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Title Pages
Title Pages
Queeny Pradhan
(p.iv)
Published in India by
Oxford University Press
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Title Pages
YMCA Library Building, 1 Jai Singh Road, New Delhi 110001, India
ISBN-13: 978-0-19-946355-8
ISBN-10: 0-19-946355-7
All images unless stated otherwise are out of copyright and are
available for
free in the public domain. Every effort has been made to contact Mr
Durga Das,
proprietor of Das Studio, Darjeeling, for images sourced from him/his
studio.
The publisher hereby states that any information brought to notice
by family
member/s will be acknowledged in future reprints of this book.
Please note
that family member/s would need to furnish official document
claiming
relation to Mr Durga Das.
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Dedication
Dedication
Queeny Pradhan
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Epigraph
Epigraph
Queeny Pradhan
(p.vi) Here are the hills, the rivers and the school,
The grange, the stores, three churches, Down a way,
You’ll find the drowsing station
Where the rule
Is two trains up, and two trains down each day....
Yet look again, lest you conclude the world
Spins past these homes. No leafy
Street but one—
St. Andrew’s churchyard, rests an ancient guild
Of Howlands, Wathleys, Winegars and Lains
Who, by their way of living, helped to build,
The mood of peace the village still retains.
Bright window has a little flag unfurled
With every star of blue an absent son
Loving its own, but loving freedom more,
This tiny village, too, has gone to war.
In days long gone by, other than Mr. Sullivan prophesied the most
extravagant things regarding Ootacamund, which was to be the centre of a
European Land of Goshen, and an England in the tropics, without any of
the climatic disadvantages of the old country; a land where Europeans
would increase and multiply, raise all manner of farm, dairy and garden
produce, and make much money therefrom—in fact and Indian Utopia.
These vaticinations have not been in the remotest degree fulfilled and are
never likely to be.
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Epigraph
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Table and Figures
Table
5.1 The table of fares for the transport service between the Abu Road and
Mount Abu 147
Figures
1.1 Captain Gerard, among the early travellers to Simla, carefully
constructed the route, familiarizing the Europeans to the distant places in
the colony 5
1.2 A countrified and agrarian landscape appealed to the picturesque
sensibilities in the pencil sketches of Newall 10
1.3 A photograph of the Ooty landscape, 1870 15
1.4 Darjeeling, marked as ‘X’ in the figure, was mapped out for its
economic potential as it is strategically located with regard to the frontier
trade 20
2.1 The bee-hive-shaped Toda hut 46
2.2 A Toda couple as Adam and Eve 48
3.1 Simla first mentioned in Murray’s Handbook 65
3.2 The map of Abu showing the area leased to the British by the Sirohi
ruler, 1917 (as demarcated by the 54 pillars) 87
(p.x) 4.1 The long snowline of Kanchenjunga (the Himalaya on the
eastern side) in the background of an English countryside house
characterizes the setting in Darjeeling in the late nineteenth century 104
4.2 Map showing Captain Alexander Gerard’s travels to Simla and the
interior in the 1820s 106
4.3 The first map of Darjeeling digitized from Hooker’s journal 114
5.1 The Combermere Bridge, 1840 140
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Table and Figures
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Acknowledgements
(p.xi) Acknowledgements
Queeny Pradhan
I would also like to acknowledge the interest and encouragement that Professor
Satish Saberwal and Professor Majid Siddiqui showed in the early days of my
study on the topic. Professor Chetan Singh introduced me to Mian Govardhan
Singhji. Professor Harjit Singh and Mr Varghese of the Centre for the Study of
Regional Development, New Delhi, gave digital assistance by scanning maps and
photographs. Professor Indrani Chatterjee’s pointed comments on a few
chapters in my presentation at Jawaharlal Nehru University (JNU) along with
Professor Siva Ramakrishnan’s feedback further motivated me to complete my
book.
During the course of my research, I undertook a number of field trips to the hill
stations and received help from a large number of people. These contributions
have been significant and I would like to express my thanks to them. Captain
A.K. Saxena and his wife’s hospitality made my first field experience in
Darjeeling comfortable. Captain Saxena’s numerous contacts in and around
Darjeeling facilitated the collection of material of interest to me. In Simla, Mian
Govardhan Singhji merits my unreserved thanks for sharing his unrivalled
knowledge. He was kind to place his personal (p.xii) library at my disposal. In
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Acknowledgements
Mount Abu, I received help from the then subdivisional magistrate, Mr Tanmay
Kumar. He made the collection of research material easier by fixing
appointments and ensuring full cooperation from various local government
offices. Dr Sprigg, formerly with the School of Oriental and African Studies,
London, and now at Dr Graham’s Homes at Kalimpong, provided a searching and
insightful critique of my initial draft which was helpful. My thanks to Mr Dugay
Lepcha, president of the Darjeeling Committee of All India Lepcha Association,
and his associates for introducing me to some old Lepchas of the place, and
providing valuable information about the background, customs, rituals, etc., of
the Lepchas. In Ootacamund or Ooty, my special thanks to Professor Darius
Krishnaraj and the staff at the Nilgiri Library. I am grateful to the collectorate
for the meticulous maintenance of records and help in taking out the files I
requisitioned.
The staff at JNU library; the National Archives of India, New Delhi; the Nehru
Memorial Museum and Library (NMML), New Delhi; the office of the deputy
commissioner of Darjeeling; the Himachal State Archives at Simla along with the
Indian Institute of Advanced Study (IIAS), Simla; Abu Nagar Palika, the district
magistrate’s office at Mount Abu; the Sirohi collectorate office and records
room; Hardinge Library or Lala Hardayal Municipal Library; the Central
Secretariat Library—all rendered valuable assistance to my work. My gratitude
to the staff at the collectorate record room and the Government Library at Ooty
who gave me all the necessary assistance. The Jawaharlal Nehru Scholarship for
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Acknowledgements
I am grateful to IIAS for granting the fellowship that enabled me to polish and
revise my thesis into a manuscript. My special thanks to Professor Peter Ronald
deSouza, the then director of IIAS, who saw the possibility of a book in my work,
to my university, Guru Gobind Singh Indraprastha University (GGS), New Delhi,
for granting me leave to refine my work. The constructive suggestions of the
fellows of the institute in the course of presentations, especially by Professor
Ghanshyam Shah, Professor Kamei, Professor M. Palat, and Professor Kavita
Panjabi, have been very useful. My friends in Shimla—Dhananjay, Ranjeeta,
Vinay Anna, Dr Veena Sharma, Jaya Sinha Tyagi, and Yogi—helped both
academically and emotionally. My current dean at GGS, Professor M. Afzal Wani,
spared me from university responsibilities during the final stages of my work. A
word of thanks to Renu Gupta who helped with suggestions and comments on
the initial draft of the manuscript. A special thanks to all my students to whom I
am eternally grateful for their interactions, from whom I have learnt a lot and
continue to grow as a teacher. To the entire editorial team at Oxford University
Press for (p.xiv) painstakingly going through my work and providing their
insightful editorial interventions.
