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Ethics of Hospitality
Daniel Innerarity
Translated from the Spanish by
Stephen Williams and
Serge Champeau
English translation published 2017
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
and by Routledge
711 Third Avenue, New York, NY 10017
a GlassHouse book
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2017 Daniel Innerarity
The right of Daniel Innerarity to be identified as author of this work
has been asserted by him in accordance with sections 77 and 78 of the
Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced
or utilised in any form or by any electronic, mechanical, or other means,
now known or hereafter invented, including photocopying and recording,
or in any information storage or retrieval system, without permission in
writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or
registered trademarks, and are used only for identification and explanation
without intent to infringe.
Originally published in Spanish by Península 2001
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging in Publication Data
Names: Innerarity, Daniel, 1959- author.
Title: Ethics of hospitality / Daniel Innerarity.
Other titles: Etica de la hospitalidad. English
Description: New York : Routledge, 2017. | Series: Law and politics:
continental perspectives
Identifiers: LCCN 2016036627| ISBN 9781138669185 (hardback) |
ISBN 9781315618241 (e-book)
Subjects: LCSH: Hospitality. | Social ethics.
Classification: LCC BJ2021 .I5613 2017 | DDC 177/.1—dc23
LC record available at https://lccn.loc.gov/2016036627
PART I
The domain of receiving 9
PART II
Dimensions of piety 99
Index 163
Taking care of others
Philosophers who wonder about what is good and desirable are not members
of a mystical religion or conscientious administrators of the sublime, but
rather they are those who show us a little more clearly the purpose we were
looking for. Theory must not abandon its commitment to the way people
live and act, i.e. with “customs” in their broadest sense. Kant wrote some of
his moral reflections as a theory of customs, expressing what turned out to
be a very good moral theory: reflection on our usual practices and our com-
mon value judgments, one that is rather associated with them so as not to
end up with unusual conclusions and from a sufficient distance from life to
be able to clarify and correct it.
Philosophical reflection on morals assumes moral experience. Like any
knowledge, ethical knowledge takes hold in horizons opened by percep-
tion. This is why it is impossible to make spectacular moral discoveries
through sudden flights of fancy. What ethics does is show how any new
conception must be brought to our attention: by showing its relationship
with our experience of the world and by acknowledging its ability to organ-
ize and structure our experience. Nothing can teach a lesson unless it has
been previously prepared in its association with good things. Virtues such
as respect, responsibility, gratitude, magnanimity, constancy and compas-
sion cannot be anchored in argument; rather, argumentation can only
strengthen them. It can be put forth that we should always be able to jus-
tify our value judgments by reason, and that this very defense already com-
prises a value in itself. However, this does not necessarily mean that we have
already created our values using justifications and arguments, or that they
would crumble if their justifications should weaken.
The teaching of ethics must be able to recall the essential moral experi-
ences of each of us, and to direct our reflective attention to our primary
experience of what has value. The best starting point for ethics is that of
the obvious beauty of fundamentally ethical situations. Relativism is a mere
theoretical game. I do not entirely agree with those who emphasize that
our time period is characterized by complete uncertainty in terms of val-
ues. It is true that many of the certainties that have allowed us to prepare
2 Taking care of others
ourselves morally have disappeared. The fact that many values have shown
themselves to be weak or that they are secret accomplices to unacceptable
situations speaks little against their plausibility. This is part of the nature
of values: that they are able to resist abusive attacks and undeserved scru-
tiny. Furthermore, we no longer have the full certainty of living in a time
of complete uncertainty either. This point of view is extremely theoretical
and contradicts the credibility we grant to many of our usual practices,
whose power we confirm implicitly. The thesis defending the end of cer-
tainty or the loss of a common vocabulary underestimates our societies’
implicit consensus. We only need to think of the quantity of things we may
not be ready to accept and of everything that we spontaneously revile or
admire. All over the world, people admire gratitude, despise pride and
cruelty, respect guests and we thank our hosts, even though the codes to
accurately measure these values vary from culture to culture, and even over
the course of our lives.
This is why it is possible to have a very high sense of morality without
being able to justify it. Obviously, this ignorance is no excuse for anyone to
write a book about ethics for they would need to justify what they support
yet keep in mind that rational justifications are not the only source of moral
wisdom. There exists a sort of wisdom without arguments in the practices
of human life, in its customs and institutions. We are living on a tacit basis
where certain common values whose justification very often cannot be found
in the vocabulary we have available. Through custom, we know what is right
before knowing the rule from which this all may derive. Ethics is nothing
other than reflection on an already effective ethos. What Merleau-Ponty said
about the body (that it knows more about the world that we do) can apply
also to our customs: they know more about morality than we do (1945, 276).
I wanted to begin this reflection by highlighting the parasitic status of
any moral theory, which always “sucks” from the sublime. As in so many
other dimensions of human existence, the worth of value is one thing, and
its explanation or theory is something else completely. This distinction is
present in all domains of life and it brings reflection back to the vital sphere
that feeds it: philosophy lives through common sense, morality through
virtue, political theory through prudence, theology through sanctity and lit-
erary critique through poetry. Similarly, immigration laws merely translate
hospitality, manuals of protocol channel amiability and tax laws give eco-
nomic worth to compassion. There is even a parallel division of labor that
can sometimes become slightly tragic or comical. Some may fall in love and
others may manage wedding agencies, there are poets who suffer and pro-
fessors who teach suffering to others, some may live without thinking and
others think without living in the same way as those who say what should be
done and those who do it are not necessarily the same, either. Commentary
and theory will follow, in the order of time and in ontological rank, in the
same way as that in which theory comes after life.
Taking care of others 3
good life more concerned with leaving open the possibility of commotion
rather than with protecting itself against unexpected barging-in. With the
category of hospitality, I claim to offer a conceptual refuge to the unpre-
dictable events against which our true moral stature is measured. This
receptiveness is not an abdication of reason; it is its antechamber, if we
deem it reasonable to give into whatever may come along.
The ethics of hospitality is learning the productive commerce with
alterity, the ability of being within the scope of reality, so that, like a self-
sufficient guest, it may contradict our own knowledge and exceed our own
desires. Fundamental ethical competence consists of opening up to the
wholly other and to others, being accessible to the demands of the world
and attentive to what is different from ourselves. Moral experience is not
properly described by the categories of subjectivity and objectivity; it can
be better expressed by the constellation formed by encounters and in the
categories that govern the domain of reception. In moral experience, some
situations may often be discovered and described as situations where “noth-
ing else could have been done; this was the only thing to do,” with the
particularity that we do not experience this constraint as something oppos-
ing our liberty, but rather as something that is intensely voluntary. We feel
obliged to hold values that do not seem to offer any choice, yet which do
not contradict our freedom either, even when they demand effort from us
or when we suffer their negative consequences.
In things they consider as extremely precious, subjects do not experience
them as proper positions or sovereign provisions such as propositions, ideas
or inaugural declarations, but rather as being independent from them,
commanding their respect and able to be defended with good reasons. It
is not true that we only find what we have previously hidden in things as
Nietzsche proclaimed – at least, not all the time. Sometimes, perhaps in the
happiest and most precious occasions, we find more than what we put into
them. Human beings are not sovereign to the point of being able to control
even what is supposed to surprise them. Usually, the reality is a failure of
certainty, disillusion or betrayal. However, without the possibility of disap-
pointment, things would no longer offer these surprises and the newness
that make up normal human life.
