitik, the chief of the island, and his son Kamutunan; In Limasa
wa, Kamiging and in Cebu by the native chief- tains of these islands.
The few who survived told of the masterful art of cane fighting they have ever seen. In
Spain, they have something they call ESCRIMA or fencing.
When the country was ultimately conquered and Occupied by Spain, their language was
forced upon by the people, and Arnis was known ever since as ESGRIMA.
The Filipinos not used to
certain Spanish sounds sed "K", instead
of "G" and pronounced its ESKRIMA
to this day (used as the title of this
book.) During the Philippine
Revolution, the first known fighting
weapon of Filipino revolt leaders like
Andres Bonifacio was itak which he
used probably with kali fighting
techniques. Other Filipino
revolutionary leaders never actually
used kali in fighting the Spanish
soldiers, but were said to be experts in
this fighting art which they learned in their youth. The greatest Filipino hero, Dr. Jose P. Rizal, for
instance, studied kali before he left for Europe. Revolutionary generals like Gregorio del Pilar and
Antonio Luna were known all practitioners.
How kali became arnis was an aftermath of an episode in Philippine history when kali was
outlawed by the Spanish authorities as one of the precautionary measures taken to discourage an
enslaved people from rising in revolt against the Spanish rule in the Philippines. Henceforth, kali
was only practiced in secret.
In 1637, however, Spanish friars, who came to the Philippines, introduced the moro-moro,
a socio-religious play dramatizing the victory of Christian Spaniards over the Muslim Moors
apparently as a visual aid in prosecuting the natives to Christianity. The play called for The play
called for the use of a sword or any bladed weapon by characters who played the role of Spanish
soldiers, These soldiers were colorful trappings called arnes which the early Filipino’s cleverly
used as the new name of kali whose technique were again practiced in the guise of using them in
the moro-moro plays. From then on kali became arnes literally immortalized as arnis in Balagtas
Tagalog epic Florante at Laura in these lines. . larong buno't arnis (underscoring supplied) na
kinakitaan ng kani-kaniyang& liksi't karunungan."
Eskrima or Arnis today is popularly played with the Use of cane, it being less lethal than
the bladed weapon like itak or broadsword. The cane is assumed to be the extension of the hand
so that arnis is also called in Spanish arnis de mano or eskrima. Among the Tagalog Provinces,
arnis is known as estocada or arnis de mano; Ibanag's is to the pagkalikali; kalirongan to Pangasi-
nense: Kinaadman to the Visayans (Eskrima or garote to the cebuanos) and baston to the people
of Panay and Negros Occidental; and Sinawali to the Pampangeños
As a fighting art, arnis has three forms of
play. They are the espada y daga (sword and
dagger) or the long wooden sword and the short
wooden dagger; the solo baston (single stick) in
which a single long muton or baston (wooden stick
or rattan cane) hardened by drying or heating is
used; and the sinawali, so called because the
intricate movements of two muton used in- variably
resemble the sawali, a native material for house
walling made of bamboo splits, wooven in criss-
aeross fashion.
In teaching arnis, three traditional training methods were used by the early Filipinos. These
were the (1) muestrasion or pandalag, an artistic execution of the swinging movements and strokes
for offensive and defensive pur pose in repetitive drills; (2) sangga at patama or sombra tabak,
technique in striking, thrusting, and parrying in & pre-arranged manner; and (3) larga muton or
labanang totohanan where two trainees engage in a free practice, trying to outmaneuver each other
with all their skills.