My parents’ constant emotional motivation made the whole thing possible; they
have been my tireless companions during the course of my travails. My father
accompanied me to all my field trips. To them I dedicate my work. No less has
been the contribution of my sister and her family, Vandana, Deepak, Purva, and
Meru, for providing relief in moments of stress at the various stages of my work
and for making arrangements for me in Mount Abu. My cousin Gyanesh Kudesia
gave specific inputs to improve my manuscript; his sister and my cousin Geeta
Kudesiya got me references from NMML as and when I requested. My mama
(uncle) V.K. Saxena made my field trip to Ootacamund smooth. In moments of
doubt, my friends Dolon and Nimisha helped boost my spirit. My gratitude to
Romita Ray at Syracuse University, New York, for procuring the illustration of
Darjeeling in 1852 in the shortest possible time; to Bhoomika Joshi, a research
scholar at Yale University for helping me procure source information on two of
the appendices; to Vivek Sachdeva, whose presence in my life is a source of
strength: I thank him for his belief in my work and for inspiring me with his
words of encouragement. Last but not least, a word of thanks to my family for
bearing with my absence sportingly, and to friends and well-wishers for
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Acknowledgements
supporting me during the course of my work. Leaving Amartya (Nan) behind was
the most difficult thing to do.
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Introduction
(p.xv) Introduction
Re-Imagining Hills—Theorizing Space
Queeny Pradhan
This book explores the multiple perspectives underlying the aesthetics and the
spatial politics of development and policymaking in different mountain sites in
India during the nineteenth and twentieth centuries. The British developed a
large number of hill stations in the Indian colony. Different desires, aspirations,
and visions coexisted, marked by mutual paradoxes and ambivalences. Multiple
voices, sometimes intersecting, sometimes contesting, emerge throughout,
thereby transforming the nature of imperial discourse. It becomes evident that
the English settlers of the nineteenth century cannot be considered a monolithic
category. This book examines the politics in the appropriation and visualization
of the hill landscape in the mountain sites of Simla, Darjeeling, Ootacamund, and
Mount Abu during this period. In this process, the colonists attempted to erase
the past of the hills, and the Indian mountain spaces came to be viewed
specifically as places of idyllic and picturesque sojourns in nineteenth-century
English and European accounts. In sharp contrast to the ‘malignant’ and ‘hot’
plains of India and the ‘ugly’ industrial cities in Europe, the ‘sublime’ mountain
panorama enchanted the visitors.
During the course of my research on the making of the British Empire in the hill
stations, I found that these hills have been neglected in the study of societal
development. Most studies focus on urban–rural development and this approach
has been a flaw in India and elsewhere. We need to move beyond the stark
urban–rural divide to look into other spatial developments that have been taking
place simultaneously.
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Introduction
This work examines the unexplored linkages between empire, space, and culture
in the specific context of the colonial hill stations in India. In the Victorian period
largely, and in the context of the tropical empire, the hill stations as spaces and
a part of (p.xvi) place-making contribute to new knowledge and information
about the establishment of the Empire in India in the nineteenth and twentieth
centuries. It looks into the themes of spatiality and representation, spaces and
landscapes, and reproduction of social and cultural spaces.
Mount Abu did not acquire similar importance inspite of it being surrounded by
powerful Rajput states on all sides. One reason cited in the foreign department
file is that ‘the climate of that place is considered little inferior to that of Simla
or Landaur (Mussoorie)’.8 Abu’s not-so-important position in the imperial
hierarchy is evident from the moderate expansion of the station and the
smallness of the European populace. As a matter of fact, Mount Abu was not
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Introduction
directly part of British possession. It was only in 1917 that the British authorities
drew up a formal deed of agreement with the maharao of Sirohi, for Abu fell
within its jurisdiction.9 A reason for this is hinted at in the imperial proceedings.
The maharao of Sirohi was berated by other Rajput rulers for acquiescing tamely
to the British encroachments in Abu,10 which seemed to undermine the Rajput
position under their very nose. Both the maharao and the British authorities
became extra careful in their dealings with each other. Mindful of the sensitive
egos of the Rajput rulers, who were crucial, subordinate allies of the foreign
rulers in their respective Indian colonies, the British policymakers took recourse
to diplomatic overtures.11 To ward off a sense of suspicion among the Rajput
princes, the British wanted Abu to be a point of interaction between them and
their Rajput allies on a more regular basis. A single bond of allegiance to the
values of the Empire was to be forged by the British initiative. Mount Abu
emerged as an informal channel of information gathering to keep an eye on the
goings-on in the princely states. To make this point, all the rulers of the
Rajputana and nearby Gujarat, big or small, were asked to build permanent
residences in Abu with their vakils stationed there throughout the year.12 These
conditions are peculiar only to Abu; no such stipulation is found in the case of
the other three hill stations.
Kanwar has explored the trends in imperial Simla from the early nineteenth
century to the late twentieth century. She begins her study with the English
activities in Simla in the 1820s. In a decade-wise progression, she takes up the
events that resulted in the development of Simla. In doing so, she has brought to
attention the rich source of information in Ahrties (the records of the local
commissioned agents) to look into the development of India from an Indian point
of view. She has also dealt with the alarming demographic imbalance within the
hills, but she has not explored the issues extensively. According to her (1990:
237), two important ‘withdrawal symptoms’ from the third decade of the
twentieth century were the transfer of valuable property by the British to the
Indians (she cites the transfer of Clarks to Oberoi) and the increasing Indian
presence in the municipality. By the 1940s, the municipality mainly comprised
Indians (242). Kanwar’s study has two problems. In discussing the European
vision, she does not look at the internal tensions within their vision, nor the
conflict with the indigenous population. In similarly analysing the Indians, her
focus isolates the notions of colony and their interaction with the imperial
structure, or their questioning of imperial vision. Mitchell (1972) explores
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Introduction
changed functions and the continuing popularity of hill stations in the post-
Independence period.
Anthony D. King (1976) and Dane Kennedy (1996) give a general overview of the
hill stations of the Raj. King talks of the escape of the British from the three evils
of the Indian plains: the heat, the overcrowded cities, and the hostile people of
the plains (1976: 171). In the hills, the British developed exclusive ‘European
spaces’. Hill stations are thus seen as places of ‘social reproduction’—a point
constantly emphasized by Kennedy. In keeping with this point of view, Kennedy
views hill stations as ‘landscapes of memory’ (39), ‘home in the hills’ (88), and
‘nurseries of the ruling race’ (117). The annual migration is viewed as an
attempt to preserve this exclusive identity, closely aligned with the power
dimensions. The description of the ‘hill people’ in a romantic light as ‘noble
savages’ reduced the threat of subversion for the British (Kennedy 1996: 87).
However, (p.xix) the imperial records and travel accounts contain no uniform
image of the hill people. These conflicting images of the hill people are largely
ignored in Kennedy’s argument. His work delineates the broad, general trends of
the English social system in the hills, underplaying the internal tensions. One
gets the impression that Kennedy, like Kanwar, perceives the English as a
homogenous category. He sees the contradictions to an extent during the 1920s,
and even then he primarily looks at the role of the Indians in undoing the
imperial enterprise. He argues in his conclusion that the role of the Indians led
to the ‘failure’ of the British in the hills, but the English departure from the hills
was not a simple cause-and-effect phenomenon. He also largely ignores the
ecological and nationalist concerns.