There is a certain moral superiority of mania over self-sufficiency, of
vulnerable love over control and moderation, of the generosity of passion
faced with rational prudence and of excess confronted with mere reciproc-
ity. Haemon suggested to his father Creon, the protagonist of Sophocles’
Antigone, that one should cultivate receptiveness (to other people or to the
world of nature), which is not necessary debilitating, and which may even
lead to subtler, more flexible movements. His advice shows that in order to
be civilized, we must conserve the mysterious and particular nature of the
outside world and cultivate the passions in ourselves that lead us to these
mysteries. Only those who manage to find a balance between the protection
Taking care of others 5
of self on one hand, and vulnerability and openness on the other hand, can
be lovers or friends because the sovereign agent is blind when faced with
alterity. The trait of miserliness is generally more stable than generosity,
that which is closed is surer than that which is open and that which is simple
is more harmonious than that which is complex. Insofar as it involves gen-
erosity, openness and a situation that promotes a move to more complex-
ity, the ethics of hospitality are necessarily the ethics of instability, like the
vulnerable situation of a host whose anticipations are always threatened by
an untimely visitor.
Levinas criticized the position of self-sufficient subjectivity, which is always
“at home,” and of which hospitality can only be a reception appropriating
otherness and does nothing to change subjects focused on themselves. In
this case, visitors are rather hostages, and hosts are kidnappers. Yet human-
ity is only presented to us in a relationship that is not force, one might say.
Relationships that achieve freedom are not causal relationships, but rather
those where there is asymmetric intersubjectivity. These relationships, such
as with fatherhood, leave room for transcendence; they are relations where
subjects, while retaining their structure as subjects, may finally come out of
themselves and be fertile.
This means cultivating this receptiveness in a struggle against the natu-
ral tendency towards our own redundancy and to look a bit too much like
ourselves. When understood like this, ethics is a fight against aging, which
makes us predictable and inertial. It also makes us grow in openness, in
indetermination and in critical sense. There is no learning without hab-
its, nor is there any learning without fighting against inertia and routine.
The invulnerability that results from the atrophy of our habits and that
causes them to degenerate into automatic gestures reinforces the natural
tendency not to see everything that does not fit into our prior schemas.
Despite its apparent self-sufficiency, this invulnerability plunges us into
the particular situation of a lack of freedom, from which all those who
retain nothing of their soul by protecting it from the inertia of its own
degradation will suffer.
In a complex world (since everything people do becomes irremediably
more complicated), being yourself is a task that requires much imagina-
tion and a balance between tautology and alienation. Identity is a task
that cannot be solved by letting things happen by themselves, and that
cannot be gained by an emphatic act of self-affirmation either. Identity
is built between the extremes of ratification and disapproval; the way we
make ourselves depends on the balance we achieve between the experi-
ences that give us reason and those that contradict us. It is highly pos-
sible that it is impossible to live without a space where we are recognized
without any questioning, just as the opposite may be just as true: it is not
desirable to live in constant confirmation without criticism or exclusively
surrounded by cheerleaders. Our mental balance needs confirmation
6 Taking care of others
years as the gradual awareness of the fragility of the civilized world. The
famous quote by Paul Valéry after the First World War, “We civilizations
now know ourselves mortal,” has become a commonplace, a general, everyday
experience, although it has a less dramatic tone than before (1957, 988). Yet
the danger is not with barbarians or with the threat of any war whatsoever;
rather it lies with the weakness comprising what the sociologist Ulrich Beck
calls “the society of risk” (1992). The fragility of society is represented by
the fact that uncertainty is an obligatory part of individual destinies. Life’s
trajectories are increasingly chaotic and fragmented, cut short by unsettling
events: immigration, family breakups, professional degradation, job loss,
vulnerability, solitude, and so on. Moreover, the economy is governed by
the unwavering law of competition, industrial sectors disappear completely,
solidarity seems to be buried underneath particularisms, social ties are
weakened and poverty and exclusion become the fate of a growing number
of people. This is how a general feeling of uncertainty and vulnerability has
spread.
This general vulnerability modifies the panorama where subjects must act
freely and assert their identity. The fragility of institutions, democratic hab-
its, sociability and the mechanisms of integration is becoming increasingly
evident, so that individuals feel far from oppressed by civilization yet feel
more their debt for all of this. Victims now become protectors; the impera-
tive of emancipation is a protective reflex. The duty of disalienation used
to make sense only within powerful institutions. However, with weakened
institutional constructions, the problem of taking care has replaced that of
“alienation.” This no longer means avoiding the influence of institutional
constructions, but protecting them when they are faced with decadence.
The contemporary vision of the world tends to do away with concep-
tions that saw it essentially as a powerful reality. Science has given up its
rigid determinism to manipulate some notions which now have more to
do with contingency, such as chaos, indetermination and disorder. The
Being, which traditional metaphysics imagined with the traits of stability
and strength, has been succeeded by a Being that shows up by disappear-
ing, and no longer speaks in such a peremptory tone. For Descartes, the job
of a thinker was comparable to that of an architect, whose duties consisted
of laying the foundations, building and justifying. In a weakened ontologi-
cal perspective on the other hand, the essential philosophical actions are
receptiveness, availability and attention. The Being is no longer the founda-
tion on which we build; it can no longer be considered as a raw material on
which we need to work, but rather as a reality that is revealing itself. These
two philosophical orientations correspond with an engineer’s vision of the
world and with the ethics of preserving. One is essentially promethean and
is focused on the construction of safe systems and foundations; the other
is interested in cultivating a theoretical openness to that which is revealed,
and in the moral tendency toward everything calling out to us.
8 Taking care of others
The moral imperative when faced with fragility is no longer so much that
of building, but rather that of rescuing. Being confronted with the fragility
of things and beings raises the responsibility for maintaining them at the
level of values. In this context, once we are aware of the devastating effects
of great ambitions that forget their finiteness and their constitutive limita-
tions, the fundamental needs cannot be expressed with the word “libera-
tion,” but rather with the word “responsibility,” even though this is only in
the domain of small things. From now on, it is no longer relevant to know
which ideology individuals adhere to, nor under which political flag they
are fighting, or even which big project they are fighting for. Here on out,
each of us needs to question ourselves about our individual responsibility in
the fight against the destruction of the world.
In the ninth of his Duino Elegies, Rilke speaks of the ephemeral: “every-
thing that is here, that is fleeting and strangely involves us, seems to need
us. Us, the most fleeting of all”(1963, 73). This ambiguous experience of
being called out to and knowing at the same time that we are mortal is the
threshold through which we access a type of duty that no longer uses the
imperative language of power, but rather that of solicitude. This all forms
an invitation to take on a hospitable way of dealing with and encountering
the world – a certain kind of pity.
References
Beck, Ulrich (1992), Risk Society: Towards a New Modernity. London: Sage.
Celan, Paul (2011), Briefwechsel mit den rheinischen Freunden, Frankfurt: Suhrkamp.
Merleau-Ponty, Maurice (1945), La phénoménologie de la perception, Paris: Gallimard.
Rilke, Rainer Maria (1963), Duino Elegies, trans. C. F. MacIntyre, Berkeley, CA:
University of California Press.
Valéry, Paul (1919), The Crisis of Mind, in Oeuvres I, 1957, Paris: Gallimard, 988–1000.
Part I
Before the bipolarity of Good and Evil, the subject has thrown its lot in with the
Good in the passivity of bearing.
(Levinas 1974, 194)
The fact that people (as living beings) are beings of action who make deci-
sions and choices should not make us forget that they are also pathetic
animals, those to whom things happen, rather than being able to control
things. This is why a moral would be incomplete if it gave any indication
about the direction things were taking and remained silent with regard to
the provisions we would have to cultivate when faced with things that hap-
pen without our consent. One might even claim that events can be more
important for ethics than deliberate actions, yet not only for quantitative
reasons (the things that happen to us are more numerous than the things
we do) but because in human passivity, in circumstances of conflict, toler-
ance, respect, attention or risk, we can measure nobility of character better
than when the scenario has been conceived in advance, and better than
when circumstances submissively obey the intentions of subjectivity. Of
course, this point of view seems slightly paradoxical because ethics only
qualifies free acts and seems to have nothing to say about the mere fact of
being passive. However, in my opinion, this is the decisive point: the fact
that, in mankind, the domain where we cannot clearly distinguish between
what is active and what is passive is vast, because everything that is unequivo-
cally free or necessary only rarely appears in its pure state.
that happen, ethics must seek a form of practical rationality that aims at a
type of properly human self-sufficiency, i.e. finite and limited. In this light,
Aeschylus may appear more reasonable than Kant and closer to the human
condition than any of the ideals of autarchy. Why must the good life exclude
or minimize our most fragile and unstable attachments and encourage the
most self-sufficient activities?
Tragedy is the best critique of pure reason. In it, we see the relation-
ship between human goodness and the world of the outside happen-
stance much better than in many deontological treatises. In Aeschylus’
Agamemnon, for instance, we see that experiencing a conflict is an opportu-
nity for personal learning rather than an elevation to the immutable good
where all rivalry disappears. Authors of tragedies suggest that in order to
discover all of the complexity and richness of life, commotion and tragic
suffering are required. Courage can be found in pathetic happenstance.
In Sophocles’ Philoctetes, Neoptoleme does not know how to respect the
suffering of others until he is made to scream in pain. Euripides’ Admeto
does not know what is involved in having a wife, in loving someone, until he
loses Alcestis. There is another type of knowledge that is learned through
suffering because it is precisely the appropriate perception of how human
life is in such situations. Some people may attain this knowledge without
experiencing extremely tragic situation; other may become even worse
and grow more hardened after experiencing a painful event. For many,
constant good fortune may be a curse and tragedy may be a happy reality
because the sudden experience of a tragic situation would seem to them
to be necessary in order to properly recognize this and other situations
afterwards.
One thing that tragedy teaches us is that human identity is the result
of conflict. Our identity requires a historical explanation because history
explains how the world enters into conflict with our subjective intentions.
Identity is a historical affair and not a willful act. It is not the product of a
conscious action or a plan to reach this precise result. Paul Valéry had a sim-
ilar perception when he complained of the fact that it was not possible to do
anything without everything getting intertwined. Identity is not the result of
an action, but rather that of a history, i.e. a process developed under condi-
tions that behave randomly when faced with our own aspirations. No one
owes their existence to an act of approval of it.
Histories are series of events that disobey its subjects’ intentions. They
are not the fruit of a completed plan or of what we do when we can do
whatever we want. Of course, history is full of voluntary acts and sovereign
initiatives, but this is not what makes up history; we can make plans, but the
future of these complex processes (that we or others tell as our own history
once the future becomes the present) is actually outside of our intentions
and prognostications. Subjects, institutions and social systems have no his-
tory by virtue of their intentions, but because of the involvement of the
14 The domain of receiving
intentions of others, the unexpected effects of the decisions they make and
contingent events they are not programmed to deal with. Identity is what
results from all of the conflicting intentions that clash before finally being
thwarted by unexpected events. What we are historically always results from
a mixture of intention and vexation.
What ought to be told is why someone did not do what they wanted to
do. We do not talk about the actions, but rather about what is added to
them, interferes with them or contradicts them, i.e. about everything that
owes nothing to will. Here, I do not mean that what we do always differs
from what we claim to do. At every level of social action, there is some
normality, such as regularity, repetition, security and the constancy of con-
ditions. There only need to be a few ruptures to this normality in order
to reach “historiable” material, i.e. in that it is necessary to say how some-
thing has become something completely different from what was expected.
What transforms events into histories is something that happens or occurs,
not something that is done. History is what we tell to explain how the cir-
cumstances of something have been changed without this change being
deduced from a change that complies with any known rules.
The result of a history, the final situation it ends up in, does not bear the
marks of a product. What results from history is not what we wanted, even
though history-makers often do what they wanted to do. This is particularly
obvious in the case of personal identity. With our actions and omissions,
we decisively take part in becoming who we are, but no one owes their
identity to the desire to produce what they are. Strictly speaking, identity is
not something available to us. What we are does not allow us to understand
ourselves as being the result of our will.
Unpredictable existence
Although human beings cannot effectively protect themselves from misfor-
tune, they may at least organize their lives and commitments in order to
prevent the appearance of serious conflicts in their daily lives. One way of
doing this would be to simplify the structure of our own moral commit-
ments, removing ourselves from those commitments that would normally
be generated by the requirements we encounter. Very often, in order to
organize our lives, we stick to the rational principle of avoiding conflict and
disappointment.
Yet it does not seem possible to live without shaping intentions or with-
out cultivating the images that inspire us while we are doing so. To live is
to anticipate. And the imaginary anticipation of an ideal of human excel-
lence is an intrepid exercise that introduces risk to the very core of our
lives. Forming an accurate idea of ourselves is something that is less certain
than calculating and predicting because predictions foretold by human
genius are always made at the expense of irreducible unpredictability.
The pathetic, or the duty of events 15
Thomas Mann defined people as “dabblers in life,” i.e. that they venture to
live although they do not yet have the life experience they need to ensure
a successful life. The experience we gain to live is ours only when life is
waning. We are born and we die too soon. We are born although we do
not know how to live and we die when we can no longer live even though
we know how to. The most important things cannot be taught or learned
before doing them. We all have to have direct experience in life through
unique, individual paths that are rough and have no conclusion. An opaque
background seems to surround any attempt at becoming “professionals” of
life precisely because life, since it cannot be repeated, does not let itself be
subject to any experimentation.
One of the reasons why Aristotle refuses to protect our life against cer-
tain attacks of fate is precisely his resistance to make ethics a technique. The
Platonic aspiration to universality, precision and stable control is dismissed
by Aristotle in favor of a receptive, flexible perception. Prudence must
be prepared for surprise and improvisation, i.e. not to be a pure action.
Therefore, risk is an interesting, interested condition of life. Specifically,
human action occurs on an uncertain stage, unlike behavior from instinct.
Insecurity promotes flexibility; it is a time of openness to possibilities with-
out which both innovations and cultural evolution would be unthinkable.
Risks are also possibilities; “opportunity” is the generic name for an open
situation whose negative result is defeat. Our actions are strategies against
danger, but they are also the origin of new risks, to the same extent that
they establish opportunities to deploy freedom. Emancipation has much
to do with the rupture of “certain” horizons of waiting, with trying out new
operative possibilities and with keeping the future open. What is normal is
some chaos; disorder should not be eradicated at any cost. This involves not
so much perfecting the mechanisms of safety as normalizing this insecurity
that we have accepted as one element of our various ways of living.
There is something aporetic in the claim to be able to absolutely guar-
antee security and to eliminate any aspect in which any reason for fear may
appear on the horizon. Some fear makes up the human condition such
that recklessness and the elimination of contingency are not valid as exis-
tential norms. Free people are not those who need no foothold, as Adorno
claimed (1966, 100). The acknowledgement of human finiteness can also
be represented in the recommendation of accepting and overcoming fear,
by giving into the need for protection and similarly the need to distance
ourselves from our obsession of being reassured.
Faced with the ideals of a life spared from any risk and faced with the
illusion that is possible to live reasonably while being sheltered from misfor-
tune, the idea of hospitality reminds us of something special in our human
condition: our fragile, vulnerable existence, dependent on things that are
not at our full disposal and exposed to fate. This is why we suffer misfor-
tune, why we need others and why we seek out their gratitude, approval or
16 The domain of receiving
us: love, business, games, politics, etc. But one of the features of the game
is the fact that we may lose; without this possibility, a game would not fulfill
the role we expect it to and would be a simulacrum of emotion with a guar-
anteed happy ending. I do not think that we would be prepared to give up
all the emotional aspects of life in exchange for a predictable existence, in
the same way that, generally speaking, we would not want to play if there
was absolutely no uncertainty in the result either. Games interest us because
they are open to victory as well as defeat.
Lucky freedom
One of the particularities of human beings is how easily we do things com-
pared with the unpleasantness produced by things that happen to us. We
control doing things better than suffering them, and nothing seems so wor-
risome to us as events that erupt into our lives such as people who show
up at our homes without an invitation or people who, although they were
invited, were not authorized to behave as masters and make us lose control
of our independence.