The works of Pat Barr and Desmond Ray (1978) and Sten Nilsson (1968) provide
us with photographic illustrations of nineteenth-century hill stations with special
reference to architecture, photography, and photographers. A number of recent
ethnographic studies have focused on the indigenous communities in the hills
and their perceptions of the hills. Hockings’s 1997 study about the hill
communities of Badagas, Todas, and Kurumbas in the Nilgiris is significant in
this regard.
The central argument of my work is that the hills were an important part of
imperial life in India. From the early nineteenth century, hill stations such as
Simla and Darjeeling were resting places for the weather-weary rulers of the
Indian subcontinent. By the middle of the nineteenth century, the ‘exodus’ of the
imperial administration to the hills became a regular feature. This left its imprint
on the mountain spaces. The landscape created by the English settlers of the hill
stations of Simla, Darjeeling, Ootacamund, and Mount Abu makes for a
fascinating study in itself—how a particular culture imposes its dominance over
the topography in subtle ways, which can be read as texts of representations.
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Introduction
By linking Empire, landscapes, and culture, I argue that culture is integral to the
system of social reproduction. Perceptions of the landscape naturalize the
culture of a particular society as the only possible history, effacing all other
previous histories. However, landscapes are open to different meanings by
various social groups and classes. Here the argument is that power plays a role
in mediating (p.xx) and controlling meanings, ensuring the predominance of a
particular meaning. In the process, a certain myth or a mystique is created
about the place by constant emphasis on a particular point of view. The notion of
‘myth’ has an eternal, timeless, and transcendental value, ignoring all other
conflicting and non-consensual histories. Don Mitchell (2000: 93) in his study
argues that landscape ‘is an active agent in constituting a particular way of
seeing a particular kind of history, serving both as a symbol for the needs and
desires of the people who live in it (or who otherwise have a stake in producing
and maintaining it) and as a solid dead weight channelizing change in this way
and not that’.
The colonial settlers have left behind valuable information on development in the
hills in official gazetteers and non-official travelogues and memoirs. Although
these are useful sources for factual information, we need to be careful about a
subtle pedagogy. How are the indigenes in the hills represented in travel writing
and the imperial texts? Contradictory strategies were used to depict the local
habitat. Hills have been repeatedly described as ‘terra incognita’, with imageries
of ‘wilderness’, ‘desolation’, and ‘isolation’ being constantly used. It seems that
the past of the hills with its particular life systems is erased. ‘Natives’ or the
indigenous inhabitants exist somewhere in the periphery as the ‘exotics’ of the
‘picturesque’ location. There are representations of some existing habitations as
‘fossilized relics’ on the verge of ‘fading’ under the pressures of ‘modernizing
forces’ from the West. The imperial records, whether of the state or its
components, presented the colonized in a passive role as objects to be
represented, manipulated, and denied any agency of their own. The hill spaces,
peoples, their habitat, social customs, and lifestyle were thus laid bare to the
imperial eye, which scanned the entire topography.
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Introduction
of the indigenes. The Western notion of landscape clashes with the local
indigenous sensibilities.13 While reading Mitchell’s edited work on landscapes, I
found parallels between Australia, New Zealand, South Africa, America, and
India. The mountain sites in India occupy a liminal zone in the eyes of the
settlers. The mountain habitat provided ontological security to the imperial
diaspora with its numerical minority but political dominance of the subcontinent.
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Introduction
innovations and conversion of labour into wage labour, military and political
systems—all could effortlessly become means of capitalism to produce, circulate,
and accumulate without any costs. A strong nation state promotes the spatial
expansion of an ever-expanding capitalist desire for new markets and
consumers. The coming of the Empire in the hills in the latter half of the
nineteenth century leads to an enlargement in the scale of activities. Though not
a radical break from the early nineteenth century, one could see the ‘creative
destruction’ and the onset of modernity in the mountain sites.
There is a vast literature on frontier history in other parts of the world, looking
at the act of settlement and the reshaping of the environment under colonialism.
Historians such as Donald Worster (1985), William Cronon (1985 [1983]),
Tzvetan Todorov (1996), and Alfred W. Crosby (1986) have, to an extent, set out
to reveal the environmental dimensions of the imperial conquest. Nevertheless,
‘frontier history’ is still a developing area of comparative study and I make few
forays to link colonization, ecological, and environmental concerns that
manifested in the large-scale reorganization of the Indian hill spaces. This
unleashed a transformation of the hillscape with serious implications. The Forest
Conference held in Simla in (p.xxiii) 1875 raised serious concerns about the
excessive cutting of timber in various hill stations that caused landslips in many
places.14 In 1899, Darjeeling witnessed a serious landslip leading to a large
number of casualties. Some other hill authorities complained about problems of
subsidence due to rapid expansion. Tom Griffith and Libby Robins’s (1997: 10)
observation in the context of Australia that ‘a settler society, whether or not
numerically dominant, was an invading, investing, transformative society with an
internal frontier, both natural and cultural’ have similarities with the
developmental trajectory of these hill stations. During my field trip to Darjeeling,
I interviewed many Lepchas, considered to be the autochthons of this area, who
are increasingly apprehensive about losing their identity and becoming extinct.
There are many sholas in Ootacamund, which are ecologically a unique
phenomenon, but are becoming scarce in the Nilgiris.
I highlight the tensions and contradictions that beset the developments in the
hills. My premise is that environment and development are closely bound in a
paradoxical situation. The English settlers voice conflicting opinions in the local
newspapers of Simla, the Liddell’s Simla Weekly and the Simla Times, reflecting
the fact that there was no homogeneity among them, thereby revealing the
complexity of the colonial rule right up to 1947. One finds a continuous tussle
over the issue of development and the picturesque. It is here that development
concerns are tied with the issues of forests and the transformation of the hill
habitat. Some English administrators and residents protest that the natural
rejuvenating qualities of the mountain air are sullied by the indiscriminate
development of the summer capitals. How do the Indian hills fit the parameters
of the medical and ecological perspectives prevalent in Europe of the nineteenth
century? On issues such as death, disease, and sanitation, the entire debate on
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Introduction
the emergence of hill stations as health resorts, which is merely touched upon in
hill station historiography, is discussed in detail. There is an unstated
assumption that the hill stations were readily appropriated by the British as
‘ideal’ sites for the Europeans. I find in my study that the British were divided
upon the move to the hills. As the British settled in the hills and with the shift of
administration to the stations in summers, one is confronted with (p.xxiv)
increasing contradictions that eventually lead to the beginning of the unravelling
of the Empire by the 1920s.
The research is based on archival and oral sources. Field trips and a large
number of interviews have enriched the study. In particular, I mention the last
British tea planter in Darjeeling, Teddy Young; the Bhat of Velangri in Mount
Abu; Sarkemit Lepcha in Darjeeling; a Toda woman in Ootacamund; and Mian
Govardhan Singhji in Simla. I have also used church, school, and cemetery
records. The vast literature of memoirs and travel accounts primarily by
European men and women, and a few by Indians as well, have been used to
recreate the ambience of the period and to make visible the invisible. Some old
maps, photographs, and treaties have been analysed to fill the gaps in
understanding the mechanism of the Empire and its policies. At all places, I
collected information from district collectorates and municipal authorities. In
addition to this, I also visited the tombstones in all the four places from which I
gleaned useful information regarding a number of things related to my work.