Even in Plato’s time, the Athenians were convinced that progress could
erase any uncontrolled contingency of social life. They found an opposi-
tion between tyche (fate) and techne (technique), between a life at the mercy
of fate and an existence that has become more certain or controllable by
using a few technai. Technique is associated with prediction, planning and
foresight, while, as Democritus asserted, the power of fate is only an excuse
imagined to mask the very lack of practical skill. This way of looking at
things is therefore nothing new. People have always been fascinated by arti-
ficiality and felt threatened by fate because things happen to us and we have
to make do with them, and they are not completely at our disposal. Activism
assumes that there is no such thing as being irremediable, irrevocable, des-
tined or unavailable. Freud expressed this in a very evocative way: the giver
of everything that is given to us lives in ourselves. And Nietzsche immortal-
ized this idea in the aphorism “I am a destiny”: the victory of freedom over
fate. We are the only masters of our vital space.
The “administered world” that displeased Adorno so much is governed
by the principle of “mastering luck” (Elster, 2002). The Enlightenment
appeared as a reasonable response to fatalistic nonchalance, but without
being exempt from visionary characteristics. The utopian city dreamt up
by Louis-Sébastien Mercier in 1770 was governed by the principle that
“we have left nothing to chance; this is an old, meaningless word, completely
expunged from our language.” This victory over fate has its own paradoxi-
cal irony, a sort of vengeance by fate that consists of leaving people at the
mercy of themselves. People absolutize themselves, of course, yet they also
make themselves highly guilty. If everything real must rely on our appro-
priation, existing evil would then become an unbearable recrimination.
18 The domain of receiving
The more people confirm they are competent to improve reality, the more
they make themselves responsible for reality that has not been improved.
Fatalism used to offer us at least a few excuses to exonerate ourselves by the
presence of evil in the world; it was possible to blame evil for how difficult
things were to improve or even to blame others in charge. The elevation of
people is equivalent to their potential feeling of guilt. When Fichte defined
the contemporary era as one of total guilt, he did nothing other than show
the least likeable face of its emancipating plan. De-fatalizing reality is done
at the price of making those who take action responsible.
This alternative between freedom and fate seems less and less adequate
to allow us to understand the human condition, fundamentally because
its precise distinction is becoming increasingly harder. Luck has much to
do with our freedom, and happiness has much to do with luck. This is why
it would be sensible to speak of “lucky freedom.” We are not facing two
opposed domains, but rather two domains that overlap in us in various ways
and prohibit us from dealing with anthropological problems, with our only
tool being the ability to discriminate between freedom and necessity or, to
put it as a Kantian expression, between what we do with nature and what
nature does with us. There are two fundamental reasons to be wary of this
simplification: the fact that freedom frequently transforms into fate, and
the fact that fate often takes on the form of freedom.
We can observe the blurred dualism between freedom and necessity
whenever there appears the finiteness that limits human claims of being
able to configure: people act in the context of the laws of nature and in
a temporal horizon that is not inexhaustible, and any act attempting to
bring order comes at the cost of the disproportionate increase of disorder
(to the point that we might even say that order is the continuation of chaos
by other means). Many experiments have torn down this kinetic utopia that
claims that the general movement of the world should be an implemen-
tation of our plans for it (the presence of uncontrollable elements, our
uneasiness with general mobilization, unbearable acceleration, blockages
and turbulence and the fact that things are beyond our control). In every-
thing we do, we do more than what we claim to do. Involuntarily, and some-
times unwittingly, we set in motion a chain of actions whose consequences
are heavier than what we intended to produced. A “second nature” formed
from unwanted and uncontrollable consequences belies the planning com-
petence of freedom. That which was thought to be active self-movement
turned out to be a relentless movement going beyond any controllable
plan. All actions enter into an exchange of interactions that are beyond the
intention and desires of its authors. What is produced in history is wiped
from our record; the stubbornness of involuntary results triumphs over our
freedom and moral initiatives.
Precisely, one of the most fertile postmodern experiences was the dis-
covery of the irrevocable nature of our past, our facticity and the fact that
The pathetic, or the duty of events 19
there are not so many traditions to the point that we are always in the
comfortable situation of breaking with them. Considering all of this, I pro-
pose an acceptance of our natural condition, consisting of an accumula-
tion of experiences, accredited prejudice, habitual slowness, institutional
inertia or idleness. This would mean promoting the awareness of human
finiteness, of this passiveness that used to be the dark side of the modern
project. In other words: recognizing the random character of the world and
the contingency of identities that comprise it, learning to live under the
conditions of a recognized contingency and trying to transform fate into
opportunity.
In a world where we inevitably live with some degree of uncertainty,
where the consequences of what we do (or do not do) are essentially beyond
any prediction, we have no choice but to give ourselves up partially to our
destiny. With our actions, we can only make proposals, and their outcomes
in terms of success or failure are largely beyond our control.
Underestimating this situation is very often the source of stubbornness,
obstinacy and fanaticism. Voluntarism is not always ingenuous and praise-
worthy; it may also become blindly dangerous. Here, we may give reason
to what is often said: that the opposite of good is not evil, but rather good
intentions. There is nothing more incorrigible than a well-intentioned
blind action. Thus, many plans compensate for their lack of judgment of
the state of the world by well-intentioned wishes to change the world. The
absolute improvement of the world therefore becomes total confusion.
The other reason to abandon the rigid opposition between freedom
and necessity is that fate is often transformed into freedom. Our freedom
owes a lot to the randomness of life. Rather than trying to dominate it, we
must learn to make do with our fate, to make it favorable. Freedom is not a
territory conquered from randomness, but an alliance between the two of
them. Indeed, we cannot remove randomness from life, but would we do
so if we could? I am convinced that we would not. The dimension of open-
ness and uncertainty is what gives a certain flavor to the present and lets us
confront the future with interest. Incalculability provides a special tension
to the events of life, just as total predictability is the safest antechamber of
ennui. Randomness, newness and surprise are factors that make our human
existence a livable project. Our psychological and emotional constitution
is made so that we do not want to live in a world determined in advance,
where our future is set (even if we are the ones to set it). We would prefer
our fragile and uncertain condition, even at the price of being threatened
by misfortune. Randomness can only be fully eliminated at the price of
leading a life completely determined by routine. Unlike Kant, we might say
that it is not morality but life itself that supposes freedom that is incompat-
ible with predictability. Without this random freedom, life would be empty
of tension and surprises and would be deprived of any unexpected event.
This would be a life completely different from the one we want to live, and
20 The domain of receiving
the one we usually live. That said, and as with everything, there needs to be
a balance: a world that is sufficiently predictable to make a rationally led
life possible and sufficiently unpredictable to create areas to cultivate an
element of tension and interest.
The many intersections between fate and freedom prevent us from exag-
gerating the role of chance in human life. Luck is not completely unpre-
dictable, nor does it go against any likelihood. The fact that we are not the
masters of our own destiny does not mean, strictly speaking, that we have
absolutely no control over it. With destiny, we can collaborate. It is not pos-
sible to win big if we have not bought a lottery ticket or to win at the races
if we have not placed a bet. We at least need to be in the right place at the
right time. Nietzsche gave this idea the form of a nice imperative: we always
need to measure up to fate.
The clearest example of this synthesis of freedom and fate is to be found
in sport. In sport, we find a plastic version of this curious alliance. What we
love in sport is essentially a drama that obeys a law of imminent and always
deferred culmination. Our fascination with games can only be explained
by our interest in the uncertain; the possibility that something might hap-
pen. Sports are organizations regulated to become a “staging of irregu-
larity.” This logic in games has great anthropological meaning and can
explain why Camus said that everything he knew about morality he owed
to soccer.
Athletes are trained to give something they are not sure they are able
to give. They are trained in order to get something for which there is no
training possible: to reach the limits of their output. Any successful athletic
output results from a coordination of outputs that cannot be guaranteed.
Athletic success is not something that someone can produce. An athlete’s abil-
ity consists, strictly speaking, of setting conditions for the possibility (rather
than the necessity) of succeeding, in behaving so that, sometimes, there will
be an unintentional success, in being there. Physical fitness, training and tac-
tics are assumed so that at the moment of truth the body can do something
that exceeds what it can do. This is why there are several possibilities. This
is why the final result is up to chance. This is why manifest superiority is irri-
tating. This is why it is legitimate to rely on luck. This is why responsibility
is so difficult to assign (or so easily assigned, for example, to the referee or
coach). This is why the language preceding a competition features so much
unbridled desire. This is part of the normal state of professional sports:
resulting in actions that are not normal, actions that are not controlled, but
that happen. In this respect, it is very significant to observe how bland the
explanations given afterwards by athletes are. Athletes train for an action
that at the last moment they cannot fully control and that no one can teach
them perfectly. They train for the chance of their victory. Their triumph is
due to their good training, but is not the mere result of their effort. It does
not have the character of an output, but of something that is added to what
The pathetic, or the duty of events 21
of surpassing it. We might also put it thus: with it, the body appears to be
only an instrument of victory, not an incalculable way to resolve athletic
competitions.
This digression on sports can help us understand other forms of logic
that institutionalize luck. We have given this form to several of our con-
structions, like games, politics and law, which all find an ally of liberty in
the impartiality of chance. It is not true that luck always favors the powerful.
Randomness is generally more impartial than planning, and many institu-
tions who draw lots or use processes governed by impartiality have under-
stood this. The removal of this unpredictability in the name of human
freedom to control things would be as absurd as if sporting competitions
were regulated in favor of the team that makes the most effort, or if lotteries
were tweaked to favor the most underprivileged. Without a doubt, there are
teams that deserve to win, and people who are needy, but referees and the
governing bodies of lotteries and gambling have no obligation to be chari-
table: rather their duty is to protect luck. If they did not do this, they would
perhaps be worthy of all sorts of praise, but they would have destroyed insti-
tutions that many of us could not live without.
Of course, we can make it so that chances are on our side, but there is
something detestable in claiming to lead a life set out in advance, at least in
certain aspects. There are items we cannot claim directly, such as happiness;
there is no activity that can be described as a search for happiness. We work,
we rest and we play, but we do not seek out happiness. Nor can we offer hap-
piness as a gift. Happiness is not something that we can give ourselves inten-
tionally, but rather something that happens. Happiness “to order” does not
exist, nor does any specialized authority where this order could be placed.
Happiness is the sort of thing a tireless quest of which is the sign that things
are going badly, which Adorno called an “unintentional truth,” the tireless
quest for which is the sign that things are going badly (1970, 337–338).
These are unpredictable states that, like good ideas, and like emotions and
entertainment, can be favored without ever being produced for they are
not acts of will. This is something more than accomplishing an expectation.
Yet all the charm is found in this difficulty. Their resistance to occurring at
the dictate of our freedom makes them both fragile and, at the same time,
worthy of our highest esteem.
The beginning and end of human life, for example, also appear to be
events that resist being completely planned. Nearly every culture considers
it to be unacceptable to place the beginning and end of life in a register
other than that of fate. In its most acceptable extremes, genetically engi-
neered children or relentless therapy to artificially prolong life are exam-
ples of the unacceptable hold of technology on human life. The protection
that those who claim to limit human power seek in nature to decide on life
and death can be understood this way as a defense of its natural character.
That something is natural does not so much mean that a biological basis
The pathetic, or the duty of events 23
should be respected, but rather than it is preferable to let things take their
own course. These events are better governed by chance than by relentless
or foolhardy techniques. Neither falling in love nor death are things that
are done, but rather they happen to us. Human sexuality in some way fol-
lows the lucky logic of sports events, of the very emotion of unpredictability.
Sex is always uncertain, if only because there are no prophylactics against
emotion.
The erotic follows a logic similar to that of sports; it shares the same
unpredictable seriousness. Difficulties in programming offspring result
from the relatively involuntary manner in which they are produced; there is
something like a generic invitation, but the host is not the one to propose
the date of the visit. There must be good reasons for procreation to have
an aspect of chance and for children to not be completely plannable. The
fact of being born in a context of actions with more or less uncertain results
may have something to do with human dignity; it is as if the fact of not being
born intentionally gives us the right to not be henceforth at the absolute
disposal of anyone. Defending the naturalness of our origins is equivalent
to limiting the power of those who will be involved in our life.
a stable relationship with himself. This would prevent him from living as a
“friend to himself,” i.e. as someone who respects and protects his own well-
understood interest.
For Plato, only communal life is a place of true happiness. The only ones
who can be friends with themselves are those who are able to be friends with
others; yet the friendship of others is within reach of those who behave gen-
erally (even toward those who are not friends) so as to cultivate the form of
a potentially friendly exchange with others. Justice is the virtue that directs
action in this form of communal life. This is why Socrates can say that it
is better to suffer injustice than commit it. Those who commit injustice
destroy the basis of this happiness, in addition to their own happiness, while
those who suffer it in the face of adversity do not lose anything decisive in
reaching happiness.
Human vulnerability is fundamentally based on the fact that the good
life needs relational goods, outside items toward which excellent action is
directed, other subjects that are present to receive our offer of hospital-
ity. This is particularly valid for activities having to do with citizenship and
political community, and those involving friendship and personal love. Of
course, these goods are extremely vulnerable to chance setbacks. Life is par-
ticularly vulnerable whenever we defend an idea of politics whose civil plu-
rality and vitality are open to the possibility of conflict and an idea of love
that wants its receiver to have independent movement, love that does not
linger on domination, that does not want to escape from the world of what
happens to us. This type of political and loving community highlights that
the best relationships between people are very vulnerable to what occurs in
the world over time.
In Antigone, there was mention of an existence lived “on the cutting edge
of fortune” and there was a warning against excessive zeal to eliminate the
uncertainty of human life. Value decreases when we eliminate the risks that
are part of specifically human virtue. There exists a precious quality in the
social excellence that disappears whenever we leave the realm of an uncon-
trollable future. There exists a sort of beauty in the desire to love someone
(despite the fact that this love is unstable and imperfect) that is outside
this sort of love that shuts out the possibility of betrayal. All human activity
devoted to certainty is a spoiled existence.
Is there any sense in the claim that we can rationally govern our lives? Is it
at least possible to in some way behave reasonably between resignation and
imposing our will? Of course, a total rationalization of every domain of life
is not part of rationally governing life. Rather, ethical rationality is trying
to behave correctly in a given circumstance, whether or not it is rational.
In several respects, and within a certain limit, it is better for us to maintain
nature as a space of contingent events and to respect the unpredictability
of free and spontaneous exchange with others, rather than to try to submit
everything to our planning. Even our nature is a domain of reality that
The pathetic, or the duty of events 25
References
Adorno, Theodor W. (1931/1970), “Die Aktualitat der Philosophie,” Gesammelte
Schriften I, 1970, Frankfurt: Suhrkamp.
Adorno, Theodor W. (1966), Negative Dialektik, Frankfurt: Suhrkamp.
Aeschylus (2004), Agamemnon, trans. P. de May, Cambridge: Cambridge University
Press.
Aristotle (1999), Nichomachean Ethics, trans. W. D. Ross, Kitchener: Batoche Books.
Elster, Jon (2002), Ulysses Unbound: Studies in Rationality, Precommitment, and
Constraints, Cambridge: Cambridge University Press.
Euripides (2013), The Complete Greek Tragedies, Chicago: University of Chicago Press.
The pathetic, or the duty of events 27
Accepting people
Identity and the commitment
to hospitality
contexts themselves. The old obligations that granted security and stability
to individuals must be replaced by elective relationships. A majority of rela-
tions that used to be based on overseeing bureaucracy are now being cho-
sen and experienced at our own risk. Individualization essentially means
the dissolution of traditional forms of life into other forms where individu-
als are the ones who produce and stage their biographies without relying on
an unquestioned, safe and stable moral medium.