The main contention in this book is that the assertion of power in the hills
implied a reconstitution of the hill spaces, the reinvention of the hill people, and
the construction of new imperial urban structures, sports and leisure
institutions, health resorts, and administrative infrastructures. This involved a
confrontation with the existing past of the hills, a pre-established mode of life,
and relationship to spaces. The study looks into this process of construction and
conflict through which the hill stations came to life. One can see a continuous
tension between binaries: leisure and work, development and picturesque,
natural Hygieia and diseases, enchantment and disenchantment. A range of
dimensions emerge in the development of the hill stations: how the hills figured
in the colonial imagination, that is, the social, cultural, political, strategic, and
ideological considerations; how hill spaces were reordered; why the question of
public health assumed importance; and why the municipalities sought to
institutionalize leisure and recreation. Despite differences and distinct roles in
the imperial scheme, the development trajectories of these hill stations also
converged. In this context, the study seeks to understand the complexity,
tensions, paradoxes, and ambivalence in the process of urbanization, issues of
health and sanitation, the social and cultural life of the Europeans, (p.xxv) the
perspective of the indigenes, and the patterns of growth that emerged in the
hills.
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Introduction
Notes
Notes:
(1.) ‘Sanitary Improvement of the Station of Ootacamund’, in Home
(Municipalities), Nos 32–6, April 1882, PWD, General No. 1772, from
Government of Madras, No. 287W, 1 February 1882, official noting in the Home
Department, from F.C.D. to the Secretary, 15 March 1882.
(2.) ‘Cost of Governor General’s Tour to Simla in April 1864’, in Home (Public),
Nos 41–7, Part A, 15 December 1864; Smith (1883: 471); and Towelle’s
Handbook and Guide (1880: 53).
(6.) See Bradley (1985: 160) where Lady Curzon first mentions the ‘power
struggle’ between the viceroy and the commander-in-chief in a letter of 27 July
1905, addressed to her mother from the viceroy’s camp at Simla.
(7.) ‘Account of Hill Tribes of Neilgherries’; Francis (1984 [1908]: 4); and Molony
(1926: 45).
(10.) Sirohee File No. 17, Vol. 1.P.5.A., 303.P., 11 July 1868.
(11.) ‘With Regard to the Chief Ship of Sirohi’, in Foreign (Political) Department,
No. 20, 27 September 1833; and ‘Devastation of the Sirohi Territory by the
Neighboring Rulers’, in Foreign (Political) Department, No. 17, 27 September
1833.
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Introduction
(12.) ‘With Regard to the Chief Ship of Sirohi’; and ‘Devastation of the Sirohi
Territory by the Neighboring Rulers’.
(p.xxvi) (13.) Landscapes and space have been widely studied in America and
Australia by Bender (1993), Cosgrove and Daniels (1988), Hirsch and O’Hanlon
(1995), and Mitchell (1994).
(14.) Cederlof and Sivaramakrishnan (2005), Gadgil and Guha (1997), Guha
(1991), Rangarajan (1996), and Skaria (1999), among many others, have
discussed at length the forest policies of the British Raj and the consequences
thereof. They also mention the alternative modes of conservation by the
indigenes.
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Hills in the Colonial Imagination
DOI:10.1093/acprof:oso/9780199463558.003.0001
Keywords: Visions, picturesque, military concerns, ‘home’, climate, Pax Britannica, proselytization,
liminal spaces, power of the gaze, specialized spaces
—The Pioneer*
The arrival of the European settlers and Western capitalism produced far-
reaching changes in the hill topography of India. The British developed a large
number of hill stations. This studyconcentrates on the four hill stations of Simla
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Hills in the Colonial Imagination
in the northern Himalaya, which was a part of the British province of Punjab;
Darjeeling in the eastern Himalaya, which came under the Bengal Presidency;
Mount Abu situated in the west, which was under the Rajput state of Sirohi; and
Ootacamund in the south, which was part of the Madras Presidency. In the
process of redrawing the contours of these mountain stations, myriad images
come to life.
In this chapter, I focus on the multilayered visions of the Europeans about the
hills. Complex and, at times, paradoxical impressions are seen. We find widely
shared ‘aides-memoires’ of cultural knowledge of Europe, and in particular
England, imposed on Indian hill stations.1 Despite a commonly shared
experience, one discerns a discursive structure emerging in the colonial
imagination that expresses the economic, political, social, and cultural
aspirations of the white colonists with regard to Indian hills. A certain
ambivalence underlines such conflicting aspirations.
The British inscribed the Indian hill sites with their perceptions of mountains,
aesthetics, and landscape. Practical utility and aesthetics combined to reproduce
a European landscape as the English tried (p.2) to construct a model of the
English countryside and an urban metropolis—all unified in a single space of the
hills. In this duality, we find a constant interplay between the mundane everyday
life and the imaginary existence, united within the hill space but still separate
(Hirsch 1995: 3). Thus, in the construction of the colonial hill stations, the two
seemingly opposite viewpoints—the empirical and the aesthetic—were made to
be complementary. One mapped a blueprint for the other. That which is in the
background in terms of the potential of the place is created in the foreground in
the layout of the hill station through a hazy picture of what a colonial traveller
would like to see and his readers to share. The mall, the promenade, the church,
the window shops, the parks, the cottages, the bandstand, the walks—all conjure
up the image that lies in the background. In an alien habitat, ‘culture’ becomes a
map or a blueprint that outsiders, here the English, draw to familiarize
themselves with the hill surroundings (Bourdieu 1992: 2).
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Hills in the Colonial Imagination
A specific conception of time and place enabled the writers to blur the actual
landscape of the Indian hills, blot out the visible (p.3) contrasts, and visualize
the Indian landscape as a European one. Twilight, dawn, dust, and cloudiness
became conventional tools to disperse the stark contrast of an alien surrounding.
The blurred visibility acted as a smoke screen that allowed the eucalyptus trees
at Ooty to be displaced by memory into ‘Scotch firs’ (Civilian 1921: 171). Lady
Eden (1930: 146), too, found the Jakko hills of Simla more appealing to the eye
in the twilight zone, amidst a cloudy ambience:
A sea of pinkish white clouds rolling over them, and some of their purple
heads peering through like the islands…. The clouds drew up like the
curtains in massy fold every now and then, there were the valleys, grown
quite green … tinged with sunbeams … and the want of shape for which
the hills are to blame on common occasions was disguised by all the
vapoury dress.
One could read contrary voices in the quoted passage as all the Europeans were
not completely taken in by the discourse of the picturesque. The hills, thus,
became acceptable in a play of optical illusion. The English wanted to be at
home in an alien environment and these modes of appropriation aimed at
masking the artificiality of the European presence. Furthermore, this newly
created familiarization allowed the settlers to move about freely in the new area.