Individuals are no longer required to be prepared to accept “moral sur-
vival kits” or ready-made packages of “correct living” that may dictate every-
thing that needs to be done in any important situation in life. This is why we
must constantly stipulate rules, standards, purposes and procedures.
Individuality is therefore not thought of as a singularity out of a gen-
eral case or as an assigned characteristic, but rather as a personal conquest.
Gehlen ironically synthesized this particularity in his definition of the indi-
vidual as an institution of a single case (1980, 166). Individuals must cre-
ate themselves and must integrate their actions into their own biographies,
which then become “elective biographies” (Ley 1984), “reflexive biogra-
phies” (Giddens 1991), “handmade biographies” (Hitzler 1988) or “tink-
ered identities” (Keupp 1994). The tinkerer is a better metaphor than that of
a “builder” to characterize the contemporary fashion of organizing our own
lives. “Building” alludes to a complex, slow configuration that follows rela-
tively fixed rules. Tinkering, however, refers to an occasional action that var-
ies between amateur dabbling and works of genius. Tinkerers are those who
“assemble” their lives while working on other things part-time. They are not
“at home.” They do not live in a world of sense devoid of dissonance; they
are very much like vagabonds or nomads whose wandering is an inconstant
and uncertain movement amongst a variety of realms of meaning.
The possibilities open to individual subjects have the simultaneous form
of a freedom and an obligation. Individuals must in some way affirm them-
selves as autonomous subjects. What is new historically is that something
that used to only be required of certain people (to lead their own lives) has
become a general obligation. Durkheim formulated this in a very accurate
observation that there is no longer any discussion about the obligatory char-
acter of the rule that requires us to be individuals.
The society of individuals can easily be misunderstood if it is conceived as
a reality that is constantly supported by individual freedom. The new indi-
vidual configuration of institutions is not a mere product of individuals and
their desires, but it is strongly related to the institutional conditions, the legal,
political and economic system. Individuals are not the ones who are indi-
vidualistic, but rather institutions that have been thought up for individual
subjects. We can then understand what Talcott Parsons called “institutional-
ized individualization” (1978, 321). The job market, the requirements of
education and mobility, marital rights, labor laws and mandatory insurance
Accepting people 31
are rather the implicit condition for us to be able to agree with each other.
Any linguistic action, for instance, is a promise. To speak is to establish a
personal relationship that precedes any promise and makes it possible. The
speaker is signing a contract to tell the truth, without which any attention
given by others would make no sense. The explicit promise not to lie is
required in moments of crisis and wariness, but usually, it acts as one of the
implicit presuppositions explaining the usual functioning of the institution
known as human communication. We cannot constantly demand it to be
ratified without freezing the communication system. A promise is always
present silently in the background, justifying the usual confidence we give
in the veracity of the words of those we speak with. Being unable to locate
an original promise in time shows that recognition between human beings
is spread out in a series of actions that bind us in a nearly imperceptible
exchange of reciprocal credit.
One might say that the very fact of speaking is a moral action, or even,
the mere fact of existing is based on certain values. Identity and value are
not two things that follow each other, as if we first existed and then we
add the moral ingredients to life. In this case, something like a neutral,
insipid, life without value would be possible. Yet this neutrality is fictional.
Living means making value judgments. Identity itself is built on the basis
of moral values. A moral subject is already immersed in a community of
subjects wherein the possibility of choosing the obligations and require-
ments relevant to this position does not take place. We might subsequently
modify this position, for better or worse, but the moral point of view is not
a perspective we can choose out of several others, but rather the one where
we are already positioned before any other option we may choose. By virtue
of this position, we impose upon ourselves certain obligations and we antici-
pate certain positive suppositions, such as credibility and recognition. This
is why our legal system considers a contract to be invalid if someone gives up
their fundamental rights, i.e. that they take a position that would contradict
an irreducible part of their identity. The same would be true if someone
claimed to exonerate themselves from all their obligations. Entering into
a community of free beings is not a free action; it presumes that all others
have approved, that they implicitly recognize any new arrival as a peer. We
cannot access the category of moral subjects by opposition. This means that
we constitute a promise (by speaking, for instance) and thereafter comes
the appropriate or fraudulent use we make of this credit.
However, the identity of those who can promise is not an identity free
from the influence of time, which entails evolution and change. What loy-
alty to a promise requires is for the subject to behave according to this
evolution while subjecting the spontaneity and immediacy of the circum-
stances to the project of identity heralded by the promise. A matrimonial
promise, for instance, is not a promise to abandon the development of
your own personality; what we are promising is not to consider personal
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Walter Lantz Productions (PWH); 5Jun74; R578358.
R578359.
Let’s sing a college song. By Universal Pictures Company, Inc. 1
reel. © 1Apr47; M2182. Universal Pictures (PWH); 5Jun74;
R578359.
R578360.
Universal newsreel. Vol. 20, no. 42. By Universal Pictures
Company, Inc. 1 reel. © 29May47; M2171. Universal Pictures (PWH);
5Jun74; R578360.
R578361.
Universal newsreel. Vol. 20, no. 41. By Universal Pictures
Company, Inc. 1 reel. © 27May47; M2170. Universal Pictures
(PWH); 5Jun74; R578361.
R578362.
Patio museum. By Universal Pictures Company, Inc. 1 reel. ©
27May47; M2129. Universal Pictures (PWH); 5Jun74; R578362.
R578363.
Bronco babes. By Universal Pictures Company, Inc. 1 reel. ©
27May47; M2128. Universal Pictures (PWH); 5Jun74; R578363.
R578364.
Let’s sing a western song. By Universal Pictures Company, Inc. 1
reel. © 27May47; M2127. Universal Pictures (PWH); 5Jun74;
R578364.
R578365.
Universal newsreel. Vol. 20, no. 40. By Universal Pictures
Company, Inc. 1 reel. © 22May47; M2106. Universal Pictures
(PWH); 5Jun74; R578365.
R578366.
Universal newsreel. Vol. 20, no. 39. By Universal Pictures
Company, Inc. 1 reel. © 20May47; M2105. Universal Pictures
(PWH); 5Jun74; R578366.
R578367.
Universal newsreel. Vol. 20, no. 38. By Universal Pictures
Company, Inc. 1 reel. © 15May47; M2104. Universal Pictures
(PWH); 5Jun74; R578367.
R578368.
Universal newsreel. Vol. 20, no. 37. By Universal Pictures
Company, Inc. 1 reel. © 13May47; M2103. Universal Pictures
(PWH); 5Jun74; R578368.
R578369.
Universal newsreel. Vol. 20, no. 36. By Universal Pictures
Company, Inc. 1 reel. © 8May47; M2102. Universal Pictures (PWH);
5Jun74; R578369.
R578370.
Universal newsreel. Vol. 20, no. 35. By Universal Pictures
Company, Inc. 1 reel. © 6May47; M2101. Universal Pictures (PWH);
5Jun74; R578370.
R578371.
Universal newsreel. Vol. 20, no. 34. By Universal Pictures
Company, Inc. 1 reel. © 1May47; M2100. Universal Pictures (PWH);
5Jun74; R578371.
R578372.
Universal newsreel. Vol. 20, no. 33. By Universal Pictures
Company, Inc. 1 reel. © 29Apr47; M2099. Universal Pictures
(PWH); 5Jun74; R578372.
R578373.
Musical moments from Chopin. By Universal Pictures Company,
Inc. & Walter Lantz Productions. 1 reel. © 1Apr47; M2098. Universal
Pictures & Walter Lantz Productions (PWH); 5Jun74; R578373.
R578374.
The Coo coo bird. By Universal Pictures Company, Inc. & Walter
Lantz Productions. 1 reel. © 1Apr47; M2097. Universal Pictures &
Walter Lantz Productions (PWH); 5Jun74; R578374.
R578375.
Universal newsreel. Vol. 20, no. 32. By Universal Pictures
Company, Inc. 1 reel. © 24Apr47; M2062. Universal Pictures
(PWH); 5Jun74; R578375.
R578376.
Universal newsreel. Vol. 20, no. 31. By Universal Pictures
Company, Inc. 1 reel. © 22Apr47; M2061. Universal Pictures (PWH);
5Jun74; R578376.
R578377.
Universal newsreel. Vol. 20, no. 30. By Universal Pictures
Company, Inc. 1 reel. © 17Apr47; M2060. Universal Pictures (PWH);
5Jun74; R578377.
R578378.
Universal newsreel. Vol. 20, no. 29. By Universal Pictures
Company, Inc. 1 reel. © 15Apr47; M2059. Universal Pictures (PWH);
5Jun74; R578378.
R578379.
Universal newsreel. Vol. 20, no. 28. By Universal Pictures
Company, Inc. 1 reel. © 10Apr47; M2058. Universal Pictures
(PWH); 5Jun74; R578379.
R578380.
Universal newsreel. Vol. 20, no. 27. By Universal Pictures
Company, Inc. 1 reel. © 8Apr47; M2057. Universal Pictures (PWH);
5Jun74; R578380.
R578381.
Universal newsreel. Vol. 20, no. 26. By Universal Pictures
Company, Inc. 1 reel. © 3Apr47; M1998. Universal Pictures (PWH);
5Jun74; R578381.
R578382.
Universal newsreel. Vol. 20, no. 25. By Universal Pictures
Company, Inc. 1 reel. © 1Apr47; M1997. Universal Pictures (PWH);
5Jun74; R578382.
R578383.
Welcome stranger. By Paramount Pictures, Inc. 11 reels. ©
9May47; L1172. EMKA, division of Universal City Studios, Inc.
(PWH); 5Jun74; R578383.
R578384.
Record party. By Universal Pictures Company, Inc. 2 reels. ©
27May47; L1048. Universal Pictures (PWH); 5Jun74; R578384.
R578385.
Charlie Spivak and his orchestra. By Universal Pictures Company,
Inc. 2 reels. © 1Apr47; L1043. Universal Pictures (PWH); 5Jun74;
R578385.
R578386.
Charlie Barnet and his orchestra. By Universal Pictures Company,
Inc. 2 reels. © 1Apr47; L1042. Universal Pictures (PWH); 5Jun74;
R578386.
R578387.
Tommy Tucker and his orchestra. By Universal Pictures Company,
Inc. 2 reels. © 1Apr47; L1041. Universal Pictures (PWH); 5Jun74;
R578387.
R578388.
The Egg and I. By Universal Pictures Company, Inc. 12 reels. ©
1Apr47; L1040. Universal Pictures (PWH); 5Jun74; R578388.
R578389.
Jitterumba. By Universal Pictures Company, Inc. 2 reels. ©
1Apr47; L1039. Universal Pictures (PWH); 5Jun74; R578389.
R578390.
Calcutta. By Paramount Pictures, Inc. 9 reels. © 30May47; L1026.
EMKA, division of Universal City Studios, Inc. (PWH); 5Jun74;
R578390.
R578391.
Desert fury. By Hal Wallis Productions, Inc. 10 reels. © 15May47;
L998. EMKA, division of Universal City Studios, Inc. (PWH);
5Jun74; R578391.
R578392.
Imperfect lady. By Paramount Pictures, Inc. 10 reels. © 6Mar47;
L984. EMKA, division of Universal City Studios, Inc. (PWH);
5Jun74; R578392.
R578395.
Hard boiled Mahoney. By Monogram Pictures Corporation. 7 reels.
© 28Mar47; L939. Allied Artists Pictures Corporation, formerly
known as Monogram Pictures Corporation (PWH); 31May74;
R578395.
R578396.
Mister Hex. By Monogram Pictures Corporation. 7 reels. ©
7Dec46; L749. Allied Artists Pictures Corporation, formerly known
as Monogram Pictures Corporation (PWH); 31May74; R578396.
R578416.
Paramount news. No. 76. By Paramount Pictures, Inc. 1 reel. ©
21May47; M2110. Major News Library (PWH); 29May74; R578416.
R578417.
Paramount news. No. 75. By Paramount Pictures, Inc. 1 reel. ©
17May47; M2109. Major News Library (PWH); 29May74; R578417.
R578418.
Dangerous venture. By Hopalong Cassidy Productions, Inc. 6 reels.
© 23May47; L1013. Grace Bradley Boyd, surviving trustee under the
Declaration of Trust by William L. Boyd and Grace Bradley Boyd
(PWH); 29May74; R578418.
R578420.
Goofy golf. By Columbia Pictures Corporation. 1 reel. (The World
of sports) © 24Apr47; M2091. Columbia Pictures Industries, Inc.
(PWH); 4Jun74; R578420.
R578421.
Community sing. Ser. 11, no. 8. By Columbia Pictures Corporation.
1 reel. © 17Apr47; M1992. Columbia Pictures Industries, Inc.
(PWH); 4Jun74; R578421.
R578422.
Screen snapshots. Ser. 26, no. 8. By Columbia Pictures
Corporation. 1 reel. © 10Apr47; M1944. Columbia Pictures
Industries, Inc. (PWH); 4Jun74; R578422.
R578423.
Law of the canyon. By Columbia Pictures Corporation. 6 reels. ©
24Apr47; L1045. Columbia Pictures Industries, Inc. (PWH); 4Jun74;
R578423.
R578424.
The Grotto of greed. By Columbia Pictures Corporation. 2 reels.
(Jack Armstrong, chap. no. 12) © 24Apr47; L1002. Columbia
Pictures Industries, Inc. (PWH); 4Jun74; R578424.
R578425.
Cosmic annihilator. By Columbia Pictures Corporation. 2 reels.
(Jack Armstrong, chap. no. 11) © 17Apr47; L992. Columbia Pictures
Industries, Inc. (PWH); 4Jun74; R578425.
R578426.
Cupid goes nuts. By Columbia Pictures Corporation. 2 reels. ©
14Apr47; L978. Columbia Pictures Industries, Inc. (PWH); 4Jun74;
R578426.
R578427.
Battle of the warriors. By Columbia Pictures Corporation. 2 reels.
(Jack Armstrong, chap. no. 10) © 10Apr47; L977. Columbia Pictures
Industries, Inc. (PWH); 4Jun74; R578427.
R578428.
Out West. By Columbia Pictures Corporation. 2 reels. © 24Apr47;
L958. Columbia Pictures Industries, Inc. (PWH); 4Jun74; R578428.
R578429.
Human targets. By Columbia Pictures Corporation. 2 reels. (Jack
Armstrong, chap. no. 9) © 3Apr47; L957. Columbia Pictures
Industries, Inc. (PWH); 4Jun74; R578429.
R578430.
Two Jills and a Jack. By Columbia Pictures Corporation. 2 reels. ©
14Apr47; L946. Columbia Pictures Industries, Inc. (PWH); 4Jun74;
R578430.
R578431.
Bulldog Drummond at bay. By Columbia Pictures Corporation. 7
reels. © 7Apr47; L910. Columbia Pictures Industries, Inc. (PWH);
4Jun74; R578431.
R578549.
Mail dog. 1 reel. © 6May47; L1371. Walt Disney Productions
(PWH); 3Jun74; R578549.
R578550.
Foul hunting. 1 reel. © 7May47; L1373. Walt Disney Productions
(PWH); 3Jun74; R578550.
R578551.
The Big wash. 1 reel. © 21May47; L1422. Walt Disney Productions
(PWH); 3Jun74; R578551.
R578604.
Dear murderer. By Gainsborough Pictures (1928), Ltd. © 5Jun47;
L411. Rank Film Distributors, Ltd. (PWH); 6Jun74; R578604.
R578605.