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Hills in the Colonial Imagination
ideals, as visualized in the mind, unfolds on the hill canvas. The émigré
community continuously attempted to bring in view their shared European
experience. J. Chartres Molony (1926: 44) observed that Ootacamund was
carefully planned with the vision of ‘home’ in mind: ‘Ootacamund is not a mere
assemblage of houses, stuck one by one like barnacles on the hill-sides. Imagine
Lambourn raised thousands of feet above sea-level, with the Berkshire Downs
stretching around and about it, and the picture is not unlike that of the modern
summer capital of the Madras government.’
The urge for England was strong among the British and in the Indian hills they
felt close to ‘home’. William Lloyd and Alexander Gerard (later lieutenant
general), among the early visitors to Simla, were transported to the days of their
childhood on their first sight, identifying fruits and trees common to the Indian
hills and the British metropolis (see Figure 1.1). The following passage is imbued
with a whiff of nostalgia, whereby hills become landscapes of memory:
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Hills in the Colonial Imagination
It also reflects a strong sense of nostalgia and yearning for home. The cool,
temperate climes of the hill stations drew them close together in a shared,
familiar whiff of home-like ambience, away (p.6) from the heat of the Indian
plains that reminded them of the constant ‘hostile’ tropical environment with its
malignant diseases. For six months the urge to ‘flee back home’ reduced and the
stay in the tropics become bearable. Lady Eden (1930: 125) reasoned: ‘The
climate! No wonder I could not live down below! We never were allowed a scrap
of air to breathe—now I come back to the air again. I remember all about it. It is
a cool sort of stuff, refreshing, sweet, and apparently pleasant to the lungs.’ Ooty
was found to possess ‘a climate, which for mildly invigorating properties and
equable seasonal changes throughout the year is perhaps unrivalled within the
Tropics’.2 The climate was both a reminder of ‘home’ and the heat of the Indian
plains.
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Hills in the Colonial Imagination
Despite all the glowing accounts, reservations about the colonial habitat
remained among the English. The British could not accept the hill prospect
completely. Even while accepting that the Himalaya on the side of Darjeeling
commanded the grandest known landscape of snowy mountains, Hooker (1852:
122–3) still felt that it paled in front of the Swiss Alps which ‘[t]hough barely
possessing half the sublimity, extent, or height of the Himalayas, are yet far
more beautiful.’ The long snowline of the Himalaya restricted viewing, which
was a must for a colonial state. The lofty heights, the snowy landscape, and the
dense forests impeded the excursiveness of the eye, essential for assimilation
and surveillance of the hill prospect. The power of gaze becomes crucial in this
appropriation (122–3).
In these hills of India … you may still find that lost ‘paradise’ and regain
some of the enchantment of that ancient yet ever young world, where the
people are children and where you feel that fawes [sic] and elves and even
a satyr or two may be round the next corner! … Here … the gods of nature
still reign and are worshipped.9
The colonial landscape, as discernible from the above quote, often provided
dramatic or romantic contexts for individual explorers. Such yearning for a pre-
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Hills in the Colonial Imagination
Few English settlers were also influenced by the rustic countryside tradition in
vogue in Europe of the late eighteenth and the early nineteenth centuries. The
form and nomenclature of the cottages conformed to the images of an English
countryside. In the following description, through the assertion of a controlled
personal vision, the writer involves the readers (the colonial European settlers,
in particular), in ordering a scene known to Europeans. A writer with the
pseudonym ‘Civilian’, orders the features of Ootacamund’s landscape into that of
the English countryside. Dodabetta’s round ‘green hog’s back’ look ‘with a
crescent fir wood running up one side’ seemed to the writer to belong to the
Pentlands or the Ochils (Civilian 1921: 171–2). The road from Coonoor to
Ootacamund seemed like Cromdale. He delineated one end of Ootacamund to be
‘like Dunkeld or the Pass of Killiecrankie’ and ‘the other where hunting is done’
to be like the Braids or the Downs of the English Coast (172). The settler
colonists sought a specific ‘countrified landscape’ in the hills alongside
metropolitan comforts and amusements, but minus the ugliness and
disadvantages of the imperial city.
The landscape, thus, in this context also became a medium for expressing values
and sentiments, mediating between the cultural and the natural. It implied a
selective representation of a landscape (p.9) with a predilection for an agrarian
tableau. At times, this specific outlook voiced the perceived potential of
agriculture for the economy of a colonial state, imprinting fundamental
configurations upon the reader’s mind. The landscape described by Sir Thomas
Munro thus becomes a prospect full of political nuances. The representation of
nature was interspersed with a distinct bias in favour of agrarian society in his
description of Ootacamund:
At the same time, the countrified vision combined spectatorship of nature and
urban entertainment to cater to the expansive capitalistic need for
commodification. Commodified nature was part of that metropolitan circuit
which fetishized the rural prospect by constant representation. A structure of
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Hills in the Colonial Imagination
The initial appeal of the rural scenery was that it reminded the spectator of an
English landscape picture. This appreciation took a self-conscious hold in the
English context in the eighteenth century (Hirsch and O’Hanlon 1995: 2). The
idea or imagined world as depicted in the various genres of landscape painting
was linked to the perception of the countryside. However, in the colonial context,
the imperial authorities and the colonial settlers strove to modify and ‘improve’
the natural landscape of the hills according to their criteria and yardsticks. This
tendency is reflected in the way Western notions regarding society and culture
were applied to the domains of social and cultural life of the British in the hill
stations, in which the rulers united town and country—otherwise (p.10) seen as
mutually exclusive—in a single space. This could be made possible only by a
colonial state of affairs, which addressed those social constituencies (the
dominant European elite) who not only had the economic resources and leisure
to make trips to hill stations, but also identified closely with the imperial centre.
There is, furthermore, a relationship between an ordinary, enervatingly hot
workday life in the Indian plains and an ideal, imagined existence, vaguely
connected to but still separate from that of the everyday. The former comprising
the plains is the foreground actuality of colonial life and the latter is the
background potentiality, which the rulers sought in the hills. Donaldson (1900:
37) seemed to perceive such a connection: ‘Those only who have lived for years
in an enervating climate in the plains can appreciate the peculiar pleasure
experienced in the pure bracing air, the mountain scenery, novel surroundings,
and that free out-door life of the inhabitants in which we intended to share as far
as English characteristics and the necessities of civilization would allow.’
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Hills in the Colonial Imagination
forget its pine covered hills and cultured valleys, gleaning away far below the
mountain sides into the misty “straths” and the purple glens and gorges; its
flush of rhododendron forests and gorges of oak and ilex, its wild flowers and
breezy ridge, haunts of the chikor.’
Who that has witnessed ‘Kanchinjinga’, its peaks lighted up by the sinking
sun, whilst the gray shadows of night are stealing over the lower
mountains can ever forget a sight almost unique in the world! … The grand
river scenery impending over the bright flashing tributaries from the
western watershed, with the deep green flood of the Teesta—semi-tropical
foliage clothed its margins and lateral glens—certainly presents glorious
objects of admiration to the lover of picturesque.
(p.12)
The picturesque discourse attempts to overcome all contradictions in conquering
the hills by incorporating a ‘progressive Whiggish narrative’ (Mitchell 1994: 19)
of science, reason, and naturalistic discourse in their textual representations.
The hills are treated as a spatial region that was to be ‘opened’, ‘discovered’,
and ‘constructed’ as an object of scientific and artistic representation. The
imperial vision placed the hill landscape in a dialectical movement from the
‘wild’ to the ‘civilized’ and ‘progressive’, thereby revealing a unilinear approach
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combined influence of the picturesque, the romantic, and the powerful in the
following extract:
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This new way of looking reorganized the hill landscape into the foreground,
distance, and background, divided into the outside and inside views,
institutionalizing rank and class consciousness. The imperial eye mapped out
distance and position in the construction of the hill stations that lends strategic
social control over the hill landscape through the medium of vision. In this
context, the colonial eye becomes an excursive self, which acquires the
omniscience of the divinity for its own self. An invisible eye becomes a symbol of
the colonial state’s panopticon positioned atop the mountain ranges, which
surveys the whole area unseen. The highest point of all the hill stations was
remoulded into the panopticon space from where the imperial eye could look
unseen into the hill station. The power of the gaze is revealed as more pervasive
than actual domination and repression. The panopticon point in the hills focuses
on the visual power in its nomenclature—‘Observatory Hill’. The European
settlers recoiled at the proximity of the Indians. The (p.16) distance thus
becomes critical to the European settlers threatened by the proximity of the
indigenes of the plains from which they recoiled. The hill stations had to be
based on the idea of distance and many of the imperial narratives stressed this
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Hills in the Colonial Imagination
aspect. A Bengal civilian, John Beames (1984: 167), expressed this point of view
in his text:
All around was a view unparalleled in the world. Far below us the steep
mountain slopes sank away through many gradations of colour, from rich,
mellow green to deep grays and violets in the dark, sunless gorges. Across
these narrow-winding valleys rose other hills, and beyond them others …
till, far off on the southern horizon, the eye dimly perceived Darjeeling on
its wooded crescent with cloud-capped Senchal towering behind it.
At Abu, the description of the ‘gigantic blocks of syenitic rocks, towering along
the crest of the hills’ (Dhoundiyal 1967: 7) draws attention to the strategic
placement of the eye. Words like ‘mighty’ and ‘gigantic’ articulate a landscape of
dominance and possession through the use of picturesque conventions. The
colonial eye constantly searched for a central vantage point from which a
synoptic view could be obtained. The distance and position thus naturalized
social and political hierarchies and protocol in the ingrained gradation of the hill
environment. In Simla, the viceroy and the commander-in-chief resided upon the
two highest points of the station (King 1976b: 171).
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The hill stations, as evident, were not appropriated by visions of beauty alone.
Hooker (1848: 159), while describing the beauty of the hills, simultaneously
presents an authentic knowledge of botany and the plants: ‘At Darjeeling, the
ripening of peaches follows the English seasons, flowering in March and fruiting
in September, when the scarce reddened and still hard fruit falls from the tree.
European vegetables again grow, and thrive remarkably well through out the
summer of Darjeeling, and the produce is very fair, sweet and good.’
The geographical–scientific technique was also actively used to aid the imperial
project. At times, a team of surveyors, men of science and medicine, did the
groundwork and prepared cartographic descriptions of the hills. In 1828, visiting
Chungtong to the west of Darjeeling, Captain G.A. Lloyd and Mr J.W. Grant, the
commercial resident of Malda, gave a generalized account ‘of the climate of the
Siccim country, and of the advantages which would attend the establishment of
the sanatorium or station of health at Darjeeling’ (p.18) (Herbert 1830: 89).
For more specialized details, Governor General Lord Bentinck deputed a
scientific officer, J.D. Herbert, to form a more correct appreciation of the
advantages. Herbert’s knowledge of the north-western Himalayan ranges
allowed him to compare the peculiarities of the new station (Darjeeling) with the
old ones (Simla). Herbert (1830: 89) builds his case by calculating the altitudes
of the hill sites:
Simla, Herbert (116) deduced, had nothing to defend it from the hot winds of the
plains, while Darjeeling, which faced north, was well screened by the Gardan
Katta range:
For the rising fogs and the exhalations of the plains will be checked in the
progress northwards by the cold air, which must always rest on the summit
of this mountain, while the winds will be turned off; so that if there be
anything deleterious in the air of the country at the foot of the hills, it
would be neutralized.
The descriptive mode also appropriated the hill landscape through the ethno-
medical perceptions of nineteenth-century Europe (Mitchell 1972: 1). The
Englishmen sent to survey the hill habitat used scientific language to describe
the advantages. Dr J.D. Hooker, on his visit to Darjeeling in 1848, wrote, ‘The hill
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Hills in the Colonial Imagination
station or sanitarium of Darjeeling owes its origin (like Simla, Mussoorie & Co.)
to the necessity that exists in India, of providing places where the health of
Europeans may be recruited [sic] by a more temperate climate’ (115). Lieutenant
Colonel Adams (1899: 34), a surgeon in the imperial medical service posted in
Rajputana for a long time, in his medical topographical account of Rajputana,
approved of the salubrity of Mount Abu as ‘[t]he temperature is cool and
pleasant, and there is none of the stifling damp heat of the plains; the climate
too is healthy at this season’.
Darjeeling’s location amidst Bhutan, Tibet, Nepal, China, and Sikkim was ideal
for commerce and traffic across borders. The imperial settlers first felt that once
a road was constructed through the Sikkim country, alongside the easy
navigability of Teesta, the Bhutias of the Dharmaraja (the title of the ruler of
Bhutan) country would avail of this road to open traffic not only between
themselves and the inhabitants of Darjeeling but also between Bengal and
Chinese Tartary (Bayely 1838: 40) (see Figure 1.4).
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land of olive oil and honey…. A land whose stone are iron, out of whose hills thou
mayest dig brass’ (Buck 1925 [1904]: 15). An anonymous English writer echoed
similar sentiments about Darjeeling for ‘enterprising people’ with agricultural
tendencies, Darjeeling was a ‘territory with hope’ (Anonymous 1857: 224). The
colonial state could perceive in this a potential for revenue earning, and the
possibilities of permanent settlement. This is underlined by Molony (1926: 47)
who observed that ‘old officers of the Indian army, who had lost all touch with
the Homeland’ could pass their days in ‘the sweet half-English Nilgiri air’.
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Hills in the Colonial Imagination
also employed by the raja of Nepal in his army (Hooker (p.23) 1848: 137). Even
before Hooker’s observations of 1848, the British had sampled the fighting spirit
of the Gorkhas during the battle of Malown on 15 May 1815. The fortress of
Malown, the last Gorkha fortress on the border of British territories and Nepal,
was ‘stoutly defended’ by the Gorkha General, Ummer Singh Thappa, and the
officer commanding the fortress, Buckta Thappa. Both died defending the
fortress against the British army led by Sir David Ochterlony (Harrop 1925: 16;
Towelle’s Handbook and Guide 1880: 15). However, it gave the British a fresh
group of mercenary soldiers. Subsequently, Darjeeling emerged as an important
recruiting ground for the imperial army in the course of its development as a hill
station (Sen 1989: 61).
The hills also came to be perceived as a natural line of strategic defence. Major
Archer (1836: 210) opined: ‘As a bulwark to our possession in Hindoostan, the
hills are of infinite value, presenting a bold and natural line of defense, easily
maintained as the events of Goorcha War proved.’ Newall (1882: 60) devotes
some chapters of his work in discussing the hills as possible reserve circles or
landwehrs. In the late nineteenth century, Newall’s conception reflected the
anxieties of the Empire. After 1857, power passed to the British crown. To
safeguard the Europeans and their interests in the colony against internal
insurgency and external aggression, military strategists like Newall spent
considerable time in looking at possible military enclaves for the Europeans in
the hills. In the Simla hills, Newall suggested the formation of a second refuge in
the Keyonthal comprising Simla, Dagshai, Sabathu, Jutogh, and Kasauli. He felt
that this group of hill stations presented an aggregation of military posts
forming, in the main, an excellent strategic site, dominating the entire Cis–Sutlej
states and the north-west provinces beyond Trans-Jumna. He envisaged that
troops could easily rush to the plains of Delhi, even at the height of the rainy
season, without any delay due the ‘non-intervention of the troublesome
intersecting rivers or mountain-ridges.’
In Darjeeling, Newall (1882: 102) mapped out to the tiniest detail the
development of the reserve circles or landwehrs for safe evacuation from the
Indian plains in case of any unrest. He was convinced that with a few additional
reinforcements Darjeeling ‘could easily form a refuge for outlying settlers in
times of peril’. He wrote: ‘This (p.24) fine station [Darjeeling] would in the
event of rupture with Nepal form the refuge of the whole district’ (101). The
following passage suggests a realignment of hill space as a line of strategic
defence:
[B]y converging roads on our Frontier Post No. 17, from the Nepalese fort
of Elam … which is within 20 miles of Darjeeling … a hostile force might
be, in the course of one long moonlight night, thrown across our
communication with the plains via Kursiong etc. In view of the importance
of this position, I think that the garrison of Jullapahar (the burnt
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Hills in the Colonial Imagination
Pax Britannica
From the latter half of the nineteenth century, the hill stations emerged as
administrative seats of authority during the summer months. The formation of
the colonial hill station was conceived by J.W. Grant as ‘a good example’ of a
‘peaceably-conducted and well-governed station’ amidst ‘our turbulent
neighbours’ (Hooker 1848: 116). The British presented themselves as the
carriers of ‘peace’ and ‘progress’ in contrast to the ‘warring ways’ of the Indian
rulers. This is constantly reflected in their self-portrayals, the colonists
perceived their entry in the field of eastern Himalayan politics in the nineteenth
century as the ‘liberators’ of Sikkim from the shackles of the ‘bigoted and
warlike Hindus of Nepal’ (Risley 1973 [1894]: 111).
The question of power is directly related to the political dynamics of the hills.
The hill prospect was fashioned as a spectacle in the hands of the colonial state,
providing viewers with an experience of domination and possession. In their
political negotiations with the local rulers, the British displayed a similar
confidence. In the case of Simla and Darjeeling, the British encroachments
began from the very beginning of the Gorkha wars, 1814–16. In 1817, the British
placed the ruler of Sikkim back on the throne with a guarantee of his
sovereignty. However, the British took over some portion of the Sikkim territory
that included Darjeeling and consolidated their hold over Sikkim by the Treaty of
Titalya (Risley 1973 [1894]: iii). (p.25)
Arnold (1886: 285) brought into ‘view’ the hegemonic stance of the imperial
settlers: ‘I am personally convinced by the observation and inquiry that the roots
of our Raj—despite drawbacks and perils—were never so deeply struck into the
soil as at present…. India at large knows well that … she never has received
from Heaven a richer blessing than that of Pax Britannica.’ The foreground
actuality, signified by the colonial state, and the background potentiality of the
Pax Britannica were combined in the colonial hill stations to provide a
hegemonic grounding to the imperial vision. These images and visions provide a
stringing together of historical events with specific historical foci that reflect a
Eurocentric placement of the nineteenth-century British Empire—the coming of
the Romans, the Norman conquest, and the European settlement.
The geostrategic considerations were linked with the vision of Pax Britannica.
Darjeeling station was seen as necessary to ‘support’ and ‘protect’ Sikkim as a
buffer between Nepal and British territory. Newall’s concerns were voiced by
Risley (1973 [1894]: xv) who felt that Sikkim could not stand by itself ‘and if we
withdraw our support it must ultimately fall either to Thibet or to Nepal’. Such a
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Hills in the Colonial Imagination
prospect would threaten British possessions in India, the nearest one being
Darjeeling. Risley in the late nineteenth century apprehends that if the hold of
the British rulers relaxed, Sikkim would become the ‘Alsatia of Eastern
Himalaya, and such a state of things would react most formidably on the security
of life and property in the great European settlement of Darjeeling’ (xv). The
vision and polity combined to shape the imperial discourse. The colonial process
transformed the hill landscape to fit the imperial scheme of things.
Such a country, we believe, has been cast in our way for a far higher
purpose than that of securing health or recreation for [the] sick and weary.
As a field of Mission, Darjeeling territory should not be lost sight of by
those who are interested in the diffusion of Christianity in the East, and
especially on our northeastern frontiers. A determined effort should be
made to diffuse the knowledge of Christian faith over this wide and
interesting field. Here we have a country bordering on Thibet, and within a
month’s journey of Lhassa, its capital, on one hand and other stretch away
to the very border of Burma and China, with Darjeeling, a most healthy
spot, as a center, from which the rays of Christianity and of civilization
might be sent forth to cheer and guide those who sit in darkness and in the
shadow of spiritual death. The door is wide open; who will enter in and
possess the land for Him, who is destined to be the lord of all? (Anonymous
1857: 225)
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Hills in the Colonial Imagination
exercised the imaginations of the later colonists. In the process, the mission
provided a description of the routes to be taken to reach the Nilgiris (105).
For the English settlers, the mountains were perceived to be everything that the
plains of India did not possess. The mountain spaces were the antitheses of
everything that the tropics implied to the British. A strong critique of the plains
is woven into the description of the mountains as natural health resorts. The
regenerative potential of the mountains underlined the limitations of the plains.
Herbert (1830: 89) emphasizes both the prejudices about the climate of the
orient and the images of indolence:
The hill landscape was thus viewed as an abode of the Greek goddess Hygieia
and a natural sanatorium. This imagery of natural rejuvenating qualities was
reinforced by Major William Lloyd (Lloyd and Gerard 1840: 139) during the
course of his journey in the Himalaya in 1821, ‘The mountain air seemed to have
instilled ether into my veins, and I felt as if I could have bound headlong down
into the deepest glens or sprung nimbly up their abrupt side with daring ease.’
Sated with the vitiated industrial environment and the experiences of the
metropolis, the English found the hill landscapes to be ‘almost throughout pure,
clear, crisp and bracing’ (Eden 1930: 125). A colonial experience in the tropics
further heightened awareness about the hills as islands of health, ‘Nobody can
praise Ooty too much, or exaggerate the advantages to Madras of possessing
this island of Health’ (Arnold 1886: 295). The hill landscapes, in many ways,
were viewed to cauterize the fear that the Europeans had of the tropical climate.
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Hills in the Colonial Imagination
‘To the merely wearied or fever-stricken denizens of the Indian plains,’ Arnold
stressed (p.28) (295), ‘however, it must be like Paradise to climb to the lap of
the great Dodabetta, and drink in new life with every cool breeze...’. William
Lloyd rejoices at the life-giving properties of the hills the moment he steps in
Simla in 1822, ‘Delectable climate—clear, bracing, exhilarating air which
invigorates the body and makes [the] soul rejoice…. Life is no longer existence—
it is life!’ (Buck 1925 [1904]: 21).
The easy reach of the hills in comparison to distant Europe, due to the poorly
developed communication between the metropolis and its colony throughout the
nineteenth century, led to a further crystallization of the image of the hills as
‘resorts’. Captain Peter Mundy focused on this particular imagery: ‘Invalids from
the plains resorted there [to Simla] and built houses instead of breaking up
establishments and sailing for the Cape of Good Hope with little (p.29) hope of
reaching it’ (Mundy quoted in Buck 1925 [1904]: 7). A diorama of its healthful
qualities was presented in the text. Darjeeling was viewed as the ‘only
sanitarium resort for Bengal and Behar, save broad blue sea, which weary and
jaded invalids of place can look for renewed health and reinvigorating
spirits’ (Anonymous 1857: 224).
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Hills in the Colonial Imagination
sites. O’Malley (1907: 53–4) compared the highlands of Darjeeling with the
country down below: ‘The district is composed of two portions, the Terai, a low
malarious belt skirting the base of the Himalaya, which is notoriously unhealthy,
and the hills, where the climate is wonderfully bracing.’
The point is that the landscape is not inert, but dynamic. It was appropriated
and reworked by the British in a variety of ways as seen above. The Englishmen
and women made an attempt to foreground an English way of life in the hills,
but this could only stay in the background, never attaining the desired outcome.
Actuality as the foreground and potentiality as the background, continually
counteract each other. As such, the everyday life of the Europeans, with their
efforts at replication and ritual re-enactment of (p.30) metropolitan society
could not attain the idealized perfection of a painting, leading to breakdown and
shaking their sense of complacency. This was realized by the Europeans
themselves by the turn of the nineteenth century. A writer conveys this irony
with wry humour, ‘But for the certain newness about the road-work and the
buildings [in Ooty] you might be almost anywhere between Leeds and
Pitlochry…. Yet the fact remains that you are only a little more than ten degrees
from the Equator, and very considerably south of the Sahara Desert and the Red
Sea (Civilian 1921: 172).
The tensions and contradictions enacted on a daily basis in the colonial urban
hill stations are visually captured. At one and the same time an uneasy
relationship between the foreground European hill enclave and the background
Indian surroundings appeared within a single representation. The meaning of
the word ‘landscape’ is reified from an artistic symbol to the concrete world
depicted in that symbol, defined by a given individual viewpoint. The
ambivalence of the European position in the colonial setting is revealed in the
conflicting visions—the aesthetic versus the empirical, the romantic versus the
economic, the picturesque versus the developmental—that would constantly
come up during the course of the expansion of the hill stations. The sense of
‘uniqueness’ of the European experience projected in the representations is
itself a contradiction. How could the hill environs be presented as unique places
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Hills in the Colonial Imagination
when the colonists transpose the European landscape conventions and visions
upon the new vistas? How could the colonists reconcile the need for difference
with a yearning for familiar places (Mitchell 1994: 21)? The idyllic, the natural,
and the picture-perfect imagery of the mountains clashed with colonial
imperatives.
Another trend discernible from the above discussions is that the hill landscapes
are often imagined as ‘natural paradise’ to be inculcated with ‘civilization’ and
‘culture’. A paradox emerges, the hill landscape is emptied of rival ‘native’
presence and their artifice. The techniques of landscape representation
developed in the European painting tradition since the seventeenth century gave
expression to the notion of inside and outside that were earlier less evident. This
perspective is tailor-made for the colonial discourse that positioned itself
precisely in the authoritative role of a ‘privileged’ outsider. At the same time, it
intensified the dichotomy between the (p.31) insider, that is, those who relate
directly to the land in the landscape itself as the memory, and the outsider, that
is, those who relate to it as a form of transaction, for whom the hills are the
landscape of memory for a distant metropolis. The colonist representing himself
as a viewer or a prospector transcends time and space, freeing the hill space
from its past tradition, such that it can be appropriated by a gaze which looks in
from the outside. As such it privileges vision over the other senses. This vision is
associated with a self-conscious way of seeing that was structured by the
European experience.
Notes:
(*) Quoted in ‘The Romance of Simla: Change That Has Taken Place in Forty
Years’, The Pioneer, 13 January 1925.
(3.) Governor General Lord Auckland visited Simla in 1838 along with his two
sisters Emily and Fanny.
(5.) William Bentinck was the governor general of the East India Company in
India.
(6.) Sir Trevor was the agent to the governor general in Rajputana.
(8.) Sir Ashley Eden was the first lieutenant governor of Bengal Presidency.
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Another random document with
no related content on Scribd:
Muikkais suuta morsialle,
Pian niinkun pilkan vuoksi,
Härnäten häjytapaista.
Haispa viinalta vähäsen
Häjyn neitosen nenähän. 75
Kohta koplasi kuvetta,
Tunsi lasin lakkarissa.
Tuosta sai tytölle tuska,
Alko pauhata pahemmin
Sulhaselle suutuksissa: 80
"Heitä lasi lattialle,
Heitä helvetin kovasti,
Heitä heti kappaliksi;
Osta uuri sen siahan,
Taskukello kelvollinen, 85
Kultavitjat ja komiat,
Että hohtais housun päällä,
Kiiltäis kirkon lattialla,
Se olis kaunista katella."
Wasta poika puolestansa 90
Alko vastata vakaasti,
Halki haastella asian;
Kovin kauan kuunteliki
Ihan ilman äänetönnä.
Sanopa ensisanoiksi: 95
"Sitte on sika nimeni,
Jos ma tänne toiste tullen,
Ehkä oli ensikerta,
Kun ma luonasi lepäsin,
Ompa varsin viimmenenki. 100
Kos et kuitenkan hävennyt
Haukkumasta hallin lailla!
Laita poies puolestasi,
Mitkä on minun omani
Avioksi aiottuna, 105
Liiton merkiksi minulta.
Kun ma luulin kunnollisen,
Saavan armahan avion,
Jonka kanssa kaunihisti
Woisin aikani asua 110
Aina asti vanhuutehen,
Suuren suomasta Jumalan,
Joka avion asetti."
Parempi toki onki peräti välttää kiusausta, kun suotta sen kanssa
taistelemaan antauta. Muuten vaan viimmen ehkä myöhän taidat
toisen kuulusan runoniekan kanssa havata onnettomuutesi ja
valittaa:
"Wasta minä vanhoillani
Oivalsin tämän asian,
Kuinka kunnia menepi,
Alempi miehen armo,
Kaikki rakkaus katoopi
Entisiltä ystäviltä,
Miesi velkahan veäksen,
Joka ryyppeää rysyltä,
Wiinan viljassa eläpi,
Monet päivät pääksytysten,
Wiikkokauet vieretysten.
(Muualla saatu).
Satuja.
1. Poika ja Äiti.
taikka