A Lady surrenders. By Universal Pictures Company, Inc. 11 reels.
© 11Dec47 (in notice: 1946); L1980. Rank Film Distributors, Ltd.
(PWH); 6Jun74; R578605.
R578731.
News of the day. Vol. 18, issue no. 268. By Hearst Metrotone
News, Inc. 1 reel. © 2May47; M2069. Hearst Metrotone News, a
division of the Hearst Corporation (PWH); 10Jun74; R578731.
R578732.
News of the day. Vol. 18, issue no. 269. By Hearst Metrotone
News, Inc. 1 reel. © 7May47; M2121. Hearst Metrotone News, a
division of the Hearst Corporation (PWH); 10Jun74; R578732.
R578733.
News of the day. Vol. 18, issue no. 270. By Hearst Metrotone News,
Inc. 1 reel. © 9May47; M2122. Hearst Metrotone News, a division of
the Hearst Corporation (PWH); 10Jun74; R578733.
R578734.
News of the day. Vol. 18, issue no. 271. By Hearst Metrotone News,
Inc. 1 reel. © 14May47; M2123. Hearst Metrotone News, a division of
the Hearst Corporation (PWH); 10Jun74; R578734.
R578735.
News of the day. Vol. 18, issue no. 272. By Hearst Metrotone News,
Inc. 1 reel. © 16May47; M2124. Hearst Metrotone News, a division of
the Hearst Corporation (PWH); 10Jun74; R578735.
R578736.
News of the day. Vol. 18, issue no. 273. By Hearst Metrotone News,
Inc. 1 reel. © 21May47; M2125. Hearst Metrotone News, a division of
the Hearst Corporation (PWH); 10Jun74; R578736.
R578737.
News of the day. Vol. 18, issue no. 274. By Hearst Metrotone News,
Inc. 1 reel. © 23May47; M2126. Hearst Metrotone News, a division
of the Hearst Corporation (PWH); 10Jun74; R578737.
R578738.
News of the day. Vol. 18, issue no. 275. By Hearst Metrotone News,
Inc. 1 reel. © 28May47; M2203. Hearst Metrotone News, a division
of the Hearst Corporation (PWH); 10Jun74; R578738.
R578739.
News of the day. Vol. 18, issue no. 276. By Hearst Metrotone News,
Inc. 1 reel. © 30May47; M2204. Hearst Metrotone News, a division
of the Hearst Corporation (PWH); 10Jun74; R578739.
R578896.
Journey into space. By Columbia Pictures Corporation. 2 reels.
(Jack Armstrong, chap. no. 14) © 8May47; L1022. Columbia Pictures
Industries, Inc. (PWH); 11Jun74; R578896.
R578897.
For the love of Rusty. By Columbia Pictures Corporation. 7 reels.
© 1May47; L1030. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578897.
R578898.
Retribution. By Columbia Pictures Corporation. 2 reels. (Jack
Armstrong, chap. no. 15) © 15May47; L1035. Columbia Pictures
Industries, Inc. (PWH); 11Jun74; R578898.
R578899.
Prairie raiders. By Columbia Pictures Corporation. 6 reels. ©
29May47; L1037. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578899.
R578900.
The Millerson case. By Columbia Pictures Corporation. 8 reels. ©
29May47; L1049. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578900.
R578901.
Training for trouble. By Columbia Pictures Corporation. 2 reels. ©
14May47; L1078. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578901.
R578902.
Hold that lion! By Columbia Pictures Corporation. 2 reels. ©
22May47; L1079. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578902.
R578903.
The Vigilante rides again. By Columbia Pictures Corporation. 3
reels. (The Vigilante, chap. no. 1) © 22May47; L1265. Columbia
Pictures Industries, Inc. (PWH); 11Jun74; R578903.
R578904.
Mystery of the white horses. By Columbia Pictures Corporation. 2
reels. (The Vigilante, chap. no. 2) © 29May47; L1266. Columbia
Pictures Industries, Inc. (PWH); 11Jun74; R578904.
R578905.
Screen snapshots. Ser. 26, no. 9. By Columbia Pictures
Corporation. 1 reel. © 1May47; M2031. Columbia Pictures
Industries, Inc. (PWH); 11Jun74; R578905.
R578906.
Thrills of music. Ser. 1, no. 8. By Columbia Pictures Corporation.
© 22May47; M2074. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578906.
R578907.
Community sing. Ser. 11, no. 9. By Columbia Pictures Corporation.
© 22May47; M2160. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578907.
R578908.
Grappling groaners. By Columbia Pictures Corporation. 1 reel. ©
29May47; M2166. Columbia Pictures Industries, Inc. (PWH);
11Jun74; R578908.
R578942.
Doctor Jekyll and Mister Mouse. By Loew’s, Inc. 1 reel. © 4Jun47;
L1038. Metro Goldwyn Mayer, Inc. (PWH); 10Jun74; R578942.
R578943.
Living in a big way. By Loew’s, Inc. 11 reels. © 7Jun47; L1063.
Metro Goldwyn Mayer, Inc. (PWH); 10Jun74; R578943.
R578944.
Fiesta. By Loew’s, Inc. 11 reels. © 11Jun47; L1099. Metro Goldwyn
Mayer, Inc. (PWH); 17Jun74; R578944.
R578945.
On the shores of Nova Scotia. By Loew’s, Inc. 1 reel. © 11Jun47;
M2200. Metro Goldwyn Mayer, Inc. (PWH); 17Jun74; R578945.
R579136.
Paramount news. No. 79. By Paramount Pictures, Inc. 1 reel. ©
31May47; M2141. Major News Library (PWH); 17Jun74; R579136.
R579137.
Paramount news. No. 80. By Paramount Pictures, Inc. 1 reel. ©
4Jun47; M2142. Major News Library (PWH); 17Jun74; R579137.
R579138.
Paramount news. No. 81. By Paramount Pictures, Inc. 1 reel. ©
7Jun47; M2156. Major News Library (PWH); 17Jun74; R579138.
R579139.
Paramount news. No. 82. By Paramount Pictures, Inc. 1 reel. ©
11Jun47; M2157. Major News Library (PWH); 17Jun74; R579139.
R579724.
Paramount news. No. 84. By Paramount Pictures, Inc. 1 reel. ©
18Jun47; M2162. Major News Library (PWH); 20Jun74; R579724.
R579725.
Paramount news. No. 83. By Paramount Pictures, Inc. 1 reel. ©
14Jun47; M2161. Major News Library (PWH); 20Jun74; R579725.
R579842.
Rainbow over the Rockies. By Monogram Pictures Corporation. 6
reels. © 11Nov46; L694. Allied Artists Pictures Corporation, formerly
known as Monogram Pictures Corporation (PWH); 24Jun74;
R579842.
R579843.
The Trap. By Monogram Pictures Corporation. 7 reels. ©
26Nov46; L728. Allied Artists Pictures Corporation, formerly known
as Monogram Pictures Corporation (PWH); 24Jun74; R579843.
R579895.
Paramount news. No. 85. By Paramount Pictures, Inc. 1 reel. ©
21Jun47; M2190. Major News Library (PWH); 25Jun74; R579895.
R579896.
Paramount news. No. 86. By Paramount Pictures, Inc. 1 reel. ©
25Jun47; M2191. Major News Library (PWH); 27Jun74; R579896.
R579955.
Pet peeves. By Loew’s, Inc. 9 min. © 17Jun47; L1156. Metro
Goldwyn Mayer, Inc. (PWH); 24Jun74; R579955.
R579967.
Mighty Mouse in the Dead end cats. By TerryToons, Inc. 1 reel. ©
14Feb47; L953. Viacom International, Inc. (PWH); 8Jul74; R579967.
R579968.
Heckle and Jeckle, the talking magpies, in McDougal’s Rest Farm.
By TerryToons, Inc. 1 reel. © 31Jan47; L970. Viacom International,
Inc. (PWH); 8Ju174; R579